• Proceedings of the Zoological Society Korea Conference
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• 2001.10a
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• pp.145.3-146
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• 2001

No Abstract, See Full Text

• Proceedings of the Zoological Society Korea Conference
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• 1999.04a
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• pp.63.2-63
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• 1999

No Abstract, See Full Text

• Proceedings of the Zoological Society Korea Conference
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• 2000.10a
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• pp.103.1-103
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• 2000

No Abstract, See Full Text

• Proceedings of the Zoological Society Korea Conference
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• 1997.10b
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• pp.119.1-119
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• 1997

No Abstract, See Full Text

• Proceedings of the Zoological Society Korea Conference
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• 1997.10b
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• pp.198.2-198
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• 1997

No Abstract, See Full Text

• Proceedings of the Zoological Society Korea Conference
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• 2003.08a
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• pp.189.3-189
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• 2003

No Abstract, See Full Text

• Proceedings of the Zoological Society Korea Conference
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• 1999.10b
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• pp.201.1-201
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• 1999

No Abstract, See Full Text

• Journal of the Korean Society of Costume
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• v.63 no.5
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• pp.115-131
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• 2013

Dries Van Noten, one of the Antwerp Six, focused on recreating traditional attire from each region to complex contemporary attire and has shown designs that interpreted ethnic image in contemporary perspective from his very first collection. He has positioned himself as a designer with creative expression of ethnic image through broad use of various patterns. This paper analyze the use of pattern in Dries Van Noten's designs by season and item, and reflects on the characteristics of pattern use and influence on fashion image. Total of 887 clothing items were collected from Noten's collections on the Internet. Through analysis of frequency and percentage and cross tab of expression techniques, types, patterns of each motif, and classifications of print combinations, it was shown that Noten has applied six aesthetic rules in the use of pattern design. Pattern played the most significant role in his design. It was possible to achieve the balance of ethnic image and modern image with the mix of flower and abstract motives. Overall pattern was mostly used for practical purpose: border patterns and spaced patterns played a vital role in rendering uniqueness. Noten exhibited unity and variation in combining prints. He expressed the beauty of Oriental style by inserting solid color blocks in between patterns and decorations along trim lines.

• Journal of Information Technology and Architecture
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• v.10 no.3
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• pp.295-303
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• 2013

This paper presents a new approach to managing dynamic business process changes based on business process change patterns. We identify and categorize business process change patterns that occur recurrently in a dynamic business environment. Several issues regarding management of process versions are discussed, and a pattern-based version management method for handling process changes more flexibly is explained in detail. We propose a mechanism for abstract process execution with runtime encapsulation of a business process, which can maximize the flexibility of process execution using multiple process versions. In addition, we propose a concept of process promotion and demotion that can dynamically choose an actual version of the process at run-time. With our pattern-based process change management and versioning approach, it is expected that the flexibility and efficiency of BPM systems can be enhanced significantly.

• Proceedings of the Korean Information Science Society Conference
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• 2001.04a
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• pp.616-618
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• 2001

J2EE(Java™ 2 Platform, Enterprise Edition) 커넥터 아키텍처(Connector Architecture)는 J2EE 플랫폼을 다양한 EIS와 연결하기 위하여 공통 클라이언트 인터페이스(CCI:Common Client Interface)를 정의한다. CCI의 커넥션 메커니즘은 추상 팩토리 패턴(Abstract Factory Pattern)을 따르고 있다. 추상 팩토리 패턴을 이용함으로써 커넥터 아키택처는 각기 상이한 커넥션과 커넥션 팩토리가 독립적인 벤더들에 의해 독립적으로 구현될 수 있게 한다. 브리지 패턴(Bridge Pattern)은 추상화 정도와 구현에 따라 추상 클래스와 구현 클래스를 별도의 클래스로 구현하여 이들이 동적으로 조합되도록 한다. 본 논문에서는 추상 팩토리 패턴을 따르고 있는 CCI의 터넥션 메커니즘을 브리지 패턴을 적용하여 확장된 커넥션 메커니즘을 제시한다. 추상 팩토리 패턴은 클래스의 생성과 관련 있는 생성 패턴(Creational Pattern)인 반면 브리지 패턴은 구조 패턴(Structural Pattern)이다. 즉, 대행하는(delegation)클래스의 행위들을 중계해 준다. 구조 패턴은 새로운 기능을 구현하기 위해 객체를 구성하는 방식에 초점을 두며, 실행 시에 객체 컴포지션 구조를 변경할 수 있어 이를 통해 유동성과 확장성을 추가할 수 있다.