• 건축역사연구
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• 제29권3호
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• pp.37-50
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• 2020

This research focuses on the life and works of architect Yi Hunwoo, who was active in early 20th century. Yi has been previously mentioned in a few research documents, but not as a main subject of interest. Thanks to digitalized historic databases, the authors of this research were able to access more information about Yi. It was discovered that he was born in Korea in the late 19th century and then attended the Nagoya Higher Technical School in Japan. After repatriation, he participated in a few public projects in Korea as an in-house architect at the Governor-General's office, then started his own practice and produced his individual projects. He also contributed articles on innovations in residential design to newspapers. Chronologically, his activities as an architect preceeded those of Park Gilyong, who has been conventionally regarded as the first Korean modern architect so far. This research would like to establish Yi Hunwoo as a historic figure whose professional career spanned the earlier stage of the Korean modern architecture, based on the records of his life and professional activities. The authors do not wish to present the architectural analysis nor evaluation of his works, which will be subject to future researches.

• 한국디지털건축인테리어학회논문집
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• 제5권2호
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• pp.15-20
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• 2005

It extended in the opening after simultaneous strong point flag and to Incheon the building where the designer whom the many modem time building comes to build but becomes known was not many so. The research against these people did not become accomplished and not to be the back author research which analyzes the work propensity which is the possibility of doing the possibility of becoming accomplished there was not a basic of architectural design. The research which it sees it led and khu lu thu the road khey keyl the back the depths data, it confronted compared to it secured does not become known during that time the multi architect who and the plan office and and and it searched the result of the back which it puts out well it put to the architects who become known and.

• 한국조경학회지
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• 제31권5호
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• pp.96-107
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• 2003

This study is to establish the Incheon Metropolitan City Arboretum Development Plan (IMADP) as a capacity building both for plant diversity conservation and nature friendly leisure activity areas of Incheon Metropolitan City, Korea. The arboretum planning area is located within territory of the Incheon Grand Park Based on the IMADP, the arboretum was divided into three display spaces; the Urban Greening Garden, the Rare and Endangered Plant Species Garden and the Theme Garden. Detailed planting guidelines were suggested according to the three garden areas. The Urban Greening Garden was designed to display the following three; the relevance techniques, the model, and the practical uses of plants that are regarded to an urban greening. The Rare and Endangered Plant Species Garden (REPSG) was planned for the collection and display of the rare and endangered native plants in the territories of Incheon and the island seashore. Also, the REPSG includes the education purposes of comparing and displaying taxonomically related plant species. The Theme Garden was projected for the collection and display of plant species that have long been familiar to Korean culture and which are also used in our daily life.

• 건축역사연구
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• 제10권1호
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• pp.41-59
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• 2001

This study tries to analyze the influence of IIT's educational system on the Jong Soung Kimm's Architecture. Architect Kimm was the first student in Korea who gained admission to the IIT and was directly learned from Mies van der Rohe. At IIT, he completed a university course from 1956 to 1961, and finished a degree of master under the direction of Professor Myron Goldsmith in 1964. After the graduation, he entered Mies's office and became the professeur of IIT from 1966 to 1978. In consideration with these facts, it is no exaggeration to say that Kimm's architecture was formed by the IIT's educational system and Mies's architectural principles. According to the synopsis of the 5-year curriculum 1944-45, the object of architectural work in IIT is the clarification of : 1)the structure as an architectural factor, its possibilities and limitations 2) space as an architectural problem 3) proportion as a means of architectural expression 4) the expression value of materials 5) the application of these principles by means of free creative work. Architect Kimm's works designed in Korea reflect well these objectives. But Kimm also knew well the problems of IIT's educational system. After the retirement of Mies, IIT's educational system had the tendency to overstress the technology of structure and simplify the complexity of Miesian architectural principles. In opposition to this tendency, architect Kimm continued to keep the spacial and formal subtlety which possess the Mies' original architecture. This shows very well the future direction of Kimm's architectural activities.

• 국제초고층학회논문집
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• 제7권2호
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• pp.153-159
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• 2018

The greenhouse effect caused by human activities is becoming increasingly serious. The building industry, which is directly related with carbon emissions, has the responsibility and potentiality to reduce carbon emissions. Recently, Chinese and foreign academics have achieved some research results with respect to building carbon emissions. This paper tries to examine these issues in the context of climate conditions in the Shanghai area. Based on the typical floor plans of high-rise office buildings, analysis was performed via software simulation and data analysis; the paper explores the relationship between different design methods of typical floor plans and carbon emissions. The objective is to deliver results beneficial to typical floor-design methods with respect to the reduction of carbon emissions, so as to provide a reference for architects.

