• 패션비즈니스
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• 제16권2호
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• pp.88-107
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• 2012

Hybrid implies that elements in more than two are combined, and is what is merged and used complexly the technologies and materials in several fields according to the development in scientific technology and the progress in technology. In the formative and artistic aspect, the hybrid can be said to be phenomenon that two of mutually different genres are combined. The function and form in each genre, which were combined at this time, are remained wholly or partially, thereby revealing as well without hiding a fact of having been combined. In the digital communication era, the same time level was integrated into one culture, with destroying the temporal·spatial boundary. As for the objectives of this study, first, the aim is to suggest a model for researching into make-up by grasping the developmental process and the characteristics of hybrid art through considering an art theory of hybrid, which was shown in make-up. Second, the aim is to design make-up by analyzing trend by make-up style after applying the genre deconstruction in hybrid. The modern make-up design through genre-deconstruction characteristics beyond diverse plurality and genre could be known to be highlighted as aesthetic characteristic by a slight attempt as communication of open space, which connects culture and genre, which had failed to be recognized and was neglected. Through the results of this study, it could be known that there is infinite possibility in developing make-up design in line with modern sensation through aesthetic element and symbolic significance through genre deconstruction. Based on these findings, its significance can be said to be in substantially contributing to offering new sight to the design & formative characteristic and the expression mode in future make-up, to providing basic data, and to strengthening competitive edge of culture and art.

• 복식
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• 제54권6호
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• pp.41-52
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• 2004

The objective of this study is to contemplate both the formation and the aesthetic characteristics of the ballerina look represented in modern fashion by analyzing a ballet costume. The results of this study could be summarized as the following: the ballerina look is formed by ballet costume itself with being stick to or exposing human body line, or by casual dress mixed with a ballet costume; the materials consist of both the major materials for a ballet costume such as silk, chiffon, tulle, lace, or organza, and the usual materials for casual dress: a variety of color such as transparent, pastel etc. is also used with typically used colors like white and black: decoration is basically composed of ruffle, drape, gather and the distinctive accessory like toe shoes, ribbon tape, ankle warmer is used to show a feature of a ballet costume These formative characteristics of the ballerina look presented in modern fashion implies illusory, pure, and hybridity. traits. First, illusion of the ballerina look not only implicitly expresses a womans wish to experience a ballerina's fantastic world, but also recreates woman herself into a ballerina on a stage. Second, purity of the ballerina look makes design look feminine and smooth, which is expressed with girlish taste through materials and colors. Third, hybridity of the ballerina look suggests a standard of a new trend, which is active style, by adding comfortableness and flexibleness to romantic femininity.

• 한국컴퓨터정보학회논문지
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• 제15권3호
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• pp.37-43
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• 2010

본 논문에서는 비교적 간단한 설계기법과 효율적인 디자인 기술을 사용하여 방송용 8.4" LCD 모니터를 개발하였다. 소형화 기술, 혼성 비디오신호 처리기술, 하나의 포트에 다종의 HD 시그널을 구현하는 기술, 기판제작에 있어서의 디지털 신호와 아날로그 신호의 분리기법과 타겟 보드에 맞는 오디오 신호 처리기술 등이 본연구의 주 연구 대상이다. 제안된 다용도의 8.4" LCD 모니터는 방송용으로 고안하여 제작하였으므로 해당 분야에서의 활용에 있어서의 효율이 기대된다.

• 복식
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• 제57권8호
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• pp.114-124
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• 2007

Contemporary fashion design has been represented as intermedia transcended value and spatiotemporal notion and also had a tendency to concentrate on serial process that materials are transfigured through time rather than existence. These forms related to interaction with time, space and performance as well as compositive genres, hybrid culture, compound gender define as 'serial expression' in this study. The serial expression ran be characterized that system, process, series, enumeration of sequences, depiction of performance, repetition of action in fashion collections and exhibitions of designers. The concept and circumstances made by author as a creator of fashion broaden perceptions of audiences and arouse spectators to participate in the situation as needing immediate attention. The forms of fashion and Conceptual Art in serial expression are analogous and even identical situations represent in fashion collection. Therefore analysis serial forms of art derives formative features: Narrative process, Imitation and Appropriation, Virtual reality and High technology, Hybridism and Convergence. This study suggest a framework to analyze conceptual fashion that give salience to megatrend in contemporary fashion culture on artistic point of view.

