• 디자인학연구
• /
• 제12권2호
• /
• pp.157-168
• /
• 1999

조선조시대의 석재는 공예품 재료로 쓰이기도 하였으나 건축재로서도 널리 사용되어 왔으며, 의장재로서도 중요한 위치를 차지하고 있다. 그러나 석재 특유의 재질감과 미적 관점으로서 수반, 주자, 화로, 베겟모, 필통 등 실용적인 생활용품과 장식품의 용도로 널리 사용되었다. 석재는 다양한 재료와 선택에 따라서 크기, 수량, 운반, 가공방법의 제문제가 해결되지 않으면 안될 것이다. 본 연구에서는 이러한 제문제를 고려하여 제작되어 온 조선조시대의 소품 석공예에 대한 연구를 하는데 그치지 않고 형태와 문양, 재료의 선택 및 가공방법 등 전과정에 걸쳐 연구하고자 하였다. 조선조시대의 석공예품은 생활도구로서 널리 사용되어 왔으며 또한 중요한 일면을 차지하고 있었으며, 이들 석공예품의 민예품은 제작목적이나 제작기술에 있어서 다소 차이가 있었으나 그 당시의 사회적 요구와 사용자의 기호, 취미가 형태와 문양에 반영되어 나타난다는 점에서 커다란 차이가 없었음을 수집된 관련 작품을 통하여 알 수 있었다. 석공예품을 일상생활용품, 문방용품, 도구 등으로 나누어 분석하여 본 결과 일상용품의 대부분이 실용성을 강조하여 제작되었으며, 사용상의 특성을 살리어 불에 강한 납석재로 제작되었다. 더욱이 부엌에서 사용되었던 주방용품은 무문으로서 기능성을 고려하였고, 안방에서 사용되었던 생활용품은 다양한 형식의 장식적 표현을 음각, 양각, 투각, 상감기법 등으로 조각하여 사용된 점이 특징이었다. 문방용품에 있어서는 장식적 효과와 용도에 따른 재료의 선정 등 심미성을 강조하여 표현된 것이 주종을 이루고 있는 것이 특징이다. 제작사용 된 재료는 납석, 황옥, 청옥, 백석 등 다양한 재료의 선정으로 고루 분포되었다. 문양과 조각의 표현에 있어서도 장식적인 화려함을 엿볼 수 있었다. 도구에서는 섬세함을 요하지 않기 때문에 오석, 화강석 등이 널리 쓰여서 용도상의 특성을 살리어 제작 사용되었음을 알 수 있었다.

• 한국가구학회지
• /
• 제19권5호
• /
• pp.328-340
• /
• 2008

This study examined the characteristics of furniture design in the early Modernism that occurred in the early 20th Century through the relationship with modern arts. The furniture design of the early Modernism was established in the early 20th Century based on the simplicity and honesty of the Art and Crafts Movement and Anti-Historicism in Art Nouveau. During this period, the necessity of mass production became critical due to the radical industrialization and new social demands. In such periodic stream, the furniture design of the early modernism pursued simplicity and geometric beauty based on functionalism. The efforts to discover the fundamental structure of furniture were intensified. It was not limited to furniture design but was also exercised in the huge periodic transformation that progressed in every field of art including architecture. The Modernism art has also been connected to Cubism and spread into an abstract direction. While questioning the potential essence and progressing the study on genuine characteristics, the Modernism art tried to return things into their substantial looks and reorganize them conceptually, rather than reproducing external objects. The furniture that was secondary to a part of architecture and interior accessory transcended its decorative purpose. It pursued the structure to follow its fundamental purpose as furniture. Such tendency corresponded to the direction that Post-Modernism followed. Likewise, both art and design had the revivable and abstract characteristics based on the identical objective in ideology. For this reason, the formative and geometric characteristics of the early modernism furniture design have a mutual relationship with modern arts. Particularly, such tendency intensified and progressed through the Bauhaus in Germany. Based on such facts, this study proved that the early Modernism furniture design in the 20th Century tended to appear in common arts including the art and design according to the social demand of the huge periodic stream. Furthermore, the ideology that was adopted in art and design, as well as its formative characteristics, was examined through the mutual relationship of modern arts and design.

