• 문화기술의 융합
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• 제9권3호
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• pp.769-777
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• 2023

세계화는 경제적, 기술적, 문화적으로 급속한 변화를 가져왔다. 세계 각국이 소통하고, 세계화들을 잘 인식하고 이해하려면, 창의력이나 기획력이 코딩화되는 능력을 발휘할 수 있다. 본 논문에서는 세계 문제를 풀 수 있는 데이터 분석을 제시하고 방증하고자 한다. 글로벌 시장에서 상품이나 서비스의 가치가 연결성에 따라 높아진다. 이러한 연결성이 문화의 가치를 높여주는 요인 중 하나가 되고 있다. 이를 고려한 변화는 문화적 확산과 혁신성장을 촉진하고, 세계 각 지역에서의 생산성과 경쟁력을 증대시켰다. 본 논문에서는 세계화와 반세계화가 문화적 확산과 혁신성장에 미친 영향에 대해 미국 중상층의 소득을 비교해 다루고 있다. 세계화는 K-문화의 다양한 요소들이 상호 교류하고 확산될 수 있도록 환경을 조성했다. 인터넷, 소셜미디어, 국제여행 등을 통해 세계화는 한국의 혁신성장에도 긍정적인 영향을 끼쳤다. 경제 활동, 기술 혁신, 창조적인 산업 등의 분야에서 세계화는 새로운 기술과 접근법을 촉진하며, 이를 통해 기존의 경제 모델을 변화시키고 새로운 중상층 모델로 K-문화수출에 기여하였다. 그러나 문화 산업에서의 세계화는 지역적인 특성과 개성을 잃어버리는 결과를 초래해서 성장이 감소할 수 있으며, 이는 중상층의 문화적인 단일화와 소외(단절)를 가져와 도태될 수 있다. 미국 중상층소득에 대한 K-수출의 실증분석결과, 반세계화에도 문화적 확산과 혁신을 개발해야 한다. 이러한 산업변화로 한류의 소프트파워가치는 주요 수출국의 중상층에 대한 사용가치를 만들 수 있음을 방증한 연구이다.

• 복식
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• 제39권
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• pp.59-77
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• 1998

This paper is focused on the traditional sash weaving handicraft of‘She’ethnic group, which is located in Fujian, Zhejiang, Jiangxi, Guangdong province of China. This research is main-ly based on the field work, analyzed and inter-preted the traditional sash in systematic and reasoned way. The summary of this study are as follows : 1. On its technological aspect, weaving structure of the traditional sash is made of warp rod backed weaving. The used tool is primitive one but the weaving process includes scientific method. 2. From the social-cultural point of view, the sash ha been the symbol of love towards her lover. Every woman of this group had taken training for this sash weaving from a child. 3. On its ethnological aspect, it has been long history and has interchanged with other ethnic group like Miao, Han and also Okinawa country of Japan. The pattern inside this sash are almost looks like characters, but they are not Chinese characters whereas are the inde-pendent code of‘She’ group and have been inherent from ancestors and which will be tran-smitted to their posterity. These independent code of‘She’group are the traditional message to their later generation implicating their natural circumstances, human relationship, ethnic myth, spirit etc. 4. I recognize that the pattern inside the sash is defined as the communicative code and in comparison to language, it is more repetition and less apparent as close code. Nowadays China has been developed es-pecially in the economical fields rapidly. Under the circumstances traditional weaving culture of ethnic groups has been facing a crisis of disappearance, which will be a great loss for the country as well as the human beings. For this reason, I emphasize that it is very immediate to make co-researches into the material culture of Chinese ethnic groups.

