• 한국실내디자인학회논문집
• /
• 제7호
• /
• pp.79-86
• /
• 1996

This study is searching the characteristics of transferred element in composition of architectural spaces ; it is ultimate goal that frame of reference is arranged system about path of horizontal direction is two-dimension and stairs of vertical in three-dimension as transferred element in Architectural plan. With the exception of stylized discussion or rhetorical analysis about these, it is analysed as element in physical order of a whole architecture in relation to another elements in composition of architecture spaces. And one who is perceptible and cognitive through spaces is the subject. Consequently , these elements are classified concept of location and circulation. And it can't think that the formal is divided the latter for accept behavior of pedestrican and thinking system to consider verticality and time property is absolutely conceptual elements in space of architectural plan.

• 한국실내디자인학회논문집
• /
• 제25호
• /
• pp.205-212
• /
• 2000

The purpose of this study was to analyze the form of composition and principle of reduction in architectural composition. Theorical category is to find reduction system with the connection between idea of society and tradition in compositional frame. The results were as follows : First, it is appeared the mimesis of style. The mimesis of style is differentiated characteristics between Greek Style or Roman Style and Gothic Revival or Renaissance Revival. Second, it is the reduction of primitive of form. It si divided with mimesis of nature and reduction of primitive hut. Like Laugier the former find the architectural prototype, the latter is convinced of simplicity, purity of nature with us.

• 한국실내디자인학회논문집
• /
• 제1호
• /
• pp.22-25
• /
• 1992

The purpose of this study is to understand spatial composition techniques and character on the tendency of Deconstructivisim in interior design. Interior space is basically surrounded by architectural surface and influenced by architectural shape. Therefore, the main point of this study is based on the inter relationship of interior design and the trend of contemporary architectural design. This viewpoint is to comment upon current events in Korean situation some degree, but allow the new feeling to interior design and can be enlarge the concepts of spatial composition.

• 한국실내디자인학회:학술대회논문집
• /
• 한국실내디자인학회 2007년도 춘계학술대회 논문집
• /
• pp.222-226
• /
• 2007

Buildings form interior space when part of an external environment is limited by a physical surface. And, the interior space forms an appearance of building when space-defining elements, such as floor, wall, and roof. An appearance or a form of building has a lot of meanings depending on the physical and psychological conditions, as well as symbolism. Especially, the prevailing meaning of form in the modern age was, "Form follows function," was quite different from the meaning of form in the architectural era of Louis I. Kahn, who asserted "Form always supercedes function," when functional modernism was still existed even after some 50 years later. Existing studies on Louis I. Kahn usually analyzed his architectural terminology and philosophical concepts of Centrality, Light, Order, Form, and Design; or they were focused on an overall plane and the principle of composition. The purposes of this study are: (1) to investigate how the formal composition characteristics of building are expressed on skylights; and (2) to demonstrate that the formal composition characteristics of skylights plays an important role in constructing a whole structure of building in relation with other architectural elements.

• 건축역사연구
• /
• 제29권5호
• /
• pp.29-40
• /
• 2020

Ui-Gum-Bu(義禁府) is regarded as a key organization that reflects the power of the royal authority, mainly because it directly obeys the king's command and retains the power to punish or pardon government officials for severe crimes such as treason or significant breach of Confucian ethics. For this reason, Ui-Gum-Bu held a higher place in the organizational hierarchy of the government than other similar offices such as Hyung-Jo(刑曹), Sa-Heon-Bu(司憲府) and P o-Do-Cheong(捕盜廳). This characteristic of Ui-Gum-Bu is also evident in the architectural style and composition of the office building. The figures of the Ui-Gum-Bu office is depicted in detail in the paintings listed in 『Gum-Oh-Gye-Cheop(金吾契帖』, a record of Ui-Gum-Bu office meetings, and descriptions in the code book 『Gum-Oh-Hun-Rog(金吾契帖)』, both written in 18th century. The purpose of this study is to reveal the overall transition process of the Ui-Gum-Bu office building from the beginning until its demolition in the early 20th century. Based on research materials of 18th century, its architectural composition and characteristics will be dealt in detail.