• Acta Via Serica
• /
• 제8권1호
• /
• pp.87-100
• /
• 2023

Interaction between sedentary and nomadic cultural traditions has played an important role in the centuries-old history of applied arts in Uzbekistan. By the late 19th and early 20th century, driven by urbanization in the region and the gradual transition of nomadic and semi-nomadic peoples to sedentary lifestyles, many industries and traditional cultural forms of formerly nomadic ethnic groups disappeared. Nevertheless, their role in shaping the national cultural identity of the Uzbek people is great. This is true in relation to one of the largest ethnic groups in Uzbekistan, the Kungrats, whose applied art represents a unique, viable, and yet little-studied phenomenon in the national culture of Uzbekistan. The article reviews carpet weaving, one of their surviving crafts, exemplified by qiz-gilam, a unique type of rug made using a combined technique. This study helps to show the nature of historical and cultural interrelations in the carpet weaving of Central Asian peoples and their cultural contacts with the carpet art of neighboring regions more widely and objectively. An important theoretical result of this study is the creation of criteria and tools for identifying qiz-gilam carpets. This allows us to bring clarity to the yet undeveloped system of their identification in museum and gallery practice.

• International Journal of Human Ecology
• /
• 제8권2호
• /
• pp.107-125
• /
• 2007

In human history, scarf has acted not only as a protection for body but also as a symbolization of class. Today, scarf has become a whole field in fashion and an important accessory to express individuality in fashion. Hence, like other fashion item, it is very important to develop exclusive design for scarf by analyzing the current fashion trend. In this research, we have designed a scarf textile, accordance with the contemporary design trend, applying the floral pattern, designed by William Morris who was an artist considered as the founder of the 1800s arts and crafts movement. We selected four trend themes, "Salon de Archives", "Eco Tech", "Profound Nature", and "Neo Aristo" for the design of 2007/2008 Fall/Winter. The flower motifs in Pimpernel Wallpaper, Honeysuckle textile design, Acanthus Wallpaper, Garden tulip wallpaper, Evenlode printed cotton, Trellis Wallpaper, and Chrysanthemum Wallpaper, by William Morris who expressed an image of environment friendly and nature reversion, applied to develop new creative scarf through design after modifying and rearranging these flower patterns. After the pattern was drawn by hand, adjusting of color and repeating of the design was done with DTP (Digital Textile Printing). Through this research, the researchers hopes to be of assistance to the development of national scarf brand design, and to the recapturing of textile industry that once played a important role in Koreans economic development.

• 한국가구학회지
• /
• 제18권2호
• /
• pp.120-128
• /
• 2007

This study explored the philosophical Modernity with the Enlightenment in relation to cultural and aesthetic modernism rooted in Modern furniture, which directly reflected modern culture and society with rationality, science, individualism, progressive, universal truths, etc, using qualitative analysis about the related literature as the principal methodology. A fundamental philosophy of the modern furniture influenced by Industrial Revolution is that the dictates of function and industrial technology must be decided by form. The theory and practice of the International Style in modern furniture came from the modern aesthetics in the philosophy of Modernity. As a result, as influenced through the Enlightenment project and the relationship of individual to society in relation to cultural and aesthetic modernism, and the three modern movements with furniture, which are Arts and Crafts movement, Art Nouveau, and Art Deco, represented the beginning style of modern furniture design toward functionalism or minimalism.

