• 제목/요약/키워드: Cultural Symbol

검색결과 273건 처리시간 0.023초

한자문화권 문자도의 그래픽 콘텐츠 연구 -한, 중, 일, 베트남의 민간화를 중심으로- (A study on the Graphic Contents of Munja-do of the culture sphere of Chinese Characters -centered on Minhwa of Korea, China, Japan, Vietnam-)

  • 이명구;남인복
    • 디자인학연구
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    • 제17권3호
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    • pp.209-220
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    • 2004
  • 중국을 중심으로 하는 한자문화권에 속하는 한국, 일본, 베트남 등지에서는 일반 서민계층에서 민간화가 성행하였다 그 중에 대표적인 길상문자도와 함께 표현방식은 다소 다르나, 보다 조형화 한 다양한 양식의 문자도가 있다. 이들은 17세기 이후인 명말청초대에 중국 각지에서 유행하던 연화 양식이 주변국으로 건너가면서 각 국가의 고유한 정서를 담은 특색 있는 양식으로 발전한다. 문자를 제재로 한 이들 연화나 문자도는 이미지를 문자화 하거나 문자를 이미지 화하여 제작된 것으로, 눈에 보이지 않는 '우주론적인 도'를 눈에 보이는 선과 형태로 조형화 하여 나타낸 작품이라 하겠다. 문자를 소재로 한 이 같은 상징체계는 표의성을 대표로 하는 한자문화권에서만 볼 수 있는 것으로 나라마다 독특한 양식은 당시 민간의 다양한 생활문화를 반영하고 있으므로 오늘날에도 연구 대상이 될 만하다. 특히 21세기 세계의 관심이 문화로 집약되고 있는 현실에 비추어 볼 때, 전통 생활문화의 하나로서 문자도가 갖는 가치는 낮게 평가할 수 없다. 우리의 경우 다른 나라에서 볼 수 없는 독특한 양식의 문자도 문화를 가지고 있었기에 더욱 남다른 관심을 기울일 필요가 있다. 따라서 오늘날 한자문화권의 문자도 양식의 비교를 통해 전통문화에 패한 인식을 새롭게 함으로써 우리의 문화콘텐츠를 풍부하게 만들어 나가야 할 것이다.

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TV광고에 나타난 무용이미지의 기호학적 의미에 관한 연구 (Semiological Implication of Dance Images in TV Advertisement)

