• Journal for History of Mathematics
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• v.22 no.4
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• pp.1-14
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• 2009

Since western mathematics and astronomy had been introduced in Chosun dynasty in the 17th century, most of Chosun mathematicians studied Shu li jing yun(數理精蘊) for the western mathematics. In the last two decades of the 19th century, Chosun scholars have studied them which were introduced by Japanese text books and western missionaries. The former dealt mostly with elementary arithmetic and the latter established schools and taught mathematics. Lee Sang Seol(1870~1917) is well known in Korea as a Confucian scholar, government official, educator and foremost Korean independence movement activist in the 20th century. He was very eager to acquire western civilizations and studied them with the minister H. B. Hulbert(1863~1949). He wrote a mathematics book Su Ri(數理, 1898-1899) which has two parts. The first one deals with the linear part(線部) and geometry in Shu li jing yun and the second part with algebra. Using Su Ri, we investigate the process of transmission of western mathematics into Chosun in the century and show that Lee Sang Seol built a firm foundation for the study of algebra in Chosun.

• Optical Science and Technology
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• v.8 no.3
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• pp.4-9
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• 2004

19 세기 말에 유럽에서는 많은 사람들이 “달리는 말의 네 발굽이 모두 땅에서 떨어지는 순간이 있을까\ulcorner” 그리고 “말의 발의 움직임은 과연 어떨까\ulcorner” 라는 문제를 둘러싸고 열띤 논쟁을 벌이고 있었다. 그 당시 그릴 수밖에 없었던 것은 사람의 눈으로는 16분의 1초 보다 짧은 순간에 일어나는 현상을 인식하지 못하기 때문이다. 거북이의 움직임은 100분의 1초의 셔터로 포착이 가능하지만 올림픽 경기의 하이라이트인 100미터 경주의 골인 지점에서 등수를 가려내는 일은 10000분의 1초의 셔터 포착이 필요하다. (중략)

• 프린팅코리아
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• v.12 no.2
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• pp.82-84
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• 2013

문화체육관광부(장관 최광식) 산하 대한민국역사박물관(관장 김왕식)이 지난해 12월 26일 개관했다. 대한민국역사박물관은 19세기 말 개항기부터 오늘날에 이르는 대한민국의 역사를 종합적 체계적으로 보여주는 국내 최초의 국립 근현대사박물관이다.

• 주택과사람들
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• s.195
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• pp.64-65
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• 2006

19세기 문화 전반에 걸쳐 주도적인 흐름으로 등장하게 된 고딕 복고 양식. 그 뒤에는 유진 에마누엘 비올레 르 뒤크(Eugene-Emmanuel Viollet-le Duc)가 있다. 예술에 대한 가장 훌륭한 연구들로 평가받는 그의 저서와 행적을 뒤짚어본다.

• Korean Journal of Heritage: History & Science
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• v.37
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• pp.121-150
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• 2004

