• Journal of the Korean Institute of Rural Architecture
• /
• v.16 no.1
• /
• pp.63-70
• /
• 2014

This study is aimed to represent the streetscape in 1960s' focused on Seong-An street of Cheong-ju through the existing business types and buildings, literature, photo details, and interview of the longest-term householders. Results of this study are as follows : Firstly, the types of 1st-floor shops were diverse with general merchandise, apparel, medical, bank, restaurant, and etc in 1960s'. The present shops of them are 'Dong-kwang lasa', 'Jung-geum dang', 'Cheong-ju pharmacy' including the existing 'the Korea development', 'Korea first', and 'Woori' bank. Secondly, the streetscape around post office looks just as it did in the old 1960s'. In the other section the present typical buildings are 'Namseon pharmacy ', 'Kukje department', 'Samyang shop', 'Daeyang shop', 'Park shop', and etc. These old 3-4story buildings are reinforced concrete in contrasted with the former wooden and masonry in structure, and converted in use and appearance. Thirdly, the streetscape of Seong-An is ultimately represented by presuming the other buildings and equipments through aerial and street photograph in the old 1960s'.

• The Journal of Art Theory & Practice
• /
• no.3
• /
• pp.9-34
• /
• 2005

Contemporary Korean art in the 1960s and the 1970s reflects the social and political contexts in Korea from the 5 16 revolution through the Yoo Shin period. This paper investigates whether art has been free from power or not. It examines the power embedded in contemporary Korean art in the 1960s and the 1970s. This paper examines the historical moments of the Korean Art Exhibition, focusing on the complications between the abstract and figurative artworks of the 1960s. One of the significant art exhibitions since the 8 15 liberation of Korea, the Korean Art Exhibition witnessed conflict among Korean artists who wanted to have power in the art world of Korea. Institutional contradiction based on factionalism and conservatism prevailed in the Korean Art Exhibition was attacked by the avant-garde young artists in the 1960s. With the contact of Abstract Expressionism, young artists' generation participated in the The Wall Exhibition. This exhibition challenged and established moral principles and visualized individual expression and creation similar to the Informal movement in the West. In the world of the traditional painting of Korea, the Mook Lim Exhibition of 1960, organized by young artists of traditional painting, advocated the modernization of Soo Mook paintings. Additionally, abstract sculptures in metal engraving were the new trends in the Korean Art Exhibition. In the 1970s, the economic development and establishment of a dictatorial government made the society stiffen. Abstract expression died out and monochrome painting was the most influential in the 1970s. After the exhibition of Five Korean Artists, Five White Colors in the Tokyo Central Art Museum in 1976, monochrome paintings were formally discussed in Korea. 'Flatness' 'physicality of material' 'action' 'post-image' 'post-subjectivity' and 'oriental spirituality' were the critical terms in mentioning the monochrome paintings of the 1970s. 'Korean beauty' was discussed, focusing on the beauty of white which was addressed by not only Yanagi Muneyoshi but also the policy of national rehabilitation under the Yoo Shin government. At this time, the monochrome paintings of the 1970s in Korea, addressing art for art's sake, cutting of communication with the masses, and elitism, came to be authorized.

• The Journal of the Korea Contents Association
• /
• v.18 no.12
• /
• pp.364-371
• /
• 2018

In the 1960s, both South and North Korea needed to stabilize their regimes, and propaganda films were at the core of establishing this purpose. South Korea claimed legitimacy of a military government and called for service to fulfill the government's mission of the era, while North Korea emphasized the impeccability of their leader and the superiority of their socialist system. This study investigates image reproduction strategies used in South and North Korean propaganda films at the time under the context of domestic and foreign environments in the 1960s. First, South and North Korea portrayed their rulers as a strong leader and friendly leader, respectively, to establish legitimacy. Second, South and North Korea tried to image the same incident from different views in order to instill the spirit of age defined from their own perspectives. Third, propaganda films at the time portrayed desirable images of citizens (people) and visualized a flawless government. Authoritarian governments in South and North Korea in the 1960s facilitated the establishment of the so-called official society through propaganda films.

• Journal of the Architectural Institute of Korea Planning & Design
• /
• v.36 no.2
• /
• pp.97-108
• /
• 2020

This study aims at clarifying the planning methods and historical significance of Park Byung-Joo's New Seoul Blank Plan(1966) in the context of South Korea's Urban Design during the 1960-1970s. In addition, it also tries to reveal how the planner's ideas were transformed into realized urban projects in Korea. By the comparison of the New Seoul Blank Plan and these projects, we can come to understand how the new concepts of urban planning such as CIAM's planning principles, Neighborhood Unit Theory, New Town plan and green belt concept were adapted to Korean society in the 1960s and 1970s.

