• 제목/요약/키워드: Cotton Gauze

검색결과 28건 처리시간 0.028초

직물의 역학적 특성이 질감 감성에 미치는 효과 (The Effect of Textile Mechanical Properties on Human Sensibility)

  • 손진훈;박현영;문성실;최상섭;강대임
    • 한국감성과학회:학술대회논문집
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    • 한국감성과학회 1998년도 추계학술발표 논문집
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    • pp.230-234
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    • 1998
  • This study developed a test with a high test-retest reliability consisting of 18 items by selecting from Korean adjectives describing tactile sensations. Principal components were extracted by three repeated measurements of 19 different fabrics for underwear. Adjectives such as 'smooth' 'soft' 'sexy' 'comfortable' and 'cozy' were most discriminating between preferred and non-preferred fabrics. The fabrics were analyzed by Kawabata Evaluation System in 16 mechanical properties, then these properties were analyzed by regression analyses as to their relations with human sensation and sensibility. Among the fabrics, the most preferred were made of polyester whereas the least preferred were made of gauze and cotton. Mechanical properties were identified that were related to the most discriminating adjectives such as 'smooth', 'soft', 'sexy,' and 'cozy'.

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老乞大의 복식연구 (A Study on the Dress in Nogultai(老乞大))

  • 김진구
    • 복식문화연구
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    • 제4권1호
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    • pp.1-14
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    • 1996
  • The purpose of the study is to analyze the dresses appeared in Nogultai. In the analysis of this study names and kinds of fabrics, colors, motifs, places of production and names of dresses were examined. In the study various kinds of fabric colors and motifs of fabrics were appeared in Nogulta. Also a variety of silks such s brocade, damask, plain silks, ra, silk gauze, hemp cloth, cotton cloth, wool and fur were found. Colors of fabrics were of blue, green, indigo blue, red, light blue, brown, yellow, black and white were described. Mostly cleouds, flowers and mixtures of floral designs were used in silk brocades, Walrus was motif the only animal revealed in silk brocade. Nanching, Hanchaw, Suchaw were famous production centers of silk damasks, silk gauge and silk ra. Also Shantung and Suchaw produced good quality plain silk. Various kinds of coats, waded coat, wadded short coat, inner jackets, vest trousers, winter cap were included. Also accessories such as belt, cap, boots, socks, money belt, pouch were described. In addition, cosmetics, cosmetic kits and names of semi precious stones were mentioned. Seasonal garments differed according to kinds of fabrics and materials used. Wadded coat, wadded short coat, vest, winter cap and wool socks appeared as winter wear.

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A Study on the 3D Scanning of Fashionable Textile Materials - Ripple-finished Cotton Fabric and Shrink-proof Finished/Felted Wool Fabric -

  • Kim, Jong-Jun
    • 패션비즈니스
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    • 제15권6호
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    • pp.101-112
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    • 2011
  • Three-dimensional(3D) virtual clothing simulation system may require the use of physical, mechanical, and configurational data in order to mimic the actual clothing with high degree of realism. Therefore the 3-dimensional scanning system based on optical methods was adopted to extract the 3-dimensional data of the fabric surface. In this study, the appearances of the 3-dimensionally transformed textile fabrics via several finishing procedures were investigated using a 3D scanning system. The wool gauze fabrics treated with the shrink-proof finishing and the felting process showed height changes up to 4.5mm. The 3-dimensional configuration may be objectively described by the use of mesh generation from the scanned output. The generated mesh information may further be utilized in the 3D virtual clothing simulation system for accurate description of the fashionable textile materials used in the simulation system.