• Journal of the Korean Wood Science and Technology
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• 제46권1호
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• pp.1-9
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• 2018

칠기문화재 보존에 옻칠이 사용되지만 근대화로 인해 캐슈칠과 같은 합성도료가 같이 사용되는 추세이다. 보존윤리에서는 문화재 보존 시 동일 재료가 사용되어야 한다고 명시되어있다. 따라서 칠기문화재 보존에는 옻칠과 같은 천연 도료가 사용되어야 한다. 하지만 옻칠과 캐슈칠의 성분이 유사하여 전문가들도 쉽게 구분하지 못하는 실정이다. 본 연구에서는 IR과 Py-GC/MS를 이용하여 이를 분석하고 식별 키워드를 찾고자 하였다. IR 분석 결과 옻칠은 $720cm^{-1}$ 대에서 피크가 확인되었으며 캐슈칠은 $750cm^{-1}$, $720cm^{-1}$, $700cm^{-1}$ 대에서 피크가 확인되었다. Py-GC/MS 결과 두 종류의 시료에서 Benzene과 Phenol계 화합물과 알킬사슬고리에 기인하는 성분이 검출되었다. 하지만, 캐슈칠에서는 Hexanoic acid라는 성분이 검출되었고 옻칠에서는 검출되지 않았다. 이러한 분석방법을 토대로 진정성 있는 칠기문화재 보존처리 및 복원에 활용될 수 있을 것이라 판단된다.

• 한국의류산업학회지
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• 제11권5호
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• pp.701-708
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• 2009

The study aims to investigate women's clothes described in Gilsang-Cheonyeo-Sang in Nara period of Japan to gain a clear understanding of the clothes of the ruling class women at that time. Gilsang-Cheonyeo-Sang was made in Nara period of Japan when Japan sent envoys and students to Tang, a dynasty of China, to acquire advanced civilization. At that time, Japan also fostered a strong international culture through the exchanges with neighboring nations. With this inflow of continental culture, Japan was dramatically advanced politically, socially, and culturally. The analysis of the clothes of Gilsang-Cheonyeo-Sang showed that she had her hair decorated with Bogye. She wore Ungyeon, Baeja, Daesui, and Tongsui as for her upper garment and Gun, Seub, and Peseul as for her lower garment. She also wore Bidae and Youngeon and put on Geummal and Seok on her feet. Overall, these results suggested that she wore Chinese style clothes. The clothes of Gilsang-Cheonyeo-Sangwere very similar to formal dresses of high class women described in Yangroryeong. Some of her clothes were not shown in Yangroryeong because those clothes were added after Yangroryeong. Another reason may be due to the fact that generalized clothes could be worn even though those clothes were not described in the dress code. In conclusion, the clothes described in Gilsang-Cheonyeo-Sang suggest that they were based on the dress code of Nara Period of Japan while there were also some variations due to the cultural circumstances at that time.

• International Journal of Advanced Culture Technology
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• 제11권1호
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• pp.45-54
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• 2023

The digital age start in earnest with the widespread use of the Internet. As a digital product, virtual idols bring new value to the design and dissemination of commercial brand images. "Luo Tianyi" is the world's first avatar and VOCALOID voice bank of Chinese. It has a large number of fans in China and is widely used in brand promotion. Therefore, "Luo Tianyi" is taken as the research object. Initially, we investigated the virtual idols through books, literature on the internet and other materials. Then we discussed semiotics and theories related to culture code brand design methodology (CCBD). After that, putting the above theories into practice, combined with brand design cases, we analyzed the strategy of virtual idols in brand promotion and dissemination, at last, we have the conclusion as followed. The results show that the virtual idols, visual symbol of "Luo Tianyi" can express the Index and Symbol corresponding to the brand information according to the characteristics of the brand. As an image of cultural code, "Luo Tianyi" can present three visual images at the same time, which are contemporary, traditional and future. In addition, these three visual images are presented in a strong and weak combination, which has a positive impact on the visual communication of the brand.

• Asia pacific journal of information systems
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• 제32권3호
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• pp.630-655
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• 2022

This paper examines the integrated QR code payment service (QRIS) adoption by retailers in Indonesia. Indonesia started its cashless journey in 2017 by using electric money in card form. As the country keeps developing, Indonesia has planned to integrate its payment towards a cross-border payment using QR codes by 2025 in the South East Asian region. Facing government vision, MSMEs that act as the significant economy wheel in Indonesia was required to be prepared to face the multi-cultural, multi-currency, and the new tech innovation for doing transactions. However, as a developing country, Indonesia faced significant problems with its infrastructure, which made it hard for merchants to access digital payment. As infrastructure was a common problem for developing countries, Indonesia also faced financial inclusion, lack of digital knowledge, a high amount of cash use, and socialization that made low digital payment penetration. Therefore, as there was a need to increase digital payment penetration for ASEAN integrated payment, this study found that merchant compatibility, facilitating conditions, trust, and relative advantages are drivers for MSMEs using this payment method. Further, this research provides propositions for banks, financial institutions, and governments to develop and evolve towards a cashless ecosystem, especially for a country lacking infrastructure.

