• Cross-Cultural Studies
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• v.52
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• pp.341-369
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• 2018

Li ShangYin (李商隱) was a poet who represented the late Tang period and authored more than 590 poems. In this paper, I have searched for various phonetic and semantic relationships through the attention of scholars' annotation about Li ShangYin (李商隱)'s poetry. As a result, we found 12 types of "examples that explain the phonetic and semantic relationships of poetic words" and five types of "examples that explain the features of poetic words and prosody." Especially, through analysis of "examples that explain the phonetic and semantic relationships of poetic words", it is divided into two types. The first type is that the scholars' annotation about Li ShangYin (李商隱)'s poetry and phonetic and semantic relationships of poetic words are matched, and the second type is that the scholars' annotation about Li ShangYin (李商隱)'s poetry and phonetic and semantic relationships of poetic words are inconsistent. In this study, I applied the theory of level and oblique tones for more detailed analysis of each type.

• 중국학논총
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• no.68
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• pp.1-28
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• 2020

本論文的目的在於探討古代漢語變調構詞的音義關係在閩南語詞典《廈新典》的文白異讀當中如何傳承下來。本研究尤其關注古代漢語的變調構詞與《廈新典》文白異讀的音義關係之間擁有緊密聯繫的七個例子, 並把此七例分成兩類, 《廈新典》中的"讀"字, "孫(遜)"字保留了與變調構詞完全一致的音義關係, 此類例子也保留了與現代漢語完全一致的音義關係。《廈新典》中的"塞"字, "取(娶)"字, "厭"字, "喪"字, "勞"字表示與變調構詞緊密的音義對應關係, 但是我們也能發現部分文讀音或者白話音的音義關係中略有出入。從變調構詞的觀點把《廈新典》中文白異讀音義關係的錯誤做了比較, 查到了《廈新典》中有關文讀音音義關係釋義的錯誤有9例, 有關白話音音義關係的錯誤有3例, 前者比後者的錯誤多達4倍。另外, 《廈新典》中義項的錯誤發生次數爲9次, 《臺多音》中義項的錯誤發生次數爲3次。此統計數字反映了與上古漢語有密切關係的白話音層次與中古漢語時期以來屢次持續傳入閩方言層次的差異。我們認為這些錯誤與英國牧師甘爲霖編著《廈新典》的目的應該有密切關係。