• 제목/요약/키워드: Black-out time

검색결과 182건 처리시간 0.031초

대두의 품종에 관한 연구 -제3보 생태형과 제 특성간 그리고 수량과 제 특성간의 관계- (Studies on the soybean varieties in Korea -III. Relationships between the ecotypes and various characteristics-)

  • 장권열
    • 한국작물학회지
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    • 제2권
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    • pp.27-29
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    • 1964
  • Experiments were carried out to clarify the relationships between seed yields and some ecological characteristics, seed yields and some morphological characteristics, and the relationships among the varietal yields on the several sowing plots when grown under different climatic conditions. Twenty-four soybean varieties were used as the material, selected at random from 138 varieties which were cultivated the year before. These varieties were grown in the Experimental Farm, Chinju Agricultural College, Kyung Sang Namdo, Korea, and seed sowing was conducted at 5 times, from April to July, in 1962 and 1963. The results obtained are summarized as follows: 1. Correlations between seed yields and some ecological characteristics on the sowing date bases are shown in Table 1. Among some ecological characteristics, it was observed that there wert close relationships between seed yields and days to flowering, and between seed yields and the total growing length, except on the late sowing, i.e. July sowing plots, However, there was no clear correlation between seed yields and durations of flowering, and between seed yields and days from flowering to maturity. 2. Correlations between seed yields and some morphological characteristics on the sowing date bases are shown in Table 2. From this table, it was also observed that there were some close relationships between seed yields and branch number for plant, stem diameter, plant weight, pod number per plant, and grain number per plant, but there was no clear relationship between seed yields and stem length, and between seed yields and 100 grain weight, on every sowing plot. 3. Relations between varietal yields and the sowing dates are shown in Table 3. Our leading varieties such as Ulsan, Sangdoo, Changdan Backmok, Iksan, Haman, Barchongdeo, and Anion Daerip, which belong to the maturity groups of IV, V, and VI, have been significantly high in yield at each sowing date plot, but the extreme early varieties, that frequently are damaged by insects, moisture and diseases, and the extreme late varieties, that frequently are caught by frost suffering reduced yield, are showed a lower yield than the others. However, extreme early varieties, for instance, Black Hawk, an American variety, and Chung Buk Baek, a Korean early variety, showed high productivity on the late sowing, June and July sowing plots, and Do san No. 6, which is late Japanese variety, showed a high yield on the extreme early sowing, i.e. April sowing plots. 4. Relations between seed yields and the sowing dates on the varietal bases are shown in Table 4. It was observed that, the early varieties did not differ much in yields at the various sowing dates while the yields of late varieties decreased progressively with subsequent dates. However, the extreme late varieties, such as Tamanishiki, that frequently are caught by frost suffering reduced yield, may be difficult to harvest at this location. The results in these experiments showed that in most cases maximum yields were obtained when leading varieties, which are medium or late varieties, were shown in Mid-May, and progressively lower yields were produced from June and July sowings. On the other hand, the late sowings of the early varieties, such as Black Hawk and Chung Buk Baek, in these experiments showed favorable yields compared with the others. From these results, we can predict that our local medium or late varieties produce higher yields at this location than was produced by early varieties in most of the sowing dates, especially the May sowing, and early varieties such as Black Hawk and Chung Buk Baek should be used in the late sowing, June sowing time.

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사료용 옥수수의 검은줄오갈병 전국 발생 실태 (Actual Outbreak Status of Rice Black-streaked Dwarf Virus Disease in Forage Corn of Korea)