  • 박아영
    • 트랜스-
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    • 제1권
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    • pp.21-44
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    • 2016
  • 본 논문은 광고와 무용이 어떤 기호를 통해 의미를 전달하는지, 그리고 광고 안에서 그려지는 무용과 무용수의 모습이 가진 기호적 의미는 무엇인가를 파악한다. 이를 위해 무용으로 표현된 기호들이 광고의 목적에 부합하는지를 알아보고, 무용 그 자체의 기호적 의미를 재평가함으로써 일반 대중이 무용을 수용하는 방식과 모습을 발견하고자 한다. 이를 위해 광고 관련 제작자 및 연출가의 관련 자료를 확보 하였으며, TV광고에 나타난 신체기호로서의 무용의 이미지를 분석하고 연구목적과 관련된 선행연구와 이미지 및 효과를 분석한다. TV광고 분석은 TVCF 홈페이지, www.TVCF.co.kr 자료를 참고로 연도별 광고에 활용된 무용분야의 빈도수 중 가장 많을 때인 2008년 TV광고4편 남광토건, 롯데백화점(프리미엄세일/상품권), 현대자동차산타페- 필로볼러스(Pilobolus), 2011년 1편 PNS더존샤시- 아레나 디 베로나(Arena di Verona)로 제한한다. 또한 각각의 광고를 반복적으로 본 결과 중요하다고 판단되는 것을 기준으로 무용수의 움직임이나 통선이 크게 바뀌는 부분과 화면 문구가 변경되는 부분을 중심으로 분석한다. 무용의 이미지 분석은 신제 이미지(선, 의상, 표정), 무용 이미지(움직임의 형태, 질적 특성, 춤의 분위기)에 따른 구조를 살피는 방식으로 이루어 졌다. 그 결과 TV광고에 나타난 기호적 무용이미지는 다음과 같이 논의 될 수 있다. 첫째, 무용을 활용한 광고에서 무용이 가진 상징과 기호가 광고하려는 물질적 대상에 일치한다. 예컨대 이용우가 출연하는 TV광고에서 그의 기표로서의 움직임은 빠른 턴, 점프, 아쌈블레, 터닝 점프, 슬라이딩 등을 통해 남광토건 기업의 미래의 도전이라는 기의를 알 수 있다. 둘째, 발신자의 의도에 따른 무용수의 신체 이미지는 일반적으로 일치하는 반면, 무용 이미지의 경우 다소 차이가 있음을 알 수 있다. 이는 TV광고에 나타나는 기호적 무용의 이미지는 대중들로 하여금 시청함과 동시에 무의식적으로 인지하도록 한다. 특히 TV프로그램 중에서도 광고는 선택의 여지와는 상관없이 하나의 광고만을 시청하기보다는 방송사측에서 편성된 프로그램의 방영으로 부득불 자주 노출되며 이로써 오랜 시간 머릿속에 잔상으로 남게 됨으로 수신자 개개인의 생각과 특성여부에 따라 달리질 수 있다. 이처럼 광고는 일반인들이 예술문화를 생활 속에서 자연스레 흡수할 수 있게 하는 매개체이며, TV 광고를 통한 대중예술의 전파는 소수계층에게만 수용되었던 순수예술을 대중에게 폭넓게 노출시킴으로써 오늘날 진정한 대중문화로서의 예술로 승화시킬 수 있으리라 생각된다.

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Hotel Uniform Proposal for Jeju I

  • Kwon, Sookhee
    • 한국의류산업학회지
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    • 제16권6호
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    • pp.987-994
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    • 2014
  • The purpose of this research is to propose employee uniforms for tourist hotels on Jeju Island, such uniforms that embrace Jeju's unique culture and promote the tourism of Jeju Island. It has been suggested that there exists a need for hotel employee uniforms to attract more tourist attention and boost Jeju's tourism industry. We designed the uniform after analyzing the empirical data collected from academia thesis, periodicals, papers and pictures from internet search, and fashion industry magazines. The uniform analysis and production procedures are as follows: (1) precedent research case review (2) current (existing) uniform status survey (3) latest fashion trend analysis (2010 - 2014) (4) creating the uniform implementing the trend-based design with Gal Cheon, Jeju's cultural product material. We found tipping points of the design through literature and trend analysis; we developed appropriate uniforms accordingly that are harmonious with Jeju's unique identity. We received great evaluations on the appearance and comfort as well. A new concept of uniform featuring Gal Cheon has been proposed. It is expected that the uniforms will promote the brand image of Jeju as an international freedom city and its culture.

건설 프로젝트의 사업타당성 분석에 관한 연구 (A Feasibility Study of the Construction Project in Pre-Design Phase)

  • 노병옥;이상범;임남기
    • 한국건축시공학회:학술대회논문집
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    • 한국건축시공학회 2002년도 학술논문발표회
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    • pp.109-113
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    • 2002
  • Urban public service is goods and activities which satisfy public demands for the political, social, economic, cultural activity and household affairs of individual or groups and which urban government supply with free of charge. In view of government, in addition to fairness of facilities location, location of such facilities are to be determined the respect to cost of locating facilities and developmental direction in the future. Therefore, it is necessary to study on feasibility. A feasibility study Is an effective tool in determining the decision of investment or not and the level of investment priority on Projects requiring a sizeable investment and the feasibility of a project. The first, it is to select reasonable location. It was selected four and two by consideration of facilities distribution and connection with others. Six proposal selected was estimated by five element of approach, demand, symbol, reality, environment. In result proposal I was chosen. The next, it is to estimate scales. The finally, it is to study on economical efficiency. Net Present Value was came out ₩4.4billion by 20years and Inter Rate of Return showed up 11%. in addition, it offer various benefit by public facilities. In conclusion, this project is reasonable.

