• 건축역사연구
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• 제26권1호
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• pp.93-104
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• 2017

This study is about the Changdeokgung Palace and detached palaces of architect Park Jacheong who was a representative supervisor having framed the palace architecture of the Joseon Dynasty. The results are as follows. First, Park Jacheong had been in charge of Changdeokgung Palace for 15 years since its founding. The palace was continued to run for the longest time and was the palace on the frame made by him for the years, so Changdeokgung Palace's status has become as good as Gyeongbokgung Palace's. Second, he built a lot of palaces besides Changdeokgung. They were completed about the same time in accordance with the political intentions of King Taejong. Park Jacheong was a former military officer and was well skilled in mobilization of manpower and materials by making good use of the military power. Third, the detached palaces constructed by him were located in the places where military training and testing of new weapons were possible. They were also used as sleeping, dining and office spaces. This can be regarded as a result of the tradition of the storied-pavilion that had been since the Goryeo Dynasty, with the method of approaching to the main hall of the palace.

• 헤리티지:역사와 과학
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• 제54권1호
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• pp.18-31
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• 2021

리놀륨은 실용적이고 위생적이며 친환경적인 바닥재이다. 영국의 월튼(Frederik Walton)에 의해 1863년에 개발된 이것은 코르크와 아마인유, 삼베를 주 재료로 한 유연한 방수 재질로서 20세기 초반 전 세계에서 유행했다. 화학제품인 장판과 달리 뒷면의 삼베 바탕을 한 리놀륨은 병원, 사무실과 같은 상업 공간뿐만 아니라 부엌, 욕실, 심지어 거실과 같은 주거 공간에도 널리 사용되었다. 글로벌한 소재의 하나로서 리놀륨은 20세기 초 국내에도 수입·유통된 정황이 파악되고 우리나라의 덕수궁과 창덕궁 내의 여러 건물에서도 쓰였다. 덕수궁의 경우 1915년에 작성된 『덕수궁원안(德壽宮原案)』에 의하면 함녕전, 덕홍전, 정관헌과 같은 주요 전각을 비롯한 여러 곳에 리놀륨이 사용되었음이 확인된다. 이는 주로 청색과 갈색 무지로서 영국의 제품으로 추정된다. 20세기 초 수출입 자료에 따르면 리놀륨은 영국과 미국을 중심으로 국내에 수입되었다. 창덕궁의 경우 이왕직청사의 건물 평면도에는 곳곳에 리놀륨이 표기되어 있으며 대조전과 희정당 일곽에는 그 원형이 남아 있는 곳도 있다. 대조전과 희정당은 1920년에 개수될 당시 서양식 실내 장식과 근대적 설비를 갖추면서 화장실, 이발소, 서행각과 같은 일부 공간에 리놀륨을 사용했다. 여기에 사용된 것은 검정색 무지, 검정 패턴, 그리고 다색 꽃무늬 타일 패턴으로서 아메리칸 리놀륨 매뉴팩처링 컴퍼니(American Linoleum Manufacturing Company)나 암스트롱 코르크 컴퍼니(Armstrong Cork and Tile Company of Lancaster)와 같은 미국 제품들과 유사성이 크다. 본 연구를 통해 리놀륨의 특성과 사용에 대한 이해를 넓히고 이를 기초로 향후 창덕궁의 복원·재현뿐만 아니라 리놀륨이 사용된 근대 실내 복원의 기초자료로 활용될 수 있기를 바란다.

• 패션비즈니스
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• 제24권3호
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• pp.121-137
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• 2020

This thesis makes it an aim to develop designs of Shinhanbok coats interpreting and applying the formative structure of the lattice window pattern in Huijeongdang of the Changdeokgung palace, one of the best architecture in Chosun dynasty. Literature review about the history and characteristics of the window of Huijeongdang of the Changdeokgung palace was performed on the basis of the internet resources and papers, and the examples of the fashion design applying the lattice window patterns were analyzed. Then, three style Shinhanbok coats were designed and presented with making use of 6 kind of lattice window patterns as its motif. The coats were designed in flexible size, attempting to clad any kind of body size and shapes. Design 1 drawn from Wanjasal, Tisal, Design 2 drawn from Ajasal, Yongjasal, Tisal, design 3 drawn from Bitsal, Jungjasal. In conclusion, lattice window patterns of the traditional beauty highlighted in view of modern times might be suggested as the motif for expressing the proportion with balance and rhythm with stability. The division of the space with the line was tried with the technique of the bias cutting, stitching and taping with the design of simplicity signified in the aesthetics of the vacant space in addition to its ornamental effects. Thus, this study would like to contribute to the popularity of the Shinhanbok outlined in modern application and unique taste through the study and applications of the traditional lattice window pattern of Korea.

