• Title/Summary/Keyword: Color scheme

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A Pseudo Multiple Capture CMOS Image Sensor with RWB Color Filter Array

  • Park, Ju-Seop;Choe, Kun-Il;Cheon, Ji-Min;Han, Gun-Hee
    • JSTS:Journal of Semiconductor Technology and Science
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    • v.6 no.4
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    • pp.270-274
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    • 2006
  • A color filter array (CFA) helps a single electrical image sensor to recognize color images. The Red-Green-Blue (RGB) Bayer CFA is commonly used, but the amount of the light which arrives at the photodiode is attenuated with this CFA. Red-White-Blue (RWB) CFA increases the amount of the light which arrives at photodiode by using White (W) pixels instead of Green (G) pixels. However, white pixels are saturated earlier than red and blue pixels. The pseudo multiple capture scheme and the corresponding RWB CFA were proposed to overcome the early saturation problem of W pixels. The prototype CMOS image sensor (CIS) was fabricated with $0.35-{\mu}m$ CMOS process. The proposed CIS solves the early saturation problem of W pixels and increases the dynamic range.

A Study on the Color Harmony Scheme of the Bathroom Based On Digital Color Image Processing (디지털 이미지 색채분석을 이용한 욕실공간 색채배색에 관한 연구)

  • 정현원;이현수
    • Korean Institute of Interior Design Journal
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    • no.38
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    • pp.217-224
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    • 2003
  • The purpose of this study is to analyze the recent trend color of bathroom based on analysis result of digital color image processing, to analyze the emotional color of that, and to suggest the harmony color combination for the bathroom. It leads to the two final results. That is, the main color of bathroom image is recognized as three color classifications such as YR-Y, Y-GY, PB-P, 2) from the point of emotional aspect, the trend color of the bathroom can be classified into four image categories: 'modern', 'mild', 'elegant', 'natural'. Finally, under these categories, this paper propose 12 color harmony schema which can be applied to color in, especially bathroom Interior design.

Development of a Modern One-piece Design using a Traditional Pattern - Focusing on the Arrangement and Color-Scheme of the Pattern - (전통문양을 활용한 현대적 원피스 디자인 개발 연구 - 문양의 배치 및 색채 배색 과정을 중심으로 -)

  • Kang, Min-Jung;Cho, Jean-Su
    • The Research Journal of the Costume Culture
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    • v.20 no.3
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    • pp.330-346
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    • 2012
  • The purpose of this study is to link traditional patterns to modern clothing. Of all the traditional patterns, the cloud pattern was chosen for use during the development of a modern one-piece dress design. This study is based upon document searches, including research papers. Through these searches, it investigates the symbolic meaning, historical change, and formation of the cloud pattern. Based on this investigation, the study attempts to modernize the cloud pattern and apply the modernized patterns to the design of a one-piece dress. The design procedure includes three sub-processes: selection, arrangement, and color-scheme. The selection process was divided in two: first, the original form of the cloud pattern was hand-drawn using tracing paper: second, the form of the pattern was edited using Adobe Photoshop. The arrangement of the pattern was made through the checklist conception method, containing the following functions: expand, reset, repeat, and overlap. For the color-scheme of the pattern, Roy Lichtenstein's(1923~1997) work was selected, and the colors in his work were adopted when dyeing the rest of the one-piece dress as well as the cloud features. In conclusion, six modern designs of the one-piece dress were created by using one of Korea's traditional patterns - the cloud pattern. Therefore, this study can offer invaluable suggestions for multifaceted research on how to come up with design concepts which apply Korea's traditional patterns to clothing design.

A Study on a Creative Design Development Using a Traditional Pattern - Focusing on the Arrangement and Color-scheme of the Pattern - (전통 물고기문양을 모티브로 한 창의적 디자인 개발 연구 - 문양의 배치 및 색채 배색 과정을 중심으로 -)

  • Mok, So-Ri;Cho, Jean-Suk
    • Journal of the Korea Fashion and Costume Design Association
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    • v.16 no.2
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    • pp.81-100
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    • 2014
  • The purpose of this study is to link traditional patterns to mordern clothing. Of all the traditional patterns, the fish pattern was chosen for use during the development of a creative one-piece design for woman and shirts design for man. This study is based upon document searches, including research papers. Through these searches, it investigates the symbolic meaning, formation of the fish pattern and the creative design process. Based on this investigation, the study attempts to modernize the fish pattern and apply the fish patterns to the design of a one-piece dress and shirts. The design procedure includes three sub-processes: selection, arrangement and color-scheme. The selection process, the form of the pattern was edited using Adobe Photoshop. The arrangement of the pattern was made through the checklist conception method, containing the following functions: expand, reset, repeat, omission and dismantling. For the color-scheme of the pattern, Paul Klee(1879-1940)work was selected, and the colors in his work were adopted when dyeing the rest of the one-piece dress and shirts as well as fish features. In conclusion, six designs of the one-pieces dress and shirts were created by using one of Korea's traditional patterns-the fish pattern. This kind of study not only let the world know about the unique beauty of nations but also helps to inspire people who has a profession in design, by suggesting design development process based on design competitiveness improvement factor from fusion of tradition and modern.

