• 한국가구학회지
• /
• 제18권1호
• /
• pp.1-12
• /
• 2007

Korea has a dark age in terms of culture in the last 20th century. Korea had been struggling between the Great Powers of the world in the imperialism and had sacrifice to keep our own culture itself. Japanese imperialist's a invasion, culture liquidation by Japan, Independence from Japan, Korean war and Influence by US are major bitter historical affair after close of Chosun Dynasty in the process of modernization. Therefore Korea couldn't stay in the center of world cultural core parts and was degraded as cultural consumption country which was provided oversea culture by other countries. Then Korea couldn't develop our unique traditional idea and culture. In the meantime there are both extreme phenomena; one is expulsion of other cultures absolutely and the other is only following western culture unconditionally like trimming policy in the end of colony age. These discreet and unfiltered western culture had been influenced Korea culture over the wide range strongly and resulted in cultural colony situation to produce western imitation culture without philosophy and traditional spirit. Even though Korea has met opportunity in the culture, we called "Han Trend", no formation of own culture is main reason for psychological panic. Korea furniture design is one of parts of lost of tradition culture and typical parts in reproducing western imitation culture. As a result furniture industry's major reason for loss value as exporting industry compared to other industries result in most of the furniture products without our unique identity. This situation become more deepen unfortunately. This report would like to suggest the direction of design with global competition capability and cultural identity to boost Korean furniture design industry by comparing, analyzing and speculating between design of Chosun dynasty and philosophy of modernism in western.

• 한국조경학회지
• /
• 제27권1호
• /
• pp.79-89
• /
• 1999

Recent expansion of urban parks has been partly successful in terms of providing urban outdoor recreation space. Unfortunately we paid very little attention to the importance of providing regional identity to urban parks until recently. Thus one of the most important tasks of the contemporary landscape architects of Korea is to investigate ways to improve regional identity of urban parks. This study is aimed at evaluating how well the current urban parks have realized their own regional identity. To test the effectiveness of the concept of 'identity', the identity items were created, while a research model was developed by using such variables as in urban park identity, park satisfaction, belongingness to the region, and residential satisfaction. In order to test the model, the causations were analyzed. Meanwhile, the scales to evaluating identity were reviewed by means of the unstructures group interview, and were finally determined as 10 items; culture, uniqueness, symbolic, historic nature, homogeneity, harmony, difference, public benefit, nativeness and traditionality. Data from three new towns in the capital region-Bundang, Ilsan and Sanbon-were collected, and their central parks were referred to a questionnaire survey. The data were processed using descriptive statistics, correlation analysis, multiple regression analysis and path analysis. It was found through this survey that subjects 'sentiments regarding the sample towns' regional identity differed slightly. Residents of Bundang felt the strongest amount of regional identity, followed by those of Ilsan and Sanbon. In addition, the most important scale on regional identity is 'park satisfaction', followed by 'belongingness to the region' and 'residental satisfaction'. The path analysis was conducted to interpret the causations in a more detailed and comprehensive way than correlation analysis. As a result, it was proven that the regional identity affects 'belingingness to region' through the intermediated variable 'park satisfaction', while affecting ' residential satisfaction' through the intermediate variables 'park satisfaction' and 'beligningness to region'. In other words, although the regional identity of a park does not directly affect 'belongingness to region' or 'residental satisfaction', it has indirect effects on them through intermediate variables.

