1 |
Burdick, J. (Z005). William Morris: Redesigning the World. London: New Line Books
|
2 |
Eckley, G. (2000). Fabric Painting: A Simple Approach. Woodinville, WA: Martingale and Company
|
3 |
Park, W. G. (1985). A Study of William Morris - Modern Significance of Artistic Craft. Master's Thesis, Hongik University, Korea
|
4 |
Singer. (2000). Color & Design on Fabric: Paint, Dye, Stitch, Print. Minnesota: Cowles Creative Publishing
|
5 |
Morris, W. (1988). William Morris, Full-Color Patterns of Design. New York: Dover Publications
|
6 |
Parry, L. (2005). Textiles of the arts and Crafts Movement. London: Thames & Hudson
|
7 |
Wells, K.(1997). Fabric Dyeing & Printing. Conran Octopus Ltd
|
8 |
Moyer, S. L. (1991). Silk Painting: The Artist's Guide to Gutta and Wax Resist Techniques. New York: Watson-Guptill
|
9 |
Lee, L. (1988). Scarves to Make. Connecticut: Taunton
|
10 |
Kim, S. J. (1986). A Study of Textile Works of William Morris. Master's Thesis, Hongik University, Korea
|
11 |
Straley, C. (1996). Sensational Scarf: 44 Great Ways to Turn a Scarf into a Fabulous Fashion Look. New York: Three Rivers Press
|
12 |
Waggoner, D. (2003). William Morris & The Art of Design. London: Thames & Hudson
|
13 |
Jeong, H. K. (2001). A Study of Clothing Design Applying Scarf Model. Master's Thesis, Dongduk Women's University, Korea
|
14 |
2008 F/W Trend Influence from www.samsungdesign.net
|
15 |
Lee, K. H. & Jeong, H. M. (2000). Characteristics of William Morris Patter Design. Journal of the Korean Society of Clothing Industry, 2(1)
|