  • 최기준;임영철;김기용;성병렬;김맹중;김원호;지희정;이종경;전병수;정민웅;이상훈;서성
    • 한국초지조사료학회지
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    • 제28권3호
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    • pp.221-228
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    • 2008
  • 본 시험은 사료용 옥수수 검은줄오갈병 피해 다발지역의 발병실태를 조사하여 종합적인 방제기술 개발에 필요한 기초 자료를 확보하고자, 2006년부터 2007년까지 제주도를 제외한 전국을 대상으로 수행하였다. 검은줄오갈병의 발생은 지역에 따라 차이가 많았으며, 발병이 심한 지역은 경기(이천), 전북(고창, 김제), 전남(영광), 경북(김천, 영주), 충남(천안, 보령)이었다. 옥수수 검은줄오갈병 다발지역에서 파종시기가 4월 26일$\sim$5월 15일까지 파종이 발병이 적었으며, 파종기가 4월 10일$\sim$20일 또는 5월 31일 이후에서 발병이 많았다. 검은줄오갈병의 발생은 옥수수 품종간의 차이는 다소 있으나 저항성을 나타내는 품종은 없었다. 옥수수 검은줄오갈병 감염에 따른 건물수량은 발병률이 높을수록 유의적으로 감소하였으며, 발병률과 옥수수 건물수량 간에는 고도의 부의상관(r=-0.86$^{**}$)이 인정되었다. 검은줄오갈병에 감염된 옥수수는 건전한 옥수수보다 건물소화률은 3.2%, 가소화양분총량은 3.6%, RFV는 12% 낮았으며, NDF와 ADF 함량은 각각 3.7, 4.5% 높아져 전체적으로 사료가치가 낮아지는 것으로 나타났다.

토양 및 식생변화에 따른 토지 사방 공사의 효과에 관한 연구 (Erosion Control Effect by Soil ansi Vegetation Transition in Mountainous Area after Soil Erosion Measures were Initiated)

  • 이천용
    • 한국조경학회지
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    • 제14권2호
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    • pp.7-16
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    • 1986
  • 산지사방공사후 시공년수 경과에 따른 토양 및 식생의 변화로서 사방효과를 구명하기 위하여 전국의 대규모 황폐지에 36개소의 plot를 설정하여 사방시공년차별로 식생의 피복도와 출현종 상장 및 토양을 조사하기는 시공후 7년으로 이후 임관의 소개가 필요하다. 1) 하중인관과 상층식생의 피복도가 가장 적당한 시공후 7년으로 이후 인관의 소개가 필요하다. 2) 하층식생의 종수는 임관울폐직전인 6년까지 증가하다가 울폐후 감소하였다. 3) 수고생장은 아까시나무, 물오리나무, 리기다소나무 순으로 좋았으며 이까시나무는 초기에 왕성한 생장을 보이다 계속 감소하였고, 물오리나무는 시공후 12토양내 양료부족이 가장 큰 원인으로 나타났다. 4) 사방수종은 식재후 8년내에 약 50%가 고사하였는데 물오리나무와 아까시나무는 그 후에는 계속 잔존본수가 감소하였고 리기다소나무는 시공10년후부터 ha당 500 본을 유지하였다. 5) 시공년수가 경과할수록 풍화토실이 깊어지고 견밀도가 낮아져 시공후 14년에는 토양의 물리적인 성질이 어느정도 개량되었다. 6) 토양내 pH는 시공직후 5.3에서 20년에는 5.1로 낮아지는 경향을 보였다. 7) 유기적과 질소함량은 시비의 영향으로 3년까지 급증하다가 그 후부터는 점증하였다. 그러나 임목생육에 필요한 양에는 20년이 되어도 부족한 것으로 나타났다. 8) 토양내인산함량은 초기에는 시비의 영향으로 높았으나 급격히 감소하여 시공후 5년부터는 절대량이 부족하므로 지속적인 시비가 요구된다. 9) 물질생산량은 아까시나무가 가장 많은 양을 보이면서 20년까지 계속 증가한 반면 물오리나무는 15년간부터 감소하여 갱신이 요구도며 20년된 사방시 1ha의 지상부총물질생산량은 105.7 ton이었다.>$\ulcorner$표현$\lrcorner$의 모습으로, 반면에 농촌취락들에서는 자연의 조건에 공존 또는 의존하는 모습의 $\ulcorner$순응$\lrcorner$적 특성을 나타내게 된다. 우리나라의 취락에 게재된 $\ulcorner$순응$\lrcorner$이란 큰 특징은 풍수적 개념 드에 의해 이루어졌던 형태이다. 그리하여 때로는 민담에서도 풍수가 주제가 되는 경우가 있고, 일반적으로는 역사적 사실이나 인물을 통하여 취락민이지녀온 자연요소에 대한 인식관 또는 그러한 생활에서 나타나는 윤리관 등이 암암리에 표현되기도 한다. 민담을 통하여 우리는 주민들 의식 속에 남아있는 취락의 중요한 요소나 장소들을 찾아볼수 있고 더불어 이들을 중심으로 이루어 졌을지도 모를 생활모습들을 생각해볼 수 있다. 이러한 것들은 $\ulcorner$순응$\lrcorner$의 다른 일면 또는 때에 따라서는 극히 의도적인 $\ulcorner$표현$\lrcorner$적인 한 면모 - 그 대표적인 경우로 정원을 구성하는데 개재된 인간의 의미는 무언가를 표현 또는 표출하고자 함에 있다는 점 -라 볼수도 있을, 예로써 성리학적 사고관념으로써 집과 정사 그리고 주변 경관을 자신의 내적본직 또는 윤리적 영역으로 삼아 묘사.표현.구체화 시켜가기도 한다. 최소한 동족부락의 한두 예들에서 그러한 $\ulcorner$표현$\lrcorner$적 의도에 의한 경관구성의 일면을 확인할수 있지만 엄밀히 생각하여 보면 이러한 예의

