• Title/Summary/Keyword: 한국전통복식

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Change of the Costume Culture and Gangneung Dialect (복식문화의 변화와 강릉방언)

  • kim, Okyoung
    • Korean Linguistics
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    • v.77
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    • pp.95-124
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    • 2017
  • The purpose of this study is to examine aspects and causes of the change and disappearance in the Gangneung dialect vocabulary about costume. A typical example of linguistic factors that influence the change of costume vocabulary is competition with the standard language. However, costume as culture has a more powerful effect than linguistic factor. For example, the following factors lead to the disappearance: the disappearance of the referent, the inherent characteristics of the costume, the introduction of the new culture, and the change in values about costume.

A Study on Aesthetic Senses of Japanese Traditional Women's Wedding Dresses (일본 여자 전통 혼례 복식에 나타난 미적 감성에 관한 연구)

  • 양현주;권영숙
    • Journal of the Korean Society of Costume
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    • v.51 no.7
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    • pp.5-20
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    • 2001
  • The purpose of this study is to determine aesthetical characteristics of the Japanese traditional wedding dress for women by analyzing such dresses' aesthetical senses. For the purpose, the study showed four types of the dress, Zunihidoe, Iro-uchicake, Chiromuku, Hurisode and their photographed stimuli to subjects and then obtained data using the seven scale measures of meaning differentiation consisting of 25 pairs of adjective words. Results of the study are described as follows : Aesthetical senses shown in the Japanese traditional dressing dress for women included six factors in total, among which attractiveness was found as the main factor, followed by chastity. For the four types of the dress, its main factor while the remaining four types, were found having dignity as their main factors. adjective words which largely accounted for aesthetical senses included uncomfortable, unique, bright, dignity, classical, ornamental and beautiful, suggesting that the Japanese traditional wedding dress for women is somewhat unfunctional, high in dignity and aesthetic beauty. Aesthetical senses were most different according to nationality (Korea and Japan) when they were analyzed in terms of nationality, gender and whether of specialization or non-specialization.

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Design Development of the Taekwondo Uniform ; Historical Research (태권도 수련복의 역사적 고찰을 통한 디자인 개발)

  • Kim, Jung-Hee;Cho, Hyo-Sook;Jeon, Hyun-Sil;Lee, Hyun-Jin
    • Journal of the Korean Society of Costume
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    • v.59 no.6
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    • pp.82-93
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    • 2009
  • This study is considered about the Taekwondo(跆拳道) uniform classified by period and analyzed the current Taekwondo uniform. And founded on this contents, new designs of uniform, that a functional side are considered and can symb이ize the identity of Taekwondo, are presented through this study. Ancient times to the present time, the Taekwondo uniform classified into three types according to 'Period of putting on our nation's costume'(three kingdoms${\sim}$Joseon(朝鮮) times), 'Period of confusion on uniform'(Japan's colonial rule of Korea${\sim}$-the early 1970s), 'Period of the settlement on official uniform'(the late 1970s-the present time). And besides, the shape of our nation's costume in ancient times is succeeded until Joseon times and this basic style becomes the outset on the current Taekwondo uniform. The designed uniforms are connoted the notion of the aesthetic appreciation in Korean traditional costume, that is, a symbolic, dignified, moderate appreciation with the consideration of a functional side for Taekwondo. And the contents on the presented designs are classified into 'shape, pattern, color'. First, these designs that are adapted the shape of Baji(바지) Jeogori(저고리)-belt, which have symbolized our nation's costume, and the shape of Bacja(배자) had used in Joseon times, are connoted a 'traditional appreciation with functional side'. Second, these designs, which are adapted the patterns of the active image(a bugbear, flying horse, tiger for embroidered patches, Taegeuk(太極)) in a modern style, express a 'symbolic, dignified appreciation'. Third, these designs are well-matched a black and white color with multicolored stripes(saekddong, 색동), and its ones are connoted a 'moderate and symbolic appreciation'.

A Comparative Study on Characteristics and Aesthetic Value of Asian Traditional Costumes - Emphasis on Buddhist, Hindu and Islamic Costumes - (아시아 전통 복식의 조형적 특성과 미적 가치 비교 연구 - 불교권, 힌두권, 이슬람권 복식을 중심으로 -)

  • Seo, Bong-Ha
    • Journal of the Korean Society of Costume
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    • v.64 no.6
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    • pp.47-64
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    • 2014
  • A variety of traditional costumes have been developed in Asia due to different natural and cultural environments and they are still worn by people in many areas. Traditional costumes in Asia have been formed under the influence of various ideologies, as well as technology and social structure. Three Asian religions(Buddhism, Hinduism and Islam), which have undeniably strong influence on traditional Asian cultures, have great effects on the styles of traditional costume in each region of Asia. The purpose of this study is to compare the characteristics and aesthetic values of traditional Asian costumes. To do this, the author used images of traditional costumes, which were taken in person by the author, in each region of Asia as reference. Unlike the traditional costumes in the West, which expose the body shape, traditional Asian costumes have nonstructural features in construction, form and wearing rules. They are also decorated with religious symbols and other ornaments, which is different from functional and non-decorative modern clothes. Each traditional Asian costume has unique characteristics. The costume under the influence of Buddhism shows the beauty of concealment that features trans-spatiality and abundant silhouette. On the other hand, the Hindu costume shows the beauty of symbolization represented by very colorful and complex ornaments, while costume in the Islam regions shows the beauty of restraint with clothes that wrap up the body in accordance with its strict religious discipline. Asian religions also represent philosophy, culture as well as an ethnic group. They have influenced entire Asian cultures including the arts, aesthetics and social structure and decided the style of costumes.

