• 한국비블리아학회지
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• 제21권4호
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• pp.95-105
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• 2010

주자의 "자치통감강목"은 조선의 역대 왕들이 중요하게 여긴 역사서였다. 중종 이후 사림이 중앙정계에 등장하고 지방의 서적수요가 늘어나면서 지방관들이 서적을 간행하여 보급하는 현상이 점차 일반화 된다. 김천 직지사에서 간행된 "자치통감강목"은 간행의도와 판각과정이 상세하게 수록된 발문이 있어 가치가 높다. 이 판본은 지방의 여러 곳에서 나누어 판각하여서 직지사에 모아 간행하였고 중앙의 교서관으로 이송되었는데 이 과정이 "조선왕조실록"과 "미암일기"에 상세하게 기록되어 있다. 직지사에서 간행된 "자치통감강목" 발문에 "조선왕조실록"과 "미암일기"의 기록을 연결하면 기획에서 소장에 이르는 출판전 과정이 일목요연하게 드러나 16세기 후반 지방출판의 양상을 알 수 있다.

• 한국식생활문화학회지
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• 제1권1호
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• pp.7-29
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• 1986

The food used in the royal palace of Chosun dynasty(朝鮮王朝) are viewed from various aspects of the dishes for ordinary meal, royal banquet, reception for the foreign representatives, wedding feast, and ancestral rites. Unfortunately most of knowledge on the food used in the royal palace is not accurate as it had been delivered orally and includes only that of the late Chosun dynasty era. Accordingly more accurate knowledge on its historical change could be illustrated by the ancient literature, including uigue(full account, 儀軌), dungrok(memorandum, 膳錄) or balgi(list, 件記). Though it is different from the preparation of King´s dinner table in kitchen, the uigue on ordinary meal, while King Jungcho(正祖) and his troupe visited the Hwasung(華城) has been handed down as the literature on the ordinary meal of the royal palace. Twenty seven kinds of uigue and dungrok on royal banquet for a celebration, from the 45th year of Sook Jong(肅宗, 1715) to the 6th year of Kwang Moo(光武, 1902), remain & reveal the change of features on dishes and food materials for royal banquet. Twenty kinds of uigue and dungrok on foods for reception of Chinese representatives, from the first year of Kwang Hae Koon(光海君, 1609) to the 21st year of Injo(仁祖, 1643), remain and antedate those on foods for royal banquet approximately 100 years. These have been precious materials for historical view on foods used in the royal palace. Twenty kinds of dungrok and uigue of karaedogam(嘉禮都監), in which dishes, food materials, and table setting diagram for dongrae feast (同牢宴) were put on record, remain as the litherature of wedding feast. Wangchosilrok(dynastic record, 王朝實錄) and numerous kinds of uigue have been helpful for study on foods used in ancestral rites. Detailed kinds and cooking procedures of foods for ancestral rites were clearly explained in Taesangji(太常志). A full view on foods used in the royal palace will be reproduced only through analytic study of these ancient litheratures.

• 한국의류학회지
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• 제30권6호
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• pp.948-960
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• 2006

Chogakpos are highly artistic works created by Korean women as a part of the Kyubang culture in the Chosun Dynasty from the late 19th century to the early 20th. Tessellation is a plaid pattern composed of squares that covers a surface or a space with figures completely without any gap or overlap. The present study purposed to make a comparative analysis of the formative pattern of Chogakp and tessellation in order to show the superiority of Korean Kyubang(the women's quarters called Kyubang in the Chosun Dynasty) culture. As for the research method, we analyzed relevant materials to examine the geometric characteristics and formative principles of tessellation. In addition, we analyzed the formative pattern of Chogakpo using Photographs. The scope of this study was limited to 148 old Chogakpos contained in Huh Dong-hwa's 'Yetpojagi'. According to the results of this research, similarities between Chogakpo and tessellation were as follows. First, in a regular polygon, the face was divided into regular triangles, squares and two or more regular polygons. Second, in a polygon, the face was divided into triangles and quadrangles. Third, the symmetry of tessellation was applied to Cintamani pattern Pojagi. Differences between Chogakpo and tessellation were as follows. First, different from Chogakpo, tessellation had various formative patterns utilizing different regular polygons including hexagons. Second, there was no overlapping repetition in tessellation. Third, there was no free pattern in tessellation.