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빈티지 패션의 색채 특성에 관한 연구 - 2003~2008년 파리 프레타포르테 컬렉션을 중심으로 - (The Color Characteristics of Vintage Fashion - Focused on Paris Pr$\hat{e}$t-$\grave{a}$-Porter Collections, from 2003 to 2008 -)

  • 양정희;박혜원
    • 패션비즈니스
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    • 제14권1호
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    • pp.86-105
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    • 2010
  • Vintage fashion is a lot influenced by colors because an emotion is transmitted via images of "old feeling", "worn-out feeling" and "faded feeling" etc. Colors are visual sensation occurring at a time when lights stimulate an eye, which is a representative factor which humans first perceive when they touch objects. And colors in clothing function as a critical element which indicates an individual's impression and character as well as aesthetic sensation. In this study, I examined on the theoretical consideration and aesthetic characteristics via the previous literature on vintage fashion and colors. As an empirical study, I investigated on the colors of vintage fashion appearing in Pr$\hat{e}$t-$\grave{a}$-porter Collections, Paris from Spring/Summer, 2003 to Fall/Winter 2008. As a way for study, I investigated into the total 197 vintage fashion photos and calculated their RGB values by using photoshop. And I converted the values of the colors extracted into H V/C values by using Munsell Conversion Version 9.0.6 and analyzed on Munsell System of 10 Color Notation and the PCCS colors, classifying a color scheme by visual sensation measurement. The result of analyzing on the concept of vintage fashion and its color characteristics is as follows; Vintage fashion made an appearance the most in 2003 and 2004 and its colors appeared a lot in Y, YR, R and PB lines. Color tone concentrated on black and white, achromatic color and low chroma colors in a grayish line, chromatic color. Thus, the study found that colors suitable for a "worn-out", "faded" and "old" image are properly reflected in vintage fashion rather than a clear and bright background. In a color scheme, I found contrast color and same color appearing a lot, which gave an unharmonious feeling and a smack of the country. The study reveals that the color characteristic of vintage fashion is relatively diverse and complex in color, color tone or shade and color scheme, which shows a color trend which reflects a non-constructive and complex coordination characteristic instead of a standardized simple and clear image.

하우스 밀감의 품질에 미치는 반사필름 멀칭 효과 (Effects of Reflecting Film Mulching on the Fruit Quality of Satsuma Mandarin(Citrus Unshiu Marc.) in the Plastic House.)

  • 문덕영;금용호
    • 생물환경조절학회지
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    • 제7권3호
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    • pp.259-267
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    • 1998
  • 하우스 밀감의 품질을 향상시키고자 궁천조생을 공시하고 중간단수후 10일 후에 유공흑색필름, 부직포, 타이백을 수관하부에 멀칭하고 품질조사를 하였다. 하우스에서 멀칭재료에 따른 산란광의 변화는 타이백, 부직포, 흑색유공필름, 무처리 순으로 증가되는 경향이었다. 2. 과피의 착색도 a는 타이백 처리구가 무처리에 비해 6.39 높아서 타이백 멀칭효과가 매우 높았으며 a/b도 이와 유사한 경향을 나타내었으나 유의차는 없었다. 과즙의 glucose 함량은 무처리에 비해 멀칭처리구에서 많은 경향이었으나 처리간에 유의차가 없었고 fructose 함량은 무처리에 비해 타이백 멀칭구에서 0.31%/mL가 많았다. Sucrose 함량에도 차이가 있어서 무처리에 비해 타이백 멀칭구에서 1.36%/mL가 증가되었으며, 총 당도 sucrose와 유사한 경향이었다. 당은 타이백 멀칭구에서 12.4 $^{\circ}$Brix, 무처리에서 11.5 $_{\circ}$ Brix로 타이백 멀칭구가 무처리에 비해 0.9 $^{\circ}$Brix증가되어 타이백 멀칭효과가 현저하였음을 실증하였으나 산도는 멀칭처리 구간에 큰 차이를 나타내지 않았다

