• 한국농촌건축학회논문집
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• 제20권4호
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• pp.65-75
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• 2018

This thesis attempts to investigate and analyse the architectural characteristics of catholic churches in Gangwon province built in the 1950s. Catholic churches built at that time in Korea had many similarities basically since they were supported by UN forces after the Korean War and were established by priests connected to the Missionary Society of St. Columban. The results of study are as follows. In location, Except one catholic church, the catholic churches preferred low and gentle hill. In layout axis, catholic churches at Youngseo area preferred the north-south layout axis, whereas those at Youngdong favor the east-west layout axis. In approach, most of catholic churches around the Youngseo and Youngdong areas preferred entering the front entrance with a bell tower, whereas three of them at Youngdong did entering the front entrance with a bell tower around the rear corner. In floor plan, catholic churches at Youngseo preferred symmetry, whereas those at Youngdong preferred asymmetry. And every floor plan of catholic churches is rectangular type with transepts except one semicircular type. In apse shape, catholic churches in the Youngseo area preferred non-extruded types like a straight wall, whereas those in Youngdong have extruded types. Every catholic churches have no crypt under ground except one at Gangreung. Except one at Sokcho, every catholic church in this study has choir space in half story.

• 정보관리학회지
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• 제38권1호
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• pp.263-291
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• 2021

본 연구에서는 가톨릭교회에서 생산되는 기록물 중 생산 비중이 높고 중요하게 여겨지고 있는 '성사기록물'에 초점을 맞추어 성사 기록물을 체계적으로 관리·보존할 수 있도록 오픈소스 소프트웨어를 활용한 가톨릭교회 기록관리시스템을 구축하는 방안을 모색하고자 하였다. 이를 위해 각종 가톨릭교회의 규정과 참고문헌, 오픈소스 소프트웨어 홈페이지를 분석하였고 천주교 대구대교구의 주교좌 성당인 G성당을 대상으로 인터뷰를 진행하여 가톨릭교회의 기록관리 현황을 조사하였다. 조사한 내용을 바탕으로 성사 기록물의 특성을 반영한 4가지 기술계층 및 기술계층별 메타데이터 구조, 전거 데이터를 설계하였으며 이를 기반으로 오픈소스를 활용한 기록관리시스템에 실험적으로 구현하기 위해 적합한 오픈소스 기록관리시스템으로 AtoM을 선정하여 설계한 내용을 적용하였다.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2003년도 춘계학술발표대회 논문집
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• pp.144-149
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• 2003

This study is for figuring out the relationship between the theological trend and the design of worship space in Korean churches after the you of 2000. Analyzing the design samples of worship spaces which are appeared in architectural and interior design publications, it is found out that the modernity in architectural and interior design is presented in many worship spaces. And the progressive effort for the renewal of the worship service is projected to composition of the pulpit and others. But the conservatism of the Korean church has not been eliminated yet.

• Architectural research
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• 제4권1호
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• pp.25-31
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• 2002

For more than a hundred years, art and architectural historians, architects, and engineers interested in structure have attempted to interpret Gothic architecture, one of the most technologically complex and sophisticated structural systems in history. Indigenous Gothic, however, such as non-vaulted Gothic in the Lower Languedoc region of southern France, has been largely ignored. This study intends to analyze the Gothic non-vaulted nef unique (aisleless) structures of Lower Languedoc which have never been scientifically tested, and to provide as comprehensive an explanation as possible of the way in which these non-vaulted buildings work. In order to achieve this goal, this paper is to examine, by means of finite element computer analysis, a selected example of an existing building. The church of Notre-Dame de Lamourguier, the earliest surviving example of a Gothic nef unique with wide-span diaphragm arches in Lower Languedoc, is selected. Thus, hypothetical models of diaphragm arch buildings and an existing building as a complete structural system were scientifically analyzed in order to provide a comprehensive explanation of how the non-vaulted nef unique system works. The result of the analysis, allows us better to understand the structural behavior of this type of masonry arcuated system and the processes involved in the design and construction of medieval buildings.

• 복식
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• 제42권
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• pp.5-24
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• 1999

The purpose of this study is to present new design for religious habits which represen traditional Korean characters as well as prope charisms of religious congregations. The preliminary research was carried out through questionnaires. The result of this survey suggests the way how to improve the design of habits as follows: 1. The habit has to be simple according to the spirit of vowed poverty. 2. It is necessary to take into consideration the reality of Korean culture and the climate with four seasons 3. The habit is to be of help to give witness to evangelical life and safeguard the dignity of the religious state. 4. It has to be appropriate to the environment and circumstance of apostolic mission. 5. It has be funtional and conducive to apostolic activities and labors. 6. The design has to be such as will not alienate ordinary people. 7. It should express the charism of each religiou congregation as well as Korean identity. Consquently four types of inculturated habit design were newly developed and actual dresses or suit have been manufactured as a apart of this study.

