• Archives of design research
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• v.18 no.2 s.60
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• pp.47-58
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• 2005

As a part of ${\square}$ project to discover Korean modern design and Korean modern an, this thesis is based on collaborated research with Musashino Art College about Teikoku Art College in Japan (renamed as Musashino Art School in 1948 and promoted as Musashino Art College in 1962) and Korean students of Teikoku Art College. In accepting modern art and design, Teikoku Art College. In accepting modern art and design, Teikoku Art College is important since most Koreans studied there to learn modern art and design. Especially, this focuses on activities of Korean students in Design (Zuan) program at Teikoku Art College and their relationships with professors to examine the influence of design study and acceptance through Teikoku Art College in Japan and the relationship with design education in Korean after the World War II. This research made it possible to renew the lists of 147 Korean students and 13 Korean students in Design (Zuan) program. Thus, this could be essential data to reconstruct the history of Korean modern design which has lacked basic documents.

• The Science & Technology
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• v.31 no.5 s.348
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• pp.25-27
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• 1998

근세에 들어오면서 과학은 산업. 정치의 전반적인 문제와 얽히고 그 영향으로 물리학. 수학이 발달하게 된 계기가 마련되었다. 수학연구는 16세기가 끝나면서 그 당시의 과학 ,기술적 요청에 따라 이탈리아 .독일 등 유럽에서 활발히 움직였다 17세기 '뉴턴의 만유인력의 법칙'등 5대 발견을 계기로 새로운 수학의 시대를 열었으며 18~19세기의 산업혁명과 근대 자본주의 형성 등 사회적 대변동이 근대수학의 새로운 체계를 이루는 산실이 되었다.

• The Korean Publising Journal, Monthly
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• s.222
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• pp.12-12
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• 1997

이 논문집은 구체적인 역사와 현실 안에서 우리 근대문학과 문학사 논의를 반성하고 새로운 전망을 제공하고자 한 노력이 돋보인다. 특히 친일문학.북한문학 논의는 '문제적'이며 그대 비판 논의 역시 시사적이다.

• Journal of architectural history
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• v.15 no.2
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• pp.171-184
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• 2006

• The Science & Technology
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• v.28 no.6 s.313
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• pp.24-25
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• 1995

근대 물리학의 아버지로 불리는 아이작 뉴턴은 「프린키피아」에 만유인력의 법칙을 발표 근대과학의 새로운 우주관을 완성했다. 또한 뉴턴은 스팩트럼,미적분의 발견 등 수학에도 큰 업적을 암긴 것으로 유명하다

• Journal of the Korean Society of Costume
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• v.61 no.1
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• pp.124-131
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• 2011

Modernity is commonly defined as a reflection of the features of modern society based on the historical experience of the West. As such, modernity includes involvement with political, economic, and social changes, a changing world-view, and changing trends in equality, gender roles, a desire for "the new," consumption, distribution based on mass production, and rational reform in fashion and dress. First and foremost, however, modernity in costume has been driven by the functional requirements of industrial capitalism. But while modernity has popularly been regarded as some sort of universal standard, in fact the West and the other societies have vastly different, unique, and particular experiences with their own respective histories of modernization. For this reason, cultural changes in the modernization process should be-indeed, must be-analyzed in the context of a country's own unique historical and cultural circumstances, rather than through the prism or strict adaptation of generalized Western concepts of modernization. Moreover, a "periodization" of the modernization of fashion and dress can be established by examining the characteristics of modernity in costume.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.15 no.5
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• pp.3176-3182
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• 2014

In the early 1920s Japan, a new concept of architecture emerged abruptly. Comprised of six new college graduates, Japanese Secessionist Architects, so called Bunriha Kenchikukai, proclaimed that they reject any historical baggage that Japan had so far inherited, and decided to build a brand new way for modern Japanese architecture. Their modernism differed from eclectic measurement done by earlier generations. For them, contemporary modern Japanese architecture was only copious to historic monuments of Western civilization. Bunriha architects' statement not only advocates an escape from nationalist historicism and Westernization, but also intends to resolve the dilemma in that it substitutes a technical syncretism inherent in all avant-garde movements. This paper intends to elucidate that Japanese Secessionist architecture is greatly indebted to German Expressionist architecture in terms of its formal language and avant-garde utopian idealism.

• The Journal of Korean Philosophical History
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• no.43
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• pp.141-170
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• 2014

Science of gaining knowledge by the study of things[格物致知學]' is the translation of Science in Chosun age. Science of gaining knowledge by the study of things[格物致知學] which is the highest stage of new science is the symbol of the transfer of universal culture to the western modern civilization from old-fashioned confucianism. Modern western culture and the scientific way of thinking make man as a object to scientific research. Thinking method of social Darwinism made man believe to think like them as the modern method. And also such thinking method made man militarism and imperialism are right thinking and research methods. The core to think the science of gaining knowledge by the study of things[格 物致知學] as a violent thinking method is the Confucianism. By this method Park Eun-sik criticize this side of scientific technology as the means of militarism. Till now we pointed to think of the traditional philosophy as the tool of the western modern philosophy about war criminal. Now we rethink of the Confucianism asset as a tool of Korean Modern Culture. Musungmumul[無誠無 物] will offer moral basis to think humanism of the scientific technology of the modern western culture.

• Journal of the Korean Statistical Society
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• v.1 no.1
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• pp.79-80
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• 1973

이 책은 전문 684페이지, 4편으로 구성되어 있다. 1편은 한국경제의 근대화과정서설, 2편은 경제사회의 변천-근대화의 전개과정, 3편은 사회경제정책의 추이, 그리고 4편은 경제통계의 발달과정, 부록으로서는 경제연표, 경제지표 및 주요상품가격추이로 이루어져 있다.

• Proceedings of the KSR Conference
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• 2002.05a
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• pp.5-29
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• 2002

100년의 역사를 갖고있는 우리 한국철도는 그 운행이 시작된 이후 조그만 마을을 거대도시로 탈바꿈시키는 등 우리나라의 정치, 경제, 사회, 문화의 모든 면을 변화시켜 온 근대화의 주역이었으나, 탄생이후 거의 반세기를 일제의 강점기로 보내 선진국에서와 같이 철도가 근대화에 끼친 영향이 제대로 인식되지 못하였다.(중략)