• Proceedings of the Korea Information Processing Society Conference
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• 2020.11a
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• pp.532-533
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• 2020

본 연구는 두 가지의 HMD를 기반으로 화성능행도병에 관한 문화유산 MR 콘텐츠 시스템을 제안한다. 화성능행도병 중에서 서장대야조도를 대상으로 지류와 실물모형 위에서 3D 모델을 증강하여, 역사적 정보제공과 훈련과정 체험을 가능하게 한다. 이를 통해 박물관·미술관 관람객들에게 새로운 형태의 조선 시대 기록화 콘텐츠를 제공함으로써 역사적 기록에 대한 정보를 효과적으로 전달하고, 색다른 시각적 효과와 흥미 요소를 제공할 수 있을 것이다.

• Archives of design research
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• v.14 no.2
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• pp.7-14
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• 2001

Facing the 21th century, the cultural era, a lot of people show much more concern on cultural products than before. These cultural products can be regarded as our national countenance because they might contain the national tradition and spirit. So, it is quite obvious that the image of a product will be directly related to the national image. The current problems of developing cultural products in Korea are underdeveloped product design and technique, and widespread of poor quality products. Fist of all, it needs to develop competitive designs by reflecting cultural aspects in each product, based on the specialized research and information on our culture. And it is important to invest in developing materials and skills for mass production and the improvement that can excel the past. Also, there are needs to reform the sales structure to connect producers and consumers directly, not through the wholesalers who cause the price rising. Finally, museums as well as government should cope with this cultural competitive era actively by giving the continuous cultural education and inducing the participation from citizens.

• Proceedings of the Korea Contents Association Conference
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• 2014.11a
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• pp.141-142
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• 2014

지금 사회는 물질중심에서 정신(문화)중심의 뉴 패러다임을 맞이하고 있다. 소득수준이 향상되면서 물질뿐만 아니라 국가의 전통문화, 민간 공예, 지방 전통 등 정신적인 측면이 강조되고 있다. 따라서 본 논문은 중국 전지요소를 활용한 포스터 광고 디자인을 통해 전지 요소로서의 활용 가능성을 확대하고, 중국 전통 전지공예의 가치를 재조명하는 동시에 중국 광고 포스터 디자인의 현지화 및 세계화에 대한 가능성을 연구해 보았다.

• Proceedings of the Korean Society of Community Living Science Conference
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• 2004.05a
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• pp.167-167
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• 2004

1992년 생물다양성협약 체결 이후 세계 각국은 생물다양성 보전을 위해 전통지식기술의 지속적 이용을 요청 받고 있다. 이러한 전통지식기술을 바탕으로 만들어지는 전통산물은 지역 특성을 살린 고부가가치 창출 상품소재이기도 하다. 지방자치제도의 도입이후 각 자치단체들은 해당지역의 전통산물과 특산물 등을 주제로 하여 다양한 지역문화행사를 개최하고 있다. (중략)

• Korean Architects
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• no.8 s.436
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• pp.58-63
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• 2005

• 식품문화 한맛한얼
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• v.2 no.2
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• pp.34-37
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• 2009

한식의 세계화와 함께 꾸준히 관심 대상이 되고 있는 것이 ‘전통 음료의 세계화’이다. 전통 음료의 세계화는 우리 고유의 음료를 한식과 함께 세계에 알림과 동시에, 세계 음료 시장의 대부분을 차지하고 있는 탄산 및 과즙 음료 시장에 한국의 전통 음료라는 새로운 시장을 개척한다는 의미를 갖고 있다.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2022.10a
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• pp.487-489
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• 2022

As the use of VR has expanded in many ways, I hope that many people will build good memories if they use this content by realizing traditional cultural streets. Virtual reality is a good way to solve situations that cannot be seen in person or that are hard to see now. By implementing traditional cultural streets in virtual reality, we would like to create and realize traditional cultural streets with the expectation that many people can enjoy and enjoy content comfortably in places they want, and as a result, have a meaningful time.

• The Journal of the Korea Contents Association
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• v.14 no.11
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• pp.944-954
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• 2014

This paper discusses how the traditional cuisine of Korea capitalizes on "nostalgia" for the past. While examining the (re)invention of Buddhist cuisine and Andong food, this paper contends that traditional Korean cuisine is commodified through a process of de-contexualization. This paper first discusses the possibility that the idea of traditional cuisine is an invention in the first place. The history of temple food, for instance, suggests that it was created as a vehicle for circulating and implementing the ruling ideology in the ancient societies of China. This paper then turns to the issue of the growing influence of traditional cuisine in contemporary Korean culture, which is related to the public's demand for healthy food and also tied with the South Korean society's need for promoting a national cuisine in the age of globalization. The rise of traditional cuisine is a sign that people are seeking to reform their eating habits and form a counterculture. Yet, another side of the story is that consumers end up taking part in the self-expanding capitalist market with more consumer choices rather than forming a genuine counterculture. In this respect, the reinvention of temple food is closely related to what Jean and John L. Comaroff call the "emergence of consumption as a privileged site for the fabrication of self and society, of culture and identity".

• The Journal of the Korea Contents Association
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• v.4 no.4
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• pp.21-32
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• 2004

This study is aimed that reappearance and restoration of Korean tradition monster's original shape be able to contribute in scenario material development which is filled with history, culture and long imagination of our country. As for method of this study, it is on the basis of literature investigation in history, tale, folk-tale etc. and expert's research, and also restored 50 items of Korean tradition monster in digital way. Study finding is as following. First, prescribed scope of Korean tradition monster including god, ghost, bogy and animal. Second, Korean tradition monster's pattern is classified with S degrees and 4 classes to according to grade of rank and appearance place. Third, each of 50 traditional monsters which are usable to scenario substance development was produced with graphic image and flash animation. Fourth, suggested idea for material development of cultural contents industry as like game and character based on each monster's story. Expect the developed result production from this study to be used as a resource of elevating in comprehension forward to our cultural tradition, to be used as a unique material in field of culture contents industry of game, character, cartoon and movie etc.

• Proceedings of the Korea Information Processing Society Conference
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• 2007.11a
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• pp.108-110
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• 2007

본 논문에서는 테이블 탑 디스플레이 기반 증강현실을 이용한 전통문화 콘텐츠 제작에 대하여 기술한다. 멀티 터치가 가능한 지능형 인터페이스 플랫폼인 테이블 탑 디스플레이를 기반으로 동시의 여러 사용자가 시스템을 조작 할 수 있다. 테이블 탑 디스플레이는 새로운 형태의 컴퓨터시스템으로 디스플레이가 되는 동시에 별도의 디바이스나 콘솔을 필요로 하지 않고 터치로 입력이 가능한 상호작용 시스템이다. 이러한 테이블 탑 디스플레이 위에 구동되는 콘텐츠는 역사적인 유물을 사진으로 보여주면서 역사적인 의미를 설명하고 있다. 그리고 여기에 게임적인 요소를 가미하여 어린이들이 즐겁게 게임을 하면서 우리나라 전통문화 체험을 할 수 있는 시스템이다.