• Journal of architectural history
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• v.32 no.4
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• pp.35-50
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• 2023

This study aims to investigate the history of Giroso during the early Joseon Dynasty, examine the authenticity of the history regarding Taejo's admission to Giroso, and identify the background and architectural form of Giroso Youngsugak. Research confirms that Taejo joined Giroso in 1394 at the age of 60, but there is no evidence of his name being recorded in the Giroso Seoru. Giyeonghoe(耆英會) has been frequently suspended since the 16th century, and after the Japanese Invasion of Joseon in 1592, the king's permission for Giyeonghoe was not readily granted. Taejo's admission to Giroso and the story of Giroso Seoru started emerging as a justification for resuming Giyeonghoe. When King Sukjong joined Giroso, a new building called Youngsugak was required to enshrine Eochup(royal writings), and it was modeled after Jongbushi Seonwongak. Although Youngsugak no longer exists, the form of Giroso Youngsugak from the past can be observed through Uiseong Gounsa Yeonsujeon, which was constructed in 1904 based on the model of Giroso Youngsugak.

• Journal of architectural history
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• v.8 no.2 s.19
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• pp.73-85
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• 1999

An analysis of the courses from American architectural institutions during the period of $1890^{\sim}1950$ reveals an emergence of a distinction between a purely architectural and an architectural engineering discipline. A reflection of the economic growth, industrialization and urbanization of a nation; the education of the American architect during that period assumed a professional character. In contrast to European technical institutions which concentrate on the engineering aspects of architecture, American institutions developed a more comprehensive, design oriented curriculum within the framework of the American university system. The establishment of a system of formal education for architects and architectural engineers, replacing the tradition of apprenticeship, made it possible to train future professionals according to their ideals. But the objectives, contents and products of these curricula took on divergent characteristics from institution to institution. The growth of legal regulations( ie. ACSA, NAAB, NCARB, ASEE, etc.) governing the registration of architects and engineers, emphasized the legitimate concern within the profession to determine an acceptable standard of professional education. Such regulatory standards influenced the transition of architectural engineering education in institutions including the case of MIT. As a result, the ambivalence in architectural engineering programs found specific resolution in programs, such as architectural engineering, building engineering, construction or civil engineering.

• Journal of architectural history
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• v.13 no.2 s.38
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• pp.7-19
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• 2004

This study is an attempt to prove a relationship between Le Corbusier's utopian attitude towards nature and architectural ideology and ideology by a form of inquiry into sociological interests. That is to find out contradictions and limitations in Le Corbusier's architectural world, namely particularity of his ideology by exploring the base entangled with special interests in the society up until formation of his architectural language. A process of this study is by; 1. Examining of background which affected Le Corbusier's attitude towards nature until the nature became his architectural language; 2. An analysis of Le Corbusier's architectural works. That is, this study's main interest is on formation of Le Corbusier's architectural language by his attitude towards nature which present in residential field especially focused on Villa Meyer and Villa Savoye, two best examples of his villa. 3. This study have a goal to investigate that utopian and ideological conception in architecture of Le Corbusier have a dialectic relationship between them. This goal can be achieved by observing in what ways Le Corbusier's utopian attitude towards nature is expressed in residential architectural language and researching into his inconsistent architectural ideology derived from applying architectural language present in villa to pre-fabricated apartment houses.

• Journal of architectural history
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• v.6 no.3 s.13
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• pp.167-182
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• 1997

The process of interpretation comprises the passage from blindness to pre-canonical responses, then the canonical interpretation and its dissemination. and finally silence and oblivion. But oblivion does not necessarily imply the conclusion of the interpretative process of work. A reinterpretation may follow. This study aims at searching the source of reinterpretation of Ronchamp Chapel. I analyzed the canonical interpretation. the site, function, and form of the chapel. I concluded that the contextualism, semiology, regionalism and other architectural conception may be the frame of reference for reinterpretation of Ronchamp Chapel.

• Journal of architectural history
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• v.7 no.2 s.15
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• pp.9-27
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• 1998

It could be said that the Kyongbok Palace, the main palace of the Chosun Dynasty which built in the early years of the Dynasty, had two main architectural characters. One ; the entire building complex was arranged under the influence of ancient Chinese building principle based on the Confucian ideas. Two ; building compositions and shape of each buildings were succeeded from the palace of the former Koryo Dynasty, especially on the latter periods of it. The architecture of the Kyongbok Palace had formed its own uniqueness by developing these two characters.

