• 제목/요약/키워드: Confucian Scholar

검색결과 92건 처리시간 0.023초

조선시대 유행복장의 변천에 관한 연구 -성균관 학생복을 중심으로- (A Study of Changes in Scholar's Costume During Chosun Dynasty - Centering on Sungkyunkwan Student's Uniform-)

  • 홍나영
    • 한국의류학회지
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    • 제21권3호
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    • pp.621-631
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    • 1997
  • This study aims to analyze Sungkyunkwan Students' uniform during Chosen dynasty through literature and paintings. Confucian scholar's coshime of Chosen dynasty was said to imitate that of Chinese counterpart's. The first Confucian scholars costume, which was officially instituded during King Taeiong's reign, was a Yugon worn on the head and a Chongkeum (blue collar). But Chinese Gukjagam students'uniform in the early Ming years was a Nansam and later became a blue Wonryong which reflected the changes in the Ming Period. Though Chosun's Chongkeum was the official Confucian scholar's costume on record, it was not worn widely. Corfucian scholars rather wore a red Jikryong or a white coat up to the mid-Chosun dynasty, and in the late Chosen period, a black Danryong or a red Danryong were more popular for Confucian scholars. Because the official Confucian scholar's uniform Chongkeum was not used widely and other costumes were worn more popularly, various attempts had been made to adopt the Nansam, like that of Ming's, as the official Costume scholar's uniform from King Snio to King Youngio. Finally, King Youngjo decided to adopt the Nansam as the official costume for those who passed the civil service examination, ending the controversies concerning an official costume. We cannot find the Nansam and the Aengsam of the late Chosen period from the paintings either. This conirms that Aengsam was the costume which originated from the late Chosun period. The term "Chongkeum" was used either to imply "Confucian scholar' or to indicate various 'Confucian scholar's costume rather than its original meaning of blue collar.

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유가(儒家)의 교사(敎師) "상(像)" (An exemplary teacher in a Confucian scholar)

  • 박성일;정동욱;김영태;박정환
    • 한국산학기술학회논문지
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    • 제13권11호
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    • pp.5076-5082
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    • 2012
  • 본 연구는 교사의 권위가 약화되고, 교사와 학생의 관계가 각박해지고, 교사의 역할과 전문성 문제에서 논의가 엇갈리고 있는 우리 교육의 현 시점에서, 유가(儒家)전통의 교사상을 재 고찰해보는 것을 목적으로 하였다. 이를 위해 교사상을 권위상(權威像), 인애상(仁愛像), 사범상(師範像)으로 나누어 논의하였다. 유가의 전통에서 교사의 권위는 이성적 권위이며, 사회적 제도와 교사의 사회적 역할의 산물이고, 더 중요한 것은 권위보다는 화해를 강조하고 있었다. 유가전통에서는 인(仁)을 근본으로, 예(禮)를 그 방식과 수단으로, 교사와 학생간의 사랑과 정을 중시하고 있었다. 또 유가에서는 인간의 모범으로서, 교사의 양호한 도덕품성과 전문적 자질을 요구하고 있었다. 교사의 전문성과, 사회적 역할 그리고 인애(仁愛)의 정신이 교사의 권위를 형성하였고, 또 전체적인 유가 전통의 아름다운 교사상을 형성해왔던 것으로 보인다. 따라서 본고는 서양의 문화와 가치관의 영향을 많이 받고 있는 동양 사회의 현실에서, 우리의 교육현장에서 다시금 동양전통의 가치관과 그 의미를 재 사고해 볼 것을 권고하고 있다.

