• Proceedings of the Costume Culture Conference
• /
• 2006.09a
• /
• pp.63-65
• /
• 2006

• International Journal of Costume and Fashion
• /
• v.1
• /
• pp.193-205
• /
• 2001

• Proceedings of the Korea Society of Costume Conference
• /
• 2001.08a
• /
• pp.53-55
• /
• 2001

No Abstract, See Full-text

• Proceedings of the Korea Society of Costume Conference
• /
• 2001.08a
• /
• pp.83-83
• /
• 2001

• Proceedings of the Korea Society of Costume Conference
• /
• 2001.08a
• /
• pp.94-95
• /
• 2001

• Proceedings of the Korea Society of Costume Conference
• /
• 2001.08a
• /
• pp.105-106
• /
• 2001

• Proceedings of the Korea Society of Costume Conference
• /
• 2001.08a
• /
• pp.130-131
• /
• 2001

• International Journal of Costume and Fashion
• /
• v.2
• /
• pp.73-85
• /
• 2002

• Fashion & Textile Research Journal
• /
• v.14 no.2
• /
• pp.193-202
• /
• 2012

With entering the 21st century, modern people's dark inside and panic are emerging as the talking point on the theater stage. Even in the field of stage costume, the necessity of a research is being demanded through analyzing on psychological anguish and structure of characters. Accordingly, this study aims to allow the stage costume design to be expressed a human being's Doppelg$\ddot{a}$nger Image, which was elicited through analyzing a work of the play titled Le Grand C$\acute{e}$r$\acute{e}$monial by a playwriter Fernando Arrabal, who draws the conflictory and contradictory duplicity, which positions in a human being's deep inside by having chaos as catalyst. A research subject is 'Le Grand C$\acute{e}$r$\acute{e}$monial,' which was staged as the winter performance in commemoration of the 50th anniversary for the foundation of Dept. of Theater, Chung-Ang Univ. in November 2009. Psychology of characters in a play, which varies dimensionally, could be delivered, as nonverbal element called costume, by applying costume design of Cavanoza, Syl, Nice to Doppelg$\ddot{a}$nger Image such as Innocence vs Cruelty, Purity vs Superficiality and Restraint vs Freedom, which were elicited through analyzing characters. Through this study, the costume, which was expressed by visualizing a human being's Doppelg$\ddot{a}$nger Image, could be known to function as important dramatic factor of allowing character's psychology to be understood through costume as well as functioning as visual and sensible language, which is important for communication with the audience. A research on costume design, which reflects a character's complex inside, is expected to be likely continued through in-depth analysis on a playwriter's intention and on the appearing characters at the current point of time when an active research is being performed on stage costume in the wake of this study.

• Journal of Fashion Business
• /
• v.9 no.6
• /
• pp.141-159
• /
• 2005

Targeting a film that is the medium of having powerful influence upon the masses, the present study examined about a role and characteristics in the movie costume, and a role of costume designers, which are shown in process of being changed the film costume. There are many designers who were in charge of the film costume, but the present study examined centering on designers who participated aiming to create the image of a character from the stage of manufacturing a movie. It presented and analyzed visual materials by dividing four genres such as a historical drama movie, a horror movie, a fantasy movie, and a modern-play movie, and by selecting a typical work. A Historical drama movie needs to be investigated costume by the historical background in a movie, but inside it was shown clothes that were elaborately reproduced and newly created. A horror movie plays a role of medium that reflects the human society and the internal mentality of a human being along with the attribute of entertainment. As a genre that requires much costume, make-up and special effect aiming at dramatic effect, a role of film costume possesses great weight. As a fantasy movie is a field based on 'fiction' of a writer who creates a work, it is a field that requires creativity of a costume designer most. As a modern-play movie is what reproduces reality, it best reflects the phases of that time, and is the field that is influenced by costume or fashion trend. Costume needs to be designed in a bid to allow spectators to be inspired the wholly united and harmonious mood with leading a story of a movie, and the individual image.