• Monthly Duck's Village
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• s.68
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• pp.48-56
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• 2009

현대와 같이 산업사회로 발달되기 이전의 자연생태계는 행복하였다. 청정한 태양 빛 아래 맑은 공기, 물, 흙과 나무가 어우러진 자연의 환경에서 엄연한 먹이사슬질서 속에서 살아 왔었는데, 인구증가와 산업사회로 발전하면서 대량수요가 요구되면서 그들은 점차 행복한 삶의 터전이 없어지고, 강제로 억제시킨 극도의 열악한 집단사육환경에 적응하면서 살아갈 수밖에 없게 되면서 먹이사슬에서 부작용과 역기능이 발생되기 시작하였다. 집단사육장환경을 획기적으로 개선해야 된다. 태양빛이 완전 차단되고 밀폐된 공간에서 집단사육시키고 있는 닭, 오리, 돼지가 정상적으로 생장할 수 있도록 적어도 자연환경에 가까운 밝고 청정한 환경으로 개선시켜야 된다. 사육동물들이 정상적으로 생장할 수 있도록 자연환경과 버금가는 생태환경으로 개선시켜 주어야만 오리들이 건강하게 성장하고 면역력이 증강되어 조류인플루엔자와 같이 원인불명의 질병에 감염되지 않을 것이다. 현실적으로 모든 실내 생태계의 성장을 활성화시키면서 면역력을 증강시킬 수 있는 생명에너지 빛(Bioenergetic Rays)을 방사하는 차세대 조명기술로 집단사육장의 실내를 획기적으로 밝게 하고, 실내의 탁한 공기가 신선한 외부공기로 충분히 순환이 될 수 있도록 반 밀폐구조로 개조해야 한다. 그리고 한 마리 당 활동공간을 넓혀 주어야 한다.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2005.10a
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• pp.96-99
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• 2005

One of the characteristics of contemporary interior design is the prominence of material and its challenge to the established concept of interior design. As material has risen to the new element of design, losing its old concept as something secondary surrounding space, it had become an useful instrument to create unique images as well as to express the paradigm of space that modern society demands. The active role of material has made itself one of the primary elements that make a difference in design. Particularly in commercial spaces where sales are important and attractive spaces are needed, material has been emergent conveying its appling to consumers. Therefore, this study analyses the materiality that material has and its characteristics represented as images in commercial spaces. With the analysis, it researches further into the unlimited possibility of material and show the way for modern interior design to head for.

• Korean Institute of Interior Design Journal
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• v.22 no.1
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• pp.38-46
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• 2013

The change in radically changing era requires various interpretation of interior space and application according to it Minimalism shows simple and pure geometric structure and has been influencing to every aspect encompassing space till present. The features of minimalism in space is geometric structure and composition of simple and repetitive line, restrained simple space, pure and structural simplicity. When minimalism construction is discussed, the vocabulary of simplicity has been followed incidentally and has been discussed as concept of simplicity in new viewpoint through historical flow. The purpose of this study is analyzing basic features of John Pawson's ways of working and trying to define the semantics of the new simplicity concept in modern interior space. The new simplicity in John Pawson shows interactive relationship of eastern and western through basic consideration of fundamental elements such as space, light and materials. The relational simple in intermediation of the new simplicity expressed by amalgamation of eastern and western further from disparate interpretation for simplicity expressed in eastern and western is to review back the basic meaning of simplicity in minimalism. And I hope this study can offer various directions for new interior space accepting theory of the new simplicity and I think that new constructional alternative is required as physical space which can be matched with era of social, environmental chaos caused by this theory of the new simplicity.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2005.10a
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• pp.155-160
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• 2005

This study is focused on the indeterminancy of the contemporary social structure based on the philosophical concept of relationship. The indeterminate relationship is one of the prominent characteristics of contemporary architecture. This study aims to clarity the indeterminate programs of the contemporary urban spatial structures. By tracing this new characteristics of new architectural trend, the spatial situations of could be understood in light of new conceptual frame as well as some relevant architectural project cases.

• Korean Institute of Interior Design Journal
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• v.14 no.5 s.52
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• pp.212-217
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• 2005

This study focuses on understanding the design characteristics of interior styles reflected in contemporary residential spaces by choosing and analyzing some design cases, reflecting interior styles of various countries, which is broadcasted through an interior design cable television in the U.S. Moreover, this study is meaningful because it provides a chance to extend the scope of study to the improving and developing Korean interior style for clarifying Korean identity to make Korean image by the comparison with other cultural spheres. In this study, after sorting 10 interior- style types and 90 design cases from the 12 cable television that mainly manage interior design projects, I grasp interior-design characteristics of each cases classified by form/expression and material. Research objects of the form/expression part for the interior-design characteristics are limited to furniture, textile, and ornaments, and those of material part are limited to furniture and ornaments.

