• Proceedings of the Korea Information Processing Society Conference
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• 2016.10a
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• pp.406-407
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• 2016

최근 바쁜 일상 속에서 개인의 삶의 질과 활력을 높이기 위해 여가활동에 대한 관심이 증가하고 있고 그 중에서 독서는 꾸준한 사랑을 받고 있는 여가 활동이다. 그 중 소설의 출판량은 다른 타 장르에 비해 가히 압도적이다. 하지만 소설은 개인의 취향에 영향을 많이 받는다는 특징이 있어 사용자에게 적합한 소설을 추천하기란 기존의 시스템으로는 한계가 있다. 따라서 본 논문에서는 클라우드 컴퓨팅 시스템인 AWS(Amazon Web Service)를 이용하며 사용자의 개인 성향과 협업 필터링 방법을 이용하여 각각의 개인 성향에 적합한 소설을 추천하는 시스템을 제안한다.

• The Journal of the Korea Contents Association
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• v.20 no.8
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• pp.645-652
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• 2020

As the times change, the way of enjoying art and the needs of viewers are diversifying, and the filmization of novels that visualize existing works has become a popular genre across the ages. Therefore, this study was conducted with the aim of providing implications for movie works based on novel works by considering the filmization of novels. However, while there are successful works, works that have been filmized without properly understanding the artist's intention or narrative fail in the box office. In this study, focusing on Lim Woo-sung's . The film did not give a clear answer to the important contents of the novel, "The Violence of Young Hye," and what the meaning of "Flower" means to Young Hye. Because of this, Yeong-hye in the film was portrayed only as a victim of violence pursuing a blind artistic desire, but rather a sensational element. Therefore, it suggested that the filmization of novels is needed in the future to make films work as a medium that can add depth of enjoyment by utilizing the media characteristics of films.

• 한국HCI학회:학술대회논문집
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• 2006.02b
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• pp.803-809
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• 2006

이 연구는 인터넷 소설을 읽을 때 사용자의 참여도에 따라 그 내용의 이해도가 어떻게 영향을 받는지 알아 보고자 한다. 현재 인터넷 소설은 소설의 양식이 인쇄매체에서 인터넷 매체로 옮겨졌음에도 불구하고 인터넷이라는 매체의 특성을 활용하지 못하고 있다. 인터넷 매체의 여러 특징들 가운데 상호작용성은 인쇄매체에서 인터넷 매체로의 전환을 이룬 다른 장르에서 주요 특징으로 고려되고 있다. 이것은 디지털 스토리텔링에서 사용자의 활동(action)에 관한 부분으로 활동적인(active) 사용자의 참여를 말한다(이 연구에서는 상호작용성을 사용자가 매체에 활동을 통한 개입, 사용자 참여도로 조작적 정의를 내린다). 또한 모니터를 통한 글 읽기는 인쇄매체에 비해 가독성이 떨어지고 훑어보는 글읽기(scanning)가 이루어지기 때문에 내용을 이해하는 데 어려움이 따른다. 인터넷 매체의 특성을 살리면서 글에 대한 이해도를 높이기 위해 사용자의 참여도를 독립변인으로 글의 이해에 미치는 영향을 알아보고자 했다. 실험 1에서는 기존의 단편 추리 소설을 이용해 사용자의 글읽기 과정에서 범인추측의 정도에 차이를 주어 참여도에 변화를 주었다. 그 결과 사용자의 참여도에 따라 이해의 정도가 유의미함을 보였다. 이는 사용자의 참여도가 이해에 영향을 미친다는 기존 연구를 뒷받침하며 인터넷 소설에서 인터넷 매체의 특성을 살린 글의 기재가 글의 이해에 도움이 된다는 것을 말해준다. 실험 2에서는 실험 1과 같은 추리 소설을 이용하되 사용자의 참여도에 따라 소설 내용의 변화를 주었다. 실험 2의 결과 내용 변화에 따른 이해도의 차이는 나타나지 않았으나 자신이 선택하지 않은 경로로의 이야기 내용에 궁금증을 보고하며 글의 전체 내용에 관한 관심을 보였다. 이는 사용자의 참여가 글의 이해뿐만 아니라 흥미유발에도 영향을 미친다는 가능성을 보여주므로 상호작용적인 글읽기와 흥미유발에 관한 추후연구가 필요함을 시사한다. 이 연구는 또한 기존의 인터렉티브 스토리텔링 연구가 현 상황에 대한 보고와 구현된 시스템의 사용성 평가에 국한된 것에 반해 실험 연구로의 변화를 꾀하였다는 것에 의의를 둘 수 있다.

• The Journal of the Korea Contents Association
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• v.17 no.11
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• pp.501-514
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• 2017

The 1920s 'cinema-novel' is composed of various media effects based on cinematic imagination, and it is designed to constantly evoke the image of the film during the reading process. This article focuses on 'cinema-novel' as an example of an unprecedented genre experiment. It is because the process of formation and development of this unique genre is filled with contemporary characteristics of the 1920s art that strived to create a content suitable for the modern art medium.

