• 음성과학
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• 제15권4호
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• pp.121-130
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• 2008

This paper proposes the way of improvement and system build-up for shop music broadcasting services provided by the Internet. Comparing the shop music broadcasting services and personal music broadcasting services, we propose the way of shop music broadcasting services customers prefer to. That is, such a function is provided that a user can control the broadcasting music lists a specialist provides according to the current circumstance of shop. This paper proposes the whole system such a service is possible and verifies the efficiency by experiments.

• ETRI Journal
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• 제33권1호
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• pp.128-131
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• 2011

This letter describes a file format designed for interactive music service where users are able to recompose music based on their own preferences. The proposed design utilizes the flexible features of the ISO base media file format (ISO/IEC 14496-12, ISO-BMFF). The techniques offered in the proposed file format enable compact storage and efficient preset management, allowing users to recompose music with ease and convenience. Additionally, an implementation scheme for an interactive music player is shown along with its results.

• International journal of advanced smart convergence
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• 제9권4호
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• pp.74-85
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• 2020

In this study, we investigated the necessity and limitations of music composition required in TV documentary by conducting in-depth interviews with 20 music directors currently working at Korean Broadcasting System (KBS). Our research has shown that composition of music is necessary. However, in reality, it is difficult to use the composed music due to problems such as time and cost of composing and trust in the music composer; so music libraries, film music, or other music are used instead of the composed music in many situations. However, at the time when companies like its rival Netflix are aware of the importance of sound, the impact of Netflix could lead to a decline in the quality of terrestrial TV, which could lead to a weakening of competitiveness. Recently, in the case of sound programs, the sales of secondary works are active due to "internet uploading using YouTube" or "exporting programs", but the sales have been hindered by restrictions on the use of copyrighted works. The music source of library is said to be the one whose copyright problem has been resolved. In this study, we show that the composed music is an ultimate alternative to TV documentaries, since the library music is sometimes suspended due to the situations of management companies.

• International Journal of Internet, Broadcasting and Communication
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• 제14권1호
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• pp.37-43
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• 2022

This study is a sustainability study of K-Music beyond K-Pop through New Media. New media literally means 'new media'. When TV, classified as legacy media, first appeared in the world, it was an innovative new media platform. Of course, it is considered the most traditional legacy media. However, the definition of new media inevitably changes with the times. Most of the media called new media today are based on online and mobile. This thesis focuses on popular music including crossover traditional music genre. And we define popular music exported abroad as K-pop, and propose the possibility of globalization of Korean music using K-pop users and new media, a metaverse based K-pop audition platform, as consumers and suppliers in the global market. Hallyu, the studying of K-Pop through the study of attitudes and economic effects of K-pop, such as reactions to the spread of K-pop and the reactions of fans who like K-pop, are constantly being discussed in various ways. But there has been no case of cultural technology research that linked the sustainability of Gugak as the Korean music through new media to the K-pop business platform. As the overflowing data pours out in the virtual space as an act that gives the meaning of existence, the online is able to become an open market that provides reliable information all over the world. Therefore we would like to propose on the sustainability of Korean music through the 'Korean Traditional Music Broadcasting Metaverse Audition' beyond the K-pop business model as the K-Music content in the cultural technology era.

• International journal of advanced smart convergence
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• 제9권4호
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• pp.86-95
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• 2020

There is a unique method of musical expression in the nature documentary. The expression method is Mickey Mousing technique, which expresses the movement of animals with music. The Mickey mousing technique can also be used in other types of documentaries, but it is most prominently used in nature documentaries. The Mickey Mousing technique cannot be used in any field other than music composition, because the composer should describe the movement of animals by playing music to match the animal's movements exactly. It is also because they have to play the instrument separately according to the sound source. In this study, we examined the nature documentaries broadcast by KBS over the last five years and analyzed the cases of Mickey Mousing technique. Therefore, we obtained research results that the Mickey Mousing technique is necessary and that the music composition is also necessary as a background music of nature documentaries.

• International journal of advanced smart convergence
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• 제9권4호
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• pp.96-100
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• 2020

Soundtrack dissonance, which appears in the background music of a movie scene, is a phenomenon of using songs or compositions that contrast with the general sentiment of the situation. A sad scene usually uses a slow tempo of sad music to match the mood of the scene. However, sometimes, in order to play background music that follows a depressing, sad, or anxious scene, there is a case of inserting music with an opposite atmosphere such as bright music, exciting music, fast-tempo music, or magnificent music. The method of presenting music that is contrary to the mood of the scene is a kind of psychological technique that inflicts a kind of mental shock on the audience and makes them remember a particular situation. In this study, we have investigated the meaning coming from scenes and Soundtrack Dissonance in movies, in order to understand the role that music and images play.

