• 제목/요약/키워드: Basic movement

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Effect of Object Manipulation Ability and Basic Movement Ability on Mathematical Ability of Young Children

  • Park, Ji-Hee
    • International Journal of Advanced Culture Technology
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    • 제10권1호
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    • pp.265-273
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    • 2022
  • The aim of this study is to investigate the relationship between the object ability, basic movement ability, and mathematical ability of young children. Next, through this study, the influence of young children's object manipulation ability and basic movement ability on mathematical ability was investigated. The subjects of this study were 80 children aged 5 years old. As a research tool, the non-mobile movement and mobile movement, the basic movement development test scale, and the young children's picture-mathematical ability test scale were used. This survey was conducted from October 2018 to January 2019. For data analysis, correlation analysis and hierarchical multiple regression analysis were performed using the spss program. As a result of the study, it was found that there was a significant positive correlation between the non-mobile ability, movement ability, object manipulation ability and mathematical ability of young children. It was found that young children's ability to manipulate objects and non-movement abilities had positive effect on their mathematical abilities. The movement ability of young children had both negative and positive effects on mathematical ability, but it was not found to be statistically significant. This study is meaningful in that it investigated the effects of non-mobile movement, mobile movement ability, and object manipulation ability, which are sub-capabilities of basic movement ability, which had not been investigated so far, on the mathematical ability of young children.

애니메이션에서 움직임을 연출하는 타이밍 표현방법에 관한 연구 (The Study about the Expression Method of Timing which Produce Movement in the Animation)

  • 방우송;김순곤
    • 게임&엔터테인먼트 논문지
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    • 제1권1호
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    • pp.55-62
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    • 2005
  • 애니메이션에 있어서 Movement의 표현은 작품을 형성하는 중요한 요소 중의 하나이다. 실사영화에서 배우의 움직임이나 모션캡처에서 얻어지는 테이터에 의존하는 일련의 Movement의 표현과는 달리 애니메이션에서에서는 애니메이터의 경험에 의해서 모든 것이 결정이 된다. 캐릭터의 움직임을 표현하는데 있어서 가장 중요한 요소들 중 하나가 타이밍표현이며 연출상황을 정확히 파악하고 타이밍을 표현하는 것이 애니메이션을 시각적으로 더욱더 풍성하게 하고 캐릭터에 감정을 이입하는 기본적인 방법이다. 이 논문에서는 애니메이션에서의 타이밍표현의 기본 원리를 밝히고 카메라각도에 따라 변하는 타이밍의 변화를 실험 비교하여 가장 이상적인 타이밍 표현 방법을 제시하고자 한다.

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신체동작과 의복여유분에 따른 의복압에 대한 탐색적 연구 -견갑골$\cdot$상지를 중심으로- (A Study on the Clothing Pressure variation according to arm movement and ease of basic pattern)

  • 조정미;김혜경
    • 한국의류학회지
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    • 제11권1호
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    • pp.11-19
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    • 1987
  • The objectives of this study were: 1. To investigate the relationship between arm movement and clothing pressure in the upper arm and shoulder blade area. 2. To find out the relationship between ease of basic pattern and clothing pressure in the upper arm and shoulder blade area. 3. To study any interaction between arm movement and ease of clothing on the clothing pressure. This study was an experimental research using the measuring devices of clothing pressure. The subjects were the unmarried college women. Arm movements were 3 types($45^{\circ}$, $90^{\circ}$, $135^{\circ}$) to the horizontal direction. The ease of basic pattern in the breast was 3 types(4 cm, 6 cm, 8cm). The statistical analyses used in this study included mean, standard deviation and one-way analysis of variance. The results obtained from this research were as follows; 1. The whole clothing pressure increased as the angle of the arm movement increased. Part of upperarm and shoulder blade above axillar gave high clothing pressure while part of upperarm and shoulder blade above upper breast, low pressure. Difference between highest clothing pressure and lowest clothing pressure increased as the arm movementdid. 2. The whole clothing pressure increased as the ease of the basic pattern in breast decreased. No matter how the ease of basic pattern in the breast area varied, the Points where generally showed high and low pressure were identical. 3. The whole arm pressure increased as the movement angle increased and the ease of pattern in breast area decreased. Difference between highest clothing pressure and lowest clothing pressure increased as the movement angle increased and the ease decreased.

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쇼핑몰에서의 보행자 이동과 시지각 시퀀스의 상관성에 관한 연구 (A Study on the Concernment of Visual Environment Sequence and Human Movement in Shopping Mall)

  • 이상호;오영근;사영재
    • 한국실내디자인학회논문집
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    • 제30호
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    • pp.78-85
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    • 2002
  • Human exists in environment. As environment affects in human movement, human reacts to everything happens in environment especially by the view point of visual continuity and changeability. This study has two purposes. The one is to clarify the visual changeability due to the Human movement from the visual point based on checking the visual field. And the other is to understand the applicable possibility of Philip Thiel's method through the experiment in passing ways. Condition of this study is that colors and figures are affective elements of visual environmental sequence by the Human movement. The Human movement is due to the visual phenomenon. That means it is not limited in Philip Theil's method(Node, District). In particular, the chroma which is checked by the BPA(Basic-Pattern-Area) is the most affective visual environmental element in contemporary shopping mall. Also, everything in visual environment and the movement is connected by the time axis. As an analytical method, the sequence notation devised by Philip Thiel was applied.

