• 천문학회보
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• 제39권2호
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• pp.52-52
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• 2014

It is widely accepted that the evolution of galaxies is accelerated in dense environments. According to recent studies, however, the evolution by direct interactions between galaxies is known to be most active in a galaxy group rather than in a galaxy cluster. In particular, the central galaxy in a group is closely related to its satellites in the properties such as morphology, color and star formation rate, because those galaxies evolve together in a small-scale environment. Currently, however, it is not yet studied well whether such conformity between bright galaxies and their faint companions remains after a galaxy group falls into a galaxy cluster. Recently, Lee et al. (2014) have found that the colors of bright galaxies show a measurable correlation with the mean colors of faint companions around them in WHL J085910.0+294957, a galaxy cluster at z = 0.3, which may be the vestige of infallen groups in the cluster. As a follow-up study, we study Abell 2744, an ongoing cluster-cluster merger at z = 0.308, using the HST Frontier Fields Survey data. The cluster members are selected based on the distributions of color, size and concentration along magnitude. The correlation in color between bright galaxies and their companions is not found in the full area of Abell 2744. However, when the area is limited to the southeastern part of the Abell 2744 image, the mean color of faint companions shows marginal dependence (> $2{\sigma}$ to Bootstrap uncertainties) on the color of their adjacent bright galaxy. We discuss the implication of these results, focusing on their dependence on local environments.

• 한국의류학회지
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• 제40권6호
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• pp.1085-1099
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• 2016

This article is designed to establish fundamental design criterion for theme park cast costumes in accordance with play type and space. There is an understanding that theme parks act as a play space that is designed to meet diverse playing desires. To analyze cast costumes, the theme park - 'Everland' in South Korea as an example, area was divided into attraction space and non-attraction space. Attraction space is mainly for full-scale play content areas and the non-attraction space is to enforce the attraction space experience. Roger Caillois's play theory states that there are 4 play types; Illinx, Mimicry, $Ag{\hat{o}}n$, and Alea. All 4 play types were shown through attraction and Mimicry at non-attraction. Each cast costume was analyzed in terms of apparel design elements - silhouette, textile, color, detail, and props - related to play type facility and cast role. Criteria for theme park cast costume designs were suggested based on the results. Illinx cast members who fulfill a safety-checking role wear high chroma warm color costumes with the accent on details in bodice cutting lines, collar edges, pockets, buttons and decorative ornaments. A complementary contrast is also used. The guidance cast in Illinx may wear a suit in bright/vivid color. Mimicry guidance cast costumes show meticulous perfection in imitation with the figure in its space. From head to toe, color, textile, and silhouette - every detail and even props should match the character. $Ag{\hat{o}}n$ cast costumes are strictly limited in detail and decorative ornament usage as well as in color, since they are in charge of the management and operation of a competition. Alea cast's role is a self-demonstrator. Alea cast members should be a real tarot card reader. However, a manual should control their costumes. A total of 10 cast roles at a non-attraction space should be designed to show job patterns clearly in accordance with the whole theme at the park.

• 반도체디스플레이기술학회지
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• 제13권4호
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• pp.49-54
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• 2014

This paper proposes a new color segmentation method of vehicle license plates in the RGB color space. Firstly, the proposed method shifts the histogram of an input image rightwards and then stretches the image of the histogram slide. Secondly, the method separates each of the three RGB color components and performs the adaptive threshold processing with the three components, respectively. Finally, it combines the three components under the condition of making up a segment color and removes noises with the morphological processing. The proposed method is implemented using C language in an embedded Linux system for a high-speed real-time image processing. Experiments were conducted by using real vehicle images. The results show that the proposed algorithm is successful for most vehicle images. However, the method fails in some vehicles when the body and the license plate have the same color.

• 한국실내디자인학회논문집
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• 제19권5호
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• pp.105-112
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• 2010

The purpose of this study is to suggest the color scheme based on the color image types through the color analysis of workstation furniture which is on the market. This color scheme of the workstation furniture is expected to be give the comfort to office environment when planning office. For this study, It is selected the three furniture firms that have a brand of office furniture and their web site that is showed color sample of furniture. The following researches are drawn based upon the purpose. First, the color image types of interior space is classified and the color image words that are suitable for each types is extracted based on the results of existing literature. Second, the distribution of its hue and tone is analysed after collecting the each firm's color sample of desk top, panel and chair. Third, the color image appearing in each furniture color is analysed by color image scale positioning. Forth, the color scheme of desk top, panel and chair is suggested by its color scheme palette. The result of this study is expected to help comfortable environment by providing the color scheme for selection of furniture color in work space. Not all color of each furniture is sufficient to be combined color scheme, the result is indicated that the color scheme of workstation by color image types is possible for color planning in office environment.

