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'Oriental Mode' means a fashion phenomenon of modem fashion design to Which ethnic or racial features and elements of Asia area in the east of Turkey are reflected as a outside and inside factor. This is a concept including not only visual expressions such as design, color, material or prints in modem fashion, but also meaning or values inside. A look or style based on eastern philosophy is also called an oriental mode
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lbid., p. 124
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Kim, Min-Jung (1995). A Study for Crossover at the end of 20th century. a thesis for a master's degree. Graduate School of Industrial Arts Hongik University, p. 5
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Lee, Joon-Ho (Feb. 8. 2000). The Beauty of Zen-Zen Style. Seoul: Chosun Daily Newspaper
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Go, Young-Ran (Aug. 2000). The historical dialectic evolution caused by the cultural conflict. Monthly Design, No. 266, p. 38
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Kim, Yeun-Hee (1998). The Beauty Consciousness about Body and Dressing in modern Korean Dressing. a thesis for a doctorate of Seoul National University, p. 1
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Lue, Ho-Chang (Feb. 2000). New Culture Code, Fusion. Monthly Design, No.260, p, 127
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Lee, You-Me (1995). A Research about Humanity Expression according to an Eastern View of Nature. a master's thesis of Ehwa Womans University, pp. 3-4
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Kim, Min-Kyoung (Nov. 25. 1999). Zen Clture-Zen! Zen! Zen! Zen wind is coming again. Weekly Dong-Ah, No.210, p. 82
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Kim, Kyoung-In (1998). Research about Oriental Look. a collection of learned papers of Hansung University, the department of art and humanity 22, p. 138
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Translated by Park, Il-Bong (1995). Chuangtzu(莊子) : (內篇) (德充符). Seoul: Mangmoonsa, pp. 206-246
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Obi (帶 : おぴ) : a thin string with both decorative and functional role. Maruobi(九帶 : まるおぴ): a kind of obi, the most elegant and formal one that is filled with prints. Obijime(帶絲め): a string to tie over the obi in order to add more beauty to obi and kimono-Hwng, Choon-Sup (1997). Traditional Custume of the World, Seoul: Suhaksa, p.143
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Choi, Byoung-Sik (1994). The Beauty Philosophy of Eatern Painting. Seoul: Dongmoonsun, p. 47
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