• 대한건축학회논문집:계획계
• /
• 제34권4호
• /
• pp.35-44
• /
• 2018

The residential space of humans has continuously developed to the most suitable form considering the natural and social environment. Based on this, it has become a unique residential architectural culture of an area. In the architectural field, the space of residential structures is being categorized topological aspect and the quantitative indicators are being calculated to conduct an objective comparative analysis of the characteristics of space by regional groups and individual rooms. Hence, the purpose of this study is to investigate the characteristics of the spatial composition of Hanok which a modern residential structure connecting traditional residential architecture with modern residential architecture. Hanok generally had a similar spatial composition to that of the traditional Hanok. However, a minor change was spotted due to it being a modern Hanok. It was objectively determined through the environmental characteristics that this form of spatial composition is due to the influence of the Japanese colonial era as the Western lifestyle of inner space centered lifestyle was introduced in the same period that the Jeonju Hanok was mostly created. The sequence of topological spatial gene of Hanok in Jeonju Hanok Village appeared in the order of Toetmaru - Madang - Anbang - Geonneonbang - Meorit bang - Kitchen.

• 건축역사연구
• /
• 제21권3호
• /
• pp.93-108
• /
• 2012

This study is one that estimates the architectural composition as well as the location of guest house of Haemi Eupseong on the basis of the analysis of modern and contemporary data related to Haemi Eupseong. It is significant that this study has presented an opinion that can become a practical basis for the historical research of the prototype of Haemi Eupseong of the late Chosun Dynasty through the analysis of modern and contemporary data that had been unsatisfactory among the fruition of studies conducted in relation to Haemi Eupseong. The outcomes achieved by this study are as follows. Firstly, it was verified that the guest house of Haemi Eupseong that has been restored is one that has different architectural composition than the prototype of the late Chosun Dynasty and is restored in a different location. Secondly, in respect of architectural composition of guest house found by the analysis of the picture, it was confirmed that the government office has one step higher than the double-wing house in the form of the roof. Thirdly, the location of the guest house of Haemi Eupseong of the late Chosun Dynasty is judged to be the periphery area where the current restored guest house is located, which is where the teachers' building of Haemi elementary school was located. Fourthly, the prospect of the guest house of Haemi Eupseong is decided to be similar direction to the current restored guest house with the greatest possibility of having the same direction with the arrangement of teachers' building of Haemi Eupseong elementary school.

• 한국실내디자인학회논문집
• /
• 제17호
• /
• pp.166-172
• /
• 1998

Eclecticism had begun at 1820's and ended at the beginning of the 20c quoted historic and contemporary architecture. This trend is considered with architectural quotation and the meaning has the same text of the eclectic trend of Postmodernism, This study focuse on eclectic characteristics and have purposes of theoretical approaching to and formal analyzing to Contemporary Architecture. And it will be necessary to construct contemporary built environment for diversity of form Because expression of Architectural form by ecleticism is a method without experience designers can take architectural language by indirect experience of another worlds' architectural styles. Architectural form of Ecleticism has to be expressed by designer's own analysis when take a normal identity by creative principal of form-composition it will be a methodology of form composition and a prope necessity.

• 의료ㆍ복지 건축 : 한국의료복지건축학회 논문집
• /
• 제13권3호
• /
• pp.35-46
• /
• 2007

Hospital architectures, as a function-oriented architecture, have a great influences on the functional program and spacial allocation for a great number of rooms and departments. Particularly, spacial allocating analysis is depends on various external forces, such as hospital-size, relationships for the others, ownerships, operating methods, long-term masterplan as well as researchers' methods. Furthermore, as there is focusing on architectural design basis rather than architectural planning In recent Korean architectural field, adequate analysing methodology of spacial allocation for the design process is needed. This paper analyzes architectural drawings for 8 Korean hospitals which constructed in recent 20 years in aspects of the spacial allocation for inner spaces and then, presents areal composition and pattern of spacial allocation for researching hospitals.

• 한국실내디자인학회논문집
• /
• 제32호
• /
• pp.13-20
• /
• 2002

This study is purposed to find fundamental characteristics in Grassi's architecture which has architectural principles in architecture itself and in the general frame of the historical facts of architecture. His architectural theories can be explained for rationality, historicity, universality. The method of architectural composition can be divided into urban morphological characteristic and compositional characteristic of architecture. The characteristics of the former are the reconstruction of the urban structure by the readjustment of an urban axis which is based on historical continuity of the city, the open court which is a passage transformed from colonnade that is the historical vernacular type and the respect for the city-line which goes with historical context. The characteristics of the latter are the use transformed of nine square which gives consideration to centrality and typology at the same time and the hierarchic division of the principal space and the subordinate space for the functional typical purpose. This analysis shows that Grassi's architecture is on the base of historical continuity and urban reality and for him architectural work is mental work which conflict with the real world for the reconstruction of the city.