• 복식
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• 제51권7호
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• pp.21-33
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• 2001

The purpose of this study is to Investigate the value of multi-culture and to examine how multi-culture has been reflected in men's fashion. As for the research methodology, literary research was under taken to study psychoanalytical and socioeconomic contexts in which multi-culture in men's fashion has been formed. In addition, demonstrative studies on styles were undertaken through the analysis of pictures and photos. The historical range of this study is from the 19th century when western and modern original form of men's dress were visualized, to the year 2001 when the elements of multi-culture are expressed in men's fashion. Westerners in 19th century respected Greek fine arts and the desire for realistic restoration of the body of Greek hero is well reflected in men's suits. Other races were forced to believe such realistic depiction of the Greek body as a symbol of modernization. With the advent of the Information Society In the late 20th century, absolute power had been decentralized, and people in the third world have revealed the racial contradictions by realizing the concept of splitted subject existing In unconscious. In the post-colonial world in the late 20th century, the value of diverse cultures is admitted. Models come from various races in fine art or photographic work Fashion trends are no longer limited to dominant mode, and designers express multi-culture by adopting and renewing folk elements from all over the world.

• 대순사상논총
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• 제19권
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• pp.99-124
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• 2005

The Korean Buddhism during the unified Silla era, was dominated by Huayen doctrine, which was developed by Uisang(義相) (625-702) and his disciples. During 8th century, many Korean monks visited China to study Chan Buddhism(禪). After they came back to Silla, they started to criticize Huayen philosophy as a doctrinal Buddhism (Jiao教). Their criticism depended on Chinese Chan Buddhist teachings. Korean Chan monk Sunji(順之), a 9th century, was different from other Chan monks in Silla who were trained in China. His teachings are found in the volume20 of "Zutangji"(祖堂集). Although it is based on Chan thought, it has many doctrinal explanations and interpretations. The conventional studies could not clearify the basis of his philosophy. As my research revealed, his teachings were based on the Huayen doctrine of Chinese Huayen monk Li Tongxuan(李通玄) who lived in 7th 8th century. One of his doctorine is "San shen yuan jung kwan"(三聖円融観). It means the unify of three Holies(三聖) Vairocana Buddha(毘盧遮那仏), Manjusri Bodhisattva(文殊菩薩), and Samantabhadra Bodhisattva(普賢菩薩). Monk Junshi used this theory in his teachings. As mentioned above, "Sunji Hwasan's teachings" included by the "Zutangji"(祖堂集) volume 20 is important as what offers a new viewpoint when exploring the relationship between the Chan and jiao in Silla in the 9th century.

• 한국도서관정보학회지
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• 제38권1호
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• pp.363-373
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• 2007

설화지는 16세기 이전부터 19세기 이후까지 초조된 종이로서, 하얗고 아름다운 전통 우리나라 종이의 특성을 지니고 있는 종이이다. 원산지는 평강(平康)이며, 17세기 이후 남원 순창, 진주 등지에서도 초조되었다. 원료는 뽕나무로서, 겨울철에 눈을 이용하여 표백하고(설쇄) 초조하였다. 서화용이나 인쇄용지로 사용되었으며, 궁중에서 혹은 사신의 예물로 사용된 고급품이었다.

• 한국의상디자인학회지
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• 제1권1호
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• pp.141-156
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• 1999

This paper is to analyze the classification of textile pattern design focusing on the 19th century in England. The purpose of this study is. firstly to research the thoughts and ideas of these design in the time of mid-Victorian age; Secondly. to classify the textile pattern design from many points of view. We could find such William Morris's thought and ideas of 19th century to reform from textile pattern design. We wish to use these studies for textile pattern designers to develop this tradition onward to modern and future trends.

• 한국수학사학회지
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• 제20권4호
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• pp.85-92
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• 2007

2000년 이상 기하학의 주류를 이루었던 유클리드기하학은 19세기중반 위상수학의 탄생으로 기하학의 연구가 국소적이론에서 대역적 이론으로 이행하는 과정에서 현대기하학이 획기적인 발전을 하였다. 본 논문에서는 고전적인 불변량인 오일러수에서 시작하여 최근까지 발전하여온 불변량 및 20세기 중반 이후에 발전을 한 저차원다양체의 이론을 간단히 소개한다.

• 한국수학사학회지
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• 제26권1호
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• pp.1-9
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• 2013

중국 수학을 토대로 조선 수학이 발전된 것은 잘 알려져 있다. 이 논문에서는 조선에 유입된 중국 산서의 역사를 조사하여 중국 수학이 조선 수학에 끼친 영향을 연구한다. 15세기 세종(世宗)대에 들어온 중국 수학, 17세기 서양 수학의 영향을 받은 중국 수학과 19세기 중국에서 재정리된 송, 원대의 수학으로 나누어 이들이 유입되는 과정도 함께 조사한다.