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심의고(深依考)

  • 김인숙
    • 복식
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    • 제1권
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    • pp.101-117
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    • 1977
  • This thesis is a study of the Simui(深衣) system which was a dress regulation peculiar to old China with skirt and coat. The origin of Simui is a very long time, that is, before Ju dynasty in China. Its wearing range had a large circle irrespective of rank and good or bad luck. This was a ordinary dress to the Emperor or the lords, a below court attire or a below sacrificial rites attire to the illustrious officials, and good luck dress to the common people. But this was a funeral rites attire or coming-of-age ceremony attire in domestic behaviour. In the times of Song dynasty, lots of confucian scholars had put on this simui because of Juhi's recommendation for domestic behaviour. This Simui had been put on through all the times of China and was the original text of all the dress. Especially the court attire and silkworm working dress of Empress, and the court attire and underwear court attire of Emperor is also made out of this Simui, therefore this is a origin of the ceremonial dress which formed into long coat. In Korea it is said that this Simui was brought in prior to the middle of Goryeo dynasty. But we can't tell the correct transmitted age. According to the following records in Goryeo History, "King had put on the Simui as a sacrificial rite attire in the times of Yejong". It is sure that this Simui was brought in prior to the times of Yejong. In fact, lots of confucian scholars had put on the Simui since the introduction of confucianism in the end of Goryeo dynasty and after that time this was taken by many confucian scholars through Yi dynasty. Korean Simui system was complied with Chinese system through confucian domestic behaviour, This was respected for court dress of confucian scholars, as it were, Chumri, (an ordinary dress of scholars), Nansam (a uniform of upper student), and Hakchangui (a uniform of confucian student). There are many deta about Simui system in the book of Yeki, chapter Okcho and Simui, and other many canfucian books. But we didn't demonstrate the theory about it till now. Especially there are diversifies of opinions about the phrase of "Sok Im Ku Byun" in Yeki. Simui was cut in separate and then was stitched together in one piece. Generally its shape had round sleeve and angled lapel, its length reaches to the anklebone. And it has a line around the lapel, the sleeve band, and the edge of skirt. It is called Simui because the body can be wrapped deeply in broad width and large sleeve. The Simui was made of white fine linen and was cut by the natural size of body. Every part of Simui had a profound meaning; the round sleeve in compliance with regulation can keep a courtesy when a walker moves his hands and the angled lapel like a carpenter's square in compliance with square keeps them front loosing their Justice and a string of the back also keeps them loosing from their righteousness and the flat lower part of Simui makes their heart and mind calm. This Simui was usually attendant on a head cover and belt made cloth, and black shoes. This thesis was made a study of documents and portrait from Yi dynasty, for the actual object was not obtained.

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경호무도로서 공수도의 미학 (Aesthetics of Karatedo as Security Guard Martial Art)

  • 정일홍
    • 융합보안논문지
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    • 제13권2호
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    • pp.67-73
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    • 2013
  • 본 연구는 경호무도로서 점차 활성화되고 있는 공수도를 미학적으로 탐색해 봄으로서 공수도가 경호무도로서 가지고 있는 미학을 정립하고자 하였다. 연구방법은 문헌연구로 공수도, 미학 관련서적과 자료, 논문을 수집, 참고하였다. 첫째, 공간미이다. 둘째, 시간미이다. 셋째, 통일미이다. 넷째, 대칭미이다. 다섯째, 균형미이다. 여섯째, 조화미이다. 일곱째, 곡선미이다. 여덟째, 리듬미이다. 아홉째, 도덕미이다. 이러한 경호무도로서 공수도의 미학을 연구함으로 내재적 아름다움과 철학, 윤리를 갖춘 경호원과 경호무도로서 발전될 것으로 사료된다.

