• Proceedings of the Korean Society of Computer Information Conference
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• 2023.07a
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• pp.261-262
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• 2023

본 연구에서는 감성 분석 기반의 키워드 도출형 영화 리뷰 웹사이트를 개발하였다. 사용자들은 영화에 대한 리뷰를 작성할 때, 자동으로 키워드를 추출하는 기능을 활용하여 다양하면서도 빠르게 정보를 얻을 수 있다. 사용자가 작성한 리뷰를 시스템에 입력하면, 내부적으로 ChatGPT를 활용하여 텍스트를 분석하고 키워드를 추출한다. 이를 통해 사용자는 별다른 노력 없이도 키워드를 통해 영화의 장르, 감독, 배우, 플롯 요소 등 다양한 정보를 빠르게 확인할 수 있다. 추출된 키워드는 저장되어 시각화에 활용되며, 사용자들은 리뷰에 대한 원하는 정보를 쉽게 얻을 수 있다. 개발된 키워드 도출형 영화 리뷰 웹사이트는 사용자들에게 빠르고 다양한 정보를 제공하며, 영화 관련 결정을 내리는 데에 도움을 줄 것으로 기대된다.

• 건강소식
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• v.38 no.8
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• pp.16-17
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• 2014

'추격자(2008)'의 연쇄살인범, '황해(2010)'의 조선족, '베를린(2012)'의 북한 특수요원 등, 워낙 어둡고 강렬한 캐릭터를 많이 맡아왔기에 유머러스한 하정우는 잊고 있었다. 새 영화 '군도: 민란의 시대'에서는 오랜만에 그의 개그 본능이 꿈틀댄다.

• 건강소식
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• v.38 no.10
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• pp.16-17
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• 2014

배우 신세경이 2년 만에 모두의 기대를 안고 스크린으로 돌아왔다. '청순 글래머(청순한 얼굴과 글래머 같은 몸매를 가졌다는 뜻)'라는 별명이 붙을 정도로 모든 것을 갖춘 신세경, 영화 '타짜-신의손'에서도 청순함과 섹시함을 오기며 변화무쌍한 카리스마를 선보인다.

• The Journal of the Korea Contents Association
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• v.8 no.1
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• pp.386-397
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• 2008

The purpose of the study is to identify the characteristics of films to be exported into a larger market abroad, especially the Japanese film market which occupies more than a half of the export costs of the Korean movies. Our analysis shows that the factors such as the reputation of a director and actors in Japan, the box-office record in Korea and genres have influence upon the export to the Japanese market. Among genres, comedy movies were less exported, while melodramas was more. We expect that this result will be helpful when film producers plan movies for export from the stage of pre-production.

• Journal of Digital Contents Society
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• v.18 no.8
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• pp.1621-1626
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• 2017

This study conducts data visualization of common climax patterns of Korean blockbuster films to analyze shots and evaluate scene (subplot unit) arrangement. For this purpose, a model of editing patterns is used to analyze how many climax patterns a film contains. Moreover, a system, which automatically collects shot images and classifies shot sizes of collected data, is designed to demonstrate that a single scene is composed based on a climax pattern. As a scene is a subplot and thus its arrangement cannot fully be analyzed only by climax patterns, dialogues of starring actors are also used to identify scenes, and the result is compared with data visualization results. It detects dialogues between particular actors and visualizes dialogue formation in a network form. Such network visualization enables the arrangement of main subplots to be analyzed, and the box office performance of a film can be explained by the density of subplots. The study of two types comparison analysis is expected to contribute to planning, plotting, and producing films.

