• 교육녹색환경연구
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• 제2권1호
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• pp.29-48
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• 2002

This study is for achievement of the expected aim on establish principle colour scheme of exterior and interior school facilities. Also this study aims to utilization of the data which is need for educational colour scheme of school facilities basically. The result of this study is as follows; 1) Domestic case study in primary school colour value distributed middle and high level between 5R and 6Y, the case study of foreign colour scheme distributed low and middle level. 2) Domestic case study in middle school facilities colour scheme distributed same colour of R, YR and the chroma distributed between 1 to 4. 3) The case study of domestic and foreign high school colour scheme distributed that in cases of domestic the colour scheme distributed very loose style and foreign cases distributed same colour of RP to YR with middle and high level of value and low chroma. 4) Exterior school facilities colour scheme distributed in Busan is that N~5GY(value 8~9 and chroma 0~8) in main school building skin material colour, 0~4 value and 7.5~9 chroma in assistant skin material colour. 5) Interior school facilities colour scheme distributed same colour of B, BF, PB, RP, N, YR in class room and open classroom in school mainly.

• 한국인터넷방송통신학회논문지
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• 제21권4호
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• pp.31-36
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• 2021

색채 속성으로는 색상, 명도, 채도로 구분 지을 수 있으며 색채 속성 각각에 따라 색채를 인지하는 특성이 달라진다. 색채를 인지하는 데 있어서 한 가지 색채를 독립적으로 보는 것이 아니라 주변 색채를 함께 보게 되며 주변의 색채 특성에 따라 원본 색채 인지 특성은 달라질 수 있다. 선행된 색채 인지 및 감성 연구는 단일 색채를 대상으로 한 것이 대부분이며 이는 실생활에서 색채를 인지하는 것과는 차이가 있으므로 주변 색채를 고려한 색채 인지 기초 연구가 필요하다. 본 연구에서는 그래픽 영상에서 자주 사용되는 테두리 밝기에 따른 색채 인지 특성을 알아보고자 정신물리학 실험을 진행하고 이를 분석하였다. 밝기에 가장 민감한 시각적 특성을 기반으로 테두리 밝기를 변수로 설정하고 실험 자극색상으로는 먼셀 색채를 사용하여 실험을 진행하였다. 본 연구에서는 진행된 실험 결과를 분석하여 테두리 밝기에 따라 색채를 인지하는 시지각적 특성에 대한 기초 연구 자료로써 유의미 여부를 정의하고 향후 연구 방향을 제시한다.

• Bulletin of the Korean Chemical Society
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• 제30권8호
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• pp.1821-1826
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• 2009

Liquid crystal display (LCD) devices contain a colour filter which can visualise colour images by transmitting or absorbing light. Colour properties of LCD mainly depend on colour materials such as pigments and polymeric binders. In this paper, colour properties were studied to improve colour quality of LCD. Generally, the colour properties can be classified into three categories which are colour purity, brightness and contrast ratio. For this study, photo resists were prepared by treatment of pigments and synthesis of polymeric binder. The treated pigments were dispersed and formulated with additives for preparing a photo resist that could be used for manufacturing colour filters. As a result of what we studied, type, mixture ratio and concentration of pigments were very important to improve colour purity of LCD device.

• 대한한의진단학회지
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• 제16권1호
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• pp.9-18
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• 2012

Objectives The aim of this study is to propose an optimized tongue colour interpolation method to achieve accurate tongue image rendering. Methods We selected 60 colour chips in the chips of DIC color guide selector, and then divided randomly the colour chips into two groups. The colour chips of a group (Gr I) were used for finding the optimized colour correction factor of error and those of the other group (Gr II) were used for verifying the correction factor. We measured colour value of the Gr I colour chips with spectrophotometer, and took the colour chips image with a digital tongue image system (DTIS). We adjusted colour correction factor of error to equal the chip colour from each method. Through that process, we obtained the optimized colour correction factor. To verify the correction factor, we measured colour value of the Gr II colour chips with a spectrophotometer, and took the colour chips image with the DTIS in the two types of colour interpolation mode (auto white balance mode and optimized colour correction factor mode). And then we calculated the CIE-$L^*ab$ colour difference (${\Delta}E$) between colour values measured with the spectrophotometer and those from images taken with the DTIS. Results In auto white balance mode, The mean ${\Delta}E$ between colour values measured with the spectrophotometer and those from images taken with the DTIS was 13.95. On the other hand, in optimized colour correction factor mode, The mean ${\Delta}E$ was 9.55. The correction rate was over 30%. Conclusions In case of interpolating colour of images taken with the DTIS, we suggest that procedure to search the optimized colour correction factor of error should be done first.