Redoable Tie-Over Dressing Using Multiple Loop Silk Threads

  • Jo, Hyeon Jong;Kim, Jun Sik;Kim, Nam Gyun;Lee, Kyung Suk;Choi, Jae Hoon
    • Archives of Plastic Surgery
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    • 제40권3호
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    • pp.259-262
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    • 2013
  • After skin grafting, to prevent hematoma or seroma collection at the graft site, a tie-over dressing has been commonly used. However, although the conventional tie-over dressing by suture is a useful method for securing a graft site, refixation is difficult when repeated tie-over dressing is needed. Therefore, we recommend a redoable tie-over dressing technique with multiple loops threads and connecting silk threads. After the raw surface of each of our cases was covered with a skin graft, multiple loop silk thread attached with nylon at the skin graft margin. We applied the ointment gauze and wet cotton/fluffy gauze over the skin graft, then fixed the dressing by connecting cross-counter multiple loop thread with connecting silk threads. When we opened the tie-over dressing by cutting the connecting silk threads, we repeated the tie-over dressing with the same method. The skin graft was taken successfully without hematoma or seroma collection or any other complications. In conclusion, we report a novel tie-over dressing enabling simple fixation of the dressing to maintain proper tension for wounds that require repetitive fixation. Further, with this reliable method, the skin grafts were well taken.

조선시대 $16{\cdot}17$세기 출토복식의 직물유형 및 문양에 관한 연구 (A Study on Fabrics and Pattern of the Excavated Costume During $16{\cdot}17th$ Century in Joseon Period)

  • 임현주;조효숙
    • 복식
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    • 제54권8호
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    • pp.113-128
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    • 2004
  • This study examined textiles used for ancient costumes of the $16{\cdot}17th$ century in Joseon period, focusing on fabric types and patterns of the costumes from tombs. The purpose of this study was focused on investigating the relationship between fabrics and social backgrounds, especially change in using fabrics through the war from Hidyoshi's Invasion of Korea in 1592. Since the war must have had an effect on the life of people's. The result of the study is that silk occupies $69{\%}$ of all textiles, and cotton, linen follow The weaving method of silk was primarily Plain and satin weaves. However the use of twill, gauze, and double weave, that had led weaving methods of silk during the Koryo Period, were considerably decreased in Joseon Period. Types excavated fabrics in the $16{\cdot}17th$ century Joseon period can be said various. Of this, silk was the most remarkable one till Hidyoshi's Invasion of Korea in 1592, when the ratio of patterned silk dramatically decreased. Contrarily, the ratio of cotton and plain fabric increased rapidly in Hidyoshi's Invasion of Korea in 1592. It is supposed that the result is largely due to unusual condition of the war time. After the war, it is estimated that use of pattened fabric as well as silk was decreased. Patterns of textile fabrics in $16{\cdot}17th$ century were various. In result of surveying a trend of increment and decrement, it is known that the ratio of patterned textile fabrics decreased dramatically in Hidyoshi's Invasion of Korea in 1592 and Manchu war of 1636. Tendency of textile use by social Position is more notable. It is appeared that a lot of silk fabrics were used in High hierarchy. The excavated remain and ratio of silk were the highest in Kyonggi Province including Seoul.

캠브리지 대학 고고인류학 박물관 소장 한복유물에 관한 연구 (Korean Dress Collection Held in the Museum of Archaeology and Anthropology in Cambridge)

  • 김순영
    • 복식
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    • 제61권9호
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    • pp.84-96
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    • 2011
  • This paper investigates the formative features and the historical meaning of the Korean dress collection held in the Museum of Archaeology and Anthropology in Cambridge. The Museum holds a total of eleven items of koran dresses that were donated by two anthropologists in the first half of the twentieth century. Male dresses consist of a white cotton jacket (Jeogori), a under-vest (Deungbaeja) made of light wisteria rings, a headband (Manggeon) made of horsehair, a broad brimmed top hat (Gat) made of black horsehair gauze, an oilskin cover (Galmo) drawn over the hat in wet weather, and a hemispherical hat box (Gatjib). Female dresses comprise a pink silk jacket (Jeogori), a blue silk skirt (Chima) with pleats, a pair of woman's white cotton trousers (Sokgot), a black silk cap (Jobawi) decorated with pink tassels and imitation pearls, and a pair of green and magenta silk shoes (Danghye) with leather soles and metal rivets. Theses Korean dresses show what the western anthropologists had interests in. When collectors collect the folk objects, they thought much of the specificity of shape and material, the esthetic appreciation, and the representation of daily life. In terms of the value as the historical materials in the history of Korean dress, the under-vest of wisteria, the hat box, and the female dresses are worth paying attention to. The under-vest is one that was produced in earlier time among the remaining under-vests. The hat box represents that the hat belonged to the merchant classes. The female dress items show daily dresses worn by women of higher classes of the society in the 1920s.

