• 한국실내디자인학회논문집
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• 제14권4호
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• pp.11-18
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• 2005

This study investigates and analyzes Catholic cultural traits in Gaudi's architectural designs on the assumption that the cultural identity of Spain has been built heavily on Catholic cultural tradition. Through examining thoroughly six residential buildings Gaudi designed, Catholic cultural traits were found in their interior ornaments, space formation, and expression of form. This study shows, first, that by making good use of interior ornaments, Gaudi sought to Catholic cultural uniformity among buildings that have different cultural characteristics. Second, with regard to space formation, he tended to build a chapel or an oratory inside structures which encouraged residents to worship in their home. Also, as for expression of form, his designs, expressing Catholic cultural features in various ways, succeeded to form visual uniformity among buildings and structures with a variety of styles. Lastly, by using properly Catholic cultural elements explained above and making those traits easily recognized even from a long distance, his architectural works represent very well the importance of Catholic culture as a foundation of Spain culture.

• 가족자원경영과 정책
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• 제14권4호
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• pp.151-171
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• 2010

Multi-culturalization in our society may be the cause of many problems, but if appropriately dealt with, diversity brought on by multi-culturalization could resolve chronic abuses in education and create a new culture, thereby contributing greatly to national development. The purpose of this study was to examine the current research on multi-cultural education and to provide a normative orientation to multi-cultural education. The literature research was conducted between March 2008 and September 2009. The followings are the findings of this study. First, the results reveal that the appropriate target of a multi-cultural society should not be assimilation, but rather, multi-culturalism. Multi-culturalism has greater adaptability, and the key lies in its respect for human rights, its strengthening of multi-cultural capacity, and its consideration for the minority by moving toward corporate multi-culturalism that aims for equality in results. Second, the first form of multi-cultural education emphasizes neutrality and argues that it is the best way to respect different cultures. This form of multi-cultural education emphasizes neutrality toward "sameness." In this context, sameness means equality of the rights of human beings. The other form of multi-cultural education emphasizes diversity and argues that it is the best way to respect different cultures. It focuses on the recognition of particularity. But it reveals its shortcomings when it excludes interaction not only between an individual and the culture, but also between the insider and outsider of the culture and its social institutions. Thus, multi-cultural education for mutual understanding is suggested. Third, it has been found that pure homogeneous nationalism must be destroyed, but nationalism needs to transform itself rather than be abolished in a globalized and multi-cultural society. Moreover, on behalf of pursuing open nationalism, the self-transformation of nationalism is advisable, in order to for it to overcome its antagonistic and exclusive nature.

• 보존과학회지
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• 제37권1호
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• pp.43-54
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• 2021

In this study, a scientific analysis of the gold leaf layers and internal structure of the Clay Seated Vairocana Buddha Triad in Seonunsa Temple, Gochang (Treasure No. 1752) was conducted. The surface of the Buddha statues is a gold foil, and the gold leaf layer consists of four layers. The gold leaf layer first composed on the molding clay was produced in the order of lacquer-fabrics-lacquer-gold foil. Subsequently, it was confirmed that the work was performed three times in the same way. The composition of the Buddha statues was divided into the head, body or upper body, lower body, and pedestal. The body was made in a cylindrical form by connecting vertically oriented wooden materials, and the head and lower body were also connected to the body in an empty form. Thus, the head, body, and lower body are grafted structures that are connected to a single Bokjang-gong. It was confirmed that the Clay Seated Vairocana Buddha Triad in Seonunsa Temple was made using wood materials for the basic form, after which the detailed form was created with molding clay, and the surface was finished with a process of layering gold foil and substances presumed to be lacquer.