조선시대 가구 주문자와 생산자의 상호관계성 (The Relationship beetween Furniture Purchasers and Producers in the Joseon Period)

  • 서석민;김명태
    • 한국가구학회지
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    • 제26권3호
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    • pp.267-273
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    • 2015
  • This study is a review on the relationship between furniture purchasers and producers in the Joseon period. Understanding the relationships in our traditional spirit and the Joseon furniture that reflects a aesthetic sense is a meaningful work. Joseon was to build an ideal country which put emphasis on the order and harmony through Theory of 'Yeak' as the confucianism nation. Human aesthetics, which emphasis on the spiritual value by confirmity to nature and forcus on the relaxed, deficient personality rather than completeness was established as the central formative consciousness of the Joseon Dynasty. The nature of things in the confucian scholar prior to the representations of things is expressed in the form of master craftsman's skill and soul. Formative consciousness of the confucian scholar is to realize ideals by communciation and interchange with master craftsman's soul in the form of the Joseon furniture. The beauty of restraint and brevity in the Joseon Dynasty furniture includes meanings and procedures of art work. It implies an orderer's purpose of production and a producer's products. Understanding the spirit of times in the production becomes the cornerstone capable of getting closer to the furniture ultimate proper function. These problems have a very close relationship with the problems of modern people's commnuication. We expect an even higher growth of the furniture by achieving more improved communication based on the consumer's great insight and the producer's passion.

정읍 무성서원과 선비문화 원류 최치원 (Choi Chi-won, the Originator of Jeongeup Museongseowon and Scholar Culture)

  • 안영훈
    • 대순사상논총
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    • 제40집
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    • pp.243-272
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    • 2022
  • 전라북도 정읍은 한국 사상사에서 주목을 요하는 지역이다. 또한 정읍은 문학사에서 '최초'를 기록한 작품이 많은 지역이다. 백제 노래 <정읍사>가 그렇고 조선시대 사대부 가사 <상춘곡>이 그렇다. 그리고 이 지역 태수를 지낸 최치원(857~?)의 선정과 풍류의 전통이 전해오는 고장이기도 하다. 이 논문에서는 정읍의 무성서원의 성립과정과 선비문화에 있어서 최치원의 연관성을 살펴보았다. 최치원이 임기를 마치고 떠날 때 고을 사람들이 선정에 보답하는 의미로 태산사라는 생사당을 건립하였고 그것이 근원이 되어 후대에 무성서원으로까지 이어졌다. 최치원은 자신의 포부와 역량을 정읍에서 실현하였다. 특히 조선중기 무성서원의 건립과 사액 과정에 최치원의 역할은 결정적이었기에 최치원은 이 지역의 상징적 인물로 되살아날 수가 있었다. 그리고 무성서원을 중심으로 영정의 이안(移安) 작업을 통해서 최치원의 형상도 보다 유학자, 유학적 선비의 모습으로 좌정해나가는 것도 볼 수가 있다. 최치원이 남긴 시문을 통해서도 유학적 선비(지식인)로서 자각을 읽을 수 있다. 그의 시세계가 다양하지만 특히 유학자 지식인으로서 현실에서 오는 시름과 고뇌, 비판적인 내면의식 등을 표출한 작품이 많은 수를 차지하고 있음을 볼 수 있다. 최치원은 남다른 포부와 각고의 노력으로 당대의 우뚝한 문사로서의 자질을 유감없이 발휘하기는 하였으나, 그 자신 주변국의 한 시인으로서의 지역적, 정신적 소외감을 극복하지 못했다. 따라서 세계인식 면에서의 치열성은 자연히 내면화될 수밖에 없었다. 그러나 그것이 오히려 그의 작품으로 하여금 강한 서정성을 가지게 한 요인이 되었던 것으로 보인다. 그리고 최치원의 문집에는 당대의 말기적 현상에서 초래된 다양한 형태의 병리적 현상을 강한 어조로 비판한 작품들이 다수 포함되어 있다. 그는 가난하고 곤고한 삶을 살아가는 민중들의 모습을 사실적으로 그려내는가 하면, 왜곡된 생산관계 속에서 결국 희생되고 마는 가련한 백성들의 삶의 실상을 형상화함으로써 당대의 잘못된 사회의 단면을 부각시키기도 했다. 이러한 것은 지식인으로서의 고뇌로 읽을 수 있다. 선비의 사전적 정의가 '학식과 인품을 갖춘 사람에 대한 호칭으로, 특히 유교이념을 구현하는 인격체 또는 신분계층을 가리키는 유교용어'이고, 오늘날 의미로는 '신분적 존재가 아니라 인격의 모범이요, 시대사회의 양심으로서 인간의 도덕성을 개인 내면에서나 사회질서 속에서 확립하는 원천으로 이해될 수 있다.'고 할 때, 최치원의 문학에서 고뇌하는 모습은 곧 선비(지식인)의 고뇌이고 '선비(士)'로서의 책무를 자각하였기에 나오는 반응이라고 할 수 있다. 그러한 점에서 최치원은 가장 이른 시기의 선비(지식인)의 원류라고 보아도 크게 잘못이 없을 것이다.