• 디자인학연구
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• 제16권1호
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• pp.181-198
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• 2003

이 연구는 e-비즈니스환경을 구축한 전통적 제조업체가 신제품개발을 추진하는 경우의 환경에 효과적으로 대응할 수 있는 온라인 디자인 툴 내지 사이버 모델의 개념을 갖는 제품디자인 프로세스를 개발 제시하는데 최종목표를 두었다. 최종목표인 제품디자인 프로세스는 e-비즈니스의 본질에 대한 이해를 바탕으로 하여 인터넷 웹사이트 구조 및 형식을 갖는 $\ulcorner$디자인 보털 사이트: e-BDVS$\lrcorner$라는 이름의 모델로서 개발되었다. 연구결과, 다음과 같은 내용들이 확인되거나 발견되었다. \circled1 e비즈니스는 인터넷 활용을 전제로 하는 비즈니스 모델이다. 따라서 e-비즈니스환경에서 추진되는 모든 업무 프로세스는 온라인형 구조 및 형식과 사용방법을 고려한 모델이 요구된다. \circled2 전통적 제조기업이 e-비즈니스로 전환할 경우는, 전통적 기업의 경영자원 및 장점과 디지털화의 장점을 접목시킨 혼성체 모델(Hybrid Model)을 우선적으로 고려하는 것이 효과적이다. \circled3 e-비즈니스환경에 요구되는 제품디자인 프로세스는 인터넷 Web 사이트로서의 활용성, 제품개발 관련자들의 적극적인 참여방법, 디자이너와 참여자의 상호작용적 의사소통방법 등이 최대한 고려된 구조 및 형식을 구비하지 않으면 안 된다. \circled4$\ulcorner$e-BDVS$\lrcorner$는 전세계 디자이너들을 자사의 인하우스 디자이너처럼 활용할 수 있게 함으로써, 자사의 전문인력 및 조직이 갖는 창의성 및 아이디어의 한계성과 인력부족의 문제 등을 극복할 수 있게 한다. 반면, 기업은 $\ulcorner$e-BDVS$\lrcorner$운영에 필요한 제 요소 및 조건들을 예산과 시간을 들여 구비해지 않으면 안 된다. \circled5$\ulcorner$e-BDVS$\lrcorner$에 사이버 디자이너의 자격으로 참여하는 디자이너는 디자인 프로젝트에 대한 모든 작업을 사이버 공간상에서 편리하게 수행할 수 있다. 반면, 전문디자이너로서의 역할이 다소 제한적이며, 자신의 작업결과가 채택되지 않았을 경우는 보상을 받기가 어렵다. \circled6$\ulcorner$e-BDVS$\lrcorner$는 전통적 프로세스에서는 불가능한 디자인 정보 및 데이터 이용의 광역성ㆍ신속성, 다양한 제안ㆍ솔루션의 획득, 디자인개발의 효율적인 추진 등을 가능하게 한다. 반면, 이것은 정형화된 프로세스나 도구로 활용하기에는 부적합할 수도 있다. \circled7$\ulcorner$e-BDVS$\lrcorner$는 협력업체나 아웃소싱업체가 업무추진에 따른 시ㆍ공간적 제약을 극복하고, 업무의 생산성 및 효율성을 향상시킬 수 있게 한다. 반면, 기존의 오프라인 업무 프로세스 및 방법도 부분적으로는 병행해야 하는 부담을 안게 된다.

• 생명과학회지
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• 제30권1호
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• pp.26-31
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• 2020

Heterosigma akashiwo는 전세계적으로 분포된 침편모조류이며, 대발생을 형성하여 많은 나라의 양식산업에 커다란 손실을 유발시킨다. 따라서 빠르고 민감한 검출방법을 개발하는 것은 유해조류 대발생에 대한 적절한 경보를 위해서 필요하다. 이 연구에서는 H. akashiwo를 정성 및 정량적으로 검출하기 위하여 뉴클레아제 보호 분석이 통합된 샌드위치 혼성(NPA-SH)을 개발하였다. NPA-SH 프로브는 여섯 종의 미세조류 핵산 서열을 이용하여 디자인 후, 특이성을 확인하여 capture 프로브와 signal 프로브를 선정하였다. 배양시료와 현장시료를 이용하여 NPA-SH의 적용성을 평가한 결과, NPA-SH의 좋은 적용성과 효과를 확인하였다. H.akashiwo의 정량분석을 위한 선형회귀식을 확인하였으며, 최소 검출한계는 1×10⁴ cells/ml이었다. NPA-SH를 사용하여 얻은 H. akashiwo의 정량결과와 현미경을 사용하여 얻은 결과 사이에는 통계학적으로 유의한 차이는 없었다. NPA-SH 분석은 환경시료에 잘 적용되었다. 이러한 결과는 NPA-SH가 H. akashiwo의 모니터링에 사용되어 왔던 전통적인 현미경적 방법에 대한 좋은 대안이 될 수 있음을 보여준다.

• 한국의류학회지
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• 제33권4호
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• pp.563-573
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• 2009

This study analyzed the trends and aesthetic characteristics of fur design found in the contemporary fashion to examine the status of fur material in the contemporary fashion design, and through an analysis of the meaning it attempted to come up with a new viewpoint and form on material for the future fashion design. A literature review was used to explore the kinds and properties of furs. In addition, an empirical analysis of works that have appeared in fashion collections since the year 2000 was conducted with local and foreign fashion magazines such as Gap, Vogue, and Mode & Mode and other publications related to fashion collections. In the contemporary fashion, the trends of fur design are represented by use of various items, material combinations, application to decorative purposes(like trimmings, details, or accessories), and a wide range of colors and textures available by advanced dyeing and finishing techniques. The aesthetic values intrinsic to fur design are that the expression of conspicuous luxury covers even the qualitative aspect of luxury and adds fashionable images to casual items, contributing to the popularization of fur fashion, by using a variety of artificial furs; the expression of sensual feminine beauty allows the animal and primitive feel characteristic of furs to convert a feminine body into a sensual image of more than a simple biological impulse; and the expression of hybridity presents a new viewpoint through distortions, exaggerations, deviations from the existing constituent forms, or futuristic sensibilities in all elements of fashion design.