• Asia Marketing Journal
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• 제14권3호
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• pp.103-118
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• 2012

Although music is one of the most important attributes of broadcasting communications, few studies have examined the relationship between background music and the behavior of audiences, particularly in the context of TV home shopping programs, where purchase decisions are made while watching the show. The objective of this study is to examine whether certain characteristics of music in broadcasting communications can affect the audiences' purchase intentions or behaviors. Unlike previous studies on this issue, this study considers the impulse-inducing capability (IIC) of music as an important variable affecting consumers' purchase intension. A 2×3 (high/low involvement and high/low/no IIC music) between subjects design was used for the experiments in the study. The TV home shopping programs in the high or low involvement condition were identical except for the type of background music: high IIC music, low IIC music, and no music. A total of 188 undergraduate students at a college in Seoul, South Korea participated in the study. Their ages range from 20 to 25 (median age = 22), and nearly 60% were male. Our analysis showed that in the low involvement condition, high IIC music was more likely to have a positive effect on purchase intentions than low IIC (common) music or no music did. Meanwhile, there was not any significant relationship between music and purchase intentions in the high involvement condition. Given that previous studies have provided no clear evidence of the effects of music on consumers' purchase intentions or behaviors, this study makes an important contribution to the literature in this field. The result of this study provides implications to the practitioners in the market, too. Marketers need to reevaluate the value of music used in broadcasting communications and pay more attention to find the right music for their campaigns. Limitations of this study as well as directions for future studies are also discussed.

• 한국컴퓨터정보학회논문지
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• 제13권7호
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• pp.91-98
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• 2008

디지털방송(Digital Broadcasting)에서는 최대 100여개 정도의 오디오 또는 음악방송을 다중화하여 전송에 적합한 MPEG-2 TS(Transport Stream) 형태로 만들어서 1개 채널로 전송하는 것이 가능하다. 이렇게 다중화 된 많은 음악방송이 정상적으로 전송되고 있는지 확인하기 위해서는 실시간 모니터 링이 가능한 다중 오디오 모니터링 시스템이 필요하다. 아날로그방송에서는 모니터링 할 음악 방송수가 많지 않기 때문에 하드웨어 기반의 오디오 모니터링 시스템을 구현하여 사용하였다. 그러나 하드웨어 기반의 모니터링 시스템을 디지털 음악방송 환경에 적용하는 것은 비용 및 기능 효율성에서 떨어지기 때문에 디지털 방송 환경에 맞는 새로운 시스템이 요구되었다. 본 논문에서는 이 요구사항을 만족시키기 위해서 소프트웨어 기반의 디지털 오디오 모니터링 시스템을 설계하고 구현하였다. 시스템 구현에 있어서 다수의 하드웨어 장비의 도움 없이 소프트웨어를 기반으로 하는 1대의 컴퓨터만을 이용하여 1개 채널로 수신되는 다중화 된 디지털 음악방송을 효율적으로 모니터링 한다. 전송된 디지털 방송신호를 역다중화하여 각각의 방송에 대한 오디오 레벨 및 패킷 에러 정보를 추출하여 화면으로 실시간 상태를 표시하면서 정상적으로 방송이 되고 있지 않는 방송을 자동으로 검출하여 알려준다. 실험 결과 디지털 음악방송 채널에 대한 효율적인 실시간 다중 오디오 모니터링이 가능함을 보였다.

• 대한전자공학회논문지SP
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• 제47권5호
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• pp.81-88
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• 2010

본 논문에서는 실제 방송 환경에 적용 가능한 방송용 음원 모니터링 시스템을 구축하기 위한 사전연구로 방송 오디오 신호로부터 음악신호 구간을 자동으로 검출할 수 있는 시스템을 제안하였다. 음악구간과 비음악구간의 구분을 위한 특징으로는 사람의 음성 발화 특성을 반영하여 에너지 표준편차와 log 에너지 표준편차 그리고 log 에너지 평균 등 3개의 간단한 시간영역 특징들을 사용하였으며 최종 음악신호 구간 판별은 각 에너지 한계값(threshold)을 이용한 Rule-base 분류를 기반으로 하였다. 실제 FM 라디오 방송 신호를 24시간 녹음하여 진행한 모의실험에서 음악구간 인식률은 96%, 비-음악구간 인식률은 87%를 나타내어 방송용 음원 모니터링 시스템의 전처리기로 손색이 없음을 확인할 수 있었다.

• 한국인터넷방송통신학회논문지
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• 제10권6호
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• pp.195-200
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• 2010

본 논문에서는 현재 유무선 망에서 사용가능한 새로운 모바일 네트워크 서비스인 PMOD(Private Music on Demand) 서비스를 소개하고 이를 구현한 모바일 디제이(Mobile DJ) 시스템에 대해서 소개한다. 새로운 개념의 PMOD 서비스는 유무선으로 통합되는 통신환경에서 개인의 취향 및 기호에 따라서 음악 서비스를 정비하여 사용할 수 있도록 하는 서비스로써, 사용자가 원하는 환경에서 원하는 음악서비스를 받을 수 있도록 하는 개념을 바탕으로 한다. 더불어서 이를 지원하는 모바일 디제이는 음악서비스를 개인의 취향에 맞도록 변경하는 서비스를 제공하여 기존의 단순히 듣기만 하는 음악에서 한차원 달라진 음악서비스를 제공하게 될 것이다.