• 한국심리학회지 : 문화 및 사회문제
• /
• 제27권3호
• /
• pp.325-350
• /
• 2021

본 연구는 한국대학생의 부모자녀관계와 진로정체감의 관계에서 부모자녀진로합치과정의 매개효과를 살펴보는 것을 목적으로 하였다. 구체적으로, 정서적으로 끈끈한 유대감(부자유친성정)과 권위적 효의식을 지지하는 상호협조적 부모자녀관계와 자녀의 독립성과 자율성을 지지하는 독립적 부모자녀관계가 어떠한 부모자녀진로합치과정을 거칠 때 진로정체감에 긍정적인 영향을 미치는지를 살펴보았다. 이를 위해 4년제 대학생 509명의 자료를 분석하였으며, 병렬다중매개모형분석을 실시하였다. 그 결과, 부자유친성정은 보완합치와 조정합치과정을 완전매개하여 진로정체감으로 이어지는 것으로 드러났다. 권위적 효의식은 진로정체감에는 부정적인 직접 영향을 미치지만 보완합치와 조정합치과정을 매개하면 진로정체감에 긍정적인 영향을 미치는 것으로 드러났다. 자녀의 자율성을 지지하는 부모자녀관계는 보완합치와 조정합치과정을 완전매개하여 진로정체감으로 이어지는 것으로 드러났다. 가족침입성은 진로정체감에 부정적인 직접 효과만을 갖는 것으로 드러났다. 한편 유사합치과정은 상호협조적 부모자녀관계와 독립적 부모자녀관계 모두에서 통계적으로 유의한 매개효과를 갖지 않았으며, 진로정체감과는 부적인 직접효과를 갖는 것으로 드러났다. 이러한 결과를 통해 부모자녀관계와 진로정체감의 관계에 대한 문화보편적 특성과 문화특수적 특성을 논의하였으며, 연구의 한계와 향후 연구방향을 제언하였다.

• 패션비즈니스
• /
• 제16권5호
• /
• pp.146-163
• /
• 2012

This thesis aims to present how to make secure the identity of the brand with enhancing the esthetic expression of the brand and making the ways of emotional communication in variety, through investigating closely the case of Prada representative of the typical brands that have established the unique identity by cooperating the fashion with culture and art through their ingenious and consistent efforts. In the conclusion, the culture and art was found to be applied in two fields i.e. one of design and the other of marketing. In terms of the design, the method of inserting the image into the surface of the clothing and accessories was used. In the context, the illustration techniques, photographic patterns and applying the image of the art piece could be summarized to be used. In terms of marketing, the sponsorship of the art and exhibitions, look books, animations and fashion films, epicenter, the collaboration with the other kinds of enterprise, could be regarded as four ways of the approaches. The innovation and creativity, futuristic hybrid, nonprofit support of the art, the integration and consistency of the image of the arts could be concluded to be four major points defining the characteristics of the Prada renowned for the use of the culture and arts to its property.

• 복식
• /
• 제63권2호
• /
• pp.125-143
• /
• 2013

This study aims to clarify the identity of contemporary Chinese fashion design by examining how the characteristics of Chinese tradition are accepted and presented in fashion under the influences of western cultures. This study performed a literature survey on related works. Also this study performed demonstrative analysis of Chinese daily newspapers (People's Daily and Xinmin Evening News, 2007-2010) and fashion collections by Chinese and Chinese descent designers(2007-2011). The results are as follows: First, China is trying to express Chinese traditional ideas and factors in the design areas, and also trying to achieve an universal generalization. Second, the Chinese designers emphasized traditional ideas and culture in their designs. The Chinese descent designers were affected more by western culture. The common aesthetic consciousness were the beauties of sophisticated and splendorous decoration, vastness and elegance. Also the compromised images, neutral images and antique images were common in both groups. Third, the Chinese designers presented fashion designs on formalized and imitation stage. Also they tried to make a metaphorical stage. The Chinese descent designers showed designs on a metaphorical stage. In conclusion, the contemporary Chinese fashion design should find the way to globalize and identity of the traditional culture code simultaneously.

• 복식문화연구
• /
• 제15권6호
• /
• pp.965-981
• /
• 2007

Since the latter half of 20 century, in Korea, there are many discussions on the identity of Korean itself in several divisions, in which the discussion on the identity in the part of the costume or the part of the art reflecting the life, is the subject which must not fail to be noticed. So, we try to study the common structure manifested in the Korean painting and the costume as a part of basic recognition of problems and the way of problem-solving for the research on the Koran formative characteristics. The method and the process of this study is first, to consider the characteristics of the plastic and style of the Oriental arts and the Occidental arts by discourse implicate the difference between Oriental and Occidental view and the recognition of the body in the two worlds. And in the study we try to apprehend the dynamic modern artistic value of Korean style through assimilation between the Korean style and Baroque style according to the theory of $W\ddot{o}lfflin$ about the classical style and Baroque style. We will describe the Korean identity by analyzing the Korean plasticity with the Occidental style of dress and paintings reflecting the Occidental culture and thought and the Oriental things, and modern paintings and dress in the present age. As a result, we can try to recherche the way of use of new design for the identity of Korean style, in the concept of the ellipsis, repetition of the retrait, obscur silhouette, and superimposition.

