• Proceedings of the KAIS Fall Conference
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• 2008.05a
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• pp.125-128
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• 2008

사상의학은 개인별 체질의 분류에 따른 맞춤형 의학으로 우리나라 고유의 독특한 전통 의학이다. 이와 같은 사상의학에서 가장 중요하게 여겨지는 것이 사상체질의 정확한 분류이다. 따라서 사상체질 분류에 대한 객관적 요소의 확보 및 진단 지표 마련이 시급하게 해결되어야 할 과제이다. 이를 위해 본 논문에서는 사상체질 분류의 객관화, 정량화 및 시각화를 위해 얼굴 영상 신호와 음성 신호를 분석하여 결과값을 추출하고 체질별 집단군간의 차이점을 비교하여 사상체질 분류 시스템을 구현하고자 한다. 특히 영상 및 음성 신호는 성별, 연령별, 지역별 등의 구분에 따라 달라지기 때문에 본 논문에서는 40에서 50대 사이의 장년 여성을 대상으로 서울지역 거주자에 한해 사상체질 집단군을 구성하고 이들의 영상 및 음성 신호를 추출하여 체질간 비교, 분석을 수행하고자 한다. 최종적으로 실험을 통한 연구 결과의 유의성을 입증하고자 한다.

• The Journal of the Korea Contents Association
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• v.14 no.11
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• pp.944-954
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• 2014

This paper discusses how the traditional cuisine of Korea capitalizes on "nostalgia" for the past. While examining the (re)invention of Buddhist cuisine and Andong food, this paper contends that traditional Korean cuisine is commodified through a process of de-contexualization. This paper first discusses the possibility that the idea of traditional cuisine is an invention in the first place. The history of temple food, for instance, suggests that it was created as a vehicle for circulating and implementing the ruling ideology in the ancient societies of China. This paper then turns to the issue of the growing influence of traditional cuisine in contemporary Korean culture, which is related to the public's demand for healthy food and also tied with the South Korean society's need for promoting a national cuisine in the age of globalization. The rise of traditional cuisine is a sign that people are seeking to reform their eating habits and form a counterculture. Yet, another side of the story is that consumers end up taking part in the self-expanding capitalist market with more consumer choices rather than forming a genuine counterculture. In this respect, the reinvention of temple food is closely related to what Jean and John L. Comaroff call the "emergence of consumption as a privileged site for the fabrication of self and society, of culture and identity".

• Proceedings of the Korea Contents Association Conference
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• 2016.05a
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• pp.143-144
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• 2016

깊은 전통 문화를 지닌 중국 전통 요소들은 줄곧 예술 창작의 발원지였고 사람들에게 잘 알려진 신화, 전설과 고전 명작들을 탄생해냈다.<대성귀래>의 성공은 단지 수많은 애니메이터들의 꿈일 뿐만 아니라 중국 전통 요소들의 재차 발광과 승화이다. <대성귀래>는 중국 고전 <서유기>를 배경으로 영화 전반의 제작에 중국 요소를 활용함과 동시에 사상에 대한 전통 문화의 속박을 깨뜨려 현실 생활과 절묘하게 결합해 대중들에게 전면적이고 새로운 영화 이념을 펼쳐냈다.<대성귀래>를 연구 대상으로 하는 것은 우리가 중국 애니메이션 콘셉트의 발전 추이를 알아가는데 새로운 시각을 제공할 것이다. 본문은 중국 전통 요소인 <대성귀래> 속 배역과 장면 및 배경 음악의 활용에 대한 분석을 통해 <대성귀래>속 중국 요소가 뛰어난 빛을 낸 활용에 대해 연구하였다.

• Proceedings of the Korea Society of Design Studies Conference
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• 2004.05a
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• pp.16-17
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• 2004

• Journal of Korea Entertainment Industry Association
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• v.15 no.3
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• pp.65-73
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• 2021

This research analyzes the characteristics of Chinese tragic films with Chinese traditional ethical ideology as the core, analyzes its specific performance in the plot and ending setting of the film , and analyzes the director's tragic narrative strategy of cultural reconciliation in the face of political environment to understand the characteristics of Chinese contemporary tragic films.The film is a Chinese contemporary tragic film with The Great Cultural Revolution as its historical background. This film is a representative film of Chinese contemporary tragic films. The classic plot has played a certain role in the expression of Chinese traditional ethical ideology such as fatalism and optimistic attitude to life. The male lead's thought changes interpret the Chinese-style tragedy characteristics containing Chinese traditional ethical ideology. In the setting of the ending, the film broke through the "happy ending" model of Chinese traditional tragedies, and chose the open ending of "one tragedy to the end", further showing the time feature of Chinese contemporary tragic film. The euphemism and tenderness of the film as a tragic film is not only due to the compromise with the political culture of power, but also the result of the director's in-depth understanding of the aesthetics of Chinese tragedy. Through the use of symbolic signs in the film language, it has formed the implicit characteristics of the film narrative in the tragic aesthetic experience. In this paper, the author conducts text analysis for the film and discusses presentation of Director Yimou Zhang's tragic feelings and using the tragic narrative strategy of cultural reconciliation to show his creative wisdom in pursuing artistic breakthroughs under political pressure.