조선 전기 아청사여복식(鴉靑賜與服飾)의 고증적 분석 -성종 재위기의 포 류와 이엄을 중심으로- (A Study on the Historical Research of Indigo Clothing Gifts of Early Joseon -Focusing on the Po and Ieom of King Seongjong's Reign-)

  • 최정
    • 한국의류학회지
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    • 제44권1호
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    • pp.107-125
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    • 2020
  • Indigo [鴉靑] was used as a symbolic color in 15th century diplomacy. This study reinforces the historical research for characteristic and shapes of indigo colored royal clothing gift in King Seongjong's reign with a focus on po [袍] and ieom [耳掩]. Clothing made of fur that was combined with satin damask, silk gossamer [綃] were frequent gift, and a sable coat was a symbol of high-ranking clothes. Another clothing's materials were satin damask, sheer fabric gauze [羅], cotton, tabby with silk and ramie [紵絲]. The indigo color of King Seongjong's reign was recommended not for luxury. Historical research factors for indigo clothing gift were extracted from noblemen's relics. Danryeong and jigryeong are shaped of narrow sleeves and trapezoid gusset pleated in and out. Sable coat can consist of satin damask outshell, sable lining, and double oblique collar. Heohyung are presumed types of short sleeved fur vests. Ieom can be reconstructed with an indigo fabric outshell and sufficient fur. Dapho has gusset pleated wide and narrow. As additional gifts, the shapes of yoseon-cheopri and cheopri were analyzed. We selected a commercial fabric similar to relics and an indigo powder dyeing method to remedy a lack of traditional material. The reconstructed data were presented as flat drawings and samples.

16종 천연물 추출물의 여성질염 활성성분 및 면포 염착 효과 (Female Vaginitis Active Ingredients of 16 Kinds Natural Herbal Medicine Extracts and Dyeing Effect on Cotton Fabric)

  • 김현경;이윤기;최수빈;김도완
    • 문화기술의 융합
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    • 제9권1호
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    • pp.725-733
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    • 2023
  • 천연물 16종의 물 추출물 및 50% 에탄올 추출물들에 대한 기능성 활성성분 및 면포 염착효과를 알아본 결과, 색도 강도는 차이가 있었으나 적색 6종, 황색 5종, 오렌지색 2종 및 녹색 3종 이었고, 대체로 50% 에탄올 추출액의 색도가 높고 선명하였다. 이와 같은 천연물들의 물 추출물 및 50% 에탄올 추출물에 면포 거즈를 2일간 침지하여 염색한 결과 염색효과는 대체로 양호하였으며, 실온에서 건조 후 개봉하여 보관하여도 색도의 퇴색 감소는 거의 없는 것으로 관찰되었다. 천연물 16종의 물추출물의 pH는 중성 내지는 약산성으로 피부에 부작용이 없는 중성~약산성 범위였다. DPPH 유리라디칼 억제 항산화효과는 시료 별로 50% 에탄올 추출물의 효과가 물추출물에 비하여 양호하였고, 특히 황금, 유백피, 유근피, 박하, 홍화 등의 효과가 양호하였다. 폴리페놀 함량도 대체로 50% 에탄올 추출물의 함량이 물 추출물에 비하여 높은 경향이었고, 특히 금은화, 유근피, 황금, 유백피, 홍화 등의 효과가 양호하였다. 따라서 천연물 16종 추출물에 대한 항산화 활성과 여성질염 예방의 상관 관계를 규명하고자 하였다.