스톱모션 기법의 기초 교육모형 개발 (Development of Basic Education Models of Stop-Motion Techniques)

  • 양세혁
    • 한국콘텐츠학회논문지
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    • 제7권11호
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    • pp.258-269
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    • 2007
  • 스톱모션은 실재 공간에서 직접 사물에 움직임을 부여할 수 있는 특성에 의하여 움직임에 대한 3차원적 감각을 익힐 수 있기 때문에 애니메이션 교육의 기초 과정으로서 반드시 다루어져야할 분야라 할 수 있다. 하지만 기존의 스톱모션 교육이 대부분 단편애니메이션을 제작하는 형식으로 이루어져 있기 때문에, 학생들은 졸업 후 산업현장에서 '움직임'에 대하여 재교육을 받아야하는 것이 현실이다. 이러한 문제를 해결하기 위해서는 최소 한 한기(16주)과정의 기초 움직임에 대한 보다 체계적인 교육이 필요하다. 따라서 스톱모션을 전공하려는 학생들은 물론 애니메이션의 기초 능력을 더욱 향상시키려는 학생들을 위하여, '걷기 자유동작 얼굴표정' 표현을 중심으로, 스톱모션 기법의 기초과정을 위한 효율적 교육모형을 제시하려 한다.

동작 적합성에 따른 Slacks Pattern 설계에 관한 연구 (Part I) (A study on the slacks pattern making according to the Movement-Fitness (Part I))

  • 박영득
    • 대한가정학회지
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    • 제34권2호
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    • pp.43-55
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    • 1996
  • The purpose of this study was to investigate the slacks pattern making on the movement-fitness of the knee region. The experimental items were divided into the lower limb movement (M1~M5) and slacks pattern designs (4 : basic pattern, in-pleats, side-pleats, seam-line increase). This study was done by clothing pressure test, sensory evaluation test and the difference shape-transformation of wearing-slacks. The summarized finding resulted from experiments and investigation are suggested as follows ; First, the clothing pressure test showed that the order of clothing pressure in the movement was the rabbit leap movement (M3), the sit on knees (M4), the nobleman sitting (M5), the sit on chair (M2) from the highest to the lowest. In the comparison of clothing pressure tested by blocks of lower-limb, center front knee region shows the highest of 300g/cm2. In it by constructional methods, the clothing pressure of in-pleats, side-pleats methods shows lower than basic pattern, hem-line increase methods. Also in comparison of the two methods, in-pleats method shows lower than side-pleats method. Second, by the sensory evaluation test based on the lower-limb movements and constructional methods of slacks, it was found that the functional factor score of the rabbit leap movement was also the waist, hip, knee region was the lowest in all blocks. And in the comparison of constructional methods, in-pleats method was the highest in all methods. Third, in consideration of the difference in the shape-transformation of wearing-slacks on the movement-fitness, pleats pattern design methods showed that the ratio of shape-transformation was lower than basic on seam-line increase methods. But the difference of the side-pleats and in-pleats methods was litle. According to these investigation, the slacks pattern making caused by movement-fitness on the knee region, in-pleats design method was the functional slacks pattern.

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발레에서 팔 기본 동작의 운동학적 특성 (The Kinematical Characteristics of the Basic Ballet Position)

  • 김은희
    • 한국운동역학회지
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    • 제16권1호
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    • pp.151-158
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    • 2006
  • The purpose of this study was to find out the kinematical characteristics of arm's basic position in ballet. In order to achieve the purpose of the study, 3D cinematographic analysis was conducted with a ballerina who might performed the perfect arm's basic position. According to the results of this study, it was appeared that the shoulder kept about 78%-82%, the elbow kept about 62%-96%, the wrist kept 52%-109%, and finger kept 48%-110% with the height. Also, movement was formed with $21^{\circ}-77^{\circ}$ of the upper arm angle, $106^{\circ}-164^{\circ}$ of the elbow, $125^{\circ}-140^{\circ}$ of the wrist, and $83^{\circ}-160^{\circ}$ of the shoulder. The left-right ratio of the total arm angle was 98% in the first, second, and third position, and 100% in the forth position. The angle of arm gradient was remained $-68^{\circ}$ in the first position, $-27^{\circ}$ in the second position, $73^{\circ}$ in the third position, and $-11^{\circ}$ in the forth position. Based on the results mentioned above, balance and symmetry of both arms was an important factor in those four positions. Although it is impossible to maintain the position like robot, it may be a good performance if a certain level of extent was remained With respect to this point of view, it may be a good position if the difference between right and left arm in each joint can be remained within 2%. Angle also was an important factor that if the difference in total angle can be remained within 2% it may be an excellent position, there was difference of right and left based on the joint though. Therefore, practice and instruction to make a perfect symmetry as much as possible were needed Also, it would be a good movement if position and angle of joint within 2% difference of right and left arm can be remained In turn, because ballet is movement with expression of the body, beauty of the body and balance of the movement have to be harmonized for beautiful performance. Therefore, it would be a meaningful future study considering the body condition and movement of ballerina to define the beauty.

