• 한국의류학회지
• /
• 제28권11호
• /
• pp.1415-1425
• /
• 2004

The purpose of this study was to analyze a theoretical frame of expressional area, the characteristics and the effects which is applied to fashion illustration by metonymic theory. The theoretical frame of expressional area was analyzed by category analysis and 150 fashion illustrations from 1900 to 1999 were analyzed by contents analysis. The results of this study were as follows: The expressions of metonymy were categorized by close-up, realistic expression, omission, borrowing of past style, simplification and deconstruction. First, close-up was presented as emphasis of small part of fashion by cutting the scenes, snapshot, emphasis, etc. Second, realistic expression was presented as description of related circumstance with fashion message through perspective and realistic description of circumstance related to figures. Third, omission was presented as seeking of essential core by removing color, pattern, texture or by omitting body and as emphasis of communication about dominant fashion message. Fourth, borrowing of past style was presented as reminding us of background of the past. Fifth, simplification was presented as using of form or color to alleviate tension of object and to restore the essential reality. Sixth, deconstruction was presented as fragmenting of image, flattening of body and clothing, weakness of form, and strength of color. In conclusion, metonymy made by experience system of thinking based on the reality, have extended expressional territory in pre-existing fashion illustration. And these ways not only will provide fashion image as illustrator's subjective intention and theoretical system of expression of message, but also will be useful way to strengthen communication for easier interpretation of fashion illustration.

• 한국의류학회지
• /
• 제39권1호
• /
• pp.121-132
• /
• 2015

All aspects of clothing, including color, are a visible form of expression that carries invisible value. The purpose of this work is to study the expression of resistance in the white Hanbok in modern culture, specifically after the 1980s. Koreans have traditionally revered white color and enjoyed wearing white clothes. In Korea, white represents simplicity, asceticism, sadness, resistance against corruption, and the pursuit of innocence. This paper looks at: (i) the universal and traditional values of the color white, (ii) the significance of traditional white Korean clothing, (iii) the resistance characteristics of white in traditional Korean clothes, and (iv) the aesthetic values of white Hanbok. The white Hanbok often connotes resistance when it is worn in modern Korea. It is worn in folk plays, worn by shamans as a shamanist costume, worn by protestors for anti-establishment movements, and worn by social activists or progressive politicians. The fact that the white Hanbok has lost its position as an everyday dress in South Korea (instead symbolizing resistance when it is worn) is an unusual phenomenon. It shows that the white Hanbok, as a type of costume, is being used as a strong means of expression, following a change in the value of traditional costumes as it take on an expressive function.

• 전자공학회논문지CI
• /
• 제43권3호
• /
• pp.67-75
• /
• 2006

얼굴의 표정은 얼굴의 구성요소같은 기하학적 정보와 조명이나 주름 같은 세부적인 정보들로 표현된다. 얼굴 표정은 기하학적 변형만으로는 실감적인 표정을 생성하기 힘들기 때문에 기하학적 변형과 더불어 텍스처 같은 세부적인 정보도 함께 변형해야만 실감적인 표현을 할 수 있다. 표정비율이미지 (Expression Ratio Image)같은 얼굴 텍스처의 세부적인 정보를 변형하기 위한 기존 방법들은 조명에 따른 피부색의 변화를 정확히 표현할 수 없는 단점이 있다. 따라서 본 논문에서는 이러한 문제를 해결하기 위해 서로 다른 조명 조건에서도 실감적인 표정 텍스처 정보를 적용할 수 있는 비선형 피부색 모델 기반의 표정 합성방법을 제안한다. 제안된 방법은 동적 외양 모델을 이용한 자동적인 얼굴 특징 추출과 와핑을 통한 표정 변형 단계, 비선형 피부색 변화 모델을 이용한 표정 생성 단계, 유클리디 거리 변환 (Euclidean Distance Transform)에 의해 계산된 혼합 비율을 사용한 원본 얼굴 영상과 생성된 표정의 합성 등 총 3 단계로 구성된다. 실험결과는 제안된 방법이 다양한 조명조건에서도 자연스럽고 실감적인 표정을 표현한다는 것을 보인다.

• 반도체디스플레이기술학회지
• /
• 제16권4호
• /
• pp.79-85
• /
• 2017

Understanding of human emotion has a high importance in interaction between human and machine communications systems. The most expressive and valuable way to extract and recognize the human's emotion is by facial expression analysis. This paper presents and implements an automatic extraction and recognition scheme of facial expression and emotion through still image. This method has three main steps to recognize the facial emotion: (1) Detection of facial areas with skin-color method and feature maps, (2) Creation of the Bezier curve on eyemap and mouthmap, and (3) Classification and distinguish the emotion of characteristic with Hausdorff distance. To estimate the performance of the implemented system, we evaluate a success-ratio with emotional face image database, which is commonly used in the field of facial analysis. The experimental result shows average 76.1% of success to classify and distinguish the facial expression and emotion.