As genre of Buddhist paintings that express generally mountains and waters, there are Eight Scenes from Life of the Buddha(八相圖), Eternal Life Painting(甘露圖), Avalokitesvara Painting(觀音菩薩圖) includes Sixteen Lohans painting(十六羅漢圖), and Hermit Painting(獨聖圖), or Mountain God Painting(山神圖) which is especially appeared in late Chosun Period. These Buddhist paintings had various backgrounds including mountains and waters, the tradition of Water Ink Painting still remains after 18th century, however the trends got complicated to express various landscapes including splendid color, waters and mountains, and it appeared to have historical trend with introduction of factors of Minhwa(民畵) so called in 19th century. Sixteen Lohans painting painted from late 19th to early 20th century, still contains the traditional factors in terms of describing background among above trends, however the main factors of expressing the background are different from other Buddhist painting which reflects historical art trends in colors and its materials by drawing various background distinctively. That is, Sixteen Lohans painting is distinct at describing the background of blue & green colored mountains and waters that is appeared in trend of Minhwa(民畵) and the royal which were popular at that time It also shows broad acceptance with introduction of new background expressions such as Sipjangsang(十長生, Picture of 10 different things of Sun, Mountain, Water, Stone, Cloud, Pine, Plant of eternal youth, tortoise, Crane, and deer to hope the eternal life) Unryoung(雲龍, Dragon Cloud), Mangho(猛虎, Wild Tiger), Gweseck(怪石, Oddly shaped stone), Hwajo(花鳥, Flowers and Birds), Chaekgoeri(冊巨里, The books and bookshaves). In terms of its materials, positive representations of eternal life, wealth and luck were mainly appeared, this is closely related with Self-Search of Buddhist which was the trend at that time that Buddhist turned into the popularized religion in Chosun Period, especially the cooperation of popular belief with Taoism. This is appeared on various Taoists that is expressed in Buddhist paintings of Sixteen Lohans painting at that time. It would provide some clauses to infer the painted years of existing Minhwa at the fixed type of folk story paintings appeared on Sixteen Lohans painting painted mainly from late 19th to early 20th Century. There is also a possibility of the active participation of Buddhist painters(佛畵僧) as painters of Minhwa by request and demands from common people. Inquiry into factors of folk story paintings among Buddhist paintings started from similarity of the materials and shapes, however it doesn't seem to have dramatically expressed comic or exceptional techniques. But, the fact that there are similar types of decorative pictures in the Royal Court rather seemed to be possible for Buddhist paintings to have functions as religion.

• Sijohaknonchong
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• v.26
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• pp.187-222
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• 2007

Out of total 39 documents to research musial theory appearing in the introduction of ancient score and anthology in 19th century, ancient scores including introduction were $\ulcorner$GeumboJeongseon(琴譜精選)$\lrcorner$ $\ulcorner$ChilhyeonGeumbo(七絃琴譜)$\lrcorner$ $\ulcorner$HyeongeumOeumTonglon(玄琴五音統論)$\lrcorner$ $\ulcorner$HyeongaGuebeom(絃歌軌範)$\lrcorner$ and $\ulcorner$JukchwiGeumbo(竹醉琴譜)$\lrcorner$ and anthologies were $\ulcorner$GyobangGayo(敎坊歌謠)$\lrcorner$ $\ulcorner$SeungpyeongGok(昇平曲)$\lrcorner$ $\ulcorner$GagokWollyu(歌曲源流)$\lrcorner$ and $\ulcorner$GeumokChongbu(金玉叢部)$\lrcorner$. The results of this study are summarized as followings ; First, the introduction of ancient score reads that musicians should have inherent character and right mind and harmonious sound exerts influence on human being. It emphasized that the proper expression of music is the stabilized mind and right idea. Second, the introduction of anthology lays stress on proper meaning, that is, lyrics that is not indecent nor loose. It asserted that right lyrics should not be pressing nor frivolous, but rather slow. Lastly, the introduction of both ancient score and anthology commonly present 'recovery of ancient music'. It was confirmed that the ultimate purpose of intellectuals and musicians in 19th century was to aim at slow, but harmonious and right music.

• Journal of the Korean Society for Library and Information Science
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• v.32 no.1
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• pp.97-128
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• 1998

Recognizing the importance of reading, and with one motivation being to encourage an upright reading culture, 138 Wise Sayings related to reading by Western leaders were investigated and analyzed according to their country of origin and content as well as the nationalities and occupations, achievements and activities, and the periods of activity of he people who said them. In Wise Sayings related to reading, there are connotations of reading's significance$(30\%)$, methods$(44\%)$, Usefulness$(13\%)$, values$(12\%)$, joys$(1\%)$ and so on, and the expressions vary according to the speakers' occupations. Many of the speakers of wise sayings related to reading were from the powerful and culturally-developed countries of England(36), France(17) and the United states(15), and among 168 occupations, many were engaged in literature(97), philosophy(20), and politics(13) In the field of literature in particular, poets(24), writers(24), and novelists(19) comprised about $70\%$ of the total. In terms of the periods of activity, the 19th-20th century with $33\%$ and the 19th century with $27\%$ made up $60\%$ of the total.