중국(中國) 청(淸) 왕조시대(王朝時代)와 일본(日本) 강호시대(江戶時代)의 미의식(美意識)에 따른 화장문화(化粧文化) 비교 연구 (Comparison Study on the Make-up Cultures between the Ching dynasty in China and the Edo Age in Japan based on their Aesthetic Consciousness)

  • 안현순;고정민
    • 비교문화연구
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    • 제27권
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    • pp.59-79
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    • 2012
  • China and Japan are geographically close and the two countries had shared the Chinese Character Culture and the thoughts of Confucianism, Buddhism and Taoism since the ancient age. They also actively exchanged culture in various areas. Some cultural exchanges had been caused by surrounding environment and culture had been introduced to other country in a natural way; while some cultural exchanges had been forcibly introduced through artificial process. It is believed that such cultural phenomenon must have had impact on the make-up cultures of the two countries and it was assumed that there must have been commons and differences in the make-up cultures of the two countries. This study explored the historical background of the Ching dynasty of China and the Edo Age in Japan, which are in the same time frame, and studied the aesthetic consciousness of the two countries at the time. Then the make-up style of ladies in the two countries had been studied to find out how their aesthetic consciousnesses had been expressed in the make-ups of the two countries. Then the commons and differences in make-up skills between the two countries had been identified. According to the study results, the main stream of aesthetics during the Ching dynasty in China can be classified into Confucianism aesthetics and Taoism aesthetics. On the other hand, the main stream of aesthetics during the Edo Age in Japan can be classified into "mitate(見立)", "ikki(いき)" and "garumi(かるみ). The skin care in the make-up culture of Ching dynasty in China was based on "rouge (?脂, yanzhi)" and "powder(粉, fen)". The Ching ladies loved the make-up style using rouge. It had been same both in the high society and common people. The eyebrow care was delicate and curved so that the feminine beauty with elegant spirit could be emphasized. The lips had been expressed to be smaller and the ladies tried to express elegance and reliability, rather than frail and tender feminine image. The skin care in the make-up culture of Edo Age in Japan focused on even applying of white powder so that the face would look soft. The eyebrow make-up was a very important part of the make-up. The shapes of eyebrow had been advanced in various styles and there had been eyebrow make-up styles such as "crescent-shaped brow (三日月), "crane style brow (鶴眉) and "Tang style brow (唐眉). The lips had been applied of thick red color, imitating the make-up skill of the ladies in the entertainment business. The lips make-up skill expressing the lips in two colors had been quite popular. Among the make-up skills during the Edo Age in Japan, the "black teeth (齒黑)" can be said as the most unique make-up style of Edo Age.

독립운동가 신홍균 한의사에 대하여 (Korean independence activist Hong-Kyun Shin)

  • 이상화
    • 한국의사학회지
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    • 제35권2호
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    • pp.69-82
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    • 2022
  • Shin Hong-gyun was born on August 20, 1881. The second son of Shin Tae-geom (申泰儉) in Sangsang-ri, Sinbukcheong-myeon, Bukcheong-gun,Hamgyeongnam-do. His family had been practicing East Asian medicine as a family business. At that time, the families of East Asian doctors who passed the general examination of the Joseon Dynasty had been continuing the East Asian medicine business from generation to generation. Starting with exile in North Gando in 1911, he was located in Wangga-dong, 17 Doo-gu, Changbaek-hyeon. In 1915, he met General Choi Un-san in Bongo-dong, treated the soldiers suffering from cellulitis, and participated in the training process to prepare for the upcoming anti-Japanese war. However, because of a growing difference of opinion with General Choi Woon-san, Shin Hong-gyun left Bono-dong after a year and mets Sorae Kim Jung-geon and joined the founding of Wonjonggyo and Daejindan, an anti-Japanese armed group. It is said that Shin Hong-gyun established many schools in Korean villages destroyed by the Gyeongshin disaster and 14 schools were established under the names of Wonjonggyo and Daejin. After the Japanese established the puppet Manchukuo in 1931, the Manchurian Defense Forces were formed. Koreans and Chinese immigrants to Manchuria worked together to carry out a joint Korean-Chinese anti-Japanese operation towards the Japanese Empire. In 1933, 50 of the Daejindan members joined the Korean Independence Army, and among them, Shin Hong-gyun began to work as a medical doctor in earnest. During an ambush in Daejeonryeong Valley, he could not get a proper meal and, to make matters worse, got wet in the rainy season, so the situation was a challenge in various ways. At this time, Shin Hong-gyun showed his knowledge of herbal medicine, picked black wood ear mushrooms that grew wild in the mountains, washed them in rain water, and provided food to the independence fighters and relieved them of hunger. After the Battle of Daejeon-ryeong, the Japanese army's suppression of the independence forces intensified, and most of the independence fighters escaped from the Chinese army's encirclement and were scattered. Ahn Tae-jin and others led the remaining units and continued the anti-Japanese armed struggle in the forest areas of Yeongan, Aekmok, Mokneung, and Milsan.