• 국제학술발표논문집
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• The 4th International Conference on Construction Engineering and Project Management Organized by the University of New South Wales
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• pp.209-212
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• 2011

Selection of finishing materials in the design stage is an important management factor in terms of use safety and satisfaction, and work cost and process. However, selection of materials in the design stage is usually conducted without related guidelines or a set process, but depends on the experience of the architect or advice of materials company employees. Therefore, the aim of this study was to develop a finishing materials selection process that can be used by a architect. Materials selection related rules collected through interview with experts and five office building cases were used as knowledge. In addition, another aim of the study was to propose a prototype system interface for use in the field.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2004년도 추계학술발표대회 논문집
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• pp.153-156
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• 2004

As architects and interior designers work farther and farther afield, so the connection of buildings to the particular place they are constructed becomes increasingly. Also, during the past twenty years they have made a habit of asking probing and often uncomfortable questions about how architectural conventions force patterns of behavior. In place of bricks and mortar, they have mixed store, office, clinic, and residence. In this project, the buildings consist of pharmacy, store, dental clinic, oriental clinic and residence. This building was designed by architect to have panoramic views. The view of surrounding road from every wall becomes a constant point of reference, a back drop against which the whole house revolves. Now, all the words can be suitable for describing the oriental clinics. But the oriental clinics of these days may construct the unintentional common image, may be because of the clients sense about the finishing materials or colors in vogue. The Importance of identity in the design of oriental clinic becomes higher increasingly, and with the same reason, the conviction of interior designer.

• 국제학술발표논문집
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• The 1th International Conference on Construction Engineering and Project Management
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• pp.397-402
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• 2005

Professional Construction Management (PCM) services have become more and more popular in Taiwan in the past decade. However, disputes between PCM consultant and the client on the performance of PCM services are also increasing. The evaluation of PCM performance is a tough task due to the lack of "physical product", such as the drawings finished by the architect. This paper is intended to propose a PCM performance evaluation system (PPES) based on Balanced Scorecard (BSC). A case study of PCM consultancy for a real world design/build project is conducted to demonstrate the applicability of the proposed BSC framework

• 건축역사연구
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• 제31권2호
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• pp.35-50
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• 2022

This study examines the design intent and the construction background of the UNESCO House in Korea planned in the 1950s, with a focus on the initial plans of the House by Kuzosa Architects & Engineers in 1959. To this day, the House has been evaluated as a representative example of an office building in the 1960s, and an early case of introducing curtain walls in Korea. However, only its technical characteristics have been explored with less emphasis on further research data. This study attempts to demonstrate the social and cultural expectations and the demands of the construction of the House by examining the documents produced at the time and the initial plan. This study also highlights the fact that the House was the first project of the architect Pai Ki Hyung to realize high-rise reinforced concrete construction in Seoul's dense center. In the 1950s, the House was planned as a modern building with a complex of various cultural facilities and offices due to the character of activities of the Commission, and the lack of public cultural facilities in Korea. The plan of the Kuzosa Architects & Engineers was selected through a design competition held in 1959. The House was completed in 1967, which took about eight years from planning to completion with design modification in the 1960s. The initial plan submitted before the design modification shows that Pai used the vocabulary and logic of modern architecture and planned the House not as a simple office building but as a complex cultural facility.

• 한국조경학회지
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• 제52권3호
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• pp.1-17
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• 2024

본 연구는 한국 조경을 살펴보기 위해 조경가 정영선에 집중하였다. 이를 위해 2014년까지의 작가의 사고, 정영선과 서안 작품, 관련 담론(조경가, 조경작품, 조경담론) 등을 대상으로, 조경설계안, 조경작품, 조경가의 사고 및 그것의 조경이론화 과정, 조경작품과 조경가의 설계사고 사이의 관계 등을 살펴보고 인터뷰(정영선 및 관련 인사), 문헌조사, 설계작품 분석 등의 방법으로 접근하였다. 자료를 종합한 결과 정영선 조경을 구분하여 볼 때, 조경을 처음 접하고 이를 수련하며 실무에 뛰어든 시기부터 독립 사무실을 운영하며 설계의 경향과 설계사고의 깊이를 달리하며 보이는 네 가지의 변곡 지점이 나타난다. 이 과정에서 초기 조경에 대한 학습기를 제외하면 정영선 조경의 범주는 현대 조경, 정원, 전통 조경의 세 가지로 나타났다. 이 세 가지 범주의 조경 활동을 통해 현대 조경의 수입과 내재화(현대조경론), 독자적 정원론의 성립과 그 실천(정원론), 전통 컴플렉스의 극복과 창의적 계승(전통조경론) 등의 세 가지 성취를 보여준다. 종합적으로 볼 때 정영선 조경은 지역주의적 사고와 작가주의적 사고의 실천이라 요약할 수 있다.