• 복식
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• 제53권7호
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• pp.9-27
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• 2003

The purpose of this research is for confirming that fashion study has to do with industry through the developing of fashion goods which is related to a trend as a cultural code. Recently fashion design trend is focused on 'retro', 'Retro' is the one of the important trends in this century not only fashion but also cultural industry, Therefore, in this research, the processing about development of decorative vest design as fashion goods was showed by using retro image. For this process, research steps were as follows : 1. Confirming the meaning of 'retro fashion'. 2. Studying about the flow of retro fashion from 1960s to 1990s. 3, Finding the characteristics of retro fashion design and the image through abroad and domestic collections from 2000 to 2003. 4. Designing and making vest using new concept from the leading images. Through this processed, it was find that retro fashion design had three images : vintage image, ethnic image and romantic image. Then three vests were made by a concept 'a piece of handicraft' using handcraft technique such as beading, patch-work, fringing, scratching, stitching, mixing which were used in retro fashion design characteristics.

• 한국의류학회지
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• 제36권9호
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• pp.916-927
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• 2012

In the $21^{st}$ century, woman leaders are able to influence society through improved social status and economic power. From 1980-1990 there was a rapid global social development of feminism and improved media perceptions. The progression of this process is reflected by female characters in feminism films that included a new dress style. The power suit emerged in the U.S.A of the 1980s, as a dress code that showed the workplace uniform of a professional woman and spread to Korea as an influential style. This study defines the different and similar aspects in the development of women's position and the role involved in a structural background through a comparison of the socio-cultural meaning of the power suit expressed in American and Korean feminism films. For analysis, this study chose American films in the 1980s and Korean films in 1990s that fulfilled elements about feminism films. Subsequently in American feminism films, the power suit expressed an equal authority with men, strategic use of femininity according to task type, and a dissipation of symbolic effects like a rich look. In Korean feminism films, the power suit expressed an end of femininity like female transvestite, independent female images with the masculinization of appearance, and a mix of new and traditional styles.

• Journal of Ecology and Environment
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• 제41권1호
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• pp.29-33
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• 2017

This study was conducted to clarify the size of the home range and movement distance of juvenile black-faced spoonbills from post-fledging until fall migration using a Global Positioning System (GPS)-wideband code division multiple access (WCDMA)-based telemetry system along the west coast of South Korea. The home range of juvenile black-faced spoonbills (n = 3) was $45.2km^2$ in size and the core area consisted of $8.4km^2$ within the Baeksu mudflat, Yeonggwang, South Jeolla Province, South Korea. Mean weekly movement distances were not significantly different (Kruskal-Wallis test, Z = 3.47, P = 0.18) among individuals, ranging from 0.1 to 23.9 km during the study period. The home range and movement of juvenile black-faced spoonbills were related to intertidal areas, especially to their use as feeding areas.

• 한국콘텐츠학회논문지
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• 제10권3호
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• pp.113-121
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• 2010

e-Book은 종이책에서 볼 수 없는 하이퍼링크, 멀티미디어 기능, 쌍방향성 등 여러 장점들을 가지고 있기 때문에, 사용자들이 손쉽게 터치 방식으로 시스템에 접근할 수 있다. XML은 하이퍼링크와 스타일 기능과 지식 전달과 표현에 적합한 구조를 가지고 있기 때문에, XML은 e-Book의 문서표준안으로 제정되었다. 본 논문에서는 서울 1000년 타임캡슐 문화 콘텐츠를 관광객들에게 홍보 및 안내할 수 있는 e-Book 형태로 개발하였다. 또한, e-Book 솔루션을 사용하여 발생된 XML코드의 수정과정을 거쳐 사용자 중심의 e-Book 기반 타임캡슐 안내시스템을 구축하였다.