"명륜당(明倫堂)" 명칭의 유래에 관한 연구 -중국의 역대 고문헌을 중심으로- (A Study on the Origin of "Myeongnyundang(明倫堂)", the Common Name of the Main Lecture Halls at Confucian Schools -Based on Chinese Historical Documents-)

  • 백소훈
    • 건축역사연구
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    • 제30권2호
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    • pp.7-18
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    • 2021
  • This paper studied the origin of Myeongnyundang(明倫堂), the common name of the main lecture halls at confucian schools in ancient China. Through an extensive investigation of local chronicles, biographies, decrees and construction essays, it found the first Myeongnyundang were titled on the main hall of a local school in the early Southern Song(南宋) period, and it might become the most popular name due to Zhuxi (朱熹), a famous confucian scholar in the Southern Song dynasty. In Yuan(元) period, it almost become the fixed name for the main lecture hall at local confucian schools, and even the official government documents began to use it as a common noun since the beginning of Ming(明) dynasty.

옥천 이지당(二止堂) 건립배경과 건물구성 및 구조를 통해 본 건축특징 (A Study on Architectural Characteristics Based on the Building Composition, Structure, and Construction Background of Okcheon Ijidang)

  • 남창근;황진하
    • 건축역사연구
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    • 제31권6호
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    • pp.17-32
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    • 2022
  • Ijidang(二止堂) is a private village school (seodang, 書堂) established in Okcheon, north Chungcheong province where Jungbong Jo, Heon(重峯 趙憲, 1544-1592 AD) had trained for his sound mind and body(yusangcheo, 遊賞處). Jo, Heon was a notable Neo-Confucian scholar of the Kiho School and also a righteous general leading soldiers in Joseon Dynasty. According to Ijidanggi(二止堂記), Ijidang was constructed to honor Jo, Heon and to train local talents in 1647 with the support of Song, Si-yeol(宋時烈, 1607-1689 AD),a representative scholar belong to Kiho School and other local Confucian scholars. Ijidang currently consists of Main Body(本體) in the middle along with the East(Dong-lu 東樓) and the West Pavilions(Seo-lu 西樓) attached to each side. The Main Body and the Dong-lu firstly constructed were to give lectures and to rest within. Ijidang has undergone several changes in its form so far. The surrounding nearby Ijidang shows characteristics of the Confucian architecture for training(J eong-sa, 精舍) and the building itself was to be built in a scenic place apart from the secular world in which scholars stayed, cultivated their body and mind or taught disciples within. The lecture space of Ijidang is positioned next to the main hall(Dae-cheong 大廳) unlike other typical forms of a three-bay building(samganjije 三間之制) at that period. West lu, a two-story building added afterwards in the early 18th century representing characteristics of the Gate Pavilion(Mullu, 門樓) of Neo-Confucian Academies(Seo-won, 書院) in Joseon Dynasty was typically located where the entrance and the ground floor of the main building are visible simultaneously.

명대(明代) 유의(儒醫) 이천(李梴)의 도교(道敎)이해 (A research of Ruyi(儒醫), Li-Chan(李梴)'s viewpoint on Taoism)

