• Journal of Information Processing Systems
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• v.2 no.1
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• pp.13-17
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• 2006

In this paper, we propose an audio extraction method to decrease the influence of the original signal by modifying the watermarking detection system proposed by P. Bassia et al. In the extraction of the watermark, we employ a simple mean filter to remove the influence of the original signal as a preprocessing of extraction and the repetitive insertion of the watermark. As the result of the experiment, for which we used about 20 kinds of actual audio data, we obtain a watermark detection rate of about 95% and a good performance even after the various signal processing attacks.

• 한국정보통신설비학회:학술대회논문집
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• 2006.08a
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• pp.219-222
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• 2006

In this paper we present a cryptanalysis of the generalized patchwork algorithm under the assumption that the attacker possesses only a single copy of the watermarked audio. In the scheme, watermark is inserted by modifying randomly chosen DCT values in each block of the original audio. Towards the attack we first fit low degree polynomials (which minimize the mean square error) on the data available from each block of the watermarked content. Then we replace the corresponding DCT data of the at-tacked audio by the available data from the polynomials to construct an attacked audio. The technique nullifies the modification achieved during watermark embedding. Experimental results show that recovery of the watermark becomes difficult after the attack.

• ETRI Journal
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• v.24 no.3
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• pp.181-189
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• 2002

Digital watermark technology is now drawing attention as a new method of protecting digital content from unauthorized copying. This paper presents a novel audio watermarking algorithm to protect against unauthorized copying of digital audio. The proposed watermarking scheme includes a psychoacoustic model of MPEG audio coding to ensure that the watermarking does not affect the quality of the original sound. After embedding the watermark, our scheme extracts copyright information without access to the original signal by using a whitening procedure for linear prediction filtering before correlation. Experimental results show that our watermarking scheme is robust against common signal processing attacks and it introduces no audible distortion after watermark insertion.

• Journal of Broadcast Engineering
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• v.6 no.2
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• pp.195-202
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• 2001

As a solution for copyright protection of digital multimedia contents, digital watermark technology is now drawing the attention. In this paper, we presented two novel audio watermarking algorithms as a solution for protecting unauthorized copy of digital audio. Proposed watermarking schemes include the psychoacoustic model of MPEG audio coding to achieve the perceptual transparency after watermark embedding and preprocessing procedure before correlation in watermark detection to extract copyright information without access to the original audio signal. Experimental results show that our watermarking scheme is robust to common signal Processing attacks and it Introduces no audible distortion after watermark insertion.

• The Journal of the Acoustical Society of Korea
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• v.24 no.4
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• pp.202-209
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• 2005

The rapid development of digital media and communication network urgently brings about the need of data certification technology to protect IPR (Intellectual property right). This paper proposed a new watermarking method for embedding owner's audio signal. Because this method uses an audio signal as a watermark to be embedded, it is very useful to claim the ownership aurally. And it has the advantage of restoring audio signal modified and especially removed by image removing attacks by applying our LBX(Linear Bit-expansion) interleaving. Three basic stages of our watermarking include: 1) Encode . analogue owner's audio signal by PCM and create new digital audio watermark, 2) Interleave an audio watermark by our LBX; and 3) Embed the interleaved audio watermark in the low frequency band on DTn (Discrete Haar Wavelet Transform) of image. The experimental results prove that this method is resistant to lossy JPEG compression as standard image compression and especially to cropping and rotation which remove a part of Image.

• Journal of the Institute of Electronics Engineers of Korea CI
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• v.43 no.5 s.311
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• pp.48-56
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• 2006

In this paper, we proposed the high quality audio watermarking algorithm using MDCT/IMDCT (Modified DCT/Inverse Modified DCT) with psychoacoustic model. Generally, a digital audio watermark is embedding the frequency domain after frequency transform of the digital audio data but the digital audio quality is affected by watermarking. In our scheme, the digital audio data is spread with PN((Pseudo Noise) code and then audio watermark is embedded in MDCT processing that refers psychoacoustic model. In MDCT processing, according to the shape of filter bank output, the block switching selects a window sequence that has 256, 1,024 or 2,048 points interval for high quality audio. The author confirm that when watermark weight ${\alpha}$ is 2.5 below, the detection ratio of watermark is a satisfied to SDMI's(Secure Digital Music Initiative) recommendation 50% above and SM is $50{\sim}68dB$ range with mainly 4 kind of attacks(Compression, Cropping, FFT and Echo).

• Journal of Advanced Navigation Technology
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• v.10 no.4
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• pp.406-412
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• 2006

In this paper, we analyzed the performance of digital watermarking by using audio signal as well as logo image watermark. By utilizing the OFDM/QPSK system under AWGN channel environment, watermarked image are transmitted and detected. Experimental results showed that audio signal-based watermark embedding scheme is superior to that of logo image-based, which is able to restore a signal at SNR=3[dB].

• ETRI Journal
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• v.40 no.1
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• pp.133-145
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• 2018

Robustness, payload, and imperceptibility of audio watermarking algorithms are contradictory design issues with high-level security of the watermark. In this study, the major issue in achieving high payload along with adequate robustness against challenging signal-processing attacks is addressed. Moreover, a security code has been strategically used for secure transmission of data, providing tamper detection at the receiver end. The high watermark payload in this work has been achieved by using the complementary features of third-level detailed coefficients of discrete wavelet transform where the human auditory system is not sensitive to alterations in the audio signal. To counter the watermark loss under challenging attacks at high payload, Daubechies wavelets that have an orthogonal property and provide smoother frequencies have been used, which can protect the data from loss under signal-processing attacks. Experimental results indicate that the proposed algorithm has demonstrated adequate robustness against signal processing attacks at 4,884.1 bps. Among the evaluators, 87% have rated the proposed algorithm to be remarkable in terms of transparency.

• Proceedings of the IEEK Conference
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• 2001.06d
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• pp.257-260
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• 2001

In this paper, we propose a robust audio watermarking method. The proposed watermarking algorithm is composed of a psychoacoustic model to achieve perceptual transparency and spread spectrum technique to embed watermark. The watermark is embedded in each audio frame by adding a perceptually-shaped pseudo-random sequence. We demonstrate the robustness of the watermarking algorithm.

• The Journal of the Acoustical Society of Korea
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• v.25 no.2
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• pp.56-60
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• 2006

Based on the fact that audio signals in the time domain have the generalized Gaussian distribution. an optimal parameter estimation of the ML (maximum likelihood) test based audio watermark decoder. which leads to the minimal bit error rate, is Proposed. Its superiority of performance over the existing estimation and the conventional correlation based decoder is demonstrated experimentally.