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The People of White Clothes(白衣民族) from Modern Perspectives

  • Soh, Hwang-Oak
    • International Journal of Costume and Fashion
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    • 제11권2호
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    • pp.25-36
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    • 2011
  • There seems to have arisen a preference for wearing white clothes amongst Koreans from the long past, even tracing back to the ancient times in tradition of Shamanism worshipping the sun. This "preference" persevered throughout the passage of time, even with the numerous internal and external pressures to forbid or interrupt this tradition. The wearing of White Clothes by Koreans can also be often found in the various records made by foreign visitors recognized as a noticeable phenomenon, and representative of Korea which seems to have influences even until now in the impressions of the country. Despite of this tradition that seems to have lasted over the last 5000 years, all of a sudden it disappeared within the last 50years. In the contemporary modern fashion of Korea, it seems hard to say, Koreans enjoyably sporting White clothes, is a stand out trait anymore, thus the equation of Koreans equivalent to the people of white not a valid stamen anymore. it could not be said that this tradition is representative of the Korean cultural Identity. Why would this be the case? What happened to the long lasted pattern? In what form or shape has this tradition trasnsformed and reappears before us today? This paper seeks to find the answers to these questions.

The Research of Costume on Shin, Yun-Bok's Painting in Late Chosun Dynasty

  • Lee, Young-Jae
    • 패션비즈니스
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    • 제14권3호
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    • pp.52-63
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    • 2010
  • The Hanryu(韓流) phenomenon in and around Asia looks like slowing down lately. At that time, the research about contents that can inform the high traditional culture of Korea is useful. The references which can make a study about cultural clothes, especially paintings, let us to infer the life of the people of that period. In this research, I try to study the characteristics of customs, symbol and costumes by analyzing the paintings of Shin, Yun-Bok who was genre painter of the late Chosun. The mens are wearing dopo(道袍) and are putting sejodae(細條帶) around their waists and gat(黑笠). Also, We can see many different types of job such police, official man, a buddhist priest, a barmair, kisaeng and shaman through the costume. Most of women in the paintings, They are wearing Deep blue skirts, banhwoejang pale tone jeogori and tress. We discussed the common lives of the people through genre painting. They have satire, humor, and symbolism. Also, we can look into the various lifestyles, customs of times and seasons, ceremonial occasions, civilian beliefs, and plays ransmitted from the past. The philosophy in Shin, Yun- Bok's genre painting, is close to Taoism not Confucianism.

펑크스타일의 토탈 코디네이션 경향 (A Study on Total Coordination Trend Appeared in the Punk Style)

  • 권해기;이연희
    • 한국패션뷰티학회지
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    • 제1권1호
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    • pp.11-26
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    • 2003
  • It is an important means of expressing oneself and is affected by the social and cultural environment, too. People are creating another new lower culture, it's Sub Culture, that is, their own unique new fashion through the coordination status of a lower culture and its components to reveal the visual symbol of such garments and body decorations most clearly. The Punk formed as an reaction to 1960's hippie appeared as the most unpleasant image to the established generations with their ultimate resisting action and new aesthetic-consciousness. Their coordination by the use of the disorder and stimulative tool which gives abhorrence appears again as Cyber Punk being influenced by optical art and multimedia in '90s. It can be seen that the form of lower culture mentioned above became a storehouse of new fashion creation through the most nuclear role of lower culture and the unique characteristic coordination by age and that each lower culture fashion can become a style icon of new fashion through free coordination.

