• 한국실내디자인학회논문집
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• 제20권3호
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• pp.190-197
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• 2011

The purpose of this study is to examine the characteristics of space design appearing in facade and interior composition factors of buildings in the colonial period in Indonesia. Research method is a field study, and subjects of the study is 14 buildings built in the colonial period located in Jakarta. The research result is as follows. First, Facade is divided into C type (colonial style), CT type (colonial style + traditional style), CA type (colonial style + art deco style), and CTA type (colonial style + traditional style + art deco style). Among them, CT type which shows both a colonial style and traditional style accounts for the most. As for Java traditional style mainly shows Joglo roof style and bratticing decoration on top of gates, and the colonial style presents both an Amsterdam canal housing style such as narrow Facade and unusual Gable, and a classical style such as pediment, entablature, and columns. Second, interior space is divided into C type (colonial style), CT type (colonial style + Indonesian traditional style), A type (art deco style), and CA type (colonial style + art deco style). Among them, CT type was also accounted for the most. Selected traditional style is a shape of bratticing decoration on top of gates and a shape of tenon of Joglo housing structure. Colonial style showed classical style such as exposed crossbeams, columns, and pilasters, and as for unique decoration, there are Ancona decoration and Delft tile decoration. On one hand, art deco style used typical art deco factors such as contrast of various materials and complementary color or golden color use as well as zigzag or vertical lines and geometric ornament by combining with colonial style or traditional style. It is expected that such research result will be a practical reference data when Korean construction companies or interior design companies advance Indonesia.

• 한국농촌건축학회논문집
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• 제23권2호
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• pp.1-8
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• 2021

The aim of this study is to find what architectural restoration and street-scaping conservation of early settlement in Virginia, which have processed on the style of 18th centuries. One of the settlements in Virginia was Williamsburg that located in the high land between Jamestown and Yorktown. In 1698, the capital of Virginia was moved from Jamestown for the safer environment. At that time they constructed the town like a small urban that had a straight-lined Duke Glocester Street, Georgian style buildings, and landscapes of 18th centuries. Before 1928 the village was flown into ruins, but Rector of the church, Dr. W.A.R. Goodwin, understood the value of reservation to restore the village as colonial architectural style that has an original figure. John Rockefeller Jr. has taken part in his restoration of colonial style of architecture and culture. This paper surveyed nine cases of buildings and srtreet-scape on Duke Glocester Street. Most of the buildings on the street have a proposition, balance, and equipment of Georgian architectural facade in 18th centuries. The conclusion has three points. First, the Williamsburg has been reserved as an early colonial settlement through the restoration of architecture and street-scape design. Second, main architectural style is a Georgian form that has a balance, proportion, and simplicity of facade. Also new buildings and additions of architecture have to keep 'Design Review Guideline of Colonial Williamsburg' in order to contribute the existing colonial buildings. Third, the main street-scape, Duke Glocester Street shows Georgian architecture and cultural life pattern with tradition.

• 디자인학연구
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• 제17권2호
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• pp.261-268
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• 2004

지금까지 미국의 주택은 주로 현대 양식에 대해서 알려져 있고 전통적 주택과 실내 양식에 대해 제대로 알려져 있지 않았다. 그러므로 여기서는 미국의 전통적 주택인 콜로니알 시대 주택의 표현 특징과 실내의 요소별 특징을 구체적으로 파악하여 콜로니알 양식을 규명하고자 할 뿐 아니라 이를 통해 디자인과 제작의 기초자료로 제공하고자 하였다. 문헌을 중심으로 고찰한 결과에 의하면 일반적으로 알려진 것과 달리 콜로니알 주택은 영국의 죠지안 주택 양식을 그대로 모방하기보다 미국적 기후와 지역 특성에 조화하는 방식으로 정립되었으며 주택과 실내의 많은 요소가 유사한 표현 특징을 나타내었으나 그 바탕에는 합리적이며 실용적인 디자인이 배경이 된 것을 알 수 있었다. 주택의 발전은 오랜 시간을 통해 이루어졌으며 상자형의 2층 목조의 측면 박공 지붕 형태에 비늘판벽 마감을 하였으며 전면의 가장 중요한 장식 요소로는 현관문인 것으로 나타났다 공간은 일실에서 2실과 4실 구조로 발전하였고 실내는 초기에는 바닥, 벽, 천장이 모두 나무를 주재료로 하는 방식에서 점차 죠지안의 영향으로 패널, 벽지를 사용하였고 벽난로가 있는 면을 제외하고 플라스터를 사용하는 방식으로 발전하였다. 가구는 영국 영향의 치펜데일, 퀸 앤의 의자가 대표적이었으나 지방 특색이나 종교적 영향에 의해 등장한 소박한 형태의 가구가 배치되었으며 영국 영향의 가구에도 융통성과 편리성이 고려된 디자인이 특징인 것으로 나타났다.