• 한국의류학회지
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• 제13권3호
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• pp.252-258
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• 1989

The purpose of this study was to investigate the general Kasa. More specially, the objectives of the research was (a) to determine the reason why dyes the colour of kasa; (b) to examine the kinds of Kasa colour; (c) to provide the dyeing method of Kasa colour; (d) to clarify the prohibited colour and the permitted limit; and (e) to find which and why kasa colour in our country use. The reason why dyes the colour of Kasa are the following; (a) it differentiates between the white robe in the leading ascetic life of Buddhism at ones home and that of the entering the priesthood. (b) it protects the victim of robbery (c) it discards the attachment to the ownership (d) it lessens the burden of at alms. The kinds of Kasa's color consist of several one such as 증(cheung), 흑(heuk), 전(chun), 목란(mokran), and so on. The three colour among them use as the colour of kasa in the each vinaya pitaka. The dyeing method of kasa is composed of two ways; One is to dye the whole Kasa; the other is to dye the part of Kasa. Recently, in our country, the red which is the branch of kalasama is the leading colour of Kasa.

• 한국인터넷방송통신학회논문지
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• 제18권3호
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• pp.29-34
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• 2018

디스플레이에서 재현되는 디지털 색채는 다양한 색공간을 통해 이미지로 전달 될 수 있으며 이미지로 전달된 색채는 화질 평가 시 주관적인 요인 및 객관적 요인 모두를 포함해 가장 중요한 요소 중 한가지 이다. 그러므로 디지털 색채는 디스플레이 발전과 함께 지속적으로 객관적이며 정량적인 연구가 이루어 져야 하고 동시에 시감적 특성이 충분히 반영되어야 하므로 주관적 평가 역시 체계적이며 정량적인 연구가 공동으로 진행되어야 한다. 본 연구는 디스플레이에서 재현된 디지털 색채 속성 중 색상 속성의 이동 현상에 대해 알아보기 위해 배경의 밝기를 차등 적용하고 다양한 색채가 배경에 제시된 상태에서 색채 자극의 크기는 중심와 시각과 주변시 시각으로 구분하여 정신물리학 실험을 진행하였다. 실험을 통해 평가된 결과를 바탕으로 실험 자극으로 선정된 KS 기본 색상 중 5가지 색상의 색상 속성 이동 현상에 대해 배경의 밝기와 색채 자극의 크기에 따라 색상 속성 이동 현상을 규명하고 향후 디스플레이에서 재현하는 연구 방향에 대해 제안 하였다.

• 한국인터넷방송통신학회논문지
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• 제24권3호
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• pp.9-14
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• 2024

색의 기본이 되는 구성 요소는 색상, 명도, 채도로 정의된다. 시지각 특성을 기초로 연구한 먼셀 표색계의 경우 색상(Hue), 명도(Value), 채도(Chroma)로 분류하였으며 세 가지 속성에 대하여 기록하는 방법에는 시감에 중점을 두어 색표를 기준으로 기록하는 현색계와 수치상으로 정확하게 기록하여 변색 우려가 없는 혼색계로 구분할 수 있다. 색을 전달하고 표현하는데 있어 색채 용어는 매우 중요하게 사용되며 색채는 색상, 명도, 채도의 조합에 따라 색상을 구분하고 정의할 수 있다. 현재 다양한 미디어 매채의 개발로 인해 이전에 구현할 수 없던 색의 범위까지 표현할 수 있게 되었으며 디지털 중심의 색채 연구가 좀 더 세분화 되어 색채를 지각하는 특성에 대한 기초연구가 필요하다. 본 연구는 디스플레이에서 시지각 기반 먼셀 표색계의 대표 10가지 색상을 대상으로 각 색상을 인지하는 명도와 채도의 범주에 대해 알아보고자 정신물리학 실험을 진행하고 이를 분석하였다. 본 연구는 진행된 실험 결과를 분석하여 색채 인지 특성에 대한 기초 연구 자료로써 유의미 여부를 정의한 후 향후 연구방향을 제시한다.