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당대와 송대의 여자장식에 관한 고찰 (A Study on woman's hair fashions of Tang and Song Dynasty)

  • 이순자
    • 복식
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    • 제35권
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    • pp.67-89
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    • 1997
  • During thousands of years the people of china have not only created the brilliant cul-ture with a world reputation but also brought about an abundant treasury of paramountly beautiful hairdo fashions beyond comparison. Hair styles are an important symbol of the ma-terial and cultural civilization of a certain his-torical period. In Dang Dynasty the country was unified the economy was properous and the political situation was relatively stable. These spelt the solid foundation on which the rich and colourful varieties in the hair styles of women emerged. The numerous hair fashions in Tang Dynasty woman folk could be summed up into three catagories-high bun hanging bun and flat bun. Of course like the garments hair fashions are also the marks for the social status of the women in the feudal society. The hairstyle of the women of the Song Dynasty still followed the fashion of the later period of the Tang Dynasty the high bun be-ing the favoured style. To dress this type of high bun switches were generally used sometimes fashioned in to switch buns of various shapes coiled directly on top of the head. Women from rich families however usually had hairpins and combs made into the shape of flowers birds phoenixes of butterflies to be pinned on top of the buns.

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OFDM 시스템에서 PAR 감소를 위한 SLM 기법의 성능 분석 (Performance Analysis of SLM Method for PAR Reduction Based on OFDM System)

  • 이상근;이윤현;진성우
    • 한국항행학회논문지
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    • 제10권1호
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    • pp.20-25
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    • 2006
  • 현재 OFDM(Orthogonal Frequency Division Multiplexing)은 다중경로 채널 환경에서 고속 통신에 적합한 방식으로 각광을 받고 있으나, 몇 가지 단점을 지니고 있다. 단일 반송파 방식에 비해 PAR(Peak-to-Average power Ratio)이 높다는 점은 그러한 단점 가운데 하나이다. 신호의 PAR이 높을 경우 고출력 증폭기를 통과하면서 비선형 왜곡이 발생할 수 있고, 이를 방지하기 위해서는 고출력 증폭기의 선형 구간을 비효율적으로 증가시켜야 하는 문제가 발생한다. 본 논문에서는 OFDM의 PAR 감소 기법중 하나의 OFDM 심벌을 나타내는 다수의 신호를 발생(Mapping)시킨 후, 그 중 가장 낮은 PAR을 갖는 신호를 선택해서 전송하는 SLM(Selected Mapping) 기법에 대한 성능을 분석한다.

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남성용 네트웨어에 나타난 상징성 (A Study on Symbolism of Man's Neckwear)

  • 유태순
    • 복식
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    • 제31권
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    • pp.203-214
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    • 1997
  • The neck is the human body is closely con-nected with the life and properties of keeping warm as one of the opening part in clothes. In ancient times it was put on necklace for the protection of neck and in Rome it was worn muffler called focale for the protection of neck throat. in addition cravat directly originated in necktie today was primarily worn for the protection of soldier's neck and has been turned into decorative purpose until today. As the ornament is developed to vari-ous kinds of form the neck decoration is changed and grown again and again. Therefore this thesis studies history of the neckwear and various the symbolic factor. The first factor is the social. The neckwear shows the social position class and status and does social mutual interaction as conversation starters. The second factor is the mental It express individuality fondness attitude and is felt to be indignity by being forced to be worn. The third factor is the political. it shows political tendency by indicating the royal sign or part's sign in necktie like the French royal-ist's green muffler The forth factor is the man's sexual. I expresses wearing stock being brave symbol-izing independence. The sixth factor is the traditional. It is worn with appearing traditionand custom and one of cultural movements. The seventh factor is the ideological. It symbolizes the freedom of suffragettes and emancipation of woman. The social factor is the most extensive among them. The neckwear is various in the way of expression like its kinds and is generalized, It functions as a independent part of clothes.

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