• Annual Conference on Human and Language Technology
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• 1993.10a
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• pp.193-205
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• 1993

한글의 글자꼴과 장평율 그리고 글줄 길이와 글줄꼴 처리 방식이 가독성에 미치는 효과를 측정하였다. 글자꼴은 명조체, 고딕체, 샘물체를 사용하였고, 장평율은 글자의 가로 대 세로 비율을 1 대 1, 1 대 2 그리고 2 대 1로 변형시킨 세 가지를 사용하였다. 글줄 길이는 60mm와 120mm의 두 가지로 하였고 글줄 끝에서 음절 단위로 끊어 쓴 문장과 어절 단위로 끊어 쓰되 띄어쓰기 여백을 조절한 문장과 조절하지 않은 문장을 사용하였다. 연구결과, 글자꼴에서는 명조체와 고딕체의 가독성이 샘물체보다 좋았고, 가로 대 세로의 비율이 1 대 1이거나 1 대 2인 글자의 가독성이 2 대 1인 글자의 가독성보다 우수하였다. 이러한 연구 결과는 한글 정보 처리 과정에서 자모보다 글자가 중요한 시각 정보로 사용되고 한번 응시하는 동안에 표집되는 글자수가 가독성에 영향을 미칠 수 있다는 사실을 시사한다. 글줄 길이는 120mm일 때의 가독성이 더 좋았고 글줄 끝처리 방식은 가독성에 영향을 미치지 않는 것으로 나타났다.

• Annual Conference on Human and Language Technology
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• 1993.10a
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• pp.207-216
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• 1993

네모틀 글자꼴인 명조체와 고딕체, 탈네모틀 글자꼴인 샘물체와 한체, 한체로서 받침없는 글자의 높낮이를 조절한 변형한체, 명조체로서 가로대 세로의 비율을 변형시킨 장평50과 장평150의 글자꼴을 문장의 가독성과 미려함의 차원에서 비교하였다. 또한 글줄간격에 따라 이들 글자꼴에서의 차이가 어떻게 달라지는지 살펴보았다. 연구결과, 네모틀 글자꼴의 가독성이 대체로 탈네모틀 글자꼴보다 더 좋았으나, 이러한 차이는 글줄간격에 따라 다르게 나타났다. 미려함 차원에서도 네모틀 글자꼴이 탈네모틀 글자꼴보다 더 높게 평정되었다.

• The Korean Publising Journal, Monthly
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• s.244
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• pp.7-7
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• 1998

활자꼴은 크게 정보전달과 이미지 표현의 역할을 맡고 잇따. 정보전달 중심의 한글꼴은 큰 변화가 없는 편안하고 익숙한 형태를 띠며, 이미지 표현 중심의 글꼴은 예측하기 어려운 다양한 형태를 띤다. 출판물 성격에 따라 쓰임새에 알맞은 절제된 활용의 지혜가 필요하다.

• Proceedings of the KSPS conference
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• 1996.10a
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• pp.300-307
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• 1996

한글은 세계 여느 문자처럼 자연 발생적으로 생긴 문자체계가 아니라 수천년간 인류의 어음에 대한 사유와 고도의 어음기술이 집약된 문자관에 의해 연역적 방법으로 창제된 문자체계이므로 다른 문자와는 차별적인 연구방법이 요구된다. 세종조에 편찬되었던 ${\ll}훈민정음{\gg}{;\}.{\;}{\ll}홍무정운역훈{\gg}{;\}.{\;}{\ll}동국정운{\gg}$는 제작 동기와 목적이 달라서 각각 상이한 어음체계를 가지고 있는데, 각 어음체계가 필요로 하는 글자꼴을 한글은 27개(자음16개, 모음11개)의 기본글자꼴에 발음부위 및 발음방법을 상형한 새로운 글자꼴을 제공하여 각각의 문자체계를 구성하였다. 유교적 언어관의 토양에서 세상 모든 음의 생성원리에 의해 창제된 한글은 바로 세상의 모든 음을 표기할 수 있는 문자체계인 것이다. 이러한 한글음성문자는 오늘날 이질어음체계의 외국어를 표음하는 데에도 예외 없이 적용될 수 있을 뿐만 아니라 글자꼴의 유연성.응용면에서 국제음성문자(I.P.A)보다 월등히 과학적이고 완정한 음성문자로서 기능할 수 있다.

• The Journal of the Korea Contents Association
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• v.12 no.7
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• pp.102-113
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• 2012

Hangeul is growing as cultural icon representing Korea. And Hangeul is scientific and is too systematics for words as the guide of modern design. First it can make the variable and beautiful foams like dot, line and plane. It also has the basic design principles like symmetry and repetition. The purpose of this study is to develop textile designs using the formative characteristics of Hangeul. So in this study it was chosen 'ㄱ, ㄹ, ㅁ, ㅂ, ㅅ, ㅇ, ㅍ' of Hangeul's consonants and 'ㅑ, ㅕ' of Hangeul's vowels as the subject materials of textile designs development to develop textile designs expressed the geometrical shapes and formative beauty of Hangeul. Those are designed by using a variety of motifs that recast the shapes of Hangeul. So six textile designs for necktie and scarf were developed. Through this study it will be offered to the possibility of products that was based on Hangeul.

