• Proceedings of the Korea Information Processing Society Conference
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• 2013.05a
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• pp.325-327
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• 2013

일반적으로 눈 화장은 화장을 처음 하는 사람뿐만 아니라 화장에 능숙한 사람에게도 어려운 일이다. 또한 눈 형태는 사람마다 다르고, 형태에 따라 어울리는 눈 화장 방법 역시 다양하다. 본 논문에서는 눈 형태를 기반으로 효과적인 눈 화장 방법을 제안한다. 효과적인 눈 형태에 따른 검색을 하기 위해 에지(edge)를 기반으로 데이터베이스 영상과 입력영상의 눈 형태를 비교하여 유사한 눈 형태를 검색한다. 검색된 눈 화장 영상을 입력 영상의 눈 형태로 와핑(Warping)하여 눈 화장 스타일을 적용한다.

• Korean Journal of Heritage: History & Science
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• v.41 no.1
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• pp.57-78
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• 2008

According to the previous studies about Shilla's cremate grave, in the process of importing the cremate grave, there has been correlation with Chinese Buddhism, and there have been a lot of mentions about the change of the grave, Yinwha(Stamp) patterns and its existence, and about the characteristics of the vessels to contain the bones. The cremate grave is categorized into two-parts type and mono-type, depending on the dead person. The cremate graves that are in local areas such as Wang-Gyeong, show difference in types. The typical vessel to contain the bones, called "Yeongyeol Gori Yoogaeho" is again proved to have existed from A.D 8c. ~ A.D 9c., judging from the Yinwha pattern stamp's existence. Yet, the Yeongyeol Gori Yoogaeho from 9th century used the patternless pottery, also seen from the Won-wha 10 yeon-myeong cremate grave. Due to the prosperity of Buddhism, when the "Mukuchonggwang Taranikyong(Sutra)", translated into Han language in 704 at Dang, was imported into Shilla, the funeral ceremonies of Shilla people changed from making cremate graves with vessels or scattering the bones in oceans, into building stupas in temples with hopes and wishes to bring oneself and family's fortune and the next life of the dead. As a result, the meaning of "Grave" disappeared for the cremate graves, and rather the ceremony changed into scattering bones and wishing fortunes for the dead person. In other words, the ancestor-worship ceremony which was focused on the tomb changed into commemorating the ancestors and wishing individual fortunes by the religious assembly in temples and the building process of stupas. In conclusion, this social change was the cause of the extinction of stone chamber with tunnel entrance and the tombs such as cremate grave.

• Journal of the Society of Cosmetic Scientists of Korea
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• v.25 no.3
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• pp.101-122
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• 1999

The history of make-up can go back to the beginning of human being and it can’t be separated from women’s life. The change of history and women's position have given make-up different form and meanings. So make-up becomes another text which can read social·cultural specialty. This study has tried to find out make-up as women culture for women have experienced make-up in a specific situation for a long time and a suit of make-up experience from self-retrospect and made an open channel for women and this paper checked out the possibility of alternative make-up culture. This research used new audience theory of cultural studies which is used for communication study and studied active meaning-construction process and its resistance pleasure. This study saw women as independent subjects not passive victims and how make-up has been different meanings in women’s life. And what pleasure is made and how the way of resistance made constructed in the regulation of make-up.

• The Journal of the Convergence on Culture Technology
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• v.1 no.2
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• pp.65-69
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• 2015

Teeth and bones are very resistance to high temperatures and remain recognizable even after prolonged exposures to heat. The effects of heating and burning on teeth have been studied with the aim of discerning a characteristic signature withstanding high temperature, but there have been few studies about a human cremated ash, especially Korea. We are recognizable by elemental composition and can be detected in human cremated ash samples by Scanning electromicroscopy/Energy dispersive X-ray spectrometry analysis(SEM/EDS), cremated, at $800{\sim}900^{\circ}C$ for 1 hour. In this temperature range, different crystals morphologies(spherical, irregular and hexagonal) are observed in SEM. Calcium(Ca) and oxygen(O) increases steadily after cremation in EDS. We suggest that cremated bone have been provided with calcium oxide(CaO) formation at temperature above $900^{\circ}C$. This study offers basic data to assess the structure and elemental compositions of human ash and to determine if these remain identifiable after exposure to extreme temperatures.

