• 제목/요약/키워드: 현대 한복

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Changes in Modern Han-Bok and the First Ladies' Costume (현대 한복변천과 영부인 한복과의 관계)

  • Cho Hyo-Sook
    • Journal of the Korean Society of Costume
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    • v.56 no.2 s.101
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    • pp.17-31
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    • 2006
  • This study is tried to identify the changes in modern Hanbok for the past five decades through the literatures and actual materials such as the First Ladies' costume. In Hanbok fashion, there is a trend that influenced by politics, economy and culture just like in western fashion. After liberation from the Japanese colonialism, the most important factors in Hanbok fashion were economic factors caused by the development of textile industry and the dressing attitude of the First Ladies at that time. In 1950s, a modified Hanbok that is easy to wear was popular. It was partly because of the west oriented atmosphere after the Korean War and mainly due to the practical dressing attitude of First Lady, Francesca. In 1960s and 70s, former First Lady Yuk Young Soo who loved and had good taste for Hanbok led the fashion. At that time, high ranking female social leaders as well as general public usually wore Hanbok on formal occasions. Therefore, textile industry for Hanbok developed a lot and tailored shops that specialize Hanbok emerged. In 1980s, as the economy got better, Hanbok was upgraded and it became more luxurious. Traditional Hanbok was revived through a historical investigation. Additionally, the former First Lady Lee Soon Ja helped fostering a luxurious mood as she wore a Hanbok as a formal dress. After 1988 Olympic Games were successfully held, the importance of the traditional culture was emphasized in 1990s and Hanbok followed retro trend rigorously through the academic approaches including a dressing history. Hand painted and naturally dyed Hanboks were strong in this period. Former First Lady Kim Ok Sook's sophisticated Hanbok attire partially had effect on this mood. However, From the late 1990s Hanbok became less popular. It was partly because the former First Lady Son Myoung Sun and Lee Hee Ho preferred western style dresses and did not play a role as Hanbok fashion leaders.

Implications of Wearing "Hanbok" in Korea: Comparative Study of Asian Ethnic Dresses(Part III) (현대 한국인의 한복 착용: 아시아 전통문화 양식의 전개과정에 관한 비교문화 연구(제3보))

  • 이주현;유혜경;김찬주;홍나영
    • Journal of the Korean Society of Clothing and Textiles
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    • v.25 no.1
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    • pp.37-49
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    • 2001
  • The purpose of this research was to investigate the influential factors to wear or not to wear \"Hanbok\" in Korean society. Twenty six individuals who wear Hanbok relatively often, and twenty seven individuals who dont were purposively sampled and interviewed for the study by structured depth-interview method. A domain analysis, a method of qualitative study, was employed to find out the influential factors from the results of the depth-intervews. From the analysis, fifteen encouraging or discouraging factors to wear Hanbok emerged and were categorized into five domains, which included \"interpersonal relationship\", \"life-style\", \"image\", \"practicality\" and \"decorative function\". The personal involvement in traditional culture, tradition-oriented family background, good images related to Hanbok, and affordable life-style appeared to be encouraging factors to wear Hanbok. Meanwhile, social norm and role-expectation adjusted to westernized criteria, unaffordable life-style, ill practicality of Hanbok and negative cues associated with Hanbok were the factors influencing people to turn away from Hanbok. The study also revealed complex interactions between these factors explaining individuals choice of wearing or not wearing Hanbok in industrialized modern society of Korea. Some suggestions to promote wearing Hanbok were made based oh the results of this study.wearing Hanbok were made based oh the results of this study.

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A Study on the Pattern Design and the Construction in Modern Hanbok Fabrics (현대 한복소재 무늬의 조형성과 조직특성)

  • Kim, Sun-Kyung;Cho, Hyo-Sook;Baek, Hee-Ju
    • The Research Journal of the Costume Culture
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    • v.16 no.6
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    • pp.1111-1125
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    • 2008
  • The purpose of this study was to research the characteristics of the pattern design and the weave construction of 67 fashion fabrics in women's Hanbok. All the fabrics were made by 100% silk. Arrangement, size, and the type of patterns were investigated for research of the pattern characteristics. Pattern weave and background weave were analyzed, then the weight and the thickness were measured for studying the fabric construction. The results were as follows. First, irregular arrangement was more commonly used than regular arrangement, and then the complex arrangement and the combination arrangement were appeared considerably because of the existence of the various patterns in a fabric. Third, the types of pattern weave construction were much more than those of background weave construction. This is caused by the expression of dimensional effect for patterns. This survey can be practically used for development of pattern design for Hanbok industry and furthermore it will contribute to revitalizing of Hanbok market to overcome design limit in the future.

