• Title/Summary/Keyword: Color Contrast

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특이값 분해와 영상 피라미드를 이용한 대비 향상 알고리듬 (Contrast Enhancement Algorithm Using Singular Value Decomposition and Image Pyramid)

  • 하창우;최창렬;정제창
    • 한국통신학회논문지
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    • 제38A권11호
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    • pp.928-937
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    • 2013
  • 본 논문은 특이값 분해와 영상 피라미드를 이용한 새로운 대비 개선 방법을 제안한다. 제안된 방법은 다음과 같이 네 단계로 진행 된다. 먼저 전역 명암대비와 지역적 디테일을 향상시키기 위해 영상 피라미드를 이용하여 영상을 기저영상과 세부영상들로 분해한다. 전역 명암대비 향상은 특이값 분해를 이용하여 영상 전체의 명암대비를 향상시키고, 지역적 디테일 향상은 가중치를 이용하여 개선시킨다. 영상 합성은 영상의 컬러 일관성을 유지하기 위해 컬러와 명암성분들을 결합한다. 실험 결과를 통해 제안된 방법은 기존의 방법들보다 영상의 세부 정보를 강화하면서 전체적인 명암대비 개선을 보인다.

벼의 성장단계별 색 변화에 관한 디지털 화상해석 (Digital Image Analysis(DIA) of Color Changes in Field Growing Stages for Rice)

  • 박종화;신용희;박민서
    • 한국농공학회:학술대회논문집
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    • 한국농공학회 2003년도 학술발표논문집
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    • pp.623-626
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    • 2003
  • Image analysis was performed with two color systems, Red-Green-Blue (RGB) values and normalized Hue-Saturation-Intensity (HSI). We conducted field studies in Cheongju to determine canopy spectral reflectance and digital image analysis of rice. Spectral reflectance measurements made with a portable spectrometer(LI-1800) correlated with growing stage and digital images for rice. Images in which the color was specified by the common RGB coordinates could be used when there was a sharp contrast between the color of the rice and that of the field soil. In the absence of sharp contrast, identification of the rice covered area was much easer after the color had been transformed into HSI coordinates. This study introduced fundamental theories in digital image analysis and applied that for field situations rice.

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비주얼 센서 영상에 대한 대비 개선 방법 (Contrast Enhancement Method for Images from Visual Sensors)

  • 박상현
    • 한국전자통신학회논문지
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    • 제13권3호
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    • pp.525-532
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    • 2018
  • 최근 센서 네트워크 기술의 발달과 카메라 기술의 발달로 이 두 기술을 접목한 비주얼 센서 기술을 이용하여 사람이 접근하기 어려운 지역의 환경을 효과적으로 모니터링하고자 하는 수요가 증가하고 있다. 비주얼 센서에서 획득된 영상은 자연 현상을 그대로 반영하기 때문에 날씨나 시간에 따라 영상의 품질이 나빠질 수 있다. 이 논문에서는 비주얼 센서에서 획득되는 영상의 특성을 이용하여 영상의 대비를 개선하는 알고리즘을 제안한다. 제안하는 방법에서는 먼저 비주얼 센서가 촬영하는 대상에 대해서 관심 영역을 설정하고 관심 영역의 컬러 값의 변화를 영상의 밝기 값에 따라 분석한다. 그리고 분석한 결과와 동일한 대상의 고대비 영상을 이용하여 저대비 영상의 대비를 개선한다. 실험 결과는 제안하는 방법이 간단하면서도 정확하게 저대비 영상의 컬러 성분들을 복원하여 영상의 대비를 개선하는 것을 보여준다.