• Journal of the Korean Applied Science and Technology
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• v.38 no.6
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• pp.1654-1666
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• 2021

In this study, the impression formation according to the lip design of beauty makeup, preferred lips and its reasons have been empirically analyzed. The research method is a questionnaire survey using SPSS program. As a result of the study, it has been founded the significant influence of the color and shape of the lips on the impression formation, and the modern people's views on lip makeup could be identified. The most preferred lip color was red, and the preferred lip shape was the standard type. As a result of factor analysis, red color showed the highest capability factor, and pink color showed the highest sociability factor among lip colors. It hopefully is expected that this study will be utilized as basic data for beauty design.

• Journal of the Korean Society of Clothing and Textiles
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• v.22 no.6
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• pp.679-690
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• 1998

미국 오하이오주 남서쪽에 위치한 Seip 토루군(100 B.C.-A.D. 500경)의 출토유물들에 대하여 현미경으로 관찰되는 인피섬유의 형태학적 손상을 분석하였다. 형태학적 손상이란 외부로부터의 물리적 혹은 화학적 요인에 의해 섬유은 표면과 내면에 발생하는 형태변형을 말한다. Seip직물에 포함된 인피섬유의 형태학적 손상 정도는 본 연구를 위해 제작된 인피섬유손상지로(IBFM)의 점수의 합으로 나타내었다. Seip직물들은 육안으로 보았을 때 우선 숯과 같이 검은 색을 띄고 있는 직물들과 그렇지 않은 직물군으로 분류되었는데 발굴보고서에 설명된 시신과 관련 부장품들의 수습상황으로 미루어 볼 때 검게 된 직물군은 부분적으로 하장된 시신의 부장품이었으며 검게 되지 않은 직물군은 일반매장된 시신의 부장품으로 보였다. Seip직물들은 다시 서로 다른 조직에 따라 분류되는 직물군으로 나뉘어 질 수 있었는데 본 연구에서는 이들 중 가장 빈번히 보이는 교차쌍 위사 트와인조직(Spaced alternate-pair weft-twining)으로 만들어진 직물군과 그 밖의 조직으로 되어 있는 직물군으로 나누고 이들을 각각 얼터씨이트(Alternate)와 기타조직(Pooled)으로 명명하였다. 본 연구에서는 Seip직물들 간에 매장법에 의해 손상정도의 차이가 발생했으며 특히 부븐적으로 화장된 직물과 그대로 묻혀진 직물들 간에 섬유손상 정도의 차이가 있었을 것으로 좌고 이를 확인하기 위해 검게된 직물군과 검게 되지 않은 직물군 간에, 그리고 얼터네이트와 기타조직으로된 직물군들 간에 IBFM 점수의 차이가 있는지 조사하였다. 섬유의 형태학적 손상은 광학현미경과 주사전자현미경을 사용하여 분석하였으며 분석에 이용된 총 샘플수는 총 132개였다. 수집된 데이터는 t-test를 이응하여 분석 하였다. T-test의 분석결과 Seip 직물들은 검게된 직물군과 검게되지 않은 직물군 사이에서 유의한 손상 정도의 차이를 볼 수 있었으며 반면에 조직에 따른 분류에서는 유의한 차이를 볼 수 없었다. IBFM의 평군점수를 비교하면 검게된 직물군보다 검게되지 않은 직물군이 더 높은 점수를 나타내어 후자가 더 많이 손상된 것으로 보여졌다. 7개의 손상형태를 독칩적으로 보았을 때 섬유속의 분리정도 (degree of bundle separation) , 횡금(transverse crack) , 그리고 횡선 (transverse striations) 이 검게된 직물군과 검게 되지 않은 직물군 사이에서, 섬유속의 분리정도, 종금(lengthwise striations)과 횡금이 얼터네이트와 기타조직 사이에서 각각 유의한 차이를 보였다.