• 보존과학회지
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• 제17권
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• pp.57-64
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• 2005

청평사 강선루 회전문 부근에서 출토된 조선시대 $16\~17$세기 철물과 철촉에 대한 금속조직학적으로 조사하기 위하여 유물에서 부식되지 않은 시편을 채취하여 마운트와 연마 및 부식을 시켜 금속조직을 관찰하고 비금속개재물부분은 SEM으로 관찰한 뒤 EDS로 분석하였다. 금속학적 조직조사와 SEM-EDS분석을 통하여 철물과 철촉은 고체저온환원법에 의한 순철에 가까운 괴련철 혹은 해면철을 이용하여 철을 생산하고, 단야로 같은 곳에서 침탄을 하여 탄소량을 높인 것으로 밝혀졌다. 또한 철물은 탄소량을 어느 정도 높인 다음 담금질과 열처리과정을 반복하여 철기의 강도를 인위적으로 많이 높이는 작업을 한 것으로 밝혀졌다. 이번 조사연구를 통하여 조선시대에도 괴련철을 소재로 하여 철을 생산하였다는 것을 알 수 있어 의미 있는 결과를 얻었다.

• 디자인학연구
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• 제14권4호
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• pp.87-98
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• 2001

조선조(1392∼1910)의 궁궐·사원·상류민가의 담과 굴뚝에는 장식 문양이 다채로운 조형을 이루고 있다. 본 연구는 도자벽제작에 관한 환경디자인 연구의 일환으로서, 전(塼)과 와편(瓦片)으로 만들어진 조선조 담과 굴뚝의 전통적인 장식문양의 유형화를 시도하여 그 조형의 특성을 고찰한 것이다. 전국에 걸쳐 현지조사에 의해 수집된 685점의 문양 18종을 유형별, 대상별, 건축종별, 구성재료별, 장식기법별의 5가지로 유형화하여 상호 조형의 관련성을 검토했다. 그 결과 조선조의 담과 굴뚝에 나타나는 장식문양은 유형마다 명확한 조형의 차이와 공통성이 나타나고 있음을 알았다 또, 이들 문양의 유형을 궁궐형·사원형·민가형으로 종합하여 보면 일부의 예외적인 것도 있지만, 각각의 유형은 독특한 조형적 규범을 갖고있음을 알게 되었다. 즉, 궁궐형의 담과 굴뚝은 궁궐전유(專有)의 붉은색과 회흑색의 전을 사용해서 정교한 길상(吉祥)과 벽사(벽邪)문양을 조형화하고, 사원형과 민가형에서는 구조보강을 겸하여 와편을 겹쳐 쌓은 문양을 수평으로 연속시켜 조형화 한 것이 담과 굴뚝의 기본적인 장식이라는 것을 알 수 있었다.

• 한국지역지리학회지
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• 제11권1호
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• pp.54-70
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• 2005

본 연구는 조선시대에 저술된 총 20편의 '청량산유산기'를 통해 당시 사대부들의 여행 동기를 파악하고 여정과 여행관행을 복원하여 그 특징을 규명하는 데 목적을 두었다. 또한 선행연구를 통해 고찰한 금강산 여행과 비교해, 청량산 여행이 어떠한 특성을 지니는 지에도 주목하였다. 그 결과, 여행자들의 학문적 배경 출신지 사승관계 등 개인적 특성이 여행 동기는 물론, 여정과 주요 경유지의 선정, 여행시기와 동반자 둥에 지대한 영향을 미쳤음을 확인할 수 있었다. 또한 청량산 여행은 여행동기 교통수단 숙박지 등에서 금강산 여행과 유사한 측면이 맡으나, 서로 다른 점도 적지 않았다. 유사점들은 당시 사대부의 여행에서 관행으로 굳어진 것들이 대부분이었고, 차이점은 주로 여행기간과 여정의 차이에서 기인한 것이었다.

• 건축역사연구
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• 제19권2호
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• pp.7-20
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• 2010

Keunsemal, Sinhang-ri, Dunpo-myeon Asan-si,Chungcheongnam-do is where the former President of Korea, Yun, Bosun was born. The houses of Yun, Il-Sun, Yun, Je-Hyung, Yun, Seung-Gu, and where the former President Yun was born are designated as cultural assets by the Korean government. The three houses of the Yuns are located in the center of the village and the size is much different from regular houses since they were created as large scale house of nobilities during the Chosun Dynasty. Along with the three Yun houses and other houses in the village show a great history and tradition of the history and modern times. Unlike other traditional village arrangement, this village was created during the end of Chosun Dynasty and extended into the modern times. From the village, you can see the changes in architecture within the 200 years from traditional Korean-style houses to modern houses. This investigation is a research / analysis of the architectural characteristics of Keunsemal, Sinhang-ri, Asan-si. People can observe changes in the different types of architectural forms of houses based on the history of Korea and time periods. Within the village, there are large scale house of nobilities which were built during the late Chosun Dynasty, common people's houses, farmhouses which were built during the modern times, common people's houses during the industrialization period, and modern houses with backyards. The village of Keunsemal, Sinhang-ri, Asan-si is a very special cultural asset for Korea because the houses in the village show a clear architectural process of change in styles of houses for Korean history.