옥외 철제문화재 적용을 위한 탈염처리 방법 연구 (A Study on Desalination Methods for Application of Outdoor Iron Artefacts)

  • 이혜연;조남철;김우현
    • 보존과학회지
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    • 제25권1호
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    • pp.49-60
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    • 2009
  • 옥외 철제문화재는 외부에 노출되어 있으므로 환경오염인자나 산성비에 의한 염($Cl^-$)의 영향으로 부식이 발생되기 때문에 탈염처리 등 보존처리가 필요하다. 그러나 현재 옥외 철제문화재의 보존처리는 강화처리에 한정되어 있어 염에 대한 손상정도나 염을 제거하는 탈염처리 방법에 대한 연구는 거의 없는 실정이다. 기존에 사용하고 있는 탈염방법은 주로 매장 철제문화재를 대상으로 하여 탈염용액에 침적시키는 방법이기 때문에 옥외 철제문화재에 적용하기에는 어려움이 있다. 이러한 점을 감안하여 탈염용액을 재료에 흡수시켜 철제문화재에 흡착시키고 증발을 막기 위해 방수 필름으로 포장하는 탈염 방법을 실험해 보았다. 옥외 철제문화재에 적용 가능한 탈염처리 방법을 알아보기 위하여 우선 매장 철제문화재를 대상으로 실험하였으며, 탈염흡수재료로는 전통한지, 거즈, cotton wipers, 흡습지를 선정하였고, 탈염용액은 NaOH 0.1M를 사용하였다. 또한 기존의 침적탈염방법을 함께 실행하여 흡착탈염방법과의 효율성을 비교해 보았다. 본 탈염실험에 대한 안정성 평가를 위하여 실체현미경과 SEM-EDS, XRD, pH측정과 이온크로마토그래피분석(IC)을 실시하였다. 실험 결과 흡습지가 기존 탈염 방법과 유사한 탈염 효과를 얻을 수 있음을 확인 할 수 있었다.

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천연염료 염색포의 생활용품 활용에 관한 연구 (Study on the Utilization of Natural Dyeing Materials as Household Supplies)

  • 주영주
    • 복식
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    • 제56권3호
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    • pp.73-80
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    • 2006
  • This study is aimed to produce natural dyeing garments, which contain the sentiments and color sense of Koreans, by using various household supplies, with a view to increase the values added and utilization of natural dyeing. The dyes mainly used for this study are multi-colored ones which are durable after dyeing and can represent various colors. They include Lithodpermum officinale, Caesalpinia sappan, Rubia Cordifolia, Pellodendron Bak, Curcuma Longa L., fallen Ginkgo Biloba, Artemisia Princeps, and Quereus acutissima carr shell. Considering water pollution and other things, aluminum acetate and ferrous chloride were used as mordants. Cheap and practical materials such as cotton cloth and those with traditional patterns and elegance such as silk and ramie fabrics were used to produce baby goods, household supplies, clothes, and accessories. The produced supplies closely contact with our body, so they may have a great effect on human body. The household supplies produced include rug, bedclothes, room bedclothes, curtain, bedding set, cushion, and sunlight blind, in consideration of the functionality or medical actions of the goods which are closely related to the human skin. The infant supplies produced include longcloth for newborn baby, bedding set, gauze handkerchief, and doll. The clothes include night gown, shirt, bath gown, and Korean traditional clothes. The accessories include tablecloth, cup pad, bag, wrapping cloth, mouse and keyboard cushion, and scarf. Nowadays, consumers prefer environment-friendly naturally dyed garments and products. In order to control the naturally dyed garments and products which are traded in the domestic market, it is urgent to introduce such ecological marks as 'Toxproof' and 'Ecoproof.' Currently, many ordinary persons, who are not experts, have interest and participate in natural dyeing, but they simply produce naturally dyed garments, not artistic works or everyday supplies. The present author expects this study will contribute to the production of household goods by such persons. The author also hopes that they will develop and commercialize such designs as suit to modern tastes and senses based on the unique cultural assets of Koreans, so that Korean naturally dyed products may be recognized as reliable commodities equipped with international competitiveness.