• The Journal of the Korea Contents Association
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• v.9 no.12
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• pp.613-621
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• 2009

Except for traditional industrial art and history of design development, Korea jewelry industry before 1980's, had little meaning in the aspect of marketing and business. Domestic jewelry market which have changed from the value of goods to value of ornaments, faced important transition point for jewelry industry by the chance of in Asian Game held in 1986, and money of overseas traveler after 1980s. The rapidly-grown Jewelry field by the introduction of detail casting method to make it possible mass-production of the products before 1990's, began to change into new system, with introducing CAD/CAM after 1990's. Jewelry industry has changed from manual work called handmade to the detail casting industry based on master for mass-production. For this, the development of master, with the design development, have been suggested as important task to jewelry industry firms, and by the introduction of CAD/CAM, the diversification of design and master development has been made up. In this study, we would try to find out current status of domestic jewelry field and to understand CAD/CAM, and advantage of CAD/CAM, and through this, suggest good solution to precipitate domestic jewelry market.

• Archives of design research
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• v.14 no.4
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• pp.57-64
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• 2001

The Korea's automotive industry has been changed since 1990's for the global reform of the automotive industry even though the rapid growth of domestic market from the late 1980's to early 1990's The cultural understanding for an automobile in the Korea society has been relatively lacked by the political reason, which focused on the economic growth through the industrialization. This works as a limit which caused by the point of view which is concentrated into the automotive industry as an economy developing tool. As much as being observed in the advanced nations which have the long history and huge scale of the automotive industry, an automobile is not only a single product, but also a way of life which has a cultural background. It is possible to develop a competitive quality and design with an understanding the cultural background. And the most important thing to the Korean automotive industry is a uniqueness with the cultural character which is gained by the cultural understanding of automobile as in the public Therefore the contribution of infrastructure of Korean automotive industry and culture would become more important in the future.

• The Journal of the Korea Contents Association
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• v.20 no.7
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• pp.594-601
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• 2020

This study focuses on the changes in the national innovation system between Korea and China since the 1990s, and studies how to benchmark the limitations of the current national innovation system in Korea from successful national innovation systems in China and apply it to Korean cultural contents. As a result of the review, the current cultural content of Korea is a time when it is necessary to drive sustainable growth in a rapidly changing era, and as a result of applying it from the successful cases of China's national innovation system, it is necessary to change the production of Korean cultural content of the Push strategy into a Pull strategy. In other words, it is necessary to produce cultural contents that fit the paradigm of market change. In addition, the existing technology should lead to the creation of new added value from each element composed of Korean cultural contents, K-pop, K-beauty, Korean food, and above all, it is necessary to institutional innovation of the country in distribution abroad.

• Journal of Korean Society of Occupational and Environmental Hygiene
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• v.19 no.3
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• pp.307-320
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• 2009

This study was conducted not only to review airborne asbestos levels reported in workplaces in Korea, but also to analyze their levels according to various characteristics All asbestos concentration reported as either geometric mean (GM) and geometric standard deviation (GSD) or ranges were transformed to arithmetic mean to estimate exposure level. In addition, weighted arithmetic means (WAMs) were calculated to weigh asbestos levels based on the different number of samples. Differences of asbestos levels among several characteristics such as industry type, decade, operation and sampling and analytical methods were analyzed using analysis of variance (ANOVA). The number of articles studying asbestos levels from workplaces was found to be 9 including two report types. Five of those were reported prior to 1990s and rest of them after 1990s. Only several industries such as asbestos textile, asbestos cement, brake-lining repair shops were studied, while various industries using asbestos or asbestos containing materials (ACMs) were not studied. ANOVA found that asbestos exposure levels (WAM = 5.26f/cc) reported from textile industry were significantly higher than those from other industries (cement = 0.63f/cc, brake-lining = 0.2f/cc - 0.47f/cc) (p < 0.0001). Average exposure levels studied prior to the 1990s (3.13f/cc) were found to be significantly higher than that (0.86f/cc) after the 1990s (p<0.0001). All WAMs reported until the 1994 were found to be higher than the current occupational exposure limits (0.1f/cc). This study recommends that retrospective exposure to asbestos based on various industry types and operations should be assessed.

• Journal of the Korean association of regional geographers
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• v.11 no.6
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• pp.607-619
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• 2005

For the Unification of Koreas in the future, we need to understand the geography education system of North Korea. This paper deals with the middle-school geography textbooks of North Korea, published in 2000 and as well as in 1990, in order to look for a better way of geography education after the Unification. One geography textbook is used for each grade, respectively, from the first to the fifth grade of the North Korea's middle-school (table 1). The North Korea's geography textbooks are immersed in the unreasonable idolization of the Kim's family and the excessive devotion to the socialist system. But they may suggest a significant implication in the improvement of geography terminology in South Korea because of their common use of genuine Korean words.

• Journal of the Korean association of regional geographers
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• v.18 no.3
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• pp.283-297
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• 2012

This study aims to analyze an evolutionary path and the dynamics of the Seoul Digital Industrial Complex in Korea based on the analysis of cluster life cycles. From the mid 1960s to the late 1990s, the life cycles and their characteristics of the Seoul Digital Industrial Complex (Guro Industrial Park) are examined as emergence-growth-sustainment-decline focused on the number of firms and employees. After the late 1990s, the number of firms and employees increases rapidly and the active actors of the growth and restructuring are transformed to the technology-intensive SMEs and knowledge-based service firms. Knowledge industry centers (apartment-type factories) help evolve into the life cycle of transformation as knowledge-based clusters after the mid 2000s.