• Korean Institute of Interior Design Journal
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• v.20 no.5
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• pp.87-95
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• 2011

최근의 현대 건축에서는 재료의 물성과 구축성이 두드러지는 프로젝트를 많이 발견할 수 있다. 이러한 경향의 배경에는 사양한 요인들이 있을 수 있다. 그 중에서도 공간성(性)에 대한 근본적이고 회귀가 중요한 바탕이라고 할 수 있다. 피터 줌터의 건축은 현란한 조형적 효과, 표현만을 위한 기술적 장식을 사용하지 않는다. 대신 그의 건축은 장소와의 관계, 문화적 context 상에서의 맥락, 그리고 공간의 근원적인 경험을 주요한 매체로 사용한다. 그리고 이러한 특수성은 대체적으로 빛과 재료의 고유한 적용으로 나타난다. 이는 장소와 문화의 특성을 관습적인 형태나 화려한 표현으로 재현하는 것이 아니라 '공간감'의 구현으로 구축하는 방식이다. 본 논문은 피터 줌터의 건축에 나타나는 빛과 재료의 구축 방식, 그리고 공간의 경험에 대하여 살펴본다. 그의 건축 구축 방식은 일견 간단해 보일 수도 있으나 실제로는 프로젝트마다 고유한 빛과 재료의 적용과 텍토닉(tectonic)이 내재되어 있다. 본 연구의 목적은 이러한 점들을 자세히 살펴보고 그러한 구축방식이 궁극적으로 어떻게 공간의 경험과 관계를 하는지 고찰하는 것에 있다. 구체적인 사례는 Bruder Klaus Chapel과 Kolumba Museum으로 한정된다. 프로그램은 다르지만 빛을 사용하여 관람자의 공간경험과 공간인지가 어떻게 형성되는지를 다루면서 결론 맺는다.

• Proceedings of the Korea Society of Design Studies Conference
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• 2004.05a
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• pp.36-37
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• 2004

• Korean Institute of Interior Design Journal
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• v.16 no.2 s.61
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• pp.339-346
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• 2007

This thesis has purpose of explaining that light is not only appreciated but also physically percepted in contemporary space design and examining effects of space experience through the physical perception. In keeping with such developments, light has been perceived as the object of another architectural tool in modern space design and has provided men with new experience by providing space image and function different from previous ones. With the expansion of the area of light, light has changed a space that is not a simple architectural factor into the essential concept that gives the architectural space image ! by combining it with architectural space, structure, form and materials throughout the whole process from the beginning to the completion. Through phenomenological approach, light is percepted and experienced by body movement, intervention of senses and memories, and passing of time. The percepted and experienced light brings increase of mutual understanding in space, activation and continuance of user's sensation, recreational experience by event occurrence and space experience effect thorough information from media.

• Korean Institute of Interior Design Journal
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• no.19
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• pp.3-10
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• 1999

This study is to examine the contradictional phenomenon from the standpoint of philosophical thoughts, experiencing the modern Museum opened recently while anlyzing the perceptive phenomenon of the space as well as what architect is thought of the Museum, so that it is aimed at finding the aesthetic value and substantiality of its space concept. As for the construction of the Museum for the space experience, the contradictional expression of the architectural space was analyzed by going through Richad Meier of Barcelona Museum, Renzo Piano of Beyeler Museum and Mario Botta of Tingly Museum at first-hand.

• Korean Institute of Interior Design Journal
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• v.15 no.4 s.57
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• pp.156-164
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• 2006

One of frequent phenomena in the contemporary cultural field is the alternative or accompanying interweaving phenomena which happens in the relative connection of A, B, and C. The power of interweaving mixture is one of energies which unify the contemporary cultural phenomena, and it appears as a major phenomena in the recent popular digital architecture. In this study, the mixture, shape, and contents in the contemporary space design is analyzed as a point of view of Post-Structuralism. Namely, the digital part and non-digital part of alternative and circulating existence in the space are classified and the interweaving phenomena in the contemporary space design are proved. It is studied for digital part and physical space to conjunct the hole space and smooth space of Deleuze as part of interweaving phenomena. It is clear that the compatible concept of the hole space and smooth space is crossed complexly or is coexisting in circulating and extending, and is showed as interweaving phenomena in one space.