• 패션비즈니스
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• 제16권2호
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• pp.44-61
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• 2012

The 21st century directs designomics to achieve wealth by designing old beyond a simple recognition of the importance of culture. One of the representative local cultures of Gyeongnam is Gaya culture. The Gaya period had over 600 years history with rich and excellent iron manufacturing skill and advanced pottery culture. It is the very time to reevaluate the importance of Gaya equivalent to the Three Kingdoms in our ancient history which was has been so far ignored and isolated. In order to develop unique and excellent culture of Gaya as local fashion cutural goods, questionnaire survey on the recognition of Gaya culture and cultural goods purchasing status had been conducted to target visitors of Representative National Museum. Data Analysis Using SPSS 18.0 Win was performed with frequency analysis and t-test. As to the questionnaire survey, important criteria for purchasing in case of buying cultural goods could be found and the residents in Gyeongnam had higher recognition of developing cultural goods by the motif of Gaya relics. 'Mounted vessel in the shape of warrior on horseback(12.4%)' and 'Chariot wheel-shaped Pottery(10.8%)' were selected the most suitable motif, 'Cellphone strap(11.0%)' and 'key holder(10.2%), 'cup (7.2%)'were selected the most suitable item of cutural goods. These will be actively reflected in the development of fashion cultural goods design applying Gaya relics.

• 패션비즈니스
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• 제24권5호
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• pp.158-176
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• 2020

The purpose of this study was to examine the cultural diversity in terms of costumes by analyzing the costumes depicted in the early Kushan Dynasty relics, Tillya Tepe. As a research method, literature research and artifact analysis were conducted in parallel. The type of costume worn by the king (or priest) was in the type of a jacket and skirt, which was thought to be of Persian influence. The Greek god of Dionysos was wearing a costume with Danryong (團領) and narrow sleeves, a nomadic type of Central Asia. It could be seen that costumes were transformed into indigenous elements of the region. The shape of the helmet worn by the warrior was a Greek-Macedonian helmet. However, details were transformed into indigenous elements of the Kushan dynasty. The clothing of a nobleman riding a carriage was an element of dress that was observed in Chinese po(袍), and was an unusual element not found in nomadic peoples. There were goddesses wearing Greek robes like Aphrodite in Tillya Tepe's relics. On the other hand, there were goddesses who did not wear Greek chitons like the Greek goddess Athena. Instead, they wore high-waisted robes worn by the Orient goddesses. In addition, after Kushan occupied India, there were Indian elements believed to be expressed by accepting Indian culture. These elements were combined with regional orient elements of the Kushan dynasty, Central Asian elements, and Kushan's own elements. Thus cultural diversity emerged in the costumes depicted in Tillya Tepe artifacts.

• 보존과학회지
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• 제21권
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• pp.41-48
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• 2007

본 연구에서는 현재 철기 유물의 복원에 일반적으로 사용되고 있는 5종의 상용 에폭시 수지(Araldite rapid, Araldite AW 106, Araldite SV 427, Devcon, CDK)를 선택하여 온도, 자외선, 그리고 철기 유물의 부식인자 중 하나인 수분에 대한 내후성을 조사하였다. 각각의 에폭시 수지는 온도 상승에 따라 일정하게 부피가 변화되는 것을 알 수 있었으며, 특히 $40^{\circ}C$와 $70^{\circ}C$ 사이에서 급격한 변형이 일어나는 것을 확인하였다. UV에 노출시켰던 에폭시 수지는 모두 표면의 색상이 큰 폭으로 변화되었다. 실내조건의 경우는 모든 시험편의 색차(${\Delta}E$)가 2미만으로 색상의 변화가 약하였다. 에폭시 수지 시료 표면의 수분에 대한 평형 접촉각은 Araldite rapid>AW 106>Devcon>SV 427>CDK의 순서로 나타났다. 에폭시 수지를 UV에 노출시킨 경우 평형접촉각은 전반적으로 모두 감소하였으나, SV 427이 가장 안정적인 것으로 나타났다.

• 디지털융복합연구
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• 제15권12호
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• pp.549-554
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• 2017

최근 국내에서 각종 사회 이슈와 미디어, 언론인 등을 통해 역사의 중요성이 동시대 중요 가치의 하나로 이어지고 있다. 문화 콘텐츠 산업에서의 역사 유물은 핵심 자산으로서 그 가치를 선명히 보여주는 중요한 존재이다. 역사문화유산에 대한 관심이 높아지면서 3D 모델링 등 디지털로 복원하여 문화 콘텐츠로 개발하려는 연구가 활발하다. 본 논문에서는 증강 현실을 활용하여 유물 복원을 통해 아동들의 유물체험에 있어서 더욱 풍부한 경험과 체험적인 학습교재를 제안할 수 있는 융합 디바이스와 콘텐츠를 제안하고자 한다. 박물관 전시에서의 유물 이해를 도와주면서 재미를 더해줄 수 있는 교육용 게임콘텐츠 적용 효과에 대한 연구가 지속되어야 할 것으로 사료된다.