• Journal of the Korean association of regional geographers
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• v.8 no.2
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• pp.161-169
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• 2002

The traditional methodology of Korean regional studies had been shifted by geographic thoughts and philosophy as follows; Environmentalism or Environmental determinism stemming from geomancy were dominant methodology in the Korea era. An idiographic approach was introduced based on the encyclopedic description of geographic factors of villages for the centeralization of power in the Chosun era. A systematic geography that pursues scientific laws of regional differences which results from the interactions of human and nature had emerged through field works of some practical school in the later Chosun era.

• Proceedings of the Korea Information Processing Society Conference
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• 2008.11a
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• pp.133-136
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• 2008

초고령화 사회로 진입하면서 건강의 유지 및 관리는 일상생활에서 매우 중요한 관심으로 대두되고 있다. 특히 우리나라 전통의학에 대한 가치성이 향상되면서 이를 실생활에 접목하기 위한 노력이 활발하게 진행되고 있는 실정이다. 이를 위해 본 논문에서는 사상의학에 대한 체질 분류의 객관화를 통해 예방차원의 건강 관리를 지속하기 위한 연구를 진행하고자 한다. 특히 사상의학에서 제안하고 있는 여러 사상체질 분류 방법 중에서 음성을 통한 사상체질 분류 방법을 공학적으로 구현하여 이를 객관적 진단 지표로 설계하고자 한다. 따라서 본 논문에서는 서울지역에 거주하고 있는 20-30대 남성의 음성을 수집하여 음성 분석학적 요소 중 피치 분석 요소들에 대한 추출 및 비교를 통해 사상의학의 사기론에서 제안하는 이론적 근거를 입증하고자 한다. 최종적으로 실험을 통해 추출된 결과를 사상의학 전문의의 진단 결과와 비교, 분석하여 제안하는 기법에 대한 검증을 수행하고자 한다.

• Journal of the Korea Convergence Society
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• v.11 no.11
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• pp.135-145
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• 2020

In the era of the fourth industrial revolution, design has developed into a fusion of diversified culture and media. The integration of traditional culture and brand design concepts has become a hot research topic. Chinese Zen thought integrates the thoughts of Laozi and Zhuangzi, and takes" Wu Xiang as the appearance, Wu Nian as the foundation, Wu Zhu as the purpose" as the main purpose to construct a unique Zen thought system that integrates Taoism, Confucian philosophy and aesthetics. From this point of view, the MUJI design that combines Chinese Zen thought and design has attracted much attention. As a traditional culture, how is Chinese Zen Thought reflected in the design of MUJI? Starting from the awareness of this question, this study takes the daily necessities of MUJI as an example to investigate the design features of MUJI that reflect Chinese Zen thought. The conclusion shows that the design features of MUJI with Chinese Zen thoughts are showed in four ways-minimalist style, unitary color, ecological material, and humanized experience.

• The Journal of the Korea Contents Association
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• v.19 no.7
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• pp.166-175
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• 2019

The constitution of traditional medicine is distinguished from modern medicine. Sasang medicine describe the constitution which is classified as functional intensity of the lung, spleen, liver and kidney. The functional strength of each part of the human body is not the same in each constitution, and this imbalance is considered as a major factor of the disease. Ayurveda is identified the balance of the three dosha in our body is the basis of health maintenance. The reason for the illness is due to the imbalance among vata which express energy metabolism, pitta which plays a role in metabolism and digestion, and kapha which controls body temperature. The two theories which include knowing the characteristics and trends of diseases according to their constitution, the approach of treatment and the health care of daily life. They are also considered as convergent area about treatment methods in the modern society where individual characteristics and lifestyle are emphasized. The purpose of this study is to understand the concept of constitutional basis for increasing patient satisfaction and to help diversity of treatment in preventive medical area by comparing and analyzing the theory of Sasang and Ayurveda.

• Proceedings of the Korea Contents Association Conference
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• 2016.05a
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• pp.81-82
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• 2016

본 연구는 K-Garden 조성붐과 관련하여 한국전통정원콘텐츠 발굴을 위해 조선시대 대표적 정원인 소쇄원의 공간적 특질을 효사상의 관점에서 조명하였다. 소쇄원의 효사상은 양산보의 효부에 나타난 효의 실천을 통한 수 제 치 평과 신분질서를 통한 상 하 공간의 위계, 후손들의 선대정원의 회복의지, 경관연출, 경관요소의 제명에 투영되어 있으며 이러한 효사상은 정원의 장소성과 연계하여 다양한 활용가치가 기대된다.