• 복식
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• 제30권
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• pp.85-99
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• 1996

This study has been made to examine the symbolic meaning of our traditional costume colours based on the theory of yin-yang Wu-hsing the interaction of yin and yang with the rotation of the five agents wood firt earth metal and waters. Presenting the spirt and the life of our race the costume culture has been keep-ing its own systematic symbol. Being sensible the colour has to be under-stood as the colour sense therefore the cos-tume colour has begun to have the symbolic meaning with the feeling or the mental value. According to the theory of yin-yang wu-hsing the costume colour has presented our racial sprit way of thinking and way of life for a long time and it has become the tra-ditional culture at last. Based on the doctrine of cosmic harmony through the motion of yin and yang or the passive and active elements are their five agents form the material force of everything. The order of nature has its counterpart in five symbolic costume colours wood-blue ; fire-red: earth-yellow; metal-white: water-black. The five colours are called the primary colours. which produce the next compound colours. Accepted in the social system as well as the social stats the costume colour has set up systematically. The theory of Yin-yang Wu-hsing has given the five colours the symbolic meanings and its mainstream has been the function of Sangsaeng and Sangeuk which are genera-ted by the power of virture. The former is mu-tually beneficial while the latter destructive. The colour as a costume colour has been made distinction between the colour of the up-per classes and the colour of the middle and lower classes and the specific colour has presented the symbolic meanings. The yeollow the red and the purple have been regarded as the colour of king queen and upper classes Being the colour recognition the costume colour has been established by the society and the race generally Implied the spiritual elements the colour recognition could select the lucky colour in accordance with one's des-tiny. Besides the colour recognition has begun to appear as the racial costumes to protect the society and to pray for good fortune. According to the theory of Yin-yang Wu-hsing the costume colour has been forming through our long history and has become our costume culture. Therefore the colour of the costume has signified not only the colour sense but also the important symbolic meanings.

• 복식
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• 제20권
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• pp.7-16
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• 1993

Influnced by the official uniform system of China, the colour culture of Korea has changed with time. The ancient colour has included the philo-sophical conception as well as the meaning of thoughts. Forming its tradition, the colour has been accepted in usual life. The philosophy of the Five Element has been developed in the area of Oriental culture and it has influnced to the colour of costume. The five colours(blue, red, yellow, white and black) as the Five Elements colours have disticted the social position. Owing to the fackt, the colour costume has preserved the important meaning. In accordance with the theory of the Five Elements the five colours of costume told its purpose, social position and age. Moreover the relationship among the Five Elements, the direction and the reason have been applied to it with time. Yellow and red have been usually used by kings and high ranking officals, white has been the basic colour for traditional Korean clothes, which hs indicated the integrity symbolizing our race. The Five Elements Colours preserving the theory of Korean the Five Elements have been the conception of Korean traditional colour and they have been developing as the meaning of custom.

• 이베로아메리카
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• 제12권2호
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• pp.95-121
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• 2010

The colour response reflects the cultural psychology of a nation or an ethnical group. Therefore the necessity and the importance of the investigations about the colours have been raised recently because of the possibilities for the diverse and practical applications in the modern industries. But there are certain tendencies for the investigations of the colours that depend upon the traditional and generalized approaches with which the meaning of the colour is used to be limited with the generalized interpretations that does not use to pay attention on the unique characteristics of a nation or an ethnical group. The object of this study has been planned and realized for the case study in Mexican City. In February of the year 2010 the colour response enquete had been realized during seven days and 128 peoples had participated. We've obtained information through the questionnaire method, getting the fact that the mexicans do response in some other ways. The results of this investigation tell us that the positive colours and the negative ones are different from the colours that the americans and the britains select. This investigation will serve as a basic study on the cultural psychology of the mexicans through the colours.