• 복식문화연구
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• 제21권2호
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• pp.234-245
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• 2013

The modern fashion was developed the basis on the western dress structure and its historical flow was continued until today. Particularly, the Britain has coexised the unique cultural identity in the aristocratic high culture and rebellious tendency of the subculture so it is necessary to the consideration about whole culture in order to grasp the British fashion identity. The purpose of this study was shown the methodological framework of the culture identity research of one country through the background of this formation of culture and process high culture and subculture study by analysis the culture identity in the today's Britain. Also, the purpose of this study that it draws whether the feature of the British fashion shows up as any aspect in this culture identity. The range of this study subdivides and considers with the imperialism, industrial revolution, aristocratism, union nations, and geographical aspect as the island country into the economy, politics, society, and natural characteristic about the Englishness and the notion of British culture then it draws the dichotomy of the British fashion through the culture identity formed in this society cultural background with both sides in the high culture and subculture aspect.

• 복식문화연구
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• 제2권1호
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• pp.145-165
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• 1994

This paper analyzes how Cultural identity described by dress in Pearl S. Buck's novel. The result shows that dress described Ethnic identity, Other cultural identity, Dual cultural identity.

• 한국심리학회지 : 문화 및 사회문제
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• 제21권1호
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• pp.45-66
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• 2015

본 연구에서는 해외유학경험 후 귀국한 성인들의 재문화충격 경험과 주관적 안녕감을 알아보고, 지지체계(가족지지, 모국친구지지, 외국친구지지)와 문화정체성(모국정체성, 외국정체성)이 재문화충격과 주관적 안녕감의 관계를 조절하는지를 살펴보았다. 연구참여자들은 19세 이전에 한국을 떠나 해외에서 3년 이상 거주를 하고 한국으로 되돌아온 157명의 귀국성인이었다. 위계적 회귀분석을 통해 재문화충격과 각각의 조절변인에 대해 이원상호작용을 분석한 결과, 재문화충격과 주관적 안녕감 간에는 부적인 관계가 있었으며, 가족지지의 조절효과만이 유의한 것으로 나타났다. 구체적으로, 재문화충격과 주관적 안녕감 간의 관계 강도는 가족지지가 높을 때 완화되는 것으로 나타났다. 다음으로 재문화충격, 사회적 지지 중 한 요인, 문화정체성 중 한 요인을 대상으로 삼원상호작용을 분석한 결과, 재문화충격, 가족지지, 모국정체성의 삼원상호작용이 유의하였다. 특히 재문화충격과 주관적 안녕감의 관계강도는 가족지지와 문화정체성 중 한가지만 낮을 때 보다 모두 다 낮을 때 더 높은 것으로 나타났다. 이러한 연구결과는 귀국성인들의 재문화충격과 주관적 안녕감의 관계가 조절가능하며 재문화적응과정에서의 가족지지(환경적 요인)와 모국정체성(개인내적 요인)의 중요성을 시사한다.

• 수완나부미
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• 제14권2호
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• pp.269-303
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• 2022

Since the creation of the Association of Southeast Asian Nations (ASEAN) in 1967, the main objective of creating a "prosperous and peaceful community of Southeast Asian Nations" through regional integration remains slow. While the aims and purposes of the ASEAN include accelerating, promoting active collaboration and mutual assistance on matters concerning culture and cultural development, the desired ASEAN Integration through culture is still in question. As a multicultural region, the richness and diversity of cultures constitute both prospects and challenges. This paper discusses 1) the concept of integration vis-a-vis the ASEAN; 2) the ASEAN's goals, policies, and initiatives, concerning culture as stipulated in the key documents of ASEAN Socio-Cultural Community-Culture and Arts sector; and 3) the ASEAN identity and community vis-a-vis culture. In the end, this paper proposes a framework on the ASEAN integration through culture in the context of a single identity amidst cultural diversity.

• 한국철도학회논문집
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• 제5권4호
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• pp.201-208
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• 2002

This study suggests a new paradigm to build the identity of railway culture design, since it plays a critical role in enhancing competitiveness of culture and design. It is considered to be a valuable factor to improve users' satisfaction and to have a new effect on the railway industry. This study is focused on systematic study on the culture ＆ design and competitiveness for railway industry, that emphasizing on making necessary strategic scenarios accordingly. Consequently, it is going to make higher added values to secure a footing and advanced images of railway industry.

• 치위생과학회지
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• 제17권6호
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• pp.516-522
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• 2017

