• 전기의세계
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• v.66 no.8
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• pp.8-19
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• 2017

• Proceedings of the Korean Fiber Society Conference
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• 1996.04a
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• pp.188-191
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• 1996

• The Journal of the Korea Contents Association
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• v.5 no.4
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• pp.133-140
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• 2005

Culture Technology is the basic technology which produces cultural contents in a narrow sense. All nations do their best in order to create new contents which can form international and cultural sympathy. If a variety of contents are created by applying Korean proper cultural heritages, they will be creative and competitive internationally. Therefore, technology of original cultural restoration is an essential and crucial skill. In this paper, 'gilt bronze dragon-phoenix ring-pommeled sword', a cultural heritage of baekje age, will be restored to the original form digitally on the basis of three-dimensional shape-information processing technology and the scientifically analyzed data. First of all, data from three-dimensional scanning is revised using stuffing and smoothing methods after sampling, extracting characteristics, and align. Then, they are modeled in a curved surface with NURBS and B-Spline. Secondly, textures are edited by estimating the color of components and the quality of materials, and then they are mapped. Original form model which was made was revised and corrected by specialists' examinations. The digitally revised ring-pommeled sword was combined with information technology, and it can be used to revise damaged cultural heritages by constructing formal database of ring-pommeled sword with regard to age, area and type. It can be also used as educational contents in archaeology or preservation science and cultural contents such as movies, broadcasts, games, animations and so on.

• Journal of Fashion Business
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• v.22 no.2
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• pp.88-106
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• 2018

The domestic fashion industry is not able to exceed the level of fashion that exists in advanced countries due to the relatively weak design competitiveness and the differentiated capability of product development. In order for the domestic fashion industry to become a growth industry that is valued in the world market of infinite competition, a step-by-step support system that can demonstrate and maintain the creative ability of designers is needed. Therefore, this study proposes a template - based 3D virtual fashion technology and a digital fashion platform based on it. The proposed template - based 3D virtual fashion technology is designed to clearly communicate the intention of designers and to be able to instantaneously view the results, thereby reducing the time and cost of producing prototypes. In addition, the digital fashion platform based on the template is designed as a collaborative platform based on idea sharing, which dramatically improves the process of confirming the prototype and initiating the product planning and manufacturing stages. This new technology can contributes to the formation of a business environment and a new area within the existing fashion industry and can be utilized for the development of the fashion industry in the future.

• Cartoon and Animation Studies
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• s.15
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• pp.237-249
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• 2009

Interest in and study on 3 dimensional pictures has been continued since visual media showing moving images was invented. From simple anaglyph wearing glasses to hologram making perfect 3 dimensional objects by recording phase data of reflected light, as well as amplitude and wave, speed and scope of technical development are quicker and wider, respectively. However, despite such development of technology, there is still lack of study on aesthetical, industrial and contents developing area, except for technology of 3 dimensional images. Unlike the interest in 3 dimensional images, even a theoretical frame for the approach to theoretical areas of 3 dimensional images has not been established. Especially, few experiment and study on directing aesthetics have been conducted, with exception of areas in entertainment documentaries for 3 dimensional feeling or some latest 3D animations. As a result, this study will try to find alternatives to directing aesthetics of realistic 3 dimensional movies to be developed in future by studying directing grammar and aesthetics of digital 3 dimensional movies and finding and analyzing difference between 3 dimensional images and 2 dimensional images drawn on the plane.

• Broadcasting and Media Magazine
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• v.16 no.2
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• pp.63-72
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• 2011

디지털 홀로그래피는 가간섭성 광원을 이용하여 광파의 위상 정보를 기록 또는 재생하는 기술이다. 이러한 홀로그래피 방식의 광파 재생은 광파를 산란시키는 3차원 대상물을 정확하게 표현할 수 있어서 이상적인 디스플레이 방법으로 여겨진다. 디지털 홀로그래피에서 광파의 샘플링 영역과 그 대역폭의 곱은 공간 대역폭으로 정의되며, 이러한 공간 대역폭은 디지털 홀로그래픽 시스템의 능력을 나타내는 가장 기본적인 수치이다. 공간 대역폭은 샘플링 개수로 이해될 수 있으며 이는 focal plane array (FPA)나 spatial light modulator (SLM)의 픽셀 개수와 일치한다. 디지털 홀로그래피 기술로 기존의 디스플레이가 가지는 크기와 시야각 수준의 광파를 표현하고자 한다면 매우 큰 공간 대역폭이 요구된다. 따라서 디지털 홀로그래픽 디스플레이 시스템의 공간 대역폭을 늘리기 위한 방법은 꾸준히 연구되어 오고 있으며 최근 주목할 만한 시스템들이 제안되었다. 공간 대역폭에 대한 이해를 바탕으로 SLM을 이용한 홀로그래픽 디스플레이에서 가시 부피와 해상도에 대해 논하고, 최근 주목 받고 있는 홀로그래픽 디스플레이의 공간 대역폭을 정리하였다.