• 한국인쇄학회지
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• 제27권1호
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• pp.29-47
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• 2009

Generally, if RGB image is sent to the printer when we print a digital photograph, the printer will convert RGB to CMYK by the inner built-in drive. Because the difference between color domain of RGB and CMYK will cause that change and difference. The most common way to solve the problem is to convert colors by using ICC profile at RIP software or to adapt automatic color converting from the software of the original printer. So we intended to study show which way is most efficient to the digital output and which color mode device is the best based on the printer's own drive in this paper. we tried to observe and check the extended range of color space such as AdobeRGB as well as CMYK and sRGB. Then we made sure which is the suitable color space. Besides, When we convert RGB mode into CMYK mode by utilizing RIP software and adapt the printer's ICC profile made by our selves, we evaluated the output we get and compared the result with extended RGB image. The results are as follows. In case of RGB mode, the printer requests RGB, and that makes the color space more efficient than CMYK's. Converted to CMYK by utilizing RIP software, the chroma is more linearized than the one produced with its' own driver. Compared with sRGB mode's color gamut, AdobeRGB mode's color gamut and CMYK mode's color, CMYK mode's color gamut is the smallest among 3 of them. CMYK mode's color gamut by utilizing RIP software can be changeable. that can be small and narrow or wide and broad. In other words, the volume of color gamut depends on how CMYK is linearized. The color space of sRGB is more advantageous than the one of AdobeRGB in color-reproduction printed. But in the group $-b^*$, the chroma leaves behind in terms of reproduction, In the group of $-a^*$, the chroma is excellent relatively. Visual evaluation of the image, AdobeRGB image has not many reproduction colors. Specially, according to printers' characteristics, Group B of AdobeRGB and sRGB color space is a long way behind In terms of reproduction but Group Y is excellent relatively.

• 디자인학연구
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• 제18권4호
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• pp.15-24
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• 2005

다양한 스타일의 주거공간에 대한 요구가 증가함과 더불어 점차 색채가 차지하는 중요성이 확대되어 주거공간에서의 색채의미가 부각되고 있으며, 다양화되어 가는 사회적인 변화에 맞는 색채계획의 필요성이 인식되고 있다. 본 연구에서는 주거공간에서의 색채에 대한 중요성 인식을 바탕으로 한 다양한 색채계획이 이루어져야 한다는 관점에서, 최근에 분양된 아파트 모델하우스의 색채 경향을 분석하여 주거공간 색채 디자인의 가이드 라인을 제시하고자 한다. $2001{\sim}2004$년 사이 부산지역에서 분양되어진 모델하우스를 중심으로 평형별, 공간별의 4배색(벽/천정, 가구류, 창호류, 바닥)을 통해 형용사 이미지를 도출하는 정성적 분석방법과 'Hue & Tone 120 색체계'를 이용한 빈도분석을 통한 색채 사용 현황을 파악하였다. 본 연구의 색채 분석 결과를 보면 공간별로는 차별화를 주기 위한 색채계획 보다는 유기적인 관계를 고려한 통일감을 주기 위한 방향으로 계획이 이루어지고 있으며, 평형대별로는 면적의 확대 감이나 고급스러움을 나타내기 위해 차별화 된 색채 경향을 나타내는 것을 알 수 있었다.

