• 국제학술발표논문집
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• The 3th International Conference on Construction Engineering and Project Management
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• pp.1300-1306
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• 2009

If a brief direction and plan for a remodeling project are decided, it may moves to a concrete design step of which to select the most suitable alternative out of applicable compounding devices to reveal dynamic drifting performance. However, the volume of knowledge baseed utility which can refer to systematic evaluation regarding remodeling element technology and the accumulation of realistic cases are not only sufficient, but also short including its system for expression and consistency. Therefore, it may necessary to deliver the main frame which make enables the Owner, designer and builder to get performance technology for applying advanced remodeling element and knowledge based utility. There is a necessity to provide an information with latest made by virtue of modeling in the 3D/4D based on construction-based knowledge etc. which we can use for life cycle of a project, as a prominent way of knowledge based utility. Then, it is sure that remodeling can become more activative by sharing of knowledge based utility formed in electronic 3D/4D which is a systematic and expressed consistently to a performance and applicability in preservation of savings. It is expected for modeling of the 3D/4D in knowledge based utility enables to verify the practicability of each technology on effective application, and the use of technology might be spread widely due its obvious and oriented expressions. Further, this knowledge based utility formed in electronic 3D/4D may applicable for VE process in addition to remodeling design fields.

• 한국가구학회지
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• 제20권6호
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• pp.590-598
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• 2009

The study of Lurelle Van Arsdale Guild (1898-1986)'s vanity table and stool in the Cooper-Hewitt National Design Museum is essential to understand how the stylistic change was made on industrial design in the 1930s caused by economic necessity. The vanity furniture expresses in such relatively inexpensive image transformations that would attract new customers in the Depression. The objects are donated from a collector and became one of CHM's collections in 1997. In curatorial file, other than the designer's and manufacturer's names there is nothing specified for these objects. Therefore, this study is aimed for researching the exact date for these valuable objects for understanding American Art Deco furniture in the 1930s. Moreover, studying social aspect of these objects gives clear vision for the background. Especially, the History of American Standard (Rodengen, 1999) gives great over view to the history of the manufacturer, C. F. Church Company. The record in Fortune of 1934 suggests the designer, Lurelle Guild's position among other industrial designers at that time. And Profoundly, the objects were assigned design patents. Therefore, the vanity furniture set in the CHM was a significant symbol of early modernism rising from functional areas after the Depression.

• KIEAE Journal
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• 제11권2호
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• pp.123-130
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• 2011

BIM based design methodology requires more information than traditional design methodology in order to insure efficiency throughout the project. BIM based design not only requires all building data in the form of 3D shapes, but also all other relevant data regarding building components. Information is typically grouped in a standard classification system such as by standardized material names. The development of a domestic BIM based standard classification system is yet to be created and deployed in the industry. Each designer is specifying their own building information classification systems which is causing inconsistency in the industry. Therefore BIM based designs, are causing confusion in the industry as each designer follow no guidelines for material standardization classification. The lack of information regarding this in the BIM template will continue to cause confusion about a projects building information data consistently. This study is that of preliminary research to develop a BIM template. First, overseas BIM templates were analyzed regarding BIM standards and documentation. Examination then followed regarding the element and characteristics needed for the development of a BIM template, a suggested hierarchy of elements required for a BIM template were then made. The result of this research is that it will be used to develop a "BIM template prototype", to support the generation of building information data regarding neighborhood facilities.

• 의료ㆍ복지 건축 : 한국의료복지건축학회 논문집
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• 제24권4호
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• pp.7-15
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• 2018

Purpose: The life span of a hospital building is short. This is because the building will have to be built up due to the fact that it can not cope with the new medical environment, it can not be replaced due to low floor height, lack of land. The purpose of the hospital building master plan is to find a way to fulfill its role in the long term. Methods: Comparison the proposals submitted by the master plan and the proposals submitted by the hospitals, the case of three hospitals that have established a master plan for the past three years. In addition, interviews with the designers who participated in the design competition and the administrator of hospital about the variables that occurred during the business process. Results: The result of this study can be summarized into four points. The first one is that master plan is changed by administrator of hospital so that Thy need to understand about the role of master plan. And next is to protect reduction of the project cost. Third, continuous participation of master plan researchers in following projects is good to communicate with administrator and designer. The last one is empathy of master plan by designer and users. Implications: It is necessary to reduce changing of master plan in design process for sustainable managing of hospital.