• Journal of Information Science Theory and Practice
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• 제12권1호
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• pp.21-38
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• 2024

Infographics are influential and valuable communication tools for providing information, and can be used for promoting cultural learning resources and cultural tourism destinations. Therefore, this article presents values of using infographics for promoting Patum's culture and tourism in Phrao District, Chiang Mai, Thailand as cultural learning resources and tourist attractions. Employing a research and development approach, this study utilized three distinct instruments: (1) an interview form engaging 40 locals to uncover insights on promoting Patum village, (2) an assessment form evaluated by three arts and design experts, and (3) questionnaires distributed to 92 participants to gauge perceptions and satisfaction. The findings showcased the high quality and appropriateness of the eight infographics. Audiences derived six key values, including acquiring knowledge, fostering the promotion of Patum's culture, festivals, religions and beliefs, deriving aesthetic enjoyment, encouraging cultural tourism, contributing to the education sector, and enhancing comprehension of Patum's history. Participants expressed high satisfaction ($\bar{x}$=4.46) with the infographic use. The developed infographics are usable and valuable information to help audiences recognize Patum cultural learning resources and tourist destinations. They might be further tailored to the recognition of Patum village in the near future, affecting the area's development by increasing local people's incomes through cultural learning resources and tourism activities.

• 보존과학회지
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• 제35권3호
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• pp.259-268
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• 2019

석조문화재는 조성된 직후부터 복합적 훼손요인에 의해 손상되거나 본래의 역사적 진정성을 잃어버린 채 현재에 이르게 된다. 원형보존과 진정성을 회복시키기 위한 다양한 인위적 개입을 원주 법천사지 지광국사탑 보존처리 사례를 중심으로 설명하였다. 지광국사탑의 보존처리는 해당 문화재의 연구와 보호에 기여하는 모든 과학적 기술적 수단을 확보한 후 진행하였으며, 지광국사탑의 미학적, 역사적 가치를 보존하고 원 재료와 원형에 대한 이해를 바탕으로 추진하였기 때문에 과도한 복원은 지양하였으며 원형보존과 진정성을 회복하는데 기여한 것으로 판단된다.

• 한국의상디자인학회지
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• 제6권1호
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• pp.55-63
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• 2004

The dress culture of Korea and Turkey should be necessary to study in view of a similar culture of Korea and Turkey due to similarity of oriental culture. Thus, as two nation's dress is investigated, cultural characteristics and dress form of two nations are analyzed with cultural background in detail. Also, comprehension is determinated for the dress color and texture as well as dress culture. In this paper, It is investigated theoretically for the function, type, and class of dress. Also, The form of Korean Po are compared to background of Turkish dress and Sulltans' dress form. To unify a cultural propagation and dress form, technical, inductive contents analytical method as well as literature review are used in positivism. Subject is limited to the Korean Po and Sultans' dress of Turkey. As a results, as the nation's dress reflect to culture and society of the nation, Korean dress have some similarity and differences comparing Turkish dress as followings. In dress form of two nation, rectangular Gil's shape was very similar. Mu's shape was similar too. However, Sultans' dress had outside shape of caftan type and Po had full or partial wrinkles by transforming Mu. Also, Sultans' dress did not have Sup. Korean Po have side slits or back side slits and Jun-Sam but Sultans' dress had only some side slits.

• 한국IT서비스학회지
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• 제18권3호
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• pp.53-74
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• 2019

In this paper, a theoretical measurement model for comparing cultural power of nations as a form of national power is built and applied to the G20 nations. The measurement model is drawn from the literature of the state theories regarding culture, theories of epistemology, and debates about the sources of national power. Taking the multiple indicator approach, indicators reflecting diverse aspects of cultural power are developed are developed. Examined with empirical data, this model is proved as appropriate as a tool for measuring and comparing the cultural power of nations. Diverse aspects of the cultural power of the G20 nations are ranked and interesting points regarding the state and potential of Korean culture and her cultural governance in these respects are elaborated. The overall ranking of the cultural power of Korea is found as the $11^{th}$ while the U.S., U.K. and France respectively as the $1^{st}$, the $2^{nd}$, and the $3^{rd}$. The U.S. is ranked as the 1st in all three aspects of the cultural power of nation: cultural attractiveness, efforts to enhance the national cultural power, and cultural base of a nation. Korea is ranked as $14^{th}$, $11^{th}$, and $6^{th}$ respectively in these three respects of the national cultural power. Based upon typological analysis of the cultural power of Korea, it is found that Korea belongs to Type III. Trying to move eventually toward Type I state via Type II is suggested as a strategy movement for future cultural governance by Korean government and people to enhance her national cultural power.