전남지역 쌈채류 무농약.유기재배농가의 잡초, 병해충관리 실태분석 (Survey of Diease and Weed Control in Organic and Free-pesticide Cultivation of Chunnam Area 'Ssam' Vegegable)

  • 임경호;김선국;최경주;김도익;김선곤;이용환
    • 한국유기농업학회지
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    • 제15권1호
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    • pp.109-121
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    • 2007
  • 전남지역의 쌈채류 무농약 유기농산물 생산농가의 잡초관리, 병해충방제 기술과 농자재의 사용실태를 조사 분석하여 그 기술을 검증하고 표준화하여 정립된 기술을 개발하고자 상추, 들깻잎, 치커리, 케일 등 쌈채류 재배로 무농약 유기농산물 품질인중을 받은 21농가(무농약재배 16, 유기재배 5)를 대상으로 재배실태를 조사하였으며, 그 결과를 하면 다음과 같다. 종자 파종시 종자소독을 실행한 농가는 28.6%에 그치고 소독방법은 소금물가리기, 키토산액 침지 등 검정되지 않은 간이방법으로 수행되었다. 육묘 중 묘상에서의 병 방제를 위한 친환경 농자재의 살포 횟수는 55.6%가 살포 횟수가 없었으며, 해충 방제를 위한 살포횟수는 1회 살포가 50.0% 이었다. 따라서 육묘 기간이 비교적 짧은 쌈채 작물에서의 육묘 중 병해충 방제를 위한 농자재 살포횟수는 1회${\sim}$2회 살포로도 가능하였다. 토양소독을 실행한 농가 비율은 71.4%로 많았으며 소독 방법은 태양열소독으로 소독 횟수는 1회/년을 기준으로 토양소독을 실시하였다. 재배포장의 잡초방제 방법으로 이랑의 잡초는 대다수의 농가가 흑색PE필름을 이용한 멀칭재배로 잡초 발아를 억제하였으며, 고랑의 잡초는 85% 이상의 농가가 인력으로 김매기를 수행하고 일부농가는 기계제초와 멀칭재배로 잡초를 관리하고 있었다. 봄 작기를 기준으로 병 방제 횟수는 무 방제가 57.1%이었고 병해 예방을 위해 시설이나 재배지의 토양과 온 습도 등 환경 조절로 52.4%가 병해 관리를 하였으며, 병 방제는 천연자원이용 농가 자가제조 농자재나 미생물제재를 이용하여 $1{\sim}2$회 방제 하였다. 쌈채의 작목별 주요 발생 해충은 상추에서는 목화진딧물, 케일에서는 배추좀나방, 쌈추는 배추좀나방과 배추벼룩잎벌레, 들깨에서는 들깨잎말이나방이 문제시 되는 해충이었다. 해충의 방제는 봄 작기를 기준으로 해충 방제 횟수는 10회 이상 살포가 많았고 해충 방제용 농자재 종류는 $1{\sim}5$종을 이용한 농가가 많았으며 자가 제조한 농자재 보다는 시중에서 구입하여 이용한 농가가 많았다. 이상의 결과를 종합하여 볼 때 무농약 유기재배 쌈채 생산을 위해서는 건열처리 등에 의한 종자소독 방법과 병해충 예방을 위한 환경 관리기술의 과학적인 검증 및 주요 발생 병해충에 대한 체계적인 방제 매뉴얼 개발이 요구된다.

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