• Conservation Science in Museum
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• v.29
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• pp.99-110
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• 2023

The stone fragments that are missing from the stone cultural heritage have limited use beyond being directly fitted to identify their original position, as they are relatively heavy and bulky, and there is the further risk of secondary physical damage during manual work. Therefore, in this study, morphological relationships between the missing parts and the stone fragments were identified through digital restoration, and a three-dimensional (3D) printed replica was created for use at the exhibition for Stone Buddhas in Four Directions in Hwajeon-ri, Yesan, where 72 stone fragments had been excavated together. First, for the digital restoration, stone fragments of similar shapes were selected after the coordinates of the 3D scanning model were aligned in virtual space. In addition, the stone fragments were printed using a 3D printer to check whether they were physically related to the missing parts. Thus, the original positions of a total of nine stone fragments were identified. To utilize these research results in the exhibition, a 1:1 replica of the Stone Buddhas in Four Directions was produced using 3D printing technology, and the nine stone fragments were also restored to their original positions. The digital technology used in this study is of great importance in that it not only made up for the limitations of the direct manual method but also suggested the possibility of expanding its application to the fields of documentation, restoration, and replication of similar cultural heritage.

• Design Convergence Study
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• v.15 no.6
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• pp.229-241
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• 2016

In generative design computer automatically and quickly generates many alternative design solutions, and the computer algorithms which perform the design tasks are important. The main purpose of this study is to propose a computer algorithm which generates three-dimensional shapes from a two-dimensional digital image such as a photograph or a painting. The base geometry of the final shape is a cylinder or sphere. A surface of the cylinder or sphere is deformed depending on the used image. The proposed algorithm was implemented as a computer program, and the program tested with several famous paintings. The algorithm and results presented in this study implicate the possibilities of the generative design which generates three-dimensional shapes from two-dimensional images. It is necessary to find and measure the values of the generated shape, and it will be a future research to find the relations of emotional and cognitive aspects between the input images and the generated shapes. Those studies are expected to expand the possibilities of generative design.

• Journal of the Korean Society of Hazard Mitigation
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• v.4 no.4 s.15
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• pp.55-61
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• 2004

Rapid developments in sensor technologies now allow the generation of multi-source topographical data. For many applications, however, the geospatial information provided by individual sensors is not complete, precise, and consistent. To solve these inherent problems, additional diverse sources of complementary data can be used and fused. In this paper, the experiment was done for generation of 3D orthoimage data using LIDAR data and digital camera image. And the results show that 3D orthoimage can be used for the flood monitoring.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2018.06a
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• pp.136-138
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• 2018

본 논문에서는 미술품의 물리적 특징을 디지털화 하는 방법과 디지털 정보를 사용한 미술품 복원 방법을 다룬다. 미술품으로부터 취득할 수 있는 물리적 특성은 색상정보, 기하정보, 반사특성 등이 있고 미술품의 종류에 따라서 필요한 물리적 특성을 획득하기 위해서 미술품을 크게 2D, 2.5D, 3D 로 분류할 수 있다. 2D 미술품은 평면에 그려진 미술품으로 높은 해상도와 정확한 색상 정보 취득을 주 목적으로 하고, 2.5D 미술품은 평면의 미술품에 깊이가 추가된 유화나 판화의 형태로 2D 미술품의 특징에서 깊이표현 정보와 반사특성 정보를 추가로 취득한다. 3D 미술품은 입체적인 미술품으로 3 차원의 기하정보를 중심으로 디지털화 한다. 이렇게 취득한 미술품의 물리적 정보는 2D 미술품은 프린터로, 2.5D, 3D 미술품은 3D 프린터로 출력하여 복원하거나 디스플레이를 통해 가상으로 재현할 수 있다. 본 논문에서 다루는 디지털화 기술과 복원 기술은 높은 정확도를 위해 연구되었기 때문에 다양한 미술품의 디지털화와 복원에 사용될 뿐 아니라 다양한 분야에서 사용될 것으로 기대된다.