• 한국의류산업학회지
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• 제18권3호
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• pp.289-300
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• 2016

This study surveys children's costumes and games from the 11 Genre paintings by Junkeun Kim in the book "Korean Games(Stewart Culin 1858-1929)". The character of the general dress-costumes, games and the culture of life from the late $19^{th}$ century in genre painting of Junkeun Kim are as follows. The study results on the games are as follow. The boy's games are kite-flying, spinning tops, playing shuttlecock with the feet, blindman's buff, yut("Four-Stick Game"). Girl's games are seesaw with board, blindman's buff, marbles. Combined games are mount shoulder, sledge, tightrope walking for men with boy. The strengthen one's body type were seesaw with board, tightrope walking, the compete score type were playing shuttlecock with the feet, marbles and the multi complex type were yut("Four-Stick Game"), kite-flying. Through genre painting in the $19^{th}$ century we know a boy's 'Jeogori 'and 'Ba-ji' were similar to a modern man's and boy's 'Hanbok' with a traditional method of wearing. We believe that the originality of a traditional costume was an unchangeable characteristic. Girl's 'Jeogori' and 'Chi-ma' changed in length and width, and method of wearing; however, the basic shape did not change. The analysis for artist's genre painting which was ordered by a foreigner and the late of $19^{th}$ century's children's costume and game of life culture is useful to match the counters and show how to wear a modern Korean costume used to understand the 'Hanbok' and establish a costume of life.

• Strategy21
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• 통권38호
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• pp.221-249
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• 2015

The Royal United Services Institute(RUSI) was founded in the middle of the 19th century in Britain. It was developed through 'Naval Historical Revitalization Movement' in that time. Many celebrities and people who were interested in the Navy participated in the activities of the RUSI. For example, the forums and lectures were held by prestigious persons, like Sir Garnet Wolseley and the Duke of Cambridge. It also became the milestone for guiding the flow of the Royal Navy's thought with the Naval Intelligence Department and the Naval Records Society. The forum of the RUSI was the place for debating naval hot issues. The journal of the RUSI was the space for suggesting an idea and gathering public opinions for developing Britain's sea power. Therefore, the RUSI was the public sphere for the Royal Navy in the 19-20th Century. And especially, the paper prize contest of the RUSI was the culmination of the RUSI's activities for the Royal Navy. Naval prize essays gave messages to the Royal Navy about the changing situation of European naval powers. Also, they made many meaningful debates for the Royal Navy to overcome the difficult situations in that time. Those essays were reflecting the issues of the Royal Navy and leading the way for getting over it. Besides, some people appeared through the contest and they played important roles for making the contingency and planning the war. The contest reflected the past, anticipated the future, and selected the talented persons to shape the future. This developing aspects of the RUSI could apply to the Korea Institute for Maritime Strategy(KIMS). The KIMS already carries out the role of the RUSI very similarly. If the KIMS changes to the way for open-door policy to more people, it will work more efficiently for their goal. In this respect, the messages of the RUSI will be very useful for improving the activities of the KIMS.

• 한국수학교육학회지시리즈E:수학교육논문집
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• 제27권4호
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• pp.487-498
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• 2013

본 논문은 한국 근대수학교육의 아버지 이상설(李相卨, 1870-1917)이 자연과학-물리학-에 기여한 내용을 다루고 있다. 이상설은 "수리(數理)"를 쓴 시기를 전후하여, 같은 시기에 붓으로 총 8면에 걸쳐 "백승호초(百勝胡艸)"라는 이름의 고전물리학 원고를 써서 남겼다. 분석결과 이 책의 원전은 1879년에 동경제대 의학부 교재로 발간된 "물리학(物理學)"이다. 이상설은 "백승호초"에서 먼저 개념을 정의하고, 일상에서 나타난 대표적 현상을 선록하여 한문으로 번역하였고, "물리학"의 전체 분량에서도 특히 '통유성(通有性)'에 중점을 두고 설명하였다. 동양에서 서양의 수리과학이 들어와야만 말할 수 있는 '질량보존의 법칙', '타성(惰性, 관성)'과 같은 고전물리학의 중요개념을 포함하는 내용이 19세기 말에 이미 이 책에 소개된 것으로 보아 이상설은 당대의 다른 저술에서 보기 힘들 정도로 당시 일반물리학의 최고수준의 원서를 통해 최신 정보를 수용하고 전파하기 위하여 노력하였음을 볼 수 있다.

• 한국복식학회:학술대회논문집
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• 한국복식학회 2001년도 19th International Costume Association Congress
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• pp.119-120
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• 2001