• 한국실내디자인학회논문집
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• 제22권5호
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• pp.179-187
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• 2013

The purpose of this study was to explain the uniqueness of tropical space style by identifying it in Southeast Asia. For this purpose, literature review was examined from 26 specialized tropical space style books and categorized. Its results are expected to be used as reference materials in designing spaces related to Southeast Asia and for constructors planning to run their business in Southeast Asia or Korea. The results of categorization are as follows; 'Tropical Traditional', 'Tropical Colonial' and 'Tropical Modern'. First, in case of Tropical Traditional Style, the traditional styles are adopted in roof and some of traditional styles are adopted in walls, windows and doors. Second, in case of Tropical Colonial Style, Renaissance or neo-classical styles are adopted in most of columns, archs, windows and doors. The traditional styles are also blended. Third, in case of Tropical Modern Style, straight line designs are adopted dominantly. However, decorative objects of traditional style are used to catch eyes. In summary, traditional style are imbedded more or less in all of tropical style and particularly, decorative objects of traditional style are key elements representing tropical space.

• 건축역사연구
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• 제15권3호
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• pp.7-25
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• 2006

This research examines symbolic meanings of architectural style of Japanese ruling era of Korea through analysis of Expo buildings. Expo buidings of Joseon Product Evaluation Expo(1915), Joseon Expo(1929), and Joseon Grand Expo(1940) are chosen as subjects of this research. Expos held in Korea since 1945 were creatures of colonial reign and their objectives are advertising the advancement of Japan. New and latest architectural styles of Western countries were used as a symbol of advancement in non-western countries. Renaissance style and Secession style in Joseon Product Evaluation Expo and Modernism style in Joseon Expo were introduced as architectural styles that symbolize advancement. On the contrary, the traditional architectural style of Joseon Dynasty was distorted as symbol of backwardness. Latest Western Architectural Styles were used elaborately and Intentionally to symbolize advancement and industrialization by Japanese ruling power and companies. Specially, Modernism style operating as 'symbol of advancement' is characteristic of non-western society in attempt to proceed Modernization through Westernization. Also, it can be suggested that architectures in Modernism style are used in ways to symbolize the advancement of the colonial reign authorities within the colonial society.

• 디지털융복합연구
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• 제16권10호
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• pp.479-484
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• 2018

일제 강점기 여성들 one length hair style의 변천사 및 형태학적 분석을 시도한 연구로서 선행논문과 저서를 바탕으로 형태, 질감, 색상 등 헤어디자인의 구성 요소들을 분석하여 다양한 형태의 one length hair style 커트가 가능해지는데 연구의 목적이 있다. 연구 결과 1910년-1920년대 one length hair style은 커트 길이의 단차가 전혀 없는 out line을 지닌 형태, 자연 그대로의 모발 질감, 자연 모발 색상을 보였다. 1930년대 one length hair style은 약간의 커트 길이의 단차를 보이면서 다이아몬드 형태, 자연스런 질감의 narrow wave, 과산화수소나 oxygenated water을 이용한 약간의 탈색이 이뤄졌다. 1940년대 one length hair style은 형태, 질감, 색상 면에서 화려한 미(美)를 추구하려는 특이점이 발견되지 않았다. 본 연구를 통해 one length hair style에 관한 심층적이고 세분화 된 후속 연구가 가능해지며, 헤어미용 교육의 기초 자료 및 뉴 모드의 트렌드 개발을 위한 초석으로 작용하리라 사료한다.

• 디자인학연구
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• 제19권1호
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• pp.243-252
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• 2006

This essay studies local design style in globalization era through investigation of the restaurants which are located at suburb of big cities in Korea. All regional memory and history is disappeared in 'The world time' and world design style in globalization era. Thus to study local design means to study the history of certain region and the memory of the people who lives in that area and how they represent their past and memory. Post colonial theory, everyday aesthetics and the way of using past and memory are preresearched for the theoretical background. Post colonial theory is discourse for the countries which have the experience of colonialism. History and memory are used for defining present political, social, economical and cultural situation. In this essay, the way using past and memory were classified in three dimension - by government, company, and individuals. The past which is represented by government is conceptual and defined as only sign without on going history. When it is represented by company, it is also uses as a sign and imitation without contextual meaning. However, when the past is used by individuals, it is alive in daily life. This essay argues that those restaurants which have the style of 'the Koreaness' symbolize the suppressed desire to represent the lost past and memory which are forced to be exduded during the colonial period and fast modern development. And the design style can be defined as epic design, for it has it's own main character, story, memory and plot too. This word 'epic' imply the main point of local design style. In conclusion, this essay will ask the role of design in the country which has colonial memory in globalization era.