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A study on the design elements expressed in Korean costumes in the 2010s (2010년대 한국복식에 표현된 디자인요소에 관한 연구)

  • Park, Eunju;Rhee, Youngju
    • The Research Journal of the Costume Culture
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    • v.30 no.2
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    • pp.208-225
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    • 2022
  • The purpose of this study is to identify trends in modern Korean clothing design through investigation and analysis of the types and respective characteristics of silhouettes, colors, materials, patterns, and decorations present. To this end, research methods such as literature research and content analysis through case study research were used. The results of the wedding magazine data analysis were largely classified by design element and based on such, the conclusions are as follows. First, in the analysis of silhouettes, the appearance rate of traditional items decreased over the selected period and that of modified items increased. Second, among the same colors, adjacent colors, proximity complementary colors, contrast, and other harmonies, adjacent color harmonies showed the highest rate of appearance. Third, the cases where the same materials were used for the top and bottom elements showed a similar appearance rate as those where different materials were used. It was also concluded that traditional materials are being replaced by modern materials. Fourth, regarding the arrangement of patterns, the appearance rate of the absence of patterns gradually increases. Fifth, there were more case of decorations than those of none. This study made it possible to grasp the changes in trends of modern Korean clothing from 2011 to 2020 and provide basic data for the development of the Korean clothing market industry.

Study on Color Coordination of Hanbok - Focusing on Chima, Jegori in 2005~2010 - (한복 배색에 관한 연구 - 2005~2010년 치마, 저고리를 중심으로 -)

  • Lee, Kyeong-Eun;Cho, Woo-Hyun
    • Journal of the Korea Fashion and Costume Design Association
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    • v.15 no.2
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    • pp.109-121
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    • 2013
  • Modern Hanbok uses newly different color coordination based on traditional color coordination and symbolic meaning. Thus, this study would investigate the aspects of color coordination and symbolic meaning and present the characteristics of Hanbok as the data of corresponding period in the modern times. In order to investigate recent trend of preferred colors and color coordination of Hanbok, this study focused on the period of 2005~2010. When analyzing colors of Jegori(jacket), Wh, Y, B, YG, P and Gy series are shown in order. For trends for color of Chima(skirt), Pk, R, P, Gy and Bk series are shown in order. When you look into the color coordination of skirt and jacket on whole, color coordination of Pk-Wh represents the highest frequency. Color coordinations of Pk-Y, Pk-B, R-Y, R-G and Pk-G are followed in order. Color coordinations of R-YG, Bk-Wh, O-Y, P-Wh, Pk-YG, Gy-Y, R-Wh series and Gy-Wh are followed in order. When looking into characteristics of overall color coordination of Hanbok, it was shown that there were many opportunities to meet a variety of culture and various colors had emerged depending on individual taste and skin color in the modern times within the framework of basic colors of woman's 'Nokeuihongsang'(Green upper garment and red skirt) R-G, Y series, which are traditionally inherited. In addition, unlike existing traditional color coordination of five elements in the past, P, Gy and Bk series of color appeared in the skirt and Jacket. It could be affected by fashionable drama and films at that time and newly attempted colors ahead of fashion were reflected on the magazine. Therefore, it implied that it naturally gave new awareness of colors to the general public and the width of selection of colors became diverse.

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Development of Hair Accessory Designs Using Royal Hair Ornaments (왕실 머리장식을 응용한 헤어 액세서리 디자인 개발)

  • Jinyoung Ryu;Jiyeon Kim
    • The Journal of the Convergence on Culture Technology
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    • v.9 no.5
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    • pp.83-90
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    • 2023
  • The recent trend in younger generations of wearing traditional costumes or incorporating fusion hanbok into daily wear necessitates the development of modern hair accessories to complement hanbok. The purpose of this study is to develop practical and modern hair accessory designs inspired by royal women's hair ornaments that complement hanbok, and therefore expand the scope of fashion content development utilizing hanbok culture as well as meeting the demand for various experiences of traditional culture. This research studied the literature on traditional hairstyles and accessories of Queen Yeong and constructed models of these accessories for the purpose of empirical research. The production process first required creating a basic foundation of nylon mesh reflecting the silhouette of a traditional hairstyle, and then grafting a digital textile printed fabric using majestic and extravagant royal relics on top, thus employing the trompe l'oeil technique to ultimately give the impression of wearing traditional jewelry. As a result, a total of six hair accessory designs were completed, produced with hairbands, hair pins, and hair ties. In addition, the accessories are designed to be easily worn regardless of the wearer's hair style, and the stiff yet flexible nylon mesh effectively expresses the shape of a voluminous hairstyle and creates an optical illusion, blending into the hair. These research results present a unique aesthetic and cultural experience to the greater public seeking both daily entertainment and value from rarity.