• 한국실내디자인학회논문집
• /
• 제16권2호
• /
• pp.51-62
• /
• 2007

The subway lines have been expanded to solve the traffic problems in Korean cities, so that a big number of people daily use the subway stations. Therefore, subway stations became a kind of public space as well as traffic space. However, the underground space of the stations are essentially different with the aboveground space in terms of environmental and psychological terms. The color planning can be used to reduce the environmental and psychological disadvantages of underground spaces of subway stations. The purpose of this study is to understand the current design methods of subway stations' color planning. To achieve this purpose, this study investigates all reports of 'Color Planning for the Subway' which were used for the construction of subway lines in 6(six) Korean cities. After analyzing the design theories and methods used for the color planning, field studies have been done upon 10 subway lines of 6 cities, to find out the limitations of color planning, the differences between color planning and actual results. The conclusions are as follows : First, the color planning for subway stations does not seem to consider the characteristics of underground space and its psychological effects, such as the depth of station, the lighting source and methods. Second, some critical differences have been found between the color planning and the actual application during construction, due to arbitrary interpretation and limitations of color expression of the construction materials. Third, and therefore, the colors applied in stations do not perform their planned role such as 'variety in the unity', 'symbolic expression of the city and station'.

• 한국실내디자인학회논문집
• /
• 제22권1호
• /
• pp.143-153
• /
• 2013

The purpose of this study is to explore how to make use of the light and expression methods to embody phenomenal space by considering the representation techniques and characteristics of a variety of 'Phenomenal light' in his works focused on the Steven Holl's views that thought the light as object of creating space. The process is summarized as follows: (1) Study on the relationship between light and color, Classify concept and type of phenomenal light by phenomenal color (2) Consider the characteristics and expression methods of the phenomenal light in the Steven Holl's architecture (3) Finally, organize the concepts and representation techniques of phenomenal light, and then present method to embody phenomenal space by light. According to this, the results are as follows: (1) Perceptual color by the light of the sense forms a variety of perception and texture of light and shadow according to the contrast of shades and the change of materiality, thus embodying multisensory space with the light as the medium approach that helps to experience formal and tactile senses. (2) Spatial color by the light of volume distinguishes the flow and movement of sight, and embody inducing space with the light as Atypical activity that forms atmosphere of space through concentrated or overlapped mass of light and darkness. (3) Existential color by the light of the light source visualizes the existence of the uncertain light, and embody the receptive space with the light as emotional communication that forms symbolic and psychological meaning through metaphorical phenomena of colored light.

• 복식
• /
• 제67권3호
• /
• pp.1-14
• /
• 2017

Cycling has become a popular leisure activity, and many cycling enthusiasts have used cycling clothes as a form of expression, which often comes in wide range of colors. The study shows the importance of color in cycling clothing to meet the emotional needs of consumers. Furthermore, this study aims to provide comparative analysis between color of domestic and overseas cycling clothing brands, and color preference of Korean consumers in order to provide data, which can be used in satisfying consumers' needs for personal expression and emotional demands. Thus, the study expects to identify consumers' satisfaction for cycling clothing. The consumers were categorized by the frequency of cycling and their interest in fashion, and the following categories were made:potential consumers, casual cyclists with low fashion involvement, casual cyclists with high fashion involvement and frequent cyclists with high fashion involvement. Consumers preferred dark colors for their cycling clothing including jacket, top and pants, while 'frequent cyclists with high fashion involvement' preferred more diverse colors and tones. In the cycling clothing market, white and black were major colors, while red, orange and blue were major colors of chromatic color. In terms of shade, dark shade dominated the market. Comparing between preferred color and preferred product color, black was preferred for both, but no other colors showed such tendency. This study is based on empirical analysis and verification of color, which is the emotional element appealing to specific and segmented sports-apparel market. The study revealed that the data could be applicable to the design of future products.