  • 성호준
    • 대한한의학원전학회지
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    • 제26권4호
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    • pp.281-290
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    • 2013
  • Objective : The medicine originated from Taoist tradition which identifies itself with medicine, making a harmonic combination between taoist theory of life fostering(養生論) and confucianism was a everlasting task for Ru-Yi, Li-chan who attach great importance to Confucian-medicine. Differing from the ideological background of precedent medical theorists, made his own confucianism the main theory of medicine. I think we need a rational reflection over these issues and am trying to focus on it. I hereby analyse the Ru-Yi, Li-chan's viewpoint on Taoism since after Ming(明)-dynasty during which his theoretical ideology has bloomed in chinese medicine. Method : I analyze the sentences in Li-Chan's Yisuerumen(Medical beginner's book, 醫學入門) From the perspective of Confucianism and Taoism. Result & Conclusion : Li-Chan understood Taoism from the viewpoint of Confucian medicine. Thus, He accepted the life-fostering of Taoism from the point of Confucian-moral cultivation. He emphasized the role of the Xin(mind, 心) and he was rejected Taoist mysticism. He interpreted Medical classics-Huangdineijing(黃帝內經) from the perspective of the Confucian classics and understanding of each other was similar position. Because he was a Confucian scholar and medical scientists.

A Study on the Armillary Spheres of the Confucianists in Joseon Dynasty

  • Lee, Yong-Sam;Kim, Sang-Hyuk;Lee, Min-Soo;Jeong, Jang-Hae
    • Journal of Astronomy and Space Sciences
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    • 제27권4호
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    • pp.383-392
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    • 2010
  • Armillary sphere, generally known as, not only astronomical instrument for observing astronomical phenomena but also symbolizes the royal authority and royal political ideology which is based on Confucianism. Among the well-reputed Confucian scholars were built their own armillary spheres. However, these armillary spheres which exist are damaged and most of parts of its have been lost. We analyzed and measured the remnants of armillary spheres which were made by Toegye Lee Hwang, Uam Song Si-Yeol and Goedam Bae Sang-Yeol who were well-reputed Confucian scholars in Joseon Dynasty, and have been executed the restorations of Toegye Lee Hwang and Song Si-Yeols armillary sphere based on the drawings which were drawn as the original form by analysis and measurement of its remnants.

알성시를 통해 본 조선시대 과거제도와 복식의 비교 고찰 (A Comparative Study on the Dress and Its Ornaments and the Civil Service Examination System in the Choson Dynasty Focused to Alsongsi(謁聖試))

  • 서옥경
    • 복식문화연구
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    • 제6권1호
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    • pp.35-45
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    • 1998
  • Confucianism, the dominating thought in the Choson Dynasty, considered the congruence of scholar and bureaucrat as principle of royal politics, so it was the important affairs to educate and select scholars who excelled in Confucian science and its historical view. The process to educate and select the scholars in accordance with the spirit of Confucianism was called the civil service examination. In this study, we examined the dress and its ornaments of the Confucian students nd that of the successful candidate related to the system of the civil service examination, and focused on the literatures and figures. The Choson Dynasty looked upon the education as important and Confucian scholars and the successful candidate had the superior position in that society. The seems to have been the demarcation between the dress and its ornaments worn by the candidate and the successful candidate. According to the inquiry of the literatures and figures, the candidate is thought to have worn yuguhn(儒巾) or bokkuhn(幅巾) with chongsam(靑衫), nansam( 衫), jikryung(直領) and the successful candidate is thought to have worn bokduh( 頭) with easahwa(御史花), aengsam(鶯衫), danryung(團領) in the Choson Dynasty.

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명재 윤증선생 고택의 입지 및 공간배치에 담긴 풍수고찰 (Pungsu Research of Location and Space Layout of Myeongjae Yunjung Traditional House)

  • 한종구
    • KIEAE Journal
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    • 제14권5호
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    • pp.81-87
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    • 2014
  • Pungsu is can be seen as an ecological architectural science regarding native natural environment of east asia. Even though the language used in Pungsu is different from that of ecological architecture, Pungsu considered the surrounding environment of the traditional house by various Pungsu method for making and keeping more healthy life and sustainable environment. The research is for finding out how the surrounding natural environment was considered with Pungsu, a traditional ecological architectural science in case of site selection and planning house by the confucian scholar in Joseon period. Myungjae Yunjung traditional house of Nonsan in the middle of korea is selected. He is one of the greatest confucian scholar in Joseon period. The study is processed as follows. Feature of mountain expressed as dragon and four important hills of the house are analyzed in chapter 2, Water environment is studied and the geomantic landscape are analyzed by shape theory called Hyung-guk-Lon in chapter 3, 4. Finally Pungsu applied in architectural space is analyzed in chapter 5.