• Journal of the Korea Fashion and Costume Design Association
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• v.7 no.1
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• pp.77-84
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• 2005

The purpose of this study is to know on the changes characteristics of eye brow forms of the wester women. A facial image which people recognize contents on changes of image according to various eye brow changes on the face. Various changes of image were seen by length, angle and thickness of eye brow types. The ancient Egyptians used antimony powder to blacken their brows huge black lines. In medieval times, women shaved both their eye brows and their hairlines to give a pure look. The early nineteenth century, brows were untweezed and natural. In the 1920s, when women started paying attention to their faces and their freedom, brows were tweezed, narrowed. In the 1930s, the idealized faces of Jean Harlow, Marlene Dietrich and Greta Garbo - narrow tracery of drawn on brows. The eyebrows is filled various shape of the 1950s. In the 1970s, the Disco Decade of Dreadful tastes, women were at their tweezers again, manicuring their brows. Brooke Shields's natural-looking brow would be an example of the 1980s. In the 1990s, the eyebrow designed by superstar makeup artists who determined the look of fashion model and screen star.

• Journal of the Society of Cosmetic Scientists of Korea
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• v.43 no.1
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• pp.27-33
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• 2017

Up to now, better convenience and portability were important factors in the development of the cosmetics and achieved by immersing low viscosity makeup water-in-oil (W/O) emulsion into the impregnation material. Conventionally, polyurethane sponges having porous network structures and hard textures have been dominantly used. It has an advantage of easy to manufacture because of its good impregnation property due to its structural characteristics. However, it releases emulsion too much at first use, and shows unexpected dramatic decline during the period of usage. In this study, we studied on makeup W/O emulsion with various features and developed the new foaming sponge, which showed excellent formability and proper absorption and discharge ability of cosmetic composition through the combination of natural rubber (NR) and styrene butadiene rubber (SBR). This impregnation material is characterized by the softness of elasticity like a rubber, high elongation and uniform output. We confirmed that this material can be used to develop makeup products using various oils depending on polarity and controlling the viscosity of the makeup W/O emulsion. Thus, it is concluded that these results provide valuable information in developing new cosmetics impregnation materials.

• Ceramist
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• v.19 no.3
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• pp.26-35
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• 2016

The purpose of this study is to find the optimum conditions for manufacturing titanium dioxide using a hybrid self-assembly forming method, to confirm the shape, properties and synergy effect of UV protection for hybrid titanium dioxide. Hybrid titanium dioxide, manufactured by forming self-assembly of different sizes consisting of two kinds of titanium dioxides, has micro titanium dioxide (250nm~300nm) for support material, Nano titanium dioxide (20~30nm) for surface material, coating support material. Adjustment experiments of $AlCl_3$ concentration and both titanium dioxide ratio were conducted to find the optimized conditions for the surface coating of titanium dioxide striking a negative charge, a sample made of the optimized process was confirmed through an optical analysis, particle size analysis, and potentiometric analysis. The SPF in-vitro value of the cosmetics samples containing hybrid titanium dioxide showed 15~30% higher levels than the cosmetics samples containing both titanium dioxides mixture.

• Korean Journal of Human Ecology
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• v.18 no.3
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• pp.799-807
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• 2009

When analyzing make-up trends of figures shown in portraits of different eras in Chinese painting history, you can see that red color was used much. This can be because the red color is the most outstanding among all the colors and was most preferred by ancient people, as the color of the sun, the blood, and the sacredness. The women in the Tang Dynasty was especially using the red color much. Though Seongrihak (Neo-Confucianism) in Song Dynasty was the governing ideology, it had an influence even upon its aesthetics. Thus, during Song Dynasty, the beauty of logos appeared too. This phenomenon showed a conservative tendency even in make-up as well as in costume, thereby the concept of clear and elegant beauty was emphasized. The real figure in the Ming and Ching Dynasty, was so young and weak as a sample of a delicate woman that a woman who had feminine beauty was regarded as an ideal type. The feminine image had been gradually generalized from the literary works in the latter half of Ming Dynasty. However, the painters in the era still preferred the beauty of a healthy woman. That tendency probably had an influence even upon make-up culture that was shown in portrait. As an analysis result of make-up culture in Chinese portrait paintings, it reveals that ancient make-up trends much reflected the social and cultural phenomena of the periods.