Indian Traditional Clothing in Fashion Design of the 21st Century (2000년 이후 패션디자인에 나타난 인도 전통 복식)

  • Choi, Ho-Jeong
    • Journal of the Korean Society of Costume
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    • v.56 no.9 s.109
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    • pp.127-142
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    • 2006
  • In this study, I have analyzed Indian traditional clothing in fashion design of 21st century by comparing 1,286 fashion items designed by Indian designers and 722 Western fashion items, which were presented from 2000 S/S to 2005 F/W Formal analysis were made for change in how to wear clothes, and change in items and ornaments. Change of traditional clothing was found in two ways; Western elements added to Indian tradition and Indian traditional image adopted in Western clothing. First, Indian traditional elements added to Western clothing in the formal aspect was found in 83% of Western collections and 27.2% of the Indian designers' collections. In Indian designers' collections, traditional clothing form takes 72.8%, which shows the regional characteristics of India where the traditional clothing is still adhered to in daily life especially by women. Second, from the fashion design of the Indian designers, we can find modernization of sari, change of traditional items into more active and modern way by adding Western clothing; change of form, color and material of traditional items in various ways; and decorative aspects highlighted by adding Indian traditional color, pattern or decoration into Western clothing. In most cases, Western collections are seasoned with Indian traditional image, rather than utilizing the form of Indian clothing. Although adopting the farm of Indian traditional clothing, it can be considered as a translation from the viewpoint of the West. Third, Indian look is expressed in various ways by reproducing Indian traditional ornaments such as earings, bracelets and henna, or by adopting Indian traditional fabric design and decoration in mufflers, bags and etc.

Tie-dyed Fashion Appeared in the American Women′s Costume of the Late 196o′s - Using a content analysis method - (1760년대 말 미국여성복식에 나타난 홀치기염 패션 -내용분석법을 이용하여-)

  • Kim, Hye-Kyung
    • Journal of the Korean Society of Clothing and Textiles
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    • v.25 no.10
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    • pp.1728-1737
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    • 2001
  • 1760년대 말의 미국문화는 전통적인 가치관에 반발하는 청년문화운동의 화산으로 특징지을 수 있는데 이러한 사회적인 변화는 복식에 새롭고 혁신적인 스타일을 가져오게 되는 요인이 되었다. 특히 이 시기의 미국의 청년층에 의해 일어난 반문화적인 현상으로 인식되어 온 동앙문화의 도입은 미국의 여성복식에 tie-dyeing(홀치기염)패션의 출현으로 복식에 반영되었다. 이에, 본 연구는 지금까지 복식 학자들에 의한 단편적인 추론으로만 설명되어 왔던 1960년대 말 미국여성복식에 나타난 홀치기염 패션의 특성에 관하여 문화적인 배경에 관한 고찰과 함께 이 시기에 출판된 정기 간행물을 연구의 일차자료로 이용하여 실증적으로 분석하는 데 그 목적이 있다. 연구방법으로는 1955년부터 1975년 사이에 출판된 Vogue와 Mademoiselle 잡지에 실린 홀치기염 패션 사진자료를 내용분석법을 이용하여 수집하여 의류품목, 소재, 기법, 디자이너 및 제조업 체에 관한 내용으로 나누어 분석하였다. 연구 결과, 두 종류의 잡지 모두에서 다양한 소재로 만들어진 여러 의류품목에 각종 기법으로 적용되었던 홀치기염 패션이 이 시기에 나타나, 청년층에서 시작되었던 이 패션이 미국의 대중 및 상류층의 복식에도 확산되었음이 밝혀졌다. 나아가 홀치기염 패션스타일이 가장 많이 보여졌던 1969년에서 1971년 사이의 기간은 청년층의 반문화적 현상이 절정을 이루었던 시기와 일치하고 있어서 이러한 급진적인 사회 현상이 그대로 패션에도 반영되고 있음을 알 수 있었다.