• Journal of architectural history
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• v.8 no.2 s.19
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• pp.9-32
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• 1999

In order to reveal the source of the architectural norm embodied in the first built-form of ChongMyo's Main Building, three analytic types were introduced into research. According to the level of accepting the architectural form of ChongMyo in the Koryo Dynasty, these types were defined by 'newly interpreted form', 'newly introduced form', and 'coventionally accepted form'. Among the first built-form in ChongMyo's Main Building, the form of 'TaeSil' was newly interpreted on the basis of the Tang's realating norm, and the form of 'HyupSil' was newly introduced according to the contemporary trend that had increasingly regarded it as an indispensible form. But the form of 'IkSil' had the different source, that is, the architectural form of ChongMyo in the Koryo Dynasty. After reconstructed by the King ChungSun, that form had been sustained without any change until the end of Koryo Dynasty. In result, that form had been accepted conventionally at the first time of building ChongMyo in the ChoSon dynasty.

• Journal of architectural history
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• v.7 no.1 s.14
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• pp.49-66
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• 1998

The purpose of this study is to connect the technics and form from ancient to Korea Dynast But in these period there is no buildings remains but paintings, fine arts, and stupas. In the historical materials there are many architectural form and signature revealings, so as a result these analysis, 1)The building showed in paintings of Silla, and Korea Dynasty reflect the architectural style their own Dynasty. 2)In detail, the architecture of Silla and Korea Dynasy was connected with Chinese architectur Liao, Song. But from the 8Century Koreans were succeeded the one of Silla Dynasty and had originility in architectural style. 3)The architectursl style in Silla and Korea Dynasty were very various and very rich content. And we must more serious study of historical materials so that we improve the ancient a middle age of architcture in Korea.

• Journal of architectural history
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• v.6 no.3 s.13
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• pp.155-166
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• 1997

This study aimes to understand the principles in Theo Van Doesburg's architectural concept. Generally, Theo Van Doesburg has been thought that he betrayed De Stijl by acting contrary to the Neo-Plasticism which was constituted in early De Stijl by Mondrian and himself and by suggesting opposite one, Elementarism. Therefore this study tried to understand the principles that make his architectural concept, confirming the background of Elementarism. After studing relation, which Theo Van Doesburg has used, between space and color, it is concluded that he has unchanged principles of architectural concept from early De Stijl to last, opposite to general appreciation. So, Theo Van Doesburg acted to maintain equilibrium that exists for balancing the two elemental forces which contrast each other in relation between space and color. The equilibrium which he looked for aims to constitute harmonized dynamic space by dynamic rythem of equilibrium instead of Neo-Plastic effect. And using color, which used to be producing dynamic effect, he intended to maintain static effect for making dynamic rythem of equllibrium by the principles he made.

• Journal of architectural history
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• v.1 no.2 s.2
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• pp.183-199
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• 1992

The problem of separation between the teaching and the practice of architectural design in Korean universities has activated this study. Comparison between two professor-architects in Italy through their various activities has been made during the period of 1991-1992 in the Istituto Universitario di Architettura di Venezia. The names of the two professor-architects are Aldo Rossi and Franco Mancuso. Their teaching activities in their architectural design class with their assistants, their background and formation of architectural theory, and two realized (and prized) works of them have been compared. The results show that there is a great difference (or oppositions) in their world-view and their attitudes towards architecture, the one as an empiricist, the other as a rationalist. But the most impressive observation must be the fact that all of them were coherent in their teaching, theory and practice, although this raises another qustion about the 'rationality' in architecture.

• Journal of architectural history
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• v.28 no.5
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• pp.71-82
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• 2019

The purpose of this study is to establish the relationship between Durand's architectural theory which provided reasonable architectural logic in the early 19th century, and architectural logic of the Modern Movement of Architecture led by avant-garde architects in the 1920's. The system of thought in architecture proposed by Durand which clarified a architectural design method(composition) is very similar to the one of the International Style(Book), which summarizes commonalities in the flow of modern architecture. This approach has something in common from the perspective of the systems of thought, despite differences in external forms and time gaps. Therefore, this study intends to examine the systems of thought in three ways. It is to examine how the two systems of thought define architecture, what is the logic of building production, and finally the value of architecture (including aesthetic values) while eliminating classical aesthetics.