• Korea journal of population studies
• /
• v.9 no.2
• /
• pp.53-66
• /
• 1986

This study was carried out to determine the mortality level and it's related demographic factors in Korea since 1942. In order to clarify the changes in structure of mortality and the causes of death, the indices such as Crude Death Rate(CDR) or Life Expectancy at Birth were used. The author examined the mortality levels and major causes of death and performed the relevant demographic analysis. The followings are the summary of this study: 1. The CDR declined rapidly till 1960's. Such improvement slowed down from 1960's to mid 1970's and stabilized afterwards. It was due to the change of age composition, namely, the increase of aging population. 2. The Life Expectancy at Birth increased rapidly till mid 1960's. But elongation of the Life Expectancy slowed down after then. Especially in female, it slowed down more. 3. Changing patterns of major causes of death summarize that, till 1960's infectious diseases were major causes of death, but recently non-infectious diseases like chronic degenerative diseases became more prevalent. 4. The elongation of Life Expectancy at Birth till mid 1960's was mainly resulted by $_4{q}_1$. But the major contributing factor of the improvement in Life Expectancy at Birth in female is he reduction of $_$\infty${q}_{50}$ recently. In male, the improvement in Life Expectancy at Birth is due to the reduction of $_1{q}_0$. recently. 5. The age-sex-specific mortality rates revealed that $_n{q}_x$ declined in common throughout the period, even though there exists some variability of their ranges as age changes. Consequently, this study seems to suggest that the demographic transition in Korea occurred between late 1960's and early 1970's. In other words, the rapid change before late 1960's was eased in early 1970's. The slow change in this period caused a stabilizing pattern. Therefore, the population change is expected to be stabilized continuously.

• Journal of the Regional Association of Architectural Institute of Korea
• /
• v.21 no.6
• /
• pp.31-40
• /
• 2019

This study aims to establish Nammun-ro 2ga in Cheongju city in the 1960s as three-dimensional digital information data for the restoration of urban archetypes. For this purpose, referring to the existing restoration map and model of Cheongju urban area in the 1960s, and the results of this study are as follows. Firstly, the buildings that can be generally classified are prepared through the modeling of parametric families. Secondly, the untypical models(combined and broken roofs, atypical and large scale buildings) of them are simply performed through solid modeling. And then, these simplified models are simulated through a sky view, a walking sight, and information analysis. Through this study, it will be possible to visualize and regenerate the low and dense area of Cheongju city in the 1960s.

• Proceedings of the KAIS Fall Conference
• /
• 2011.05b
• /
• pp.622-625
• /
• 2011

1960년대 한국의 대중음악은 미국을 중심으로 한 서구음악의 유입과 음악 감상실의 유행, 방송국 개국 등의 많은 환경적 변화를 통하여 크게 발전하였다. 1960년대 초반에는 서양식 유행가와 일본식 유행가라는 2가지 장르의 가요가 인기를 끌었고, 1960년대 후반에는 로큰롤, 록, 소울, 포크에 이르기까지 다양한 장르의 음악이 고르게 성장했다. 본 연구는 1960년대 음악적 사회적 환경의 변화와 당시 유행했던 곡들을 중심으로 다양한 가요장르의발전에 대해 살펴보는 연구이다.

• Journal of the Korean Institute of Rural Architecture
• /
• v.17 no.2
• /
• pp.27-34
• /
• 2015

As part of the waterway restoration to renew traditional urban area, this paper is to assume and research Gyoseocheon(Gyoseo waterway) in Late 1960s Cheongju Korea. The main stream of Gyoseocheon flew from Sangjwagol(the head of the valley) of Uam Mt. to the north gate under Cheongju castle at first, and meandering from Sangdang Park, flew through Sudongseongdang and Bangadari Road to Musimcheon since open railroad of 1920s. This waterway, the eco-friendly figure of Gyoseocheon, that flew to inside the downtown with a planted tree and that is open space was so. The sub stream of Gyoseocheon originated in Seoundong and Tapdong were divided into two parts. One was to join the main stream of Gyoseocheon on Sangdang Park via Munhwadong, and the other was to join the sub stream of Musimcheon at northwest corner via south and west gate of Cheongju castle. This waterway as branch sewer were built into the road culvert.

• Journal of the Korea Furniture Society
• /
• v.18 no.3
• /
• pp.177-187
• /
• 2007

Since the 1960s when paper began to use as a structural material in furniture, design, the way of using paper was dramatically changed. Before the 1960s, paper was used mostly in decorative purposes like paper $mach\acute{e}$. The development of consumer culture in the 1960s created a new trend for paper in design. Paper became a material for dresses and chairs. Also, the types of paper that adapted on furniture varies from cardboard, paper tubes, glassine paper, honeycomb, etc. The variation of the material results to make possible to create a new form. Moreover, paperboard was broadly used in current society in such area that mostly structural based as architecture. Paper gives great opportunity not only to consumers to buy furniture in inexpensive price also to manufacturers to produce furniture and to test market easily, Moreover, paper furniture is mostly fun. Therefore, the creation of paper furniture becomes diverse in terms of design concept. This study explored the characteristics of paper furniture responding to social backgrounds by decade. Relation between types of paper and the characteristics is one of main points in this research. This study covers furniture design from the 1960s to present and mostly focuses on seating furniture where paper used as structural material. Researching on patent records and contemporary periodicals gave me helpful information on details of design process and consumer culture.

• The Korean Journal of Archival Studies
• /
• no.45
• /
• pp.189-217
• /
• 2015

The National Archives's presidential records in 1960s are neither complete nor accurate. However these records are worth enough to researchers as a source of the main policy stream and informations of the time. In the past, the catalog of National Archives only contained simple record information without the analysis of content. Therefore this article designed the subject classification scheme based on analysis of presidential records in economic sector. The distribution aspect of the subject record type is the clue to understand the main project of presidential secretary in 1960s during the industrialization process. Also the information of the content of record such as the character, association, location invigorate the collection of record and its use to related organizations.