• 복식
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• 제66권3호
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• pp.51-74
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• 2016

The purpose of this research is to analyze the relationship between the inspirations and designs of Dries Van Noten's Men's collections from 1992 S/S to 2014 F/W. The specific questions of this research are as follows: what are the important design features of the Dries Van Noten's Mixed collections from 1985 S/S to 1991 F/W? What are 'the roots of inspiration' of Dries Van Noten's Men's collections from 1992 S/S to 2014 F/W, and what are the aesthetic criterions of Noten's works? How can the roots of inspiration be categorized and what are its features? How did these roots of inspiration influence the Noten's designs? The paper is a reference of how ideas turn to practical works, and what the relationship between inspiration and design. Researchers utilized a qualitative research method providing a systematic review of the previous studies by analyzing the content. To conclude, roots of inspiration of Dries Van Noten's Men's collections can be classified into nine categories: 'Interpretation', 'Ethnic', 'Multiple Contents', 'Subculture', 'Region', 'Artist', 'Fashion Item', 'Sports', and 'New Trend'. Through the roots of inspiration, sensibility of Belgium, England, Italy, French chic, inquiry of ethnic, artist, sports, the neuter gender image, 1950's, 1960's & 1970's trend & style of street fashion, elegance for men, romanticism, zoot, rock 'n' roll, teddy boy, mods, punk, new romantic and 19th century's Anglo-Saxon style are extracted and applied to the designs through cross impact. The identity of Dries Van Noten's Men's collections are cross culture contents and harmony of the old generation and new generation.

• 대한전자공학회논문지TC
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• 제38권12호
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• pp.49-57
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• 2001

이 논문에서는 실리콘 기판 등가 회로 모델과 새로운 모델 파라미터 추출 방법을 보인다. 등가 회로 모델을 해석함으로써 회로 블록 사이의 기판 커플링 특성을 고찰하고, 커플링의 크기를 회로 동작 주파수와 특성 주파수(시스템의 폴과 제로 주파수)를 사용하여 분석함으로써 기판 커플링의 물리적 특성을 정량적으로 해석하였다. 제안된 등가회로 모델과 모델 파라미터 추출 방법의 정확성과 타당성을 실험적으로 검증하기 위하여 표준 CMOS 공정을 사용하여 다양한 거리와 기판 저항, 그리고 가드링 구조를 갖는 테스트 패턴을 설계, 제작하고 100 MHz-20 GHz 주파수 영역에서 측정하였다. 그리고 실리콘 기판 등가 회로 모델 을 사용하여 HSPICE를 사용하여 시뮬레이션하고 그 결과를 측정 결과와 비교함으로써 제안된 회로 모델과 파라미터 추출 방법의 정확성을 보였다. 따라서 등가 회로 모델과 파라미터 추출 방법은 정확한 혼성 신호 회로 디자인과 효과적인 시스템의 성능 검증에 유용하게 사용될 수 있다.

• 패션비즈니스
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• 제5권4호
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• pp.14-26
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• 2001

A lot of designers are adopting a mixed imitation as techniques of cretion because cultural boundary and structure of meaning in the era of post-modernism are collapsed and dissolved. I raise up a question mark to how can genuine and creative designers can be identified at this epoch when we are today familiar with the trend of informationalization, opening and globalization. Characterisitics of multi-culturalism and compromising blending are meshed with appearance of a theory of disorganization and consumer-driven economic activity of multi-national enterprises in the age of post capitalism. Accordingly it can be said that designers are leaning upon public and consumeroriented pattern rather than pursuing a creative cultural production. With mass media in rapid advancement and public culture in father dissemination, mass production and mass re-production became a natural cultural phenomenon strengthen ing its root. Creative designers somewhat slow and limitative in pace of adaption to rapid changing society amid such social backgrounds and flooded information are coming to dead-end of wall. A mixed imitation as techniques of creation is a result of borrowing, duplicating or re-combining of existing things because the mixed imitation is equivalent to borrowing, copying, compilation and recombination of well-known artworks, motive, diverse people's cultural features, image, techniques and the likes. It is too delicate thing for one to definitely distinguish such cultural phenomenon from either one as creative work or a plagiarized work. Looking into the facts as they are, we should recognize the designers limitation in their creative works by means of the mixed imitation. thus we can have a view upon them from a criticizing standpoint against the designers creation and imitation. On the other hand, when we look at things how the mixed imitation appears in the fashion as a piece of culture, we can understand something of the contemporary designers. I try to find a significance in seeking out a method of approaching to creative fashion designers direction in future times.