• 복식
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• 제57권2호
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• pp.11-28
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• 2007

Sang-uiwon was the bureau of Royal attire in Chosun Dynasty. It had been established in King TAEJO, Chosun Dynasty. The 597 artisans, sorted by 68 types were assigned to Sang-uiwon. The ministry of Taxation[Hojo] and Tribute bureau[Seonhvecheong] had charged of finances of Sang-uiwon. According to the Regular rule of Sang-uiwon, there were five types for finances. The principal income tax[Won Gong] was the assignments of national finance to Sang-uiwon. The materials for the Royal informal dress were offered by usual tributes. The kinds of usual tributes were the tribute for the Royal families' birthday, holidays such as New Year's Day, the fifth day of the fifth lunar month, the harvest festival[Chuseok], and the winter solstice, the tributes for spring and fall, every first day and fifteenth day of the month, an annual tribute, an annual present, and an annual laudatory goods which were the King's presents to His Majesty's lieges. With usual tributes from Sang-uiwon, the Royal informal dress was made by the dressmakers and embroiderers who were Court ladies. The Royal informal dress for the King and the Crown Prince was trousers[Ba JI], shirts[Sam A], jackets[Gua Du], men's gowns[Chul lick], and long vests[Due Grae]. The Royal informal dress for the Queen and the Crown Princess was loose drawers[Dan Ni Ui], long skirts[Chi Ma], shirts[Sam A] and jarkets[Go Ui]. When there were the king's proceeding outside the palace, royal parties, cases of tributes to Chinese, special tributes were offered according to the procedures, like as making letters about the affairs, consulting, and permission. The tributes were also offered by a royal ordinance. According to the kinds of Royal event, the officers of Sang-uiwon procured the Royal costume which were conformed to the Royal etiquette.

• 한국지역사회생활과학회지
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• 제15권1호
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• pp.17-26
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• 2004

Not much is known about Korean clothes from past centuries. Fortunately, we are able to make some inferences based on various sources of data other than the actual clothes themselves. Historical records such as Kim Hong-do's Pungsokhwa Pieces, well known to us, vividly depict features of the costume and the lifestyle of his time along with contemporary Korean humor and atmosphere. Kim Hong-do is the artist who, having accomplished pictorial refinement, recognized social change and took this into his artistic world late in the 18th century. The ruling classes, in contrast, tended to adhere to anachronistic medieval philosophies in a gradually changing society. In this study, Kim Hong-do's Pungsokhwachop, Treasure No. 527, preserved in the National Museum of Korea, was viewed from a new perspective, and it was discovered to have assorted the costume and culture of ordinary people according to their life styles. Fourteen of the pieces depicted how common citizens made their living, three described love affairs, five depicted people at play, md the rest showed elements of education, wedding ceremonies, and shamanism, respectively. Various types of clothing were observed reflecting the life styles of ordinary people, and a somewhat bold exposure of body was noticed in women's fashion in the late Chosun Dynasty. They chose clothing as they pleased to fit their jobs and functions, which produced elegant self-regulation and creativity based on practical beauty. A hat - yet to be found as a relic - appeared in Blacksmith's Workshop, and revealed the changing social customs of the late Chosun Dynasty in the 18th century. It is hoped that the results of this study will serve as a valuable reference point for the globalization of Korean clothes.

• 건축역사연구
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• 제21권3호
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• pp.93-108
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• 2012

This study is one that estimates the architectural composition as well as the location of guest house of Haemi Eupseong on the basis of the analysis of modern and contemporary data related to Haemi Eupseong. It is significant that this study has presented an opinion that can become a practical basis for the historical research of the prototype of Haemi Eupseong of the late Chosun Dynasty through the analysis of modern and contemporary data that had been unsatisfactory among the fruition of studies conducted in relation to Haemi Eupseong. The outcomes achieved by this study are as follows. Firstly, it was verified that the guest house of Haemi Eupseong that has been restored is one that has different architectural composition than the prototype of the late Chosun Dynasty and is restored in a different location. Secondly, in respect of architectural composition of guest house found by the analysis of the picture, it was confirmed that the government office has one step higher than the double-wing house in the form of the roof. Thirdly, the location of the guest house of Haemi Eupseong of the late Chosun Dynasty is judged to be the periphery area where the current restored guest house is located, which is where the teachers' building of Haemi elementary school was located. Fourthly, the prospect of the guest house of Haemi Eupseong is decided to be similar direction to the current restored guest house with the greatest possibility of having the same direction with the arrangement of teachers' building of Haemi Eupseong elementary school.