• 콘크리트학회논문집
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• 제20권1호
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• pp.35-41
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• 2008

플랫플레이트 시스템은 주로 전단벽과 가새 골조와 같은 횡력저항 시스템과 함께 중력저항 시스템으로 사용된다. 따라서 지진과 같은 횡하중이 작용할 때, 중력저항 시스템은 중력하중에 대한 전달 능력을 유지하면서 일체로 연결된 횡력저항 시스템의횡변위를 견딜 수 있어야 한다. 또한 플랫플레이트 시스템은 지진에 대한 특별 상세조건에 만족하면 중간 모멘트 골조로써 횡력저항 시스템으로도 사용할 수 있다. 그러나 횡하중이 작용하는 경우 플랫플레이트 시스템은 횡변위와 불균형모멘트로 인한 뚫림 전단의 위험성은 더욱 커지게 된다. 따라서 플랫플레이트 시스템을 중력 저항 또는 횡력 저항 시스템으로 설계하는 모든 경우에 중력하중뿐만 아니라 횡하중하의 설계 내력 (모멘트와 전단력)과 변위 등의 합리적인 예측은 매우 중요하다. ACI 318 (2005)에서는 중력하중에 대한 해석시 직접설계법과 등가골조법을 제시하고 있으며, 횡하중에 대한 해석으로 유한요소법, 유효보폭법, 등가골조법을 허용한다. 이러한 해석법은 각각 장단점을 갖고 있으며, 매우 광범위한 해석 결과를 보인다. 따라서 구조 설계자들은 적절한 해석법의 선택과 해석 결과를 분석하는데 어려움을 갖는다. 본 연구의 목적은 플랫플레이트 해석법에 대한 구조 설계자들이 적절한 해석법을 선택할 수 있도록 하고, 횡하중에 대한 해석 방법으로 수정된 등가골조법의 실용성을 검증하고자 하였다. 이를 위하여 중력하중과 횡하중을 받는 7층의 플랫플레이트 구조물에 대한 내부력과 횡변위를 대상으로 유한요소해석을 수행하고 각 골조해석법의 결과를 비교하였다. 또한 각 골조해석법의 정확성은 기존 플랫플레이트 슬래브 구조물의 실험 결과와 비교하여 검증하였다.

• 복식
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• 제58권2호
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• pp.78-92
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• 2008

The mutual relationship between fashion and architecture and the similarities in their form and structure have been continuously debated over the decades, considering that both spheres are objects used in human life. Both spheres bring about the creation of three-dimensional space structures that are completed by the human body and material, based on a design targeted for people. The similarities between fashion and architecture in terms of form and structure have been debated by western architecture scholars focusing on the support that holds the garment's shape, the tailoring of a men's suit and also the material. The debate originates from the discussion of F. Th. Vischer, Kritische Gnge, and Gottfried Semper during the nineteenth century on the similarities between crinoline and the form of architecture and also the similarities between sewing and architecture. However, architects always regarded fashion as the inferior creative process that follows architecture in viewing the relationship between fashion and architecture. During the mid to end of the twentieth century, contrary to previous decades, the sense of fashion in architecture stood out, as an issue and a different approach was taken in discussing architecture that incorporates fashion. Accordingly, in the mid 1990's, architecture scholars such as Deborah Fausch and Mark Wigley began to conduct close observation of the mutual relationship between fashion and architecture from a more equal point of view. Notwithstanding, their point of view was still biased towards architectural standards. Commencing the Millennium, fashion has become the primary work of creation which leads style in all spheres, and under these circumstances this point of view has transferred from architecture to fashion when thinking about relationships between these spheres. The discussion on fashion and architecture form fashion's point of view is currently concentrated on the post 1990's phenomenon and illustrates the environment that is related to architecture. In general, the discussion is limited to determining a work of an individual designer as 'being architectural' when explaining the sculptural form of fashion. Therefore, this research aims to renew the discussion on twentieth century fashion design, which was neglected in any studies on observing architecture and fashion. The aim of this research is to classify the architectural paradigm of twentieth century fashion design and to observe the architectural forms of the respective eras. It is necessary to have a close observation of the architectural paradigm in twentieth century fashion design where support tools such as the crinoline was avoided and the form and functionality of the garment itself was emphasized. I will conduct this research by considering the architectural form shown in fashion as a practical three-dimensional creation that exists in space.

