• 건축역사연구
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• 제12권4호
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• pp.27-48
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• 2003

This paper aims to identify the meaning of architectural form of the East and the West. Ordinarily, we know the visual differences of architectural form between the two cultural families, and the technical reasons of such differences. However, the East and the West have their own views of architectural form that are derived from their own views of architecture, and again the views of architecture are rooted in their own views of the world. The paper maintains a comparative stance between the two cultures in analyzing the different concepts of architectural form, and employ the ideas of 'Form(形象)' and 'Energy-Form(氣形)' as a kind of representative concept of the two views of architectural form. It is discussed that the idea of Form pursued the realization of ultimate substance which is less materialistic but more ideal., while, the idea of Energy-Form pursued the realization of oneness and health through mutual interaction between man, architecture and nature. Architectural form in the West has been the purposeful expression of human ideal, while in the East, it was an expediential device for better energy condition. It seems important to understand such differences of the meaning of architectural form between the East and the West, since, in present time, we tend to think that the Western conception of architectural form is the only possible one. But it is not generally known that the Western conception of form has very particular background reason of its own which is unique to Western culture, and on the other hand, the nature of East Asian conception of architectural form is generally unknown.

• 건축역사연구
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• 제8권2호
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• pp.9-32
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• 1999

In order to reveal the source of the architectural norm embodied in the first built-form of ChongMyo's Main Building, three analytic types were introduced into research. According to the level of accepting the architectural form of ChongMyo in the Koryo Dynasty, these types were defined by 'newly interpreted form', 'newly introduced form', and 'coventionally accepted form'. Among the first built-form in ChongMyo's Main Building, the form of 'TaeSil' was newly interpreted on the basis of the Tang's realating norm, and the form of 'HyupSil' was newly introduced according to the contemporary trend that had increasingly regarded it as an indispensible form. But the form of 'IkSil' had the different source, that is, the architectural form of ChongMyo in the Koryo Dynasty. After reconstructed by the King ChungSun, that form had been sustained without any change until the end of Koryo Dynasty. In result, that form had been accepted conventionally at the first time of building ChongMyo in the ChoSon dynasty.

• 한국콘텐츠학회논문지
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• 제21권3호
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• pp.88-102
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• 2021

본 연구는 박물관 건축의 작품 중 특별 전시의 기능을 제외한 상설전시가 주를 이루는 박물관을 중심으로 하였다. 사례연구를 통해 나타난 정형, 비정형, 세그먼트, 사선형의 형태를 기준으로 하여, 164건의 작품사례에 적용한 결과 건축형태를 비정형, 정형, 반정형, 세그먼트, 사선형, 선형으로 재분류 하고, 박물관 건축 형태와 중심 공간과의 상관성의 유무를 유추함으로써 비정형 건축형태와 중심공간과의 관계가 성립하는가를 도출하고자 다음과 같이 내용을 정리하였다. 전체적으로 대부분 비정형박물관건축형태와 일치하는 중심공간의 비정형 형태로서 92.7% 분포도를 나타났다. 결과적으로 전반적으로 박물관 비정형 건축형태가 다수 나타났으며 정형보다는 비정형 건축형태에 있어서 중심공간과의 상관성이 성립되는 것으로서 향후 박물관 건축형태는 비정형이 지속적으로 발전 할 것으로 추정되고 중심 공간 실내건축 설계는 건축형태와의 상관성을 고려하여 설계를 지향하는 기초적 근거자료로서 제시하고자 한다.

• 한국산업융합학회 논문집
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• 제7권3호
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• pp.249-257
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• 2004

Forms provide meaning and deep correlation with human life All religion has symbolity through form expressions. The symbols of christanity is architectural interpreation to express the symbol of glories Form expression was Investigator from architectural design. Expression is regarded as important from the view of forms Form expressions are the motivation of expressing religion as an architectural factor. Form expression is one of proassing from architectural position Also it is the basic data of expressing glory from the architectural designer. So planning of church should be the harmony between city view and acceptance of love.

• 한국디지털건축인테리어학회논문집
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• 제10권1호
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• pp.49-56
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• 2010

The purpose of this study is to examine the relationship between the structural system used in modern architecture and the form and spatial composition of the buildings. The principle in stabilization of structures is closely related to the architectural form. That is, in order to stabilize a building, a special type of structural system is required and consequently shows up with consistent characteristics in the architectural form. Modern architecture can be classified into skeleton structure, trusses structure, and space structure according to the structural characteristics. Skeleton structure is then divided into a perpendicular form and tapered form. Trusses structure is categorized as dome-shaped structure and slab-shaped structure, and space structure can be divided into compressible space structure and tensile space structure. When classifies the modern building with the aspect of architectural effect, there is a possibility of trying to divide with effect of production, and its expression. Effect of production mean structural system and effect of expression mean space and plan.