• 한국주거학회논문집
• /
• 제17권1호
• /
• pp.29-36
• /
• 2006

Welwyn Garden City benefits from the greater design cohesion and management of development which gave it a more distinctive 'brand image' almost from the outset than its older garden city(Letchworth, Hampstead). Its planner, Louis de Soissons, brought a more obvious sense of traditional formal urbanism to the design of the second garden city. This was rather different to the distinctive but rather more informal arts and crafts approach of Raymond Unwin. Here it attempts to analyze how they greatly and firmly established the concept of Housing Group in the residential design, and what similar elements between Unwin and de Soissons in the New Town planning. It is pointed out that the Housing Group theory is composed of recognizing urban life as totality, and group planning theory, and that they definitely originated a new technique in the residential area. It is analyzed that the syntactic relations between the group planning theory and enclosed housing cluster designs in the English garden city are epitomized in Welwyn Garden City.

• 커뮤니케이션디자인학연구
• /
• 제39권
• /
• pp.82-90
• /
• 2012

The present study is focused on investigating the subjective viewpoint of users favoring Galaxy phones as an element for emotional experience designs, and Q methodology used for the study of subjectivity has revealed 3 types. The first type is a type pursuing reasoned actions with high expectations for the emotional quality through direct and indirect experiences of Galaxy phones. They were shown to place an emphasis on portability and usability while having a low preference for the shape of external forms and materials. The second type is a type pursuing planned actions with an emphasis on individual subjective perceptions as well as both of physical sensation and usability. They were distinguished as a type preferring pleasure and efficiency experienced by its use. The third type is a type pursuing differentiated personalities with an emphasis on messages they want to deliver to other people through the products owned by an individual. They were identified as a type emphasizing display of personalities through differentiation in aesthetic elements.

• Computers and Concrete
• /
• 제26권1호
• /
• pp.53-62
• /
• 2020

Concrete is the most widely used substance in construction industry, so it's been required to improve its quality using new technologies. Nowadays, nanotechnology offers new frontiers for improving construction materials. In this paper, we study the stability analysis of the Single Walled Carbon Nanotubes (SWCNT) reinforced concrete cylindrical shell embedded in elastic foundation using the Donnell cylindrical shell theory. In this regard, we propose a new explicit analytical formula of the critical buckling load which takes into account the distribution of SWCNT reinforcement through the thickness of the concrete shell using the U, X, O and V forms and the elastic foundation using Winkler and Pasternak models. The rule of mixture is used to calculate the effective properties of the reinforced concrete cylindrical shell. The influence of diverse parameters on the stability behavior of the reinforced concrete shell is also discussed.

• 건축역사연구
• /
• 제33권2호
• /
• pp.29-39
• /
• 2024

In contemporary architectural discourse, the concept of space is ubiquitous, yet its historical genesis and theoretical underpinnings in Gottfried Semper's seminal theoretical work remain under explored. This study investigates the reception and integration of Semper's architectural theory into modern discourse, tracing its trajectory from August Schmarsow, to Nikolaus Pevsner, to Sigfried Giedion. While Semper's "cladding theory" had initially been understood in terms of both its relation to physical properties and structural and functional values, leading to an expansion of cladding as a new genre of art, i.e. arts and crafts, Semper's "architectural theory" instead explained cladding theory in terms of space. In disseminating Semper's theoretical work, Schmarsow was especially important as he himself played an increasingly prominent role in expanding the boundaries of modernist architectural theory and practice from the beginning of the 20th century on.

• 한국실내디자인학회논문집
• /
• 제20호
• /
• pp.71-77
• /
• 1999

The purpose of the research is to reveal the process of the formation of modern church architecture in 20th century. In order to do that, neo-gothic architecture which starts in the point of view of ethic in the 19th century will be discussed first. Then the relations between Arts and Crafts Movement and church architecture which is the beginning of modern architecture movement will be revealed. After that, the purpose of Secession's church architecture which tried to separate from old architecture and the formation of background of localistic church architecture which is one of the modern church architecture will be discussed. Based on those discussions, the research in concluded the several characteristics of church architecture which makes it modern architecture. The research is focused to the portions which is related to the church architectures among the architectural conditions so complicated as to be easily confused. And also it is focused the architect those who should be mentioned in the same context and their works.