• 한국작물학회지
• /
• 제63권1호
• /
• pp.41-47
• /
• 2018

국내에서 육성된 자색배축을 나타내는 품종들의 콩나물 재배시 자색 발현을 조사하고 자색의 배축발현에 관련된 재배요인을 구명하여 자색배축 콩나물 품종을 콩나물 원료콩으로 확대하는데 필요한 기초자료를 제공하고자 시험을 실시하였다. 이에 배축색과 꽃색이 모두 자색인 콩나물 콩 15품종을 콩나물 재배기에서 재배하면서 콩나물 배축의 자색발현 정도를 조사하였다. 그 결과, 다채, 명주나물콩, 소백나물콩, 소진나물콩, 안평 및 조남 등 6품종은 자색이 발현이 되지 않았으나, 소원콩, 원황, 신화, 은하콩, 풍산나물콩, 팔도나물콩, 광안, 신강 및 장기 등 9품종은 자색이 발현되었다. 재배온도, 재배기간, 관수온도가 자색발현에 고도로 유의한 요인으로 작용하였고, 이들 간의 상호작용 효과도 통계적으로 고도로 유의한 것으로 나타났다. 또한, 콩나물 배축의 자색발현은 콩나물 재배환경에 영향을 받는 것으로 조사되었다. 재배온도에 따른 자색발현 개체비율은 재배온도 $17^{\circ}C$, $20^{\circ}C$, $23^{\circ}C$에서 32.4~34.2%의 비율을 보인 반면 $26^{\circ}C$에서는 17.2% 만이 자색을 나타내어, 재배온도가 제일 높은 시험구에서 자색발현이 가장 낮게 나타났다. 관수온도에 따른 자색발현 개체비율은 관수온도가 제일 낮은 $10^{\circ}C$에서 36%로 가장 많은 개체비율을 보였다. 그리고 관수온도가 높아질수록 자색발현 개체비율이 점차 감소하여 가장 높은 온도인 $26^{\circ}C$에서 가장 낮은 개체비율을 나타내었다. 재배기간에 따른 자색발현 정도는 재배 3일째에는 자색발현이 전혀 없었으나 4일째에 52%로 가장 높은 발현비율을 보였고 5일째에는 감소하여 36%의 개체가 자색배축을 나타내었다.

• 한국자연치유학회지
• /
• 제11권2호
• /
• pp.123-135
• /
• 2022

배경: 본 연구는 반 고흐의 특징적인 노란색 표현에 대한 다양한 가설을 살펴보고 그 원인을 검증함으로써 예술가에게 색채표현의 의미가 무엇인지 살펴보는 것이다. 목적: 본 연구는 노란색의 구도자로 대변되는 빈센트 반 고흐의 특징적인 노란색 표현이 알토올 중독에 의한 생리적 반응의 결과인지, 정신증적인 문제로 인해 나타난 표현특징인지, 아니면 심리적 동기에 기인한 문제인지를 밝히는데 연구의 목적이 있다. 방법: 연구문제를 검증하기 위해 고흐의 증상을 연구한 연구논문들과 고흐 본인의 기술이 담긴 글 그리고 심리학자와 정신의학자 등 다양한 분야에서 고흐의 작품특성을 분석한 연구문헌을 참고하였다. 결과: 고흐의 노란색 선호는 알코올과 관련된 황시증과 정신증적 증상과는 관계가 없는 것으로 보이며 내적 동기 등 심리적 요인인 것으로 추정된다. 결론: 고흐의 특징적인 노란색 색채표현은 심리적 요인이 작용한 것으로 보이며 예술가의 특징적인 색채표현은 그 내부에 심리적 동인이 커다란 영향을 가져다준다는 것을 알 수 있다.

• 한국의류산업학회지
• /
• 제21권4호
• /
• pp.432-451
• /
• 2019

Companies and brands that practice sustainability pay attention to New Media due to its ability to build a sustainable relationship between companies and consumers. The need for research on specific roles, characteristics, and social media effects on eco-friendly advertising has had rapid growth in marketing programs for sustainable activities especially shown through social media. Information about sustainable fashion has spread to consumers through social media, and multifarious efforts have been made to attract the attention of youth. Despite the dramatic increase in eco-friendly marketing through social media as a part of sustainability, there is a lack of research on the major influences of emotional factors such as ad color and expression in social media. In this context, it is meaningful to identify relationships between emotional responses, advertising value and consumer behavior of sustainable fashion brands in Instagram and implement a suitable advertising type (color vs expression) for consumers. We used 366 responses for the final analysis. Data were analyzed by factor analysis, structural equation modeling using SPSS 18.0 and AMOS 18.0. The results of this study suggest that emotional responses, advertising value have a significant effect on the flow. This study expands on a previously limited research field by verifying consumer responses to image advertising on Instagram, rather than general sustainable fashion marketing. The study results also provide meaningful implications for a relation formation between customers and fashion brands vis-${\grave{a}}$-vis sustainable social media marketing.