수량화 1 류 분석을 이용한 실내색채의 이미지 유형별 특성연구 (A Study on the Characteristics by Image Type in Interior Color using HAYASI 1 Program)

  • 이진숙;서정원;조원덕;이선희
    • 한국실내디자인학회논문집
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    • 제7호
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    • pp.31-37
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    • 1996
  • The purpose of this study is to grasp the characteristics by image type in interior color. This experiment is carried out by the evaluation method of color simulation with the color image processor. And the result of this experimental evaluation is analyzed quantitatively by HAYASI 1 Program. The results of this analysis are as follows : 1) In casual and clear images, the most main colors are GY, PB, Y , and N, Casual image has high chroma and the most arrangement of colors is hue-contrast or contrast -harmony with white. Also the main colors of clear image are in identical or similar harmony with the hues of floor. 2) In romantic, elegant, pretty, and gorgeous images, the most main colors are GY, RP, R , YR and Y and the most arrangement of colors is identical or similar harmony. The romantic image of pastel tone is wholly lighter than the pretty image of bright tone. And elegant image is lower in chroma than romantic images, so generally dark. Also gorgeous image is the vivid tone with high chroma. 3) In chic and modern images, the main colors are the hues of B, PB, high value and low chroma with bright tone. Also, the main colors are in identical or similar harmony with the hues of floor : BG , B, PB and P. 4) In natural and semiclassic images, the main color is the warm color of Y, YR and the most arrangement of colors is identical or similar harmony. Also Semiclassic images is the dull tone with middle value and middle chroma and darker tone than natural image. 5) In dynamic image, the main color is the hue of N, Y, PB and GY and most of color is high chroma. And the most arrangement of colors is value-contrast.

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동적영역 분할을 이용한 명암비 향상기법 (Contrast Enhancement using Dynamic Range Separate Histogram Equalization)

  • 강현우;박규희;황보현;윤종호;최명렬
    • 대한전자공학회:학술대회논문집
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    • 대한전자공학회 2008년도 하계종합학술대회
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    • pp.917-918
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    • 2008
  • Histogram Equalization (HE) method is widely used for contrast enhancement. However, HE often introduce washed out appearance or color distortion due to the over enhancement in contrast. In this paper, Dynamic Range Separate Histogram Equalization (DRSHE) is proposed for contrast enhancement. DRSHE reconfigures the dynamic range of histogram using probability distribution ratio. The experimental results show that DRSHE suppresses the washed out appearance or color distortion and preserves naturalness of the original image compared with conventional methods.

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Novel Technology for Achieving Contrast Ratio over 800:1 In Super IPS Mode TFT-LCD

  • Lim, Ji-Chul;Choi, Youn-Seung;Park, Youg-Hak;Lee, Tae-Rim;Oh, Chang-Ho
    • 한국정보디스플레이학회:학술대회논문집
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    • 한국정보디스플레이학회 2005년도 International Meeting on Information Displayvol.I
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    • pp.27-28
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    • 2005
  • We developed Super IPS mode TFT-LCD TV which have contrast ratio over 800:1. To increase contrast ratio, polarizer film, TFT design and color filter photoresist are investigated. In this report, we describe the basic concept and effectiveness of each item. The application of a newly developed color filter photoresist was the most effective for achieving this high contrast ratio.

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채도와 명암비 개선을 통한 화질 향상 기법 (Image Enhancement Method by Saturation and Contrast Improvement)

  • 박규희;정병주;윤종호;조화현;최명렬
    • 대한전자공학회:학술대회논문집
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    • 대한전자공학회 2007년도 하계종합학술대회 논문집
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    • pp.369-370
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    • 2007
  • In this paper, an image enhancement method by saturation and contrast improvement is proposed. Histogram equalization with color difference makes higher contrast. By generating saturation amplification ratio with color difference, the saturation improves effectively. The experimental results show that the proposed algorithm has higher contrast and more natural - look than the conventional methods.