• 패션비즈니스
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• 제10권5호
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• pp.28-44
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• 2006

The purpose of this study is to study the movie costume and color image through the movie "The Aviator". Firstly, looking at the costumes of main characters and their color images expressed in the movie, one extreme of Hughes' image to another was expressed in order to show his extreme inner world by using the light-dark contrast rather than specific colors as the base. The gold color used to express the image of Hepburn represented an image expressing her intellectual elegance. As for her dress silhouette, the taste of intellectual elegance was displayed by a dress whose back was exposed with a grownup-style feminine silhouette or one with drapes and pleats ornaments. To express Gardner's image; that is, her alluring charm and glow, a vivid red color was used. As for her costume, her splendid and fascinating image was expressed by the 40s' rectangular- shouldered tailored suit, exotic peasant blouse and showy accessories. Secondly, the color image expressed in the background in the movie as a special space for Hughes. The red color image of screening room was shown to be as a space for passion and desire and the green color image of men’s room as a space for stability and rest.

• 정보처리학회논문지B
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• 제9B권1호
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• pp.129-138
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• 2002

본 논문에서는 모션캡쳐를 위해 컬러 스테레오 카메라를 이용한 거리 측정 알고리즘을 제안하였다. 현실공간의 연기자 각 관절 부위에 컬러마커를 부탁시키고 이를 컬러 스테레오 카메라를 이용해 촬영한 후, 본 논문에서 제안한 컬러 매칭방법과 컬러 영역중심의 분석방법에 의해 카메라로부터 마커가지의 거리를 계산한다. 스테레오 영상에서 마커의 컬러영역을 추출하기 위해 국부지역내의 각 픽셀의 RGB(red, green, blue) 컬러 정보를 CIE(Commission Internationale de1'Eclairage) 컬러 공간으로 변환시켜 컬러의 파장을 계산하고, 국부지역의 우월 파장이 마커의 컬러파장과 일치하는지를 검색한다. 가상공간에서의 캐릭터의 움직임은 시간에 따른 마커의 위치 변화정보를 처리하는 프로그램에 의하여 제어된다.

• 천문학회보
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• 제43권2호
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• pp.34.1-34.1
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• 2018

We investigate the properties of bright galaxies with various morphological types in Abell 1139 and Abell 2589, using the pixel color-magnitude diagram (pCMD) analysis. The 32 bright member galaxies ($Mr{\leq}-21.3mag$) are deeply imaged in the g and r bands in our CFHT/MegaCam observations, as a part of the KASI-Yonsei Deep Imaging Survey of Clusters (KYDISC). We examine how the features of their pCMDs depend on galaxy morphology and infrared color. We find that the g - r color dispersion as a function of surface brightness (${\mu}r$) shows better performance in distinguishing galaxy morphology, than the mean g - r color does. The best set of parameters for galaxy classification appears to be a combination of the minimum color dispersion at ${\mu}r{\leq}21.2mag\;arcsec-2$ and the maximum color dispersion at $20.0{\leq}{\mu}r{\leq}21.0mag\;arcsec-2$: the latter reflects the complexity of stellar populations at the disk component in a typical spiral galaxy. Moreover, the color dispersion of an elliptical galaxy appears to be correlated with its WISE infrared color ([4.6]-[12]). This indicates that the complexity of stellar populations in an elliptical galaxy is related to its recent star formation activities. From this observational evidence, we infer that gas-rich minor mergers or gas interactions may have usually occurred during the recent growth of massive elliptical galaxies.

• 한국실내디자인학회논문집
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• 제22권1호
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• pp.143-153
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• 2013

The purpose of this study is to explore how to make use of the light and expression methods to embody phenomenal space by considering the representation techniques and characteristics of a variety of 'Phenomenal light' in his works focused on the Steven Holl's views that thought the light as object of creating space. The process is summarized as follows: (1) Study on the relationship between light and color, Classify concept and type of phenomenal light by phenomenal color (2) Consider the characteristics and expression methods of the phenomenal light in the Steven Holl's architecture (3) Finally, organize the concepts and representation techniques of phenomenal light, and then present method to embody phenomenal space by light. According to this, the results are as follows: (1) Perceptual color by the light of the sense forms a variety of perception and texture of light and shadow according to the contrast of shades and the change of materiality, thus embodying multisensory space with the light as the medium approach that helps to experience formal and tactile senses. (2) Spatial color by the light of volume distinguishes the flow and movement of sight, and embody inducing space with the light as Atypical activity that forms atmosphere of space through concentrated or overlapped mass of light and darkness. (3) Existential color by the light of the light source visualizes the existence of the uncertain light, and embody the receptive space with the light as emotional communication that forms symbolic and psychological meaning through metaphorical phenomena of colored light.