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Object-Based Image Retrieval Using Color Adjacency and Clustering Method (컬러 인접성과 클러스터링 기법을 이용한 객체 기반 영상 검색)

  • Lee Hyung-Jin;Park Ki-Tae;Moon Young-Shik
    • The KIPS Transactions:PartB
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    • v.12B no.1 s.97
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    • pp.31-38
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    • 2005
  • This paper proposes an object-based image retrieval scheme using color adjacency and clustering method. Color adjacency features in boundary regions are utilized to extract candidate blocks of interest from image database and a clustering method is used to extract the regions of interest(ROI) from candidate blocks of interest. To measure the similarity between the query and database images, the histogram intersection technique is used. The color pair information used in the proposed method is robust against translation, rotation, and scaling. Consequently, experimental results have shown that the proposed scheme is superior to existing methods in terms of ANMRR.

A Study on the Design and Style of Burberry Men's Wear through the Replacement of Creative Directors (크리에이티브 디렉터 교체에 따른 버버리 남성복 디자인 및 스타일 연구)

  • Song, Bu Young;Kim, Yoon Kyoung;Lee, Kyoung Hee
    • Journal of Fashion Business
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    • v.25 no.4
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    • pp.14-35
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    • 2021
  • This study compares and analyzes the designs of Burberry creative directors, Christopher Bailey and Riccardo Tisci. For this purpose, 322 photographs (176 Christopher Bailey and 146 Riccardo Tisci) were collected and the data analysis criteria were classified into color, shape, material, decoration, item, and fashion style. With respect to the data analysis method, statistical analysis and content analysis were combined. First, the design characteristics of Christopher Bailey top and bottom combined bright tone, tone-in-tone color scheme, H-line, heterogeneous material combination, and smart casual appeared very frequently. Second, the design characteristics of Riccardo Tisci top and bottom combined were monotone, tone-on-tone color scheme, H-line, heterogeneous material combinations, and street culture. Third, the design differences between creative directors were significantly different in color, tone, color arrangement, pattern, material type, material combination, detail, top and bottom items, and fashion style. Burberry men's wear maintains Burberry's traditional design identity with achromatic colors, beige-based colors, and beige checks. Christopher Bailey's design direction is characterized by modernity in a casual mood that emphasizes practicality. The design direction of Riccardo Tisci is characterized by a wide gap between images in a semi-formal style that emphasizes Burberry's tradition and a free-spirited casual style.

Color Image Segmentation Using Anisotropic Diffusion and Agglomerative Hierarchical Clustering (비등방형 확산과 계층적 클러스터링을 이용한 칼라 영상분할)

  • 김대희;안충현;호요성
    • Proceedings of the IEEK Conference
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    • 2003.11a
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    • pp.377-380
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    • 2003
  • A new color image segmentation scheme is presented in this paper. The proposed algorithm consists of image simplification, region labeling and color clustering. The vector-valued diffusion process is performed in the perceptually uniform LUV color space. We present a discrete 3-D diffusion model for easy implementation. The statistical characteristics of each labeled region are employed to estimate the number of total clusters and agglomerative hierarchical clustering is performed with the estimated number of clusters. Since the proposed clustering algorithm counts each region as a unit, it does not generate oversegmentation along region boundaries.

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A Study on Color Planning of Elementary, Middle and High School Buildings -A Case Study of Domestic and Foreign School Buildings- (초(初).중등학교(中等學校) 건축(建築)의 색채계획(色彩計劃) 분석(分析) 연구(硏究) -국내.외 학교건축의 사례 중심으로-)

  • Kim, In-Hyeog;Kang, Byoung-Keun
    • The Journal of Sustainable Design and Educational Environment Research
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    • v.10 no.1
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    • pp.74-87
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    • 2011
  • The purpose of this study is in providing a systematic method for school building color scheme. This study analyzed the cases of color uses in domestic and foreign school buildings. The results from this study tells that the colors in school buildings should take into account the environmental, psychological and functional elements at the same time to effectively function as environmental color, effect color and induction color.

Image Dequantization using Optimization (최적화 기반 영상 역양자화)

  • Choi, Min-Gyu;Kim, Tae-Hoon;Ahn, Jong-Woo
    • Journal of KIISE:Computer Systems and Theory
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    • v.34 no.7
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    • pp.296-303
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    • 2007
  • Color quantization replaces the color of each pixel with the closest representative color, and thus it makes the resulting image partitioned into uniformly-colored regions. As a consequence, continuous, detailed variations of color over the corresponding regions in the original image are lost through color quantization. In this paper. we present a novel blind scheme for restoring such variations from a color-quantized input image without it priori knowledge of the quantization method. Our scheme identifies which pairs of uniformly-colored regions in the input image should have continuous variations of color in the resulting image. Then, such regions are seamlessly stitched through optimization while preserving the closest representative colors. The user can optionally indicate which regions should be separated or stitched by scribbling constraint brushes across the regions. We demonstrate the effectiveness of our approach through diverse examples, such as photographs, cartoons, and artistic illustrations.

A Hybrid Watermarking Scheme for Color Images (컬러 영상을 위한 하이브리드 워터마킹)

  • Lee Hyun-Suk;Oktavia Vivi;Kim Mi-Ae;Lee Won-Hyung
    • Journal of Internet Computing and Services
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    • v.5 no.3
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    • pp.73-86
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    • 2004
  • This paper presents a hybrid digital watermarking scheme for color images, We insert two watermarks in the DWT domain using spread-spectrum correlation-based watermarking in luminance component of the color image and in spatial domain using pixel-value substitution of blue channel of color image. The objectives of this paper are to have the watermark robust to common signal processing and to detect any changes on the watermarked image for tamper detection at the same time. This watermark scheme will have the robustness characteristic as typical in frequency domain watermark, and also ability to detect any changes on the image (tamper detection).

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