• Journal of Popular Narrative
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• v.26 no.1
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• pp.77-102
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• 2020

This article analyzes 'book traveler' stories as a new sub-genre of Korean fantasy web fiction. Formal innovation is revealed as the major motivation of Korean fantasy web fiction's narratives. Furthermore, the imagination of social resistance was presented as the formal devices of the genre. These theses were performed during the analysis of the two characteristics of the genre. In this genre, the main character is the writer or reader of fantasy stories. He moves into a novel he is describing or reading. The original novel, which was entered by the main character, is a space characterized by the custom of a typical fantasy genre. Therefore, the main character actually experiences cliché, typical genre devices and plots. The most important action for the main character here is to 'bend' the custom of the original. Therefore, this genre is in the form of the main motive being the refraction of typology. Meanwhile, the main character is not the central character of the original, but a secondary figure. The central character of the original book is usually from the ruling class, which monopolizes the good resources of society. At this time, the genre creates a subversive situation in which the social underdog goes beyond the social power through plots that overwhelm the central figure. It converts the reader's social desire into a genre device. To summarize, the latest trend in Korean web novel fantasy has captured scenes of renewed Korean genre literature practices. It sensitively reflects the social context of the contemporaries and the reader's desire. Thus, the Korean web novel fantasy has reflected both its internal conditions and its social context.

• Journal of Digital Convergence
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• v.14 no.10
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• pp.499-506
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• 2016

This study is focused on showing possibilities and limitations of the disabled men roles through the relationships with migrant women in korean novels, furthermore it is discovering the problems and the directions for successful cohabitation of the disabled men and migrant women in Korea. To accomplish this purpose of study, we analyzed and criticized 5 Korean novels which described the life of a disabled man with a migrant woman in Korean multicultural society. As a result, the disabled man in those relationships represented the man who was only true to his own desires or the man of the minority in social restraint due to disability and also those men can be classified as attackers or helpers for their migrant lovers. These formulaic expressions being problematic by themselves also facilitate making distorted images of the disabled men and migrant women.

• Women's Studies Review
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• v.29 no.2
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• pp.3-35
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• 2012

This paper attempts to examine complicated relations which the nineteenth-century English novel of female development has with the Bildungsroman genre, and to discuss that the story of female development effectively realizes the potential dynamics of the genre. It looks into the history of discussions on the Bildungsroman which began at the end of the nineteenth-century in Germany and developed among twentieth-century Anglo-American critics, and those on the female development which didn't start until feminist criticism ventured out at the end of 1970s, and have developed into various perspectives ever since in accordance to the progress of feminist criticism. In general, Bildungsroman criticism considers that it portrays the process how the protagonist develops self and achieves an accommodation with society. However, this paper points out that the Bildungsroman is the narrative form which represents conflicts between self and society caused by idealizing the infinitive possibility of self-determination while simultaneously presenting the limited goal of social integration. It argues that the subversive dynamics of the genre can give full play to its potential when it reveals contradictions and tensions between individual subjectivity and integration into society and connects them with criticism of political and social structures. It is the stories of female Bildungshelds depicted by nineteenth-century female writers that exquisitely embody the subversive potential of the Bildungsroman. They acutely experience alienation from society where independency or autonomy is fundamentally impossible because the ideology of separate spheres does not allow them to live a meaningful life economically and sociologically outside the marriage. An example of a female Bildungsheld whose conflicts between development of self and integration with society are doubled by gender is Jane Eyre. Jane Eyre is a representative Bildungsroman with subversive dynamics, which tells the story of female development but splits itself through various techniques inserting contradictory and opposite meanings, thus resignifying female development and questioning social and political structures.

• Journal of the Korean Society for Library and Information Science
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• v.46 no.3
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• pp.57-78
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• 2012

Of the collection of public libraries in Korea, the literature collection is the largest, and Korean fictions, about 14% of the entire collection constitute the largest single subject. However, in the Korean Decimal Classification(KDC) Korean fiction is represented in one section, that is, 813 which corresponds to the only one of thousand divisions. More specifically, only two sub-sections, 813.6 and 813.7 are supposed to be assigned to the huge collection of modern Korean fiction, and, in reality, only 813.6 is being used in most libraries. Even with the use of book numbers, such disproportionate allocation of classification numbers would definitely lower the discriminative capacity of call numbers given to each item. It would also bring about difficulties in both shelving, on the libraries' side, and finding items from shelf, on the users' side. This study aims to examine the issues related to classifying Korean fictions in public libraries, including the composition of KDC schedules and the actual practice of classification, and then proposes the measures for improving the classification of Korean fictions.

• Journal of the Korean Society for information Management
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• v.33 no.3
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• pp.321-343
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• 2016

This study aimed to design a semi-automatic web-based pilot system 1) to build a Korean novel geo-name, 2) to update the database using automatic geo-name extraction for a scalable database, and 3) to retrieve/visualize the usage of an old geo-name on the map. In particular, the problem of extracting novel geo-names, which are currently obsolete, is difficult to solve because obtaining a corpus used for training dataset is burden. To build a corpus for training data, an admin tool, HTML crawler and parser in Python, crawled geo-names and usages from a vocabulary dictionary for Korean New Novel enough to train a named entity tagger for extracting even novel geo-names not shown up in a training corpus. By means of a training corpus and an automatic extraction tool, the geo-name database was made scalable. In addition, the system can visualize the geo-name on the map. The work of study also designed, implemented the prototype and empirically verified the validity of the pilot system. Lastly, items to be improved have also been addressed.

• The Journal of Korea Institute of Information, Electronics, and Communication Technology
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• v.9 no.1
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• pp.75-81
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• 2016

The main characters play leading roles in novels. In the previous studies, they recognize the main characters in a novel mainly based on dictionaries that built beforehand. In English, names begin with upper cases and are used with some words. In this paper, we propose a recognition method for main characters name in Korean novels by using predicates, rules and weights. We first recognize candidates for the characters name by predicates and propose some rules to exclude candidates that cannot be characters. We assign importances for candidates, considering weights that given by the number of candidates appeared in a sentence. Finally, if the importance of the character is more than a threshold, we decide that the character is one of main characters. The results from the experiments for 300 novels show that an average accuracy is 85.97%. The main characters name may be used to grasp relationships among characters, character's action and tendency.