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물방울 무늬의 크기와 배색 변화가 원피스 드레스 이미지에 미치는 영향 - 명도 대비 배색을 중심으로 - (The Effect of Dot Pattern Size and the Variation of Coloration on Dress Wearers' Image Formation - Focused on Coloration of Value Contrast -)

  • 김선미;정수진
    • 복식문화연구
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    • 제16권5호
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    • pp.863-877
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    • 2008
  • The purpose of this study is to investigate the effect of dot pattern size(0.8, 1.8, 2.5, 5, 8), color combination (BG/R, Y/B), value tone(lt/dk, p/g), area-ratio on image information. Sets of stimulus and response scales(7 point semantic) were used as experimental materials. The stimuli were 20 color pictures manipulated with the combination of dot pattern size, color combination, value tone and area-ratio using computer simulation. The subjects were 240 female undergraduates living in Gyeongsangnam-do. Image factor of the stimulus was composed of 4 different components, visibility, chastity.feminity, cuteness and attractiveness. In the visibility, color combination, value tone, area-ratio, dot pattern size showed independent effect. In the chastity feminity, color combination, value tone, showed independent effect. In the cuteness, value tone, area-ratio, dot pattern size showed independent effect. Significant interaction effects of color and area-ratio combination on visibility and cuteness were found. Interaction efforts of color and value tone combination, value tone and area-ratio was significant on cuteness. For visibility image, BG/R combination of color and yellow background/blue dots were effective. For cuteness image, pale/grayish tone and background/dots area-ratio were effective.

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색상대비 체크무늬의 배색, 톤, 간격에 따른 의복이미지 (The Clothing Image according to Coloration, Tone, and Interval of Checked Pattern in Color Contrast)

  • 정수진;최수경
    • 한국의류산업학회지
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    • 제13권2호
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    • pp.147-154
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    • 2011
  • The purpose of this study was to investigate the clothing image according to coloration, tone, and interval of checked pattern in color contrast. The experimental materials developed for this study were a set of stimulus and response scales. The stimuli were 24 color pictures, in which coloration(RB: Red+Blue, YP: Yellow+Purple), tone(light, dull, dark), and interval(0.5 cm, 1.5 cm, 3.5 cm, 5.5 cm) were manipulated. The 7-point scale was used for evaluation of clothing image. Data were obtained from 240 female college students living in Seoul, Gwangju, Jinju, and Masan on May 2010. For data analysis, ANOVA and Duncan-test were used by using SPSS program. Results of this study were as follows.; Clothing image according to coloration, tone, and interval of checked pattern consisted of five dimensions of attractiveness, freshness, appeal, modesty, and activity. Coloration showed an independent effect on attractiveness and appeal. Tone showed an independent effect on freshness, appeal, and modesty. Interval showed an independent effect on freshness. Also, interaction effects of coloration and tone on appeal were found. Interaction effects of coloration and interval on modesty were found.

조형적 측면에서 본 예술로서의 아이메이크업과 의복과의 상관성 연구 - 2000년부터 2010년까지 패션잡지를 중심으로 - (A Study on the Formative Relationship of between Artistic Eye-Makeup and Clothing - Focus on Fashion Magazine From the 2000's to 2010 -)

  • 김은실
    • 복식
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    • 제62권3호
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    • pp.120-136
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    • 2012
  • The purposes of this study is to analyze the formative relationship between artistic eye-makeup and clothes design by focusing on the period from 2000 to 2010 and to find out the development direction of the next makeup design. This study considered formative theory to analyze the formative relationship between artistic eye-makeup and clothes design of $Marian$ $L.$ $Davis$ and $Marilyn$ $R.$ $Delong's$ theory, and analyzed the formative relationship between artistic eye-makeup and clothes design in an aspect of line and form, color and material, The results are as follows: First, the shapes of the artistic eye-makeup such as tear drops, and rectangular paisleys were similar with the form of clothes such as the hourglass, cylinders and mix-types. Second, monotonic color coordination mainly appeared and sometimes contrast color coordination that induced complex contrast coordination were apparent as well. Third, the objects of the artistic eye-makeup such as glitter papers, spangles and beads had similar features as the material of clothes such as silk and spangle, and contrast was partially used like colors. The results suggest that artistic eye-makeup and clothes have an organic relationship, and artistic eye-makeup is changed with formative elements of clothes.