MIT의 Biological Engineering

  • 김용성
    • BT NEWS
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    • v.11 no.2
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    • pp.20-23
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    • 2004
  • 필자는 콜로라도 주립대학 약학 생물 공학 센터에서 박사 과정을 마친 후, 메사추세츠 공과대학 (MIT)의 Biological engineering division에서 2004년 2월까지 약 1년 4개월 간의 박사 후 연구를 수행하였다. 본 글에서는 이 짧은 기간동안에 보고 느낀 바를 기술하고자 한다. 보스톤은 미국 건국 200년의 역사를 간직해 온 미국 동부 뉴잉글랜드 지역의 학문과 문화 중심지이다. 보스톤 시내의 복잡한 일방통로 도로를 매우 복잡한 세포내 신호전달 과정에 비유하는 것이 과언이 아닐 정도로 보스톤은 고전적인 유럽풍의 오래된 건물들이 대로를 따라 펼쳐져 있고, 낡은 전철이 지하로 지상으로 천천히 다니지만, 현대적인 고층빌딩들과 새로운 상징이 되어 버린 자킴 케이블 다리가 아름다운 야경을 연출하는, 전통과 현재가 조화롭게 펼쳐진 활기찬 도시이다. 보스톤의 한복판을 가로지르는 찰스 강변을 따라 펼쳐진 하버드와 MIT을 포함해 다수의 세계적인 명문대학들이 보스톤 시내 및 근교에 위치하고 있다.(중략)

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An Analytical Study on Research Trends of Young People Bibliotherapy Program (청소년을 위한 독서치료 프로그램 연구 - 연구동향 분석 -)

  • Hahn, Bock-Hee
    • Journal of the Korean Society for Library and Information Science
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    • v.41 no.4
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    • pp.201-215
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    • 2007
  • This study is to examine the research trends of the young people in Korea through an analysis of master's and doctor's dissertations. And to analyze the citations and documents in various aspects. such as; year, object, pattern, bibliotherapy program etc. The study is to present basic data for researcher and to indicate the direction of the study in the future.

A Design of the Biological Resources Code based on GS1-128 (GS1-128기반 생물자원 바코드체계 설계)

  • Chu, Min-Seok;Kim, Dae-Sung;Han, B.G.
    • Proceedings of the Korea Information Processing Society Conference
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    • 2006.11a
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    • pp.725-728
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    • 2006
  • 현대 사회의 자동인식의 기술은 매우 발전해 있음에도 보건의료와 관련한 자동인식 기술의 접목은 아직까지 다른 산업기술 전반에 미치지 못하고 있는 실정이다. 특히 보건의료분야 연구에 기반요소로 사용되는 생물자원은 정확성에 대한 중요도가 매우 높음에도 적합한 코드체계와 자동인식기술 연구가 미비한 실정이다. 생물자원의 신뢰성과 정확성은 국제적인 유통물류 바코드 표준인 GS1-128을 적용 확장하여 바코드체계를 설계하고 자동인식기술을 연계하여 발전된 정보환경을 만들 수 있다. 본 연구에서는 생물자원 자동인식 기반을 제공하기 위하여 필요한 바코드 요구사항을 정의하고 GS1-128을 기반으로한 생물자원 바코드체계를 제시하였으며, 동일한 바코드문자의 표현영역에 보다 많은 정보를 기록하면서도 작은 면적에 표현 가능한 바코드체계를 설계한 것이다.

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Korean Dress Collection of the Horniman Museum in London (런던 호니만 박물관 소장 한복 유물에 관한 연구)

  • Kim, Soon-Young
    • Journal of the Korean Society of Clothing and Textiles
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    • v.36 no.1
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    • pp.99-111
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    • 2012
  • This paper investigates the formative features and the historical meaning of the Korean dress collection held in the Horniman Museum in London. The Museum holds eighteen items of Korean dresses donated by Mrs. C. de J. Luxmore in 1948 and by Mrs. Bowra in 1953. Male dresses consist of white silk outer robe (durumagi), a pale violet silk waistcoat (jokki), a jade green silk jacket (jeogori), pale yellow silk trousers (baji), a pair of ankle bands (daenim), a cotton waistband (dae), a silk purse (jumeoni), a rattan under-vest (deungbaeja), a pair of rattan wristlets (deungtosi), a top hat (gat) and a skullcap (tanggeon). Female dresses comprise a jade green silk jacket (jeogori), an ivory silk skirt (chima), a light blue silk petticoat (sokchima), two kinds of white cotton trousers (sokbaji and soksokgot), a pair of silk wristlets (tosi) and a pair of padded socks (beoseon). A Korean dress collection of the Horniman Museum shows a set of ordinary dress items worn by a married couple in the 1930s and the 1940s. Of these items, a silk petticoat (sokchima) and a rattan under-vest (deungbaeja) can be highly evaluated as object resources in the history of Korean dress. The petticoat is a rare and valuable example that represents an early type of modern petticoat that has replaced a traditional petticoat (dansokgot). The rattan under-vest has square neckline and two tiny sleeves similar to a Western cap sleeve. This kind of under-vest is a transitional form shown between under-vest similar to the Korean waistcoat (baeja) and one similar to the Western waistcoat (jokki).