• 헤리티지:역사와 과학
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• 제54권2호
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• pp.136-153
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• 2021

국외 소재 문화재 환수는 일제강점기인 1915년 원주 법천사지 지광국사탑비의 반환을 원년으로 삼아 올해로 107년째다. 국외소재문화재재단은 2012년에 설립하여 문화재 조사 연구와 협력과 매입 등을 통한 문화재 환수, 보존과 복원, 교류와 협력 기반을 마련하고 있다. 설립 후 매년 문화재 환수와 소재 파악이 늘고, 환수 유형에 따른 반환 문화재도 많아지고 있다. 이 연구는 문화재 환수와 와룡매의 문화콘텐츠적 가치를 탐구하는 목적으로 수행되었다. 와룡매는 위 재단에서 발간한 책 『우리 품에 돌아온 문화재』에 돌아오는 과정이 문화콘텐츠로 기록되었다. 이 기록을 입체적으로 수정·보완하여 창덕궁 선정전 뜰에 자라던 와룡매의 환수 과정에 정교한 스토리텔링을 입혀 문화콘텐츠적 가치를 높이는 방향을 탐구하였다. 문화재 환수 개념이 적용된 와룡매의 문화콘텐츠적 가치는 첫째, 처음이고 유일무이하다는 점이다. 와룡매는 그동안 성사되었던 다양하고 많은 문화재 환수 중 살아 있는 식물로는 처음이고, 그래서 유일무이하다는 문화콘텐츠적 가치를 지녔다. 둘째, 환수와 환국이라는 두 차례의 과정을 거쳤다는 점이다. 와룡매는 1992년과 1999년 두 차례의 환수와 환국 과정을 거쳐야 했던 독특한 문화콘텐츠적 가치를 가졌다. 첫 번째 환수는 일본의 언론이 대서특필하였고, 두 번째 환국은 한국의 언론이 집중하여 보도하였다는 것도 특징이다. 본고는 환수 문화재 와룡매에 대해서 비주얼 콘텐츠 19개, 인터랙티브 콘텐츠 11개, 스케이프 콘텐츠 12개 등 모두 42개의 문화콘텐츠적 가치를 탐구하였다.

• 한국문화재보존과학회:학술대회논문집
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• 한국문화재보존과학회 2006년도 제24회 학술대회발표 논문집
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• pp.117-121
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• 2006

• 대한화학회지
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• 제55권6호
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• pp.1074-1077
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• 2011

• 헤리티지:역사와 과학
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• 제36권
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• pp.39-67
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• 2003

In this paper we examine cultural properties of the North Korea from 'the law of the Democratic People's Republic of Korea on Protection of Cultural Property". This law was adopted the Resolution of the Standing Committee of the Supreme People's Assembly of DPR of Korea in 1994. For our study, some other laws or rules established after the end of Japanese colonial occupation (1910-1945) in North Korea were examined. The policy on protection and conservation of cultural property in North Korea seems to have taken place a relatively rapid. The purpose of this law is to carry out the policy with a view to contributing to establishment of strict system and order for protection and management of cultural property, to their preservation in original state, to their proper inheritance and development, and to enhancement of national pride and confidence among the people. This law consists of 6 chapters (52 articles): (1) Fundamentals of the law on protection of cultural property, (2) Archaeological excavation and collection of cultural relics, (3) Evaluation and registration of cultural property, (4) Preservation and management of cultural property, (5) Restoration of cultural property, and (6) Guidance and control of cultural property protection. Nevertheless, it is difficult to find the evidence of efforts to exploit the cultural properties from an academic point of view in North Korea since the late 1980s.

• 한국의상디자인학회지
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• 제9권1호
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• pp.141-148
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• 2007

As Backje(B.C. 18-A.D. 600) is the whole area of Chungcheong, Jeonra, Kangwon and Gyeongsang provinces, the son of the founder of Goguryeo, King Onjoe, making the castle Wu'irae capital of the nation, founded Backje. The capital was transferred to Hansung by B.C. 5 and then to Gongju by A.D. 475. Backje governed the east of China and the northeastern coast. Due to the effect of Chinese culture there are remarkably Chinese cultural elements in dress and its ornament of Baekje. Therefore on the side of cultural part, the noble culture was formed more polished than that of Goguryeo, which affected the culture of dress and ornament. And also there were class differentiation noticeably. Baekje created splendid culture and affected the culture development of Shinra and Japan. The motive of culture creation could be the top of three countries in the foreign trade because there were geographically the widest vast plain and coastline which stretches out from north to south. Although there haven't been many materials about the cultural heritage and records more than other countries, through the modern visual point its design is fresh and more elegant those of other countries. But the fact is that there are few materials related to Baekje. What is worse, there rarely remains all original form and most of them are broken and lost. According1y, we cannot understand not only an original form of Baekje culture and but also the meaning included in it. It goes without saying that there are few materials about the clothes and fabrics. As understanding the culture of Baekje itself is insufficient, a culture enterprise utilizing it - to improve both the added value and economical achievement while combining the latest culture resources with other fields - hasn't been successful. In this study, the purpose is to improve economic power through commercialization and industrialization of the sources of the culture of Baekje. By reanalyzing a form and an image of Baekje relics, it is designed with new motif and modem preference on the condition of our peculiar cultural heritage. And while using this motif with Jacquard pattern, we made it possible to be applied to real life such as interior trinkets, etc.

• 한국문화재보존과학회:학술대회논문집
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• 한국문화재보존과학회 2007년도 제26회 추계학술대회
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• pp.99-102
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• 2007