• Journal of Communication Design
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• v.60
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• pp.402-412
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• 2017

Since the 1990s, the role of the government has been shifting towards governance. This new governance emphasizes government's role in establishing a cooperative system with private organizations through network structure and interaction. In the 1990s, Korean Government support for artists and exhibitions increased unprecedentedly. In the 2000s, support for the arts shifted in ways so as to integrate genres. Simultaneously, in order to strengthen the creative capacities of artists, support for new artists, multi-art and fusion arts have increased. From 2010, 'visual arts' business support was provided. In addition, 'visual arts' was supported by a joint planning project from 2013 Also, an overseas residence program has actively supported exhibitions through international exchanges. Since 2005, it has expanded to cooperation with India, Iran and Asian countries as well as with the Betani Studio in Germany. In addition local government supported for artists and the Biennale, residences, regional cooperative business through the local cultural foundation.

• Journal of Fisheries and Marine Sciences Education
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• v.20 no.3
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• pp.400-409
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• 2008

The purpose of this study is to examine annual changes of coastal fisheries production in the shore of Jeonbuk Province in Korea. The catch data of an experimental vessel that used dredge nets were used to study fish species and catch per unit of fishing effort carried out from April 2002 to November 2004. The total number of fish species caught in 2002 was 23, and 15 in 2004. Total number of individuals were 6,008 and their total weight was 376.38 kg in 2002. In 2004, total number of fishes was 2,469, and their weight was 211.99 kg. The annual changes in fisheries production in the western coast of Korea were also analyzed from 1990 to 2007. The total near shore fisheries products in Korea has been relatively stable around 1,4000,000 metric tons to 1,8000,000 tons during this period. Similarly the Chungnam Province's annual fish catch had steadily risen from about 51,187 tons in 1990 to 85,637 tons in 2007. However, Jeonbuk Province's annual fish catch declined dramatically at around 133, 000 tons in 1990 to 45,000 tons in 2007. In summery, while the overall Korea's fisheries production has been stable over the past decade, that of Jeonbuk Province suffered drastic decline in the period. This decline was reflected in the decreased number of fish species, total individuals, and total catch in surverys performed with an experimental vessel.

• The Research Journal of the Costume Culture
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• v.8 no.3
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• pp.436-499
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• 2000

The purpose of this study is to be inquired social and cultural significance of the Grotesque phenomenon in the late 1990's make-up, as well as its experimentalism and avantgardism. The Grotesque is the aesthetic concept, which is composed of ambivalent structure of humor and horror, interest and disgust through join of heterogenous factors, distortion, extreme and overstatement in the patterns and materials of make-up. The Grotesque in the modern make-up is represented in the make-up advertisements and collections. In this paper, the author classified the Grotesque phenomenon with the Kitsch, the Machine, the Animal and the Devil, focused on heterogenous factors. The results are as follows. 1. The Kitsch in the make-up uses not cosmetics but imitations, ready-made goods, and ordinary materials. It expresses modern culture's laziness through shocking self-expression. 2. The Machine in the make-up means silver or white color's make-up, and represents cyber period's arrival through contrary irony, loss of the human value and the personifications of machine. At the same time, it is understood as the curing of human alinetion. 3. The Animal in the make-up utilizes the wild animal's horn, the reptiles'sputum, and the legend's animal. It points out a human false virtual image, and overturns make-up's traditional aesthetic concept. 4. The Devil in the make-up shows vampire's cuspid, demon's horn, artificial nail, and black color's make-up. It raises social irrationality and discrepancy of capitalism, and expresses paradoxically the nature of human life. The Devil in the make-up expresses the creator's innovation, anxiety of fin-de-siecle, and simultaneously criticizes and cures confused reality. It shows also avantgarde implementation of dissolution of traditional aesthetic concept and acceptance ugliness.

• Journal of the Korean Society of Costume
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• v.60 no.7
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• pp.1-13
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• 2010

The purpose of this study is to review changes of gender identity of men as a sexual role changes and their cognition on fashion and to analyze changes and features of their fashion required in the diversified era and suggest implications for future men's fashion design. To understand a correlation between a change of men's gender styles and fashion and aesthetic features and differences by gender style, this study analyzed significant brands of the men's design market. The results of this study are as followings. First, metrosexual and uebersexual were mixed in the 1990's and the 2000's. The ratio of uebersexual in the 1990's was higher as three times as metrosexual. On the other hand, the ratio of metrosexual in the 2000's was higher than uebersexual by about 3.5%. It implicates that there were significant changes in design of men's clothes between the 1990's and the 2000's. Second, aesthetic properties and differences of metrosexual and uebersexual obtained from the survey. Metrosexual fashion uses almost all details and has no limit in using materials and accessories. The other side, uebersexual fashion rarely has details. In conclusion, this study showed that the relationship between male and fashion on the social and cultural phenomena. which have been recognized that there is a low correlation, is being newly established as a sexual role changes by gender.