통합적 동작활동이 종일제 유아의 기본운동능력 및 신체표현능력에 미치는 영향 (Effects of Integrated Movement on Children's Fundamental and Expressive Movement Ability in All-day Kindergarten)

  • 정세호;엄정애
    • 아동학회지
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    • 제23권5호
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    • pp.153-166
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    • 2002
  • This study investigated the effectiveness of integrated movement on children's fundamental and expressive movement ability in all-day kindergarten. Subjects were 52 children in 2 all-day kindergartens in Daejeon. The Subjects were divided into an experimental and a control group. Integrated movement activities were applied in the experimental group for 7 weeks. Integrated movement activities were focused on the life theme according to the annual and weekly education plan and were composed by integrating both the basic area and the application area of movement. At the end of the training period, differences were found in fundamental and expressive movement ability between the experimental and the control groups.

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링크분석에 의한 우리나라 근해대형트롤선의 선교 레이아웃 개선에 관한 기초연구 (The Basic Study on Improvement Bridge Layout by Link Analysis in Korean Coastal Large Trawler)

  • 김민선;신현옥
    • 수산해양교육연구
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    • 제25권3호
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    • pp.724-732
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    • 2013
  • The purpose of this study is to obtain a basic data on layout of the trawlers' bridge equipment. The task activities of bridge workers involved in the navigation and fishing operation were analyzed by link analysis methods. The results are as follows. It was found that the movement pattern and frequency of bridge workers are different accordance with the bridge work (navigation, casting net, towing net and hauling net). The central workstation of movement of the bridge workers was a radar workstation, a steering workstation and a trawl winch workstation in the bridge work. But the radar did not show up as the center of movement during the hauling net. Workstations related deeply to the central workstations of the movement on the bridge were as below. Radar workstation was related to a GPS plotter, a microphone location for external communication with VHF and MF/HF equipment and a steering in the case of the navigation, the steering, the GPS plotter and the net monitor in the case of the fishing operation. Steering workstation was related deeply to the GPS plotter, the radar in the case of the navigation, a speed controller, the GPS plotter, a fish finder, the net monitor and the microphone location in the case of the fishing operation. Trawl winch workstation showed deep relation with the GPS plotter and the speed control during the fishing operation. Through this study, it was found that Workstations related deeply to the central workstation of the movement of the bridge workers in accordance with the bridge work. The results of this study might be utilized as the basic data on the bridge layout to minimize the fatigue degree due to a physical movement of the bridge workers.

동작에 따른 상지형태 변화와 의복에 대한 피복인간공학적 연구(I) (A Clothing Ergonomics Studyon the Seelve form Variation and the Clothing Pressure Variation According to Arm Movement)

  • 김혜경;김순자;조정미
    • 한국의류학회지
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    • 제12권2호
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    • pp.237-248
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    • 1988
  • To access the appropriate height of sleeve cap which is required for the basic sleeve pattern according to arm movements, plaster gypsum experiment was performed. Arm movements were 5types ($0^{\circ},\;45^{\circ},\;90^{\circ},\;135^{\circ},\;180^{\circ}$) to the vertical directions in the front. The appropriateness of the pattern was analyzed by measuring clothing pressure. The results obtained were as follows: 1. Increasing the movement angle, sleeve width increased but height of sleeve cap and armhole girth decreased. 2. Increasing the movement angle, the acromion moved to the front part of bodice. 3. On the basis of the result of the height of sleeve cap, the $\frac{AH}{4} +2.5cm$ sleeve basic 4 pattern is suitable for the direction $M_1(0^{\circ}),\;M_2(45^{\circ})$, and the $\frac{AH}{5}$sleeve basic pattern is suitable for the direction $M_3(90^{\circ}),\;M_4(135^{\circ})$, and $M_5(180^{\circ})$. 4. As the movement angle and height of sleevecap increased, the part which receive high pressure increased and the difference between the hightest and the lowest clothing pressure increased. 5. By the variation of movement angle and height of sleevecap, clothing pressure of upperarm was affected more than that of shoulder blade. 6. The clothing pressure of upperarm and shoulder blades were more affected by the height of sleeve cap than the ease of breast area. 7. Considering the clothing pressure of various arm movement, the most appropriate height of sleeve cap for $M_1(0^{\circ}),\;M_2(45^{\circ})$ positions was to use the $\frac{AH}{4}$+2.5cm, and for $M_3(90^{\circ}),\;M_4(135^{\circ})$, and $M_5(180^{\circ})$, was $\frac{AH}{5}$.

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