• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2004.05a
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• pp.1037-1040
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• 2004

Sound and vibrations enter every aspect of our daily lives. Some, like music and verbal communications, soothe and relax us; others, such as the noise and vibration from traffic or machinery, can threaten our well being. The Rion Co., Ltd. was eslablished in 1944 as an affiliate of physics and acoustic pioneer, Kobayashi Institute of Physical Research. The RION lineup affords a full line of easy-to handle measuring, recording, and analyzing equipment with innumerable applications for monitoring and maintaining a comfortable environment. RION's concern takes in all manner of sound and vibration. Our activities extend from measuring reverberation time in concert halls and testing the soundproofing characteristics of housing materials to the control and maintenance of machine noise and vibration levels.

• Structural Engineering and Mechanics
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• v.86 no.2
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• pp.237-247
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• 2023

Fourier series-based models in the time domain are frequently established to represent individual bouncing loads, which neglects the stochastic property of human bouncing activity. A power spectral density (PSD) model in the frequency domain for individual bouncing loads is developed herein. An experiment was conducted on individual bouncing loads, resulting in 957 records linked to form long samples to achieve a fine frequency resolution. The Welch method was applied to the linked samples to obtain the experimental PSD, which was normalized by the bouncing frequency and the harmonic order. The energy, energy distribution center, and energy distribution shape of the experimental PSD were investigated to establish the PSD model. The proposed model was used to analyze structural vibration responses using stochastic vibration theory, which was verified via field measurements. It is believed that this framework can evaluate the vibration capacity of structures excited by bouncing crowds, such as concert halls and grandstands.

• The Journal of the Korea Contents Association
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• v.22 no.1
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• pp.283-291
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• 2022

Due to the impact of COVID-19, untact performances where performance videos are recorded, edited and distributed have begun to be activated in a non-face-to-face environment. Performance halls are supporting untact performance services such as video production and broadcasting so that performances can be viewed through online platforms. Therefore, this study intends to study the satisfaction and continued use intention of the untact performance service in the concert hall for experts who have experience using the untact performance service in the concert hall. A total of 9 hypotheses were rejected and 10 hypotheses were adopted as a result of developing and analyzing a research model suitable for the untact performance service of the concert hall by fusion of the information system success model and the expectation inconsistency model. Excluding content quality, it was found that in both system quality and service quality, inconsistency occurs through the comparison of expectations and performance after expectations arise. This positive discrepancy affects satisfaction, and the higher the satisfaction, the higher the intention to continue using it. This study is a basic study on the untact performance service and is expected to provide a new perspective for quality improvement.

• Journal of Korean Society of Steel Construction
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• v.14 no.6
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• pp.721-728
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• 2002

Modern structrues are being built using high-strength and light-weight construction materials resulting in decreased structural mass and damping properties. Rhythmic activities such as jumping, dancing and clapping during lively concerts can produce excessive vibration of steel structures. In this study, dynamic load factors that occur during lively concerts were presented through vibration test and real-time monitoring of an existing concert hall. The vibration test included modal analysis and jumping test according to the forcing frequencies and the number of participants. Dynamic load foactors were acquired directly from peak acceleration responses of each harmonics. Comparing NBCC 1995, the 3rd harmonic must be included in the design of concert halls. Dynamic load factors must be increased as a result of the vibration test.

• Journal of the Korea institute for structural maintenance and inspection
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• v.7 no.2
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• pp.105-113
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• 2003

Because structural systems are becoming lighter and more flexible and have lower natural frequencies and dampings than before, coordinated rhythmic activities such as dancing, audience participation in arenas or concert halls, and aerobics result in undesirable levels of vibration. For rhythmic activities, it is resonant or near resonant behavior that result in significant dynamic amplification and hence human discomfort. The most rational design strategy is to provide enough of a gap between the natural frequency of a floor system and the dominant frequencies excited by planned human activities to assure reasonably that resonance will not occur. For the case study the vibration measurements were performed at the floor of a long-span multi-purpose hall during the rock concert of popular singer.

• Journal of the Speleological Society of Korea
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• no.95
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• pp.35-49
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• 2009