• Fashion, Industry and Education
• /
• 제14권2호
• /
• pp.60-69
• /
• 2016

Visual literacy, a key element of a design portfolio, is achieved by communicating a consistent visual aesthetic with respect to design elements, design principles and individual style. Yet, students often feel challenged in articulating their personal aesthetic or design philosophy in order to create a unifying design identity within a body of artifacts. This paper shares some best practices on overcoming this challenge through students' engagement in self-reflection and identity formation processes. The implemented innovative strategy in a senior-level portfolio development course for apparel designers involved four different phases: 1) one-on-one meetings to self-reflect on previous design work, 2) selection and revision of artifacts, 3) peer-review and critiques of revised portfolio artifacts, and 4) development of a final ePortfolio to showcase a unified design identity. It was evident that recording students' initial self-reflection in the form of a metacognitive oral report encouraged and motivated identity development in their portfolio. Further, students expressed their satisfaction in the ability to participate in the selection process of artifacts by self-reflecting about what they wanted to highlight about themselves and why. Overall, student outcomes from this strategy exceeded expectations and the portfolios developed were successful in creating a cohesive design identity.

• 한국심리학회지 : 문화 및 사회문제
• /
• 제28권4호
• /
• pp.529-553
• /
• 2022

본 연구는 지각된 부모의 학업성취압력과 자녀의 정신건강의 관계에서 정체성 발달의 매개효과를 확인하고자 하였다. 구체적으로, 지각된 부모의 학업성취압력과 자녀의 정신건강 간의 관계가 정체성 발달의 긍정적 측면과 부정적 측면 중 어느 측면을 통해 매개되는지 살펴보았다. 이를 위해 한국 대학생 110명을 대상으로 온라인 설문을 진행하였다. 참여자들은 지각된 부모의 학업성취압력과 정체성 발달, 웰빙, 우울을 묻는 설문지에 응답하였다. 분석 결과, 지각된 부모의 학업성취압력은 참여자의 웰빙과는 부적, 우울과는 정적 상관관계에 있었다. 다음으로, 학업성취압력과 정신건강 관계에서 정체성 발달의 매개효과를 알아본 결과, 정체성 발달의 부정적 측면만이 유의하게 나타났다. 즉, 부모로부터 학업성취압력을 높게 지각한 참여자의 정체성은 제대로 발달하지 않았는데, 이는 곧 낮은 정신건강으로 이어졌다. 본 연구는 자녀가 지각한 부모의 학업성취압력과 자녀의 정신건강 간의 매개변인으로 정체성 발달을 제시하며 정체성 발달의 긍정적 측면과 부정적 측면 중 부정적 측면이 두 변인의 관계를 매개한다는 것을 밝혔다는 점에서 의의가 있다. 연구 결과를 바탕으로 입시 경쟁이 치열한 한국사회에서 정체성 형성 과정에 대한 개입이 부모의 학업성취압력과 자녀의 정신건강 간의 관계에서 부정적 영향력을 상쇄할 수 있는 방안이 될 수 있음을 시사하며 본 연구의 제한점과 후속 연구를 제안하였다.

• The International Journal of Costume Culture
• /
• 제12권2호
• /
• pp.197-201
• /
• 2009

The meaning of brassieres much more than a piece of underwear for women because breasts are considered the symbol of feminine sexuality, througout the history, women have used various intimate apparel or device to shape their body. In this article, have highlighted the relationships between fashion and technology, attractiveness, identity and, all of which are important components of aspects and evaluation of bra.

• 복식문화연구
• /
• 제2권1호
• /
• pp.105-121
• /
• 1994

The purpose of this study was to investigate clothing socialization in Korean fairy tales by the socialization theory. Clothing socialization analyzed of seven categories-norm, role, self-identity, morality, institution, social class and social change, From the costume in the Korean fairy tales, clothing socialization can be visualized.