본 연구는 조직문화유형, 치과위생사의 전문직정체성, 조직몰입 세 변인 간의 관계를 파악하고, 치과위생사의 조직몰입 수준에 영향을 미치는 요인을 파악하기 위해 수행되었다. 치과 병 의원에 근무하는 310명의 치과위생사를 대상으로 설문조사를 실시하여 다음과 같은 결과를 얻었다. 치과위생사가 인지하는 치과조직문화는 위계지향문화(3.39점)가 가장 높았으며, 업무지향문화(2.71점)가 가장 낮았다. 조직문화 중 혁신지향문화는 치과병원에 근무하는 경우와 3인 이상의 치과의사와 근무하는 경우에 치과의원에서 근무하는 경우나 1인 치과의사와 근무하는 경우보다 높았고, 전문학사인 경우보다 학사 이상인 경우에, 미혼자보다 기혼자가, 일반 치과위생사보다 실장급 치과위생사가 혁신지향문화를 더 높게 인식하는 것으로 나타났다(p<0.05). 관계지향문화는 1인 치과의사와 근무하는 경우(3.35점)와 실장급 치과위생사(3.43점)가 3인 이상의 치과의사와 근무하는 경우나 일반 치과위생사보다 높게 인식하고 있었다(p<0.05). 업무지향문화는 3인 이상의 치과의사와 근무하는 경우가 1인 치과의사와 근무하는 경우보다 유의하게 높았고, 치과병원에서 근무하는 경우가 치과의원에서 근무하는 경우보다 높게 나타났다(p<0.001). 조직몰입에 유의한 영향을 미치는 변수로는 관계지향문화(p<0.001)와 혁신지향문화(p=0.006)로 나타났다. 치과 내에 관계지향문화와 혁신지향문화의 형성을 유도하는 반면 위계지향문화를 감소시키는 것이 치과위생사의 조직몰입과 전문직정체성을 높이기 위한 전략이 될 수 있음을 시사한다.

• 한국실내디자인학회논문집
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• 제17권2호
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• pp.140-149
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• 2008

The purpose of this study is to consider the present situation and cases of culture marketing as brand identity shown in Window Display Area, focusing on department store and fashion brand, one of the recent cultural trends. Display in windows of existing department store and fashion brand has represented ultimate goal of sales by coordination of products, seasons and themes based on profits. However, display has recently become brand identity which department store and fashion brand create by correlating art and commercialism since the era of various lifestyles and emotional consumption. Through identity in department store and fashion brand, cultural marketing shown in show window display space cooperates with customers, corporations, artists and culture and art foundations. The result of this research is the following : First, corporations result in improvement in their image and brand perception with a distinctive marketing strategy. Second, as an agent of art customers form a positive relation with corporations and can feel emotional values and enjoy culture through cultural marketing contents, which are shown by department store and brand. Third, we can expect that artists, culture and art foundations form the best partnership by creative activities with department store and brand and cultural marketing activities make a great contribution towards society.

• 복식
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• 제59권7호
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• pp.65-76
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• 2009

Korea has established a code for the economic and cultural industry that covers a wide range of classes unlike the old information era which was limited to the simple knowledge, technology, tools, morals, and customers that had been established in our society. On the other hand, 'culture marketing' is a series of marketing activities in which value-added items are created and shared. The combination of business management and culture seemed pretty awkward considering how rapidly the world was changing, however, the nature of today's culture has changed and the economic nature of culture products has resulted from those changes. In this paper, two authors who expressed the cultural identity in the culture products are studied through a comparison analysis; the author Min Yeongsoon expressed the identity confusion that she experienced in a foreign country and how she overcame homesickness in her work; and the author Kim Ata expressed his confidence in Asia and used his clear and loud voice to express the culture in his work. In addition, today's culture products are affected by the surrounding cultures such as the member's traditional society, environmental culture, and individual's culture. It is a good source for good works of art. In this study, the efforts of seeking the cultural identity, structuring the concept, seeking a new market and possibilities are used to make a consistent process in order to make a series of the systems required for planning and developing culture products.

• 복식문화연구
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• 제20권2호
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• pp.263-271
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• 2012

Cultural products reflect a living culture and evolve despite being based on traditional forms only. It is known as traditional cultural expression that portray certain culture groups, materials, spiritual and creativity inspired from their living environment that characterize a society. The old Malay community had a close relationship with their surrounding and environment. Sensitivity towards the nature and surrounding environment moved them into creative people. In designing the local traditional textile, role of the motifs, design and product design play an important element in Malay cultural values. This reflects the symbols and philosophy of the arts and culture and thus becomes the identity of the Malay community, which in general practice their culture and tradition based on Islamic culture and religion. Kelantan and Terengganu are the pioneer states for most producers of Malay traditional textiles. In these states the Pelangi cloths, is one of the unique textiles use and inherited by the Malay communities. Base on history, the Malay rulers and Malay nobility used Pelangi cloth as complementing clothing and ornament in attending various ceremonies and customs in their daily life. In this paper will discuss the specific picture of Pelangi motifs, design and its usage in Malay society in Malay Peninsula through its identification aspect of representations. It shows that this textile represent certain insights of Malay customs and identity.

• 동아시아식생활학회지
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• 제19권5호
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• pp.668-680
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• 2009

The purpose of this study was conducted to evaluate the relationship between the perception of Korean traditional food and the national identity of Uzbekistan-Koreans. National identity was characterized into 4 dimensions, i.e., psychological identity, national independence, compatriot affection, and continuance of national culture. Data were collected from 634 Koreans living in Uzbekistan and were analyzed by chi-square and ANOVA. The results showed that the perception of Korean traditional food is significantly correlated with the national identity of Uzbekistan-Koreans, and that the dimensions of national identity are likely to vary depending on generation, educational level, and hometown of Uzbekistan-Koreans. Similarities and differences in the perception of traditional food by national identity are discussed, and the implications for food and nutrition specialists, especially for those who have an interest in traditional food in connection with the folk culture in Asian areas, are provided.