• 한국실내디자인학회논문집
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• 제14호
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• pp.10-18
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• 1998

This study aims to make clear visual quality of organic form and structural order that is immanent in nature about a form as formative principles of architectural space design the significanced of this study is to prove the application possibility in to functional form architectural space design. All organic forms in nature has a unique shape and pattern in structure to be self-controled and good in order. Such an order in nature comes from regular construction and ratio principles which has aesthetical order by mathmetics. The specialty of beauty in nature can be revealed not only visual form but also the ratio balance and rhythm of structural principles. As we examine the aesthetic source embodied some object can be developed in to basic principles. Furthermore through this study we can find out that the form construction theory in nature forms share the quality attribute with geometrical form to be shown in architectural space design. Natural forms are ultimate visual expression of power that effects on the architectural space design. The rule of power in nature as nature formal characteristics have a direct influence and can be also applied to architectural construction. Therefore I expect that this study will be linked and continued to another structural view.

• 한국실내디자인학회논문집
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• 제17호
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• pp.166-172
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• 1998

Eclecticism had begun at 1820's and ended at the beginning of the 20c quoted historic and contemporary architecture. This trend is considered with architectural quotation and the meaning has the same text of the eclectic trend of Postmodernism, This study focuse on eclectic characteristics and have purposes of theoretical approaching to and formal analyzing to Contemporary Architecture. And it will be necessary to construct contemporary built environment for diversity of form Because expression of Architectural form by ecleticism is a method without experience designers can take architectural language by indirect experience of another worlds' architectural styles. Architectural form of Ecleticism has to be expressed by designer's own analysis when take a normal identity by creative principal of form-composition it will be a methodology of form composition and a prope necessity.

• 건축역사연구
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• 제7권4호
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• pp.93-102
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• 1998

There are several treatises about architectural characteristics of Hyangkyo. But those treatises usually treat with the types of site plans or structural characteristics without the historic background. So there needs the approaching methods with the historic background to study about the architecture of Hyangky. This study aims at the sample research about the architecture of Hyangkyo in beginnig period. Kyodong hyangkyo is the first building in hyangkyo. There are some architectural characteristics in this building comparing with the Hyangkyo in ripening period. Such characteristics apper in the site plan of educational spaces and in the floor plans of Myongryundang, Dongjae, Seojae. And there appear some characteristecs in ritual spaces such as the architectural structure of Daesungjun, and the position of stone establishment (Kwansedae, Saengdan) The ritual form of Kyodong hyangkyo has no special characteristics compering with the Hyangkyo in ripening period. These rictual form has kept the general rule of ritura form through the history.

• Architectural research
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• 제14권4호
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• pp.143-152
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• 2012

A form-finding procedure is presented for planar tensegrity structures. Notably, a simple decision criteria is proposed to select the desirable candidate position vector from the unitary matrix produced by the eigenvalue decomposition of force density matrix. The soundness of the candidate position vector guarantees faster convergence and produces a desirable form of tensegrity without any member having zero-length. Several numerical examples are provided to demonstrate the capability of the proposed form-finding process.

• 대한건축학회논문집:계획계
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• 제35권8호
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• pp.89-100
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• 2019

The purpose of this study is to critically review the repair works of Seokguram architecture and to search for its original form and space. Seokguram's architectural form has been transformed throughout three repair works. The first transformation occurred during the repair work of the Colonial Government in 1913-1915, and the second occurred during the repair work of the Colonial Government in 1920-1923. The repair work done by the Korean Government in 1961-1964 also caused a severe change in the architectural form and space of Seokguram architecture. The more the repair work was added to Seokguram, the more its original form flew away like a mirage. Through the three repair works, the spatial composition of Seokguram changed in the following directions: from ((front chamber + passageway) + main chamber) to (front chamber + (passageway + main chamber)) through the second repair work, from (front chamber + (passageway + main chamber)) to (front chamber + passageway + main chamber) through the last repair work. Although the compositional space hierarchy of Seokguram was maintained during the first repair work, the architectural form based on the dry method was changed to the form based on the wet method. The Korean government's repair work was a tragedy for the 'Seokguram conservation project' that the people who led the conservation process misunderstood the architectural nature of Seokguram.