• Journal of Korea Entertainment Industry Association
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• v.14 no.6
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• pp.43-52
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• 2020

This paper is a study of Gustav Deutsch's film (2013). The film transformed the painting of Edward Hopper into an homage film. So it gives the impression that the picture is moving. In this regard, it raises the issue of 'remediation' between film and pictures. In this study, We ask how (2013) dealt with the movement in turning Hopper's paintings into movies. To that end, To this end, we look at two aspects of movement: the actor's movement and the screen's movement. The concepts of "tableau vivant," Agamben's gesture and mediation were used in the process. The actor's movement in the film is not an act of making and developing events. It is a gesture that moves a person's body and expression itself. It is not a story-oriented acting, but a gesture that Giorgio Agamben said. Editing and camera movements are used while maintaining frontality. This suggests that the movement of the screen is the eye of the audience. At first glance, it embodies the voyeuristic gaze of the original work. However, But the audience isn't looking at the image unilaterally, as in mainstream fiction films, but they are also being seen by that image. Also, the camera's movement to take a closer look at the details of the screen shows the movement itself rather than the means to reveal the details. The 'vision of reality' in a film is made through movement. The film questions the vision of reality between painting and film, between words and images. The move is a means of mediating reality, but the film is regaining the "lost gesture" that Giorgio Agamben once said by revealing its mediated nature. This tells us that the vision of reality appears when it obscures its mediated nature.

• Proceedings of the Korea Contents Association Conference
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• 2011.05a
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• pp.317-318
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• 2011

영화 스토리 연출에는 감독의 의도에 의한 많은 장치가 숨겨져 있고, 그에 대한 분석이 필요하다. 본 연구는 성공적으로 제작된 영화의 연출 기법들을 분석하여 스토리 상황을 도출해 보았다. 1:1 대화 장면은 영화의 스토리를 이끄는 갈등이 많이 등장하는 장면이다. 그로 인해 인물들 간의 관계는 화면의 비대칭성으로 드러날 수 있다. 이를 근거로 다양한 연출 기법 중 배우의 위치, 클로즈업, 지시벡터를 우선적으로 분석하였다. 그 결과 갈등조장자에 대한 역할과 갈등 종류에 따른 차이점이 발견되었고. 이것은 두 인물의 갈등 상황을 표현하였다. 이에 따라 연출 기법과 인물 관계 표현의 법칙이 발견될 것이라 보고 있다.

• Information Systems Review
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• v.16 no.3
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• pp.113-134
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• 2014

Since a movie is an experience goods, purchase can be decided upon preliminary information and evaluation. There are ongoing researches on what impact online reviews might have on movie revenues. Whereas research in the past was focused on the effect of online reviews. The influence of online reviews appears to be significant in products like a movie because it is difficult to evaluate the feature prior to "consuming" the product. Since an online review is regarded to be objective, consumers find it more trustworthy. Contrary to prior research focused on movie review ratings and volume, we focus moves on movie features related specific reviews. This research proposes a predictive model for movie revenue generation. We decided 15 criteria to classify movie features collected from online reviews through the online review mining and made up feature keyword list each criterion. In addition, we performed data preprocessing and dimensional reduction for data mining through factor analysis. We suggest the movie revenue predictive model is tested using discriminant analysis. Following the discriminant analysis, we found that online review factors can be used to predict movie popularity and revenue stream. We also expect using this predictive model, marketers and strategic decision makers can allocate their resources in more parsimonious fashion.

• The Journal of the Korea Contents Association
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• v.13 no.10
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• pp.214-225
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• 2013

Current production systems have been recognized as having contributed a dramatic growth in the Korean film industry. However, industry voices feel that the role of these production systems should be reorganized as the industry faces further needs for development process. Film development process involves item selection, scenario completion process, and packaging process, which include choosing the right director and actors in order to increase the chances of completion of the film as well as increasing probability of investment funds. Thus, film development is a very creative and practical businesslike activity at the same time. The purpose of this report is to study the producers' role and problems by comparing Korean film development processes to 'Produced By' of the PGA(Producers Guild of America) and suggest a solution for the improvement.

• The Journal of the Korea Contents Association
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• v.19 no.10
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• pp.274-289
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• 2019

The purpose of this study is to regard the non-fiction participants in the reality observational entertainment program as social actors. For this, the study has examined the concepts of social actor and performance, understood how the performances of social actors are projected onto the screen, and textually analyzed Youn's Kitchen season 2. As a result, the non-fiction participants(the guests) of Youn's Kitchen functioned as the social actors who performed the roles derived from their social relations under the consciousness of the camera. The more the number of social actors in the observational space increased, the more the number of their performing roles grew. Their everyday activities have been chosen by various filmic devices, such as the cameras, within the specific frame of hybrid performance mode that representational and presentational performances coexist.