• Archives of design research
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• v.14
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• pp.321-333
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• 1996

The typeface of the Shhnch 'ongjon woodblocks is unsophisticated and old-fashioned while at the same time having a tidiness and strength that give it its special appeal. This is the typeface used in publishing novPls for sale to the common people during the latter half of the Choson Dynasty_ Their demands could not be satisfied with most currently available literature. which was intended to suit the tastes of the official class. As a result of a development to overcome the unbalanced use of space characteristic of letterforms that followed the geometric principles of early Hangul. the typeface followed the refined. feminine "hrushstroke" style of kungch 'e. establishing itself as a "rough" face displaying the characteristics of carved. woodblock printing in answer to the needs of the common p-eople who had the greatest need of Hangul during the time of its f1owering. The Shhnch 'ongjon face is characterized by thin horizontal strokes. thick vertical strokes. and the appearance of being condensed left to right. They possess simple yet varied form. With these characteristics the Shimch' ongjon typeface. if revived and compared to other typefaces. has a beauty of structure and composition and a unique. modern lmage with excellent readability. giving it great significance for modern r langul typography.r langul typography.

• The Journal of the Korea Contents Association
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• v.22 no.7
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• pp.498-510
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• 2022

Among the various factors that form fonts, the concept of a new Korean font term called Inner Space Width was developed and the effect of changes in fonts applied to readability was analyzed. [Experiment 1] An empirical analysis was attempted on how the Korean-shaped Outer Space Width affects readability among the texts. Among the factors that make up the paragraph, Outer Space Width by letter size, letter size, letter spacing, letter spacing, and letter shape was composed of Yoon Myung-jo 110-160 and Inner Space Width of Yoon Myung-jo 110 was the widest at 26.83%. [Experiment 2] In-depth interviews with experts were conducted to derive factors and evaluation indicators constituting the inner space. Inner Space Width is evaluated as a complex factor that affects preference and fatigue, and is related to understanding and speed. This study empirically reviewed the effect on readability using the concept of Inner Space Width in the absence of existing research on Hangul-shaped fast space, and is expected to be actively used in the development of fonts in the future.

• Archives of design research
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• v.14 no.2
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• pp.235-244
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• 2001

Hangout is already recognized as a world famous writing system. However, the typefaces that may show the excellence of Hangeul lack the systemic development, and their frequent change without independence rather causes an obstruction to the development of visual culture and informational systematization of the country. In this paper, I presume that the core of this obstruction is caused by a lack of successful inheritance of the creation philosophy and principle of Hangeul. In order to prove this premise definitively, I saw Hangul from the viewpoint of design, and suggested the base and objectivity to solve the problem by systematically define the excellence of Hangeul. In this paper, 1 confirmed that the creation philosophy and principle of Hangeul had the design philosophy that was appropriate for social and cultural background of that time, and went through rational design process. Therefore, as I mentioned earlier, the due for the problem with Hangeul typefaces can be found when it is handled based on the creation philosophy and principle. Furthermore, the creation of Hangeul can be explained as a creation of rational and scientific letter as a method of easier communication between different people and nations. Therefore, the study of the design method and principle used in the process of Hangul creation may provide the new base for the methodology of visual communication design, and it may be a core research subject to find the root of Korean design philosophy.

• Annual Conference on Human and Language Technology
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• 1993.10a
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• pp.173-184
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• 1993

폰트관련기술은 폰트의 개발에 사용되는 폰트개발기술과 개발된 폰트의 효율적인 이용에 관한 폰트처리기술로 구분된다. 본 논문에서는 폰트개발기술의 대표적인 예인 서체설계지원시스템 특히 한글폰트의 개발을 쉽고 빠르게 할 수 있는 시스템의 개발에 대하여 논한다. 지금까지의 폰트개발은 서체전문가의 원도제작과정과 제작된 원도를 폰트화하는 과정으로 진행되었으나 본 시스템은 서체전문가가 직접 컴퓨터의 지원을 받아 원도를 제작하며 원도제작과정의 결과로 폰트가 만들어지도록 폰트개발과정을 일원화하도록 하였다. 이를 위하여 서체설계과정을 정의하고, 정의된 서체설계과정을 컴퓨터상에서 구현하기 위한 기법을 개발하였다. 본고에서는 참조설계로 표현되는 서체설계지원시스템의 개발을 위하여 고안된 기법중 글자의 중심선과 굵기로 윤곽선을 자동생성하는 기법과 글자의 특징을 이루는 돌기를 라이브러리화하여 운영하는 기법에 대하여 논하기로 한다. 시스템 개발은 PC상에서 VGA그래픽카드와 mouse를 사용하여 구현하였다.

• The Research Journal of the Costume Culture
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• v.25 no.5
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• pp.611-628
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• 2017

As a plan for establishing Korea's cultural identity and its competitive edge in the world market and for enhancing Korea's cultural status, creative and unique high value-added cultural products need to be developed utilizing our inherent cultural assets. Accordingly, this study focused on the development of the design of fashion cultural products that utilize the convergence of Hangeul our peculiar font style and Korea's cultural heritage, which is registered as part of UNESCO's World Heritage. A design method was devised that converges archetypal images of cultural property with the unique Hangeul font in a way that targets Korea's symbolic architectures. The symbolic architecture includes Korea's world-heritage pagoda architecture, such as Seokgatap pagoda and Dabotap pagoda at Bulguksa temple. It also included the architecture of royal palace, such as Injeongjeon hall at Changdeokgung palace. Finally, it also included the architecture of the fortress wall, such as Paldalmun gate in Hwaseong fortress. Thus, by developing cultural assets made from a convergence between architecture and the Hangeul font as a consumer-product image that has universality, the possibility of cultural products was pursued by applying color planning after an analysis that involved extracting the compositional colors of the flags of the world. This research and approach will lead to opportunities for further progress for Korea's cultural products in the global market as a results of additional recognition for their value, excellence, and universal appeal.