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Blog Application of Korean Traditional Costume as Culture Information Contents (한국전통복식 문화정보의 블로그 활용에 관한 연구)

  • Hwang, Mi-Sun;Lee, Eun-Young
    • Journal of the Korea Fashion and Costume Design Association
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    • v.14 no.1
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    • pp.97-109
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    • 2012
  • Recently, it is concentrated world interest to Korea sensational (Hanryu) exited for not only sports but korean drama, K-pop in public culture. And G20 summit meeting and Winter Olympic open city selection. It is why practical information needs of Korean traditional cooking method and Korean culture, history and architecture and easy way to gain information. Korea has strong power for internet and nuke personal media mini home page, and cafe, blog. Blog is useful for spread information and has efficiency of speedy exchange information. In this study making blog contents of Korean traditional cultural information for not only Korean but foreigner. For method find blog has possibility of cultural information spreading tool, in literature and investigate usefulness and contents of naver blog having Korean traditional costume. In this study, it is helpful to open and construction personal blog of korean traditional costume and traditional culture contents.

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A Study on Fashion Design Applying Traditional Patterns in Northeastern Asia - Focusing on the Costumes of Korea, China and Japan in the $16^{th}-19^{th}$ Centuries - (동북아시아지역의 전통문양을 응용한 패션디자인 연구 - 한국, 중국, 일본의 16~19세기 복식을 중심으로 -)

  • Kim, Ji-Hyun;Kan, Ho-Sup
    • Journal of the Korean Society of Costume
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    • v.59 no.9
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    • pp.1-15
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    • 2009
  • This study aimed to create a new costume design suitable for publicizing our traditional patterns in the world by using the traditional patterns of Northeast Asia region. The result of this study can be summarized as follows. First, China is characterized by a strictly fixed configuration and a realistic description, Japan a simplistic modality and an abstract-geometrical pattern, and Korea a eclectic type, whole-pattern, and part-pattern. This study aimed to make the pattern by using harmoniously these characters. Second, Korea, China, and japan have many similarities concerning a symbolism and a type of pattern. In the modern fashion, they often use dragon patterns, various flower patterns like peony, plum blossom, or mum, and geometrical patterns. This study focused on expressing patterns which contain the ornamental symbolism of Oriental Look, aside from an existing symbolism, and show a traditional sentiment of Northeast Asia. The method for expressing traditional patterns usually included weaving, dyeing, embroidery, or gold foil. Although these methods have been used in all the three nations, even rubbed metal foil and patchwork have been widely used in Japan.

Historical Review of Korean Traditional Baeja, and an Exploration of its Modernization (한국 전통 배자의 복식사적 고찰과 현대화 작업)

  • Lee, Eun-Hyung;Cho, Hyo-Sook
    • Journal of the Korean Society of Costume
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    • v.59 no.9
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    • pp.115-130
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    • 2009
  • A kind of Korean traditional jacket, Baeja, has been a Korean traditional costume equipped with practicality and formative aesthetics from the Three Kingdoms period to the Joseon Dynasty. Accordingly, the researcher of this study highly valued a modern sense of Baeja with various types of design and forms and attempted to make efforts to apply it into modern life. This study provided a new direction in the modernization work of traditional costumes by creating fashion images newly interpreted corresponding to a modern sense and trend through the application of formative characteristics and noticeable elements via the coordination of traditional Baeja and modern costumes. On the one hand, it would be meaningful in terms of contributing to the activation of traditional Hanbok by providing people with ample opportunities to wear it in modern daily lives variously. On the other hand, the actual purpose of this study was to perform a modernization work for traditional costumes by attempting to conduct a crossover that could let people move into other areas freely, that is, a creative and innovative research associating the area of costume history and that of coordination.

활동정보회계의 개념과 시스템의 응용

  • 신건권
    • Proceedings of the Korea Association of Information Systems Conference
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    • 1997.10b
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    • pp.171-204
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    • 1997
  • 원가 및 관리회계분야에서는 이미 선진국을 중심으로 활동개념을 도입한 활동기준 원가 계산(ABC : activity-based costing)이 성공적으로 도입·운영되고 있다. 하지만 국내외 적으로 재무회계분야에서는 전통적으로 복식부기시스템(double-entry bookkeeping system)에 지나치게 편중되어 있어서 회계정보의 산출과정에서 여러 가지 제약을 받고 있 는 것도 사실이다. 이러한 문제점을 개선·보완하기 위해서 재무회계 분야에도 활동개념을 도입했는데, 이것이 바로 활동정보회계(AIA : activity information accounting)이다. AIA는 기업의 활동이 발생하는 즉시 복식부기처리과정을 거치지 않고 활동과 대응가치의 처리방법 을 통해 실시간으로 회계정보를 생산하며, 기업의 모든 부서가 정보를 즉시 공유하고 교류 함으로써 기업유기체를 가능케 하는 새로운 회?리방법론이다. AIA의 개념을 구현하기 위해 이스턴컨설팅(주)에 의해서 개발된 활동정보회계시스템(activity information accounting system)은 복식부기시스템을 전면 부정하기 보다는 이를 점자 개선하고 보완하려는 의도에 서 개발된 종합회계처리프로그램이며, 따라서 복식부기의 모든 회계처리과정을 누락시키지 않으면서도 다양 회계, 관리 및 경영분석보고서를 제공해준다.

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