• The Journal of Asian Finance, Economics and Business
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• 제8권5호
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• pp.795-806
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• 2021

This study analyzes and assesses the effect of good governance consisting of accountability, transparency, and participation on the financial performance of Pare-Pare City local government moderated by the basic values of Siri culture in the form of Lempu (honesty), Amaccangeng (intelligence), and Awaraningeng (courage). The population of this research is 200 local government employees (respondents). The results of data analysis showed that accountability and participation variables had no significant effect on the financial performance of the Pare-Pare City local government. However, the transparency variable has an influence on local government financial performance. It is hoped that all these 3 variables (accountability, transparency, and participation) will have a significant effect on local government financial performance. To achieve this, it is necessary to apply cultural values that exist in society so that cultural values can provide greater guidance in the management of regional finances. The results provide a better understanding of the importance of Siri's cultural value in the implementation of public services to the community. With Siri's cultural values in the form of Lempu, Amaccangeng, and Awaraningeng embedded in their behavior, government employees can improve performance and avoid deviant behavior or corruption. The novelty of this research is a form of analysis by using local cultural values (the basic values of Siri culture) as the moderating variable.

• 과학기술학연구
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• 제3권1호
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• pp.1-17
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• 2003

과학기술과 문화의 관계는 어떻게 이해해야 하는가? 과학기술은 문화의 일부로서 이해되는가 하면, 흔히 과학기술과 문화는 서로 배타적인 관계에 있는 것으로 주장되기도 한다. 이 논문에서는 먼저 과학기술을 문화의 한 형태로서 검토하였다. 분명히 과학은 인식적 가치를 창조하는 가치문화의 일부이며, 기술은 비록 도구적 문화로서 파악되는 경우에도 문화체계의 일부로 이해해야 한다. 그러므로 과학기술은 어느 정도의 '상대적 자율성'을 지닌 문화체계의 일부인 것이다. 다음으로 이 논문은 정치체계, 경제체계, 문화체계와 과학기술체계 간의 긴장관계에 대해 검토하였다. 특히 현대사회에서 정치와 경제체계에 의해 문화체계가 식민화되는 과정에서 과학기술체계의 도구적 합리성의 왜곡에 의해서 야기된 기술지배의 부정적 결과들에 대해 검토하고, 이를 극복하기 위해서는 도구적 합리성이 사회적 합리성과 의사소통합리성 등에 의해 균형을 이루어야 함을 지적하였다. 끝으로 이 논문에서는 정치, 경제, 문화 및 시민사회 각각의 '과학문화'의 특성과 그와 같은 과학적 부분문화(scientific subcultures)들 간의 역동적인 관계와 사회과정을 통해 '인간화되고 민주적인 과학문화'가 형성될 수 있는 가능성에 대해 논의하였다.

• 보존과학회지
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• 제34권3호
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• pp.235-244
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• 2018

석조문화재는 '석재'로 만들어진 문화재로 조성 목적에 따라서 여러 형태를 빌리고 있다. 그 중에서 석탑(승탑 포함)과 석불(마애불 포함)이 가장 많으며 문화사적 및 과학기술적 측면에서 가장 중요하다고 판단된다. 문화사적인 것과 과학기술적인 특징은 왜? = why? 그리고 어떻게? = how?의 관계로 나타낼 수 있다. 전자는 이유, 원인 등으로 철학적인 면을, 그리고 후자는 방법론적인 면을 의미한다. '왜?' 그들은 석탑과 석불을 제작하였으며 '어떻게' 그것들을 조성할 수 있었을까? 이와 같이, 석조문화재는 대부분 (1) 정치-사회적, (2) 종교적, 그리고 (3) 문화사적 배경에 따라 형태적 측면의 영향을 받는다. 그러므로 문화재가 조성된 배경을 종합적으로 조사 및 분석하여 석조문화재 보존처리를 위한 원칙과 방법론에 대해 기술하고자 한다.