Ever since the beginning of time, caves not only have offered a place to live for humans but they have also been used as cultural spaces. That is, in the event of making some sounds in a location within the cave, the sound that is created is greatly magnified and sounds out as if it is being amplified from a giant megaphone. This, as we well know it, is known as the resonance effect. Here, the cave itself appears to function as a massive wind instrument. Especially in cases like the Altamira Cave (Spain) where cave paintings were found, the point where the cave drawings were found has commonalities in that it is a wide space and that it is usually discovered together with flutes and drums that are made with mammoth bones. We need to focus on this point. We can infer from these facts that the prehistoric people have carried out cultural activities along with their incantation rituals within those caves. In the meantime, amongst the Korean traditional arts, in the case of pansori which is a representative vocal genre, there have been examples where caves were used as practicing locations for those people who are training to perfect their singing. This is known as toguldoggong(土窟獨功) which literally means 'obtaining one's own art by oneself in the earth cave by practicing incessantly'. This process along with pokpodoggong (瀑布獨功) (same as above except that the location is by the waterfall) is the final training stage in order to become a recognized virtuoso on the part of the apprentice. This could be compared to the final annealing and finishing process of producing a metalwork. This has been a long tradition followed by most Korean traditional artists in order to perfect their sound which is harmonious with nature within natural surroundings. By honing in on this point, I have come to think about this matter repeatedly while coaching the university students in vocal singing. In short, I came to the conclusion that "the making of natural sounds will be obtained naturally within natural surroundings like caves!" Consequently, The Society for Studying Cave Sounds was inaugurated on January 1992 along with some of my students. We made use of times like vacations to go around exploring caves all over Jeju and carried out investigations of sounds along with cave exploration on an experimental basis. After 5 years, in September of 1997, we were able to host the first ever cave concert domestically at the Whale Nostril Cave(東岸鯨窟) on Wu-do. After that, we have been hosting the cave concert once every year. We have achieved a record of a total of 14 cave concerts until 2009 of this year. Out of these, 2 were held in Seokhwaeam Cave in Kangwon Province, another two were held in Manjang Cave which is a lava cave, and the remaining 10 were held in the Whale Nostril Cave of Wu-do. Along with that, I have carried out a special recording for the production of a cave music CD in May of 1999. This paper was written and organized by using the main materials that were derived from the experiences of using caves as concert halls in the past. It is hoped that this cave concert will offer a very unique experience to tourists who come to Jeju every year and give them the best possible superior natural sound effect that only Jeju caves can offer.

• The Journal of the Acoustical Society of Korea
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• v.22 no.3
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• pp.162-168
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• 2003

The degree of diffusion, characterized by the "scattering coefficient" of surface materials, has been known to be one of the most important factors in determining the acoustical qualities of concert halls. Based on the suggested ISO method, which measures the random-incidence scattering coefficient of surfaces in a diffuse field, the scattering coefficients of different sizes and densities of wooden hemispheres and cubes were measured in model-scale reverberation rooms. As a result, wooden hemispheres with a structural depth of more than 15㎝ have the highest average (500㎐∼4㎑) scattering coefficient. It was also found that the scattering coefficient becomes higher when the diffuser density reaches about 50% for hemispheres and 30% for cubes.

• Transactions of the Korean Society for Noise and Vibration Engineering
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• v.14 no.2
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• pp.111-118
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• 2004

A number of researchers have attempted to measure the reverberation time of a passenger car, ut the reverberation time of passenger car is too short to measure with the traditional band pass filter. And if the reverberation time is very short, the product of the reverberation time (T) and the bandwidth (B) of the traditional band pass fitter becomes small. The low limit of BT product required for the measurement of reverberation time with the traditional band pass filter is 16. In order to overcome this problem, the wavelet filter bank was developed. In this study, this new wavelet filter was employed to measure the reverberation times of five different classes of passenger cars. The low limit of BT product required for the measurement of reverberation time with the wavelet filter is 4. The reverberation times of five passenger cars were measured successfully with the new wavelet filter bank. The reverberation times measured in most passenger cars was found to be around 0.04. Compared with general acoustic rooms like concert halls, this is a very short reverberation time

• Transactions of the Korean Society for Noise and Vibration Engineering
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• v.22 no.5
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• pp.429-436
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• 2012

In concert halls and auditoriums, acoustic reflector and stage enclosure is one of the main factors on the room and stage acoustic characteristics. As a stage enclosure and acoustic reflector honey comb based light-weight reflector is widely used, because it is easy to install. However, there was not enough research on the surface density effect on room and stage acoustics. In this study, sound absorption coefficient tests on three kinds of wooden acoustic reflectors with different surface density were conducted. Surface density of acoustic reflector was changed from 11 kg/$m^2$ to 41 kg/$m^2$. For the low frequency excitation, sub-woofer was used with omnidirectional loud-speaker simultaneously. From the experiments, it was found that sound absorption coefficient below 250 Hz band was decrease by the increment of surface density. In order to check the influence of the surface density on room and stage acoustic parameters, room acoustic simulation was conducted with sound absorption coefficients, which were tested in reverberation chamber. By the increment of surface density of acoustic reflector, RT(reverberation time) and EDT(early decay time) were increased. Also, ST(stage support) was improved in low frequency bands.

• The Journal of the Institute of Internet, Broadcasting and Communication
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• v.15 no.3
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• pp.219-224
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• 2015

Today, High Social demand for Energy Saving. This have been Studied for the purpose, Having an Efficiency of much it, in IGBT DIMMER SYSTEM compared to the existing SSR,SCR Dimmer System. The Method Two, The First is Dimming in Dimmer System How much Power loss Appears of A Comparison Experiment According to the output a SINEWAVE Strain, Comparative Measurements Experimental were Conducted with Oscilloscope. Second, When Dimming the sound has equipment by measuring the relative Size Decibel Experiment was conducted in Decibel Meter about the Equipment Noise. Results Thus Confirm SSR, SCR Dimmer IGBT SINEWAVE Dimmer more Efficiently.