• 한국농촌건축학회논문집
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• 제7권1호
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• pp.51-60
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• 2005

In Korea, there still exist a number of modern architectural structures which were built from 1876 - when Korea first opened its port to foreign trade - to the early 1960s. Modern architectures have been rather neglected from the study of Korean architecture history partly because of its short period and negative attitude toward them that they are remains of the Japanese colonial period. However, interest in modern structures is recently increasing, and researches and studies are actively going on. This dissertation is a study on brick laying techniques and design characteristics of Modern brick structure churches in Jeonbuk-province. The results demonstrate that modern brick structure churches in Jeonbuk-province have become small and simple with time and that their structures and designs are closely related.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2000년도 추계학술대회논문집
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• pp.468-473
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• 2000

Recently the acoustic design has been considered the important part of architectural design. However, in the design of Catholic churches the exterior beauty is still main point. This study aims to find out the acoustical characteristics in the main hall of Catholic churches. Six catholic churches were selected for this experiment and the physical parameters which represent the acoustic characteristics of room were compared by the plan type and the architectural factor. The physical parameters compared and analyzed were SD(Stand deviation) of SPL(sound pressure level), RT(reverberation time), $D_{50}$(definition), $C_{80}$(clarity) and STI(speech transmission index).

• 한국실내디자인학회논문집
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• 제16권1호
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• pp.31-38
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• 2007

This study investigated and compared regional features of Aalto's buildings and Gaudi's on the assumption that their designs are based on the regional backgrounds. For it, two churches of each one we selected and analyzed about five divided spaces like disposition, the exterior, plan, structure and introduction and use of the sunlight. As result of analysis, following conclusions are induced: first, Aalto's church design and Gaudi's we similar in which they reflected the thought of regionalistic design. Nevertheless they are deferred in which Aalto accepted the international functionalism but Gaudi rejected it due to his deep belief. Second, they followed the tradition of the regional architecture. Third, both of them took in consideration the nature, but due to the difference of the contexts they are deferred in its use. Finally, both gave importance to the sunlight. But Aalto is from the country where lacks the light while Gaudi is from the country where abounds the light, so its use is different. This investigation shows several possibilities of design under the influence of its regional culture, which gets more important in this century.

• 한국가구학회지
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• 제20권6호
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• pp.590-598
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• 2009

The study of Lurelle Van Arsdale Guild (1898-1986)'s vanity table and stool in the Cooper-Hewitt National Design Museum is essential to understand how the stylistic change was made on industrial design in the 1930s caused by economic necessity. The vanity furniture expresses in such relatively inexpensive image transformations that would attract new customers in the Depression. The objects are donated from a collector and became one of CHM's collections in 1997. In curatorial file, other than the designer's and manufacturer's names there is nothing specified for these objects. Therefore, this study is aimed for researching the exact date for these valuable objects for understanding American Art Deco furniture in the 1930s. Moreover, studying social aspect of these objects gives clear vision for the background. Especially, the History of American Standard (Rodengen, 1999) gives great over view to the history of the manufacturer, C. F. Church Company. The record in Fortune of 1934 suggests the designer, Lurelle Guild's position among other industrial designers at that time. And Profoundly, the objects were assigned design patents. Therefore, the vanity furniture set in the CHM was a significant symbol of early modernism rising from functional areas after the Depression.

• 한국조경학회지
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• 제29권4호
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• pp.53-66
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• 2001

Modern art has had a great impact on the concepts and the formal attributes of modern landscape design. This study aimed at examining the origins of modern landscape design languages especially in relation to the influence of find art during the modernist age. The formal reductionism of Cubistic paintings finally lead to the formulation of Geometrical Abstractionism which became the basic formal model for ˝Regular Style˝; one of the representative modern landscape style. This Regular Style is mostly based on the formal structure of ´Grids´, which was developed by many landscape designer like Eckbo, Kley and Halprin. On the other hand, the ´Bio-morphic Form´ originally used in Surrealistic Art became the formal model for ˝Organic Style˝; the other representative modern landscape style, developed mostly by the landscape designers like Church, Burle-Mark and Bye. Thus, ´Grids´ and ´Bio-morphic Form´ became the dual icons of modern art and modern landscape design. Although these modern landscape design styles were ground breaking departure from the conventional formal/informal tradition and expanded possibilities in formal experimentations, They also produced several crucial limitations originated from the scientific reductionism and autonomous aesthetics of modern art, like the physical and cultural discontinuation from surrounding environments and the formal alienation from the real life world, which gave rise to the emergence of post-modern thinking of landscape design.