• 한국농촌건축학회논문집
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• 제24권3호
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• pp.59-66
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• 2022

This study aims to find out how architectural designers applied the design process and what content is applied in the practical process of architectural design in Korea, and to improve it if there is a problem. So the study is carried out by investigating 13 architects(Including one person who wants to keep his work private) with extensive experience in architectural design. The architects were questioned on how and what content the design process was used for their representative works that had been designed. And interviews and field surveys were conducted on other matters to be improved. The survey was conducted from November 2021 to July 2022. According to the conclusion of this study, First, Most architects were applying the design process in the architectural design practice. These are caused by an impact on education, but there was also an aspect of preparation in terms of guidelines such as the Architects Association and storage rights. Second, Although the design process differed in each name and phase, it was generally carried out in the order of the start phase, the planning work phase, the basic design phase, the intermediate design phase, the implementation quarterly, and construction. Third, The step-by-step work of the design process differed slightly depending on the architect, but counseling and contract work were mainly performed at the start-up phase, and field surveys, legal investigations, and case studys were conducted at the planning phase. In the basic design phase, some contents related to architectural programming, basic drawings, images, and models were used as main work contents. In the intermediate design phase, secondary contents such as licensed books and facility facilities were the main tasks. In the implementation design phase, detailed maps and various frost facilities were finally inspected. Since then, construction and supervision have been carried out in the order of progress. Forth, As for the contents to be improved in the future, the architect's ability, the designer's knowledge of the overall architecture, the design supervision system, and the expansion of time for the initial design process were answered.

• 한국실내디자인학회논문집
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• 제20권6호
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• pp.97-104
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• 2011

Art has always been a witness to its time. The art of our century has lived through two world war. In that time Friedensreich Hundertwasser was born to a half Jewish family in Vienna in 1928. He lived and died as a painter, architect, designer, ecologist, writer, innovator... etc. He was impressed form Gustav Klimt, who pioneered the Viennese Secession which was the Austrian expression of the Art-Nouveau mouvement and inspired by the works of Egon Schiele from an early date. His style as an architect was heavily influenced by Antonio Gaudi and some of the Jugendstil architects. Although his architectural work is comparable to Gaudi in its biomorphic forms and use of tile, but is currently renowned for his unique styling. His character as follows; First, Bold color - His use of color is bold, and he has a strong sense of which color work well together. Second, Curved line & Spiral - It's the primary shapes in his works against the tyranny of ugliness and the iron rule of its straight line. Spiral reveal as a transautomaism. Third, Harmony with nature - His work is the creator of beauty, of nature of harmony, peace of joy, against the contradictions of our post-industrial society. He represented these various characteristics in his works. Hundertwasser first achieved notoriety for his boldly-colored painting, he is more widely renowned today for his revolutionary architectural designs.

• 한국실내디자인학회논문집
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• 제23권3호
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• pp.83-91
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• 2014

As a applied art, Architecture is a synthetic art for dwelling and settlement. It has started with the origin of the human. and Artistical-technological indicator, include not only materiality but also immateriality such as history and society. After 20C, various categories of thinking is a undergoing rapid change. especially, beginning in 1900, The intrinsic value of "Fine Art" had lost their competitive power in the face of industrial revolution's mass production. and it has been displaced by a "new concept", such as a conveyance of meaning or rational way of thinking. This change means free from the tradition and custom of a past. for that reasons, Due to the nature of applied art, it always include design symbolism and designer's thinking is mainly processed in their own system of thinking. Symbolism for the art was distinguished from a general concept by the connotative meaning that called "the dual image". Therefore, at the start, this study will define about design and symbolism with a architecture as a applied art. then, Analysis the expression tendency of the contemporary architecture and modification. as a result, It aim to systematize mapping process and suggest the classification of various visual cue.

• 한국주거학회논문집
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• 제25권2호
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• pp.121-130
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• 2014

This paper provides a social knowledge for pragmatic application guidelines of the interior finish materials within apartment houses, based on both the awareness of practitioners and as it applies to the realities. For this purpose, a series of the questionnaires survey on the awareness of interior finish materials in recently-constructed and remodeled apartment houses was performed, which has extended its probe into the awareness of architectural practitioners. The questionnaires asked practitioners how much they desire sustainable finish materials and the difference in various parties were analyzed and compared, formulating the pragmatic solution in the determination of interior finishes. Comparative analysis of the awareness of construction specialists, interior designer, architectural environmental researchers on environment-friendly finish materials showed that all parties were right to recognize the significance of sustainability in interior finishes. Practitioners believed that occupants must bear the additional expense for the environment-friendly finish products. Also, the results tell that the amount used of environment-friendly products increases as expertise on sustainability in interior finishes rises.