• 건축역사연구
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• 제23권2호
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• pp.53-64
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• 2014

During the Joseon Dynasty, Injeongjeon area at Changdeokgung Palace was a core space in which major state affairs took place. Since founded in 1405, the Injeongjeon area's spatial composition has been changed while it was repeatedly burned down and rebuilt several times. However, despite many studies and researches on the Chandeokgung Palace and the Injeongjeon area, the changes of the area in the 20th century have not been examined thoroughly. This study attempts to find out the procedure and purposes of the remodeling of the Injeongjeon area in 1908. It is possible to presume that the motif of this remodeling construction, worked out by the Residency-General, was to transform the area similar to Ekkensho or Audience Hall area at Meiji Palace regarding the following facts: only Japaneses' participation in the construction, renaming the area as Alhyunso (Ekkensho), and involvement of Ito Hirobumi. Comparing plans of the remodeled Injeongjeon area at the Chandeokgung Palace with the Ekkensho area at the Meiji Palace, we can confirm this presumption and suggest the possibility that the Residency-General wanted to reduce the majesty and power of the Joseon Dynasty's Palace by this remodeling.

• 건축역사연구
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• 제29권2호
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• pp.63-74
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• 2020

The palace byeoljeon(別殿), the King's non-ceremonial space, were created as a space for the king to comfortably use and for the king to do what he wanted to do. The byeoljeon housed various types of spaces and were flexible in that they could be repurposed to meet the demands of the times. Nevertheless, their characteristic as palatial building created for the King's convenience has remained unchanged. In this study, we examine the process by which such royal spaces were created by focusing on the reconstruction of the Changdeokgung Huijeongdang during Japanese occupation period, with a view to continuity and the transformation process. The reconstruction of Huijeongdang at the time may be considered along internal and external characteristics. Internally, Huijeongdang connected the symbolism of the king's space as the palace byeoljeon. Externally, Huijeongdang is characterized by its mixture of traditional and western style, where western style structures were housed within traditional buildings. The plans for the block of Huijeongdang also included the coexistence of traditional building, western style building, and mixture of traditional and western style building. This reflects the characteristic continuity of the byeoljeon as well as the architectural techniques of the time, manifested together within a specific spatial block.

• 보존과학회지
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• 제35권1호
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• pp.61-70
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• 2019

In this study, a scientific survey on the material of the mother-of-pearl floor mirror was conducted and conservation treatment processes were introduced. The survey results showed that the mother-of-pearl floor mirror in Daejojeon Hall of Changdeokgung is made of Dalbergia spp., and repair work seems to be done later with shorea spp. FT-IR analysis results showed that the varnishing is similar to the spectrum of lacquer. The metal wheels and metal line decorations set with mother-of-pearl were found to be made of brass based on XRF analysis, and the ingredient ratio showed that these were made in modern times. Foreign materials were stuck on the surface of the mother-of-pearl floor mirror before conservation treatment, which was in a structurally unstable condition owing to some missing submaterials. Conservation treatment was conducted on the damaged area to restore the mirror to its original appearance by using the same species of wood determined from the data obtained through the scientific survey.

• 건축역사연구
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• 제29권6호
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• pp.41-56
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• 2020

This study attempted to clarify the modern transition process of the urban space through the construction and change of the Imperial Palace as a central facility in Seoul. The road renovation of Seoul, which started in 1895, has established a modern, circular transportation system centered on Gyeongun-gung Palace, the Imperial Palace along with the tram line. In this urban structure, the imperial palace as a central facility of the former monarchy, unlike the previous palaces, could not be located at the top of a road with a longitudinal axis, and it expanded its territory around foreign legionaries and placed a new government office around the perimeter. However, the royal palace was moved to Changdeokgung Palace in 1907 with the throne of Sunjong. With the creation of Changdeokgung, which is the periphery of Seoul, as new royal palace, the status of the imperial palace in the city was remarkably weakened, and Gyeongun-gung, located in the center of Seoul, was also reduced to the current Deoksugung area, turning into an urban facility facing a modern street.

• 건축사
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• 통권658호
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• pp.88-89
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• 2024

• 건축역사연구
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• 제26권1호
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• pp.17-30
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• 2017

The aim of this study is to examine the square shape cases of rafter end header with special reference to wooden architecture and Uigwe records. In Uigwe, the member Bangyeon is widely used in multiple Changung and Chansil, and it is the most used in various gates in the buildings. It is also found in Haenggak and Subokbang. In the surviving wooden architecture, Bangyeon is found in pavilion, colonnade and gate in Changdeokgung Palace, and it is often seen in palace architecture. It is rare in private sector, and it is shown in Sangju Yangjindang and Andong Songsojongtaek. A total of 48 cases in Uigwe, can found records of Bangyeon. According to the records, mainly Yeonggeon Uigwe and Salleung Uigwe, it can be found that gates, also Bangyeon was used.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2005년도 춘계학술대회논문집
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• pp.896-899
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• 2005

In this research, we investigated the acoustical characteristics of the front yard of Injeongjeon hall at Changdeokgung Palace, a Korean traditional building which is on record as the world curtural inheritance of UNESCO. Acoustical measurements and computer simulation were fitted in order to judge the appropriateness of musical performances in the space. The front part of the stage area, where musicians will perform, is made of a stone platform. The eaves of Injeongjeon hall is located behind the platform.