• Proceedings of the SOHE Conference
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• 2003.10a
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• pp.77-77
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• 2003

본 연구의 목적은 후프(hoop)의 기원 및 변천과정을 고찰해보고 시대별로 후프의 유형을 분류한 후, 포스트모더니즘 이후 더욱 다양해진 후프가 현대패션에서 어떻게 응용되고 있는지를 살펴봄으로써 후프의 역사적ㆍ미적 가치를 재인식하여 오늘날 복식디자인에 창조의 영감을 줄 수 있는 하나의 모티브를 제시하는데 있다. 후프가 발생하였던 르네상스시대에는 신 중심에서 인간중심으로 사고가 변화하면서, 복식에 있어서도 인간의 신체미를 과시하려는 의도로 인체의 실루엣을 과장ㆍ확대하고자 하였다. 따라서 속옷의 중요성과 역할에 따른 심미적인 기능이 복식에 절대적으로 필요하였고, 뿐만 아니라 기교적인 면에서 속옷에 요구되는 장식성은 어느 시대보다 절실하였다. 그 결과 겉옷이 확대되고, 이에 따라 속옷도 인체를 크게 보일 수 있는 후프가 고안되었다. 후프는 스커트를 부풀리기 위해 철사나 고래뼈 등을 세공하여 만든 테를 넣은 속치마를 말한다. 16세기 중엽 스페인에서 유행한 종형의 파딩게일(farthingale)을 시초로, 영국과 프랑스에서는 드럼형의 휠 파딩게일(wheel farthingale)과 오쓰뀌(hausse col)가 유행하였다. 17세기 초기에는 후프를 착용한 16세기 복식이 유행하였으나, 1625년 이후 슬림한 스타일의 17세기 복식이 유행하자 후프의 착용은 점차 쇠퇴하였다. 18세기에는 파니에(panier)가 유행하여 옆을 부풀린 스커트의 실루엣을 형성하였고, 19세기에는 크리놀린(crinoline), 벗슬(bustle)이 유행하였다.

• The Science & Technology
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• v.32 no.12 s.367
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• pp.18-19
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• 1999

21세기는 과학혁명이 일어날 것이라고 과학자들은 말하고 있다. 고도로 발달된 과학기술과 그 기술에 의해 빚어진 새로운 생활모습이 나타날 것이다. 그런데 과학기술은 양날의 칼과 같아서 적절히 사용하면 우리 삶을 윤택하게 해주지만 이기적인 욕망에 칼자루를 맡기면 오히려 인류 멸망의 불씨를 제공할 수도 있다. 과학기술이 인류를 위해 쓰여지도록 하기 위해선 그 기술의 경제적 이익과 사회적 비용을 적정하게 가름할 수 있는 윤리의식 확보가 선행되어야 할 것이다.

• The Bimonthly Magazine for Agrochemicals and Plant Protection
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• v.3 no.10
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• pp.4-11
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• 1982

살균제가 어느 시대부터 사용되어 왔는지는 확실한 기록이 없어 알 수 없으나 농사가 시작된 오래전부터 재배된 작물을 병으로부터 보호하기 위하여 사용되었으리라는 것은 쉽게 상상할 수 있다. 19세기 이전에 사용된 살균제로서는 황(黃)에 의한 훈증, 승홍(昇汞) 및 황산구리(黃酸銅)에 의한 종자소독 등 이라고 추정할 수 있으나 우리나라에서의 확실한 기록이 없어 무엇이라 말 할 수가 없다. 우리나라에서의 과학적인 영농방법이 시작된 것은 1905년 이후 권업모범장의 연구 결과가 발표되기 시작하면서부터라고 말할 수 있다. 따라서 살균제의 변천과정을 1945년을 전후로 나누어 작물과 주성분에 따른 적용범위와 사용상의 문제점 등을 중점적으로 다루기로 한다.