• 가정과삶의질연구
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• 제24권1호
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• pp.287-297
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• 2006

The purpose of this study is to investigate the traditional American houses in eighteen century and their specific styles at the historic pace of Deerfield. The results of this study were as follow: First, Village of Deerfield is founded by Henry Flynt and PVMA(Pocumtuck Valley Memorial Association). Their preservation and restoration has been achieved from the efforts of collection constantly and the concrete research of old houses. So, It should be reflected their way of approach to preserve and restore for old houses in Korea. Second, the traditional eighteen century houses in Deerfield had generally Colonial Style. Style of Colonial houses had a "L"shape exterior view and a flat facade and the front door made a symmetry with sash windows. A chimney had been installed in the middle of the roof and it usually had a gable with natural materials in a simple manner. Third, the most important factor to design houses was a front door and it had been decorated in luxury and in a display. Lastly, the traditional American houses in eighteen century had been greatly influenced not by the that of British which is commonly taken but by the various cultural backgrounds which represented regional characteristics and was rather simple.

• 건축역사연구
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• 제11권2호
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• pp.7-22
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• 2002

Architectural style is said to be product reflecting political, social and cultural condition. Especially, in colony, architectural style is strongly related to political condition or policy. After colonization in 1910, public buildings with western historical architectural style in Japanese version were widely built by Japanese colonial government in Korea. And in the late 1920s, modernism style in architecture became dominant in Korea as like other countries. In this situation, curious buildings in strange architectural styles came out. One example is railroad station buildings with traditional Korean architectural style and timber house station having a steep roof which is widely used in North Europe such as Alps area with good sights and mountains. Generally, the colonizer says that colonization is the only way to save the colony at crisis defined by colonizer and they insist that they can help the colony modernize. To justify colonization, the colonizer attributes the colonization to the characteristics of the nation and stagnation of the traditional culture etc.. Accordingly, the colonizer tries to depreciate colony's traditional value and culture. In case of colony which has similar cultural background historically (in this case, economical exploitation is less important than other Asian colony by European power), this depreciation of traditional value and culture in Korea was done more strongly than others. At this time, we should understand special relation between Korea and Japan historically. Even though, colony's locality is adopted by the colonizer in public fields, which is based on political purpose or exotic taste etc.. In early days of Japanese ruling period, Japan never use the Korean traditional facts in public. Therefore there is no use of Korean traditional architectural style in public field. In late 1920s, some railroad station buildings were constructed in new styles without precedence in modern Korea. One is railroad station buildings in Korean traditional architectural style, the other is railroad station buildings in timber house stations having a steep roof which is different form western historical architectural style. It was mystery that Japan had constructed railroad stations in Korean traditional style which Japan had tried to destroy together with Western style railroad station buildings. This paper is made to solve the mystery why the colonizer(Japan) constructed entirely different types of railroad stations at the same time in the late 1920s and 1930s. The key point to solve this mystery is tourism. In this paper, to solve this mystery, I try to use terminology' 'Colonial Tourism' in architecture why colonial power had constructed railroad stations with colony's traditional architectural style and Western style having a steep roof which can be seen north European region.

• 한국주거학회논문집
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• 제21권6호
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• pp.1-9
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• 2010

The purpose of this study is to analyze the acceptance of the On-dol, Korean underfloor heating system, in the official residences built by the japanese colonist in 1905~1945. The On-dol is the main element that formed Korean housing culture throughout our her history. Since the climate of Korea is colder than that of Japan, the Japanese-style house built in Korea needed to take measures for the harsher winter. Therefore the official residences built during the japanese colonial period, built after the Japanese-style house, accepted the On-dol as additional heating system for their houses. Over forty years the official residences were constructed in large quantities, and many of the official residences also installed the On-dol. Some important changes were discovered about the acceptance of the On-dol. To define this concretely, this study was performed empirically through the comparison and analysis of governmental architectural drawings. There is great significance to consider that an architectural element of Korea influenced the Japanese-style houses. In conclusion, differences between the official residences with the On-dol and those without, during the latter stage of the japanese colonial period have founded. These results demonstrate that this element of traditional korean architecture affected the development of foreign houses built in Korea.