• Title/Summary/Keyword: 한국선율

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Eclectic Music Idiom in Changgeuk "Medea" (창극 <메디아>의 절충주의 음악어법)

  • Shin, Sa-Bin;Lee, Woo-Chang
    • The Journal of the Korea Contents Association
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    • v.13 no.12
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    • pp.659-671
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    • 2013
  • Through Korean traditional opera (changgeuk) Medea, composer Hwang Ho-jun showed eclectic music idiom by 1) writing music (jakchang) on manuscript paper and score, 2) introducing the "song-through" format, 3) including various solo melodies, 4) maximizing the effect created by a singing narrator (dochang) with the chorus master and a mixed chorus, 5) seeking an interplay of tension and release by using both discord and chord, 6) achieving the effect of kil-bakkum, the Korean traditional method of modulation, through modulation and borrowed chord of Western music. In Medea, instrumentalists adopted suseong-banju (Korean traditional accompaniment) which does not spoil the voice of singers. Hwang adopted song for the way how singers express various hidden sides of play among song, aniri (narration) and balim (gesture) and introduced the Sung-through format in which the play is comprised entirely of song. In Medea, oral sounds expressing wail, lament, cheer, sneer and scream are often used and various solo melodies appear that fit for personalities of characters, clearly showing what bunchang (singers' singing songs divided according to characters) is all about. And discord and chord are effectively used according to the development and mood of play. Hwang also achieved successfully the effect of kil-bakkum by abandoning the traditional modulation method and boldly introducing modulation and borrowed chord of Western music.

Optimized Design and Manufacture of Wideband Pulsed Gamma-ray Sensors (광대역 펄스감마선 탐지센서 최적화 설계 및 제작)

  • Jeong, Sang-hun;Lee, Nam-ho
    • Journal of the Korea Institute of Information and Communication Engineering
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    • v.21 no.1
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    • pp.223-228
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    • 2017
  • In this paper, we are proposing an optimal design of wideband pulsed type gamma-ray sensors. These sensors were manufactured based on the design results and after word electrical properties were analyzed. The sensor input parameters were derived on the basis of pulsed gamma-ray spectrum and time-dependent energy rate, and the output current which were derived on the basis of the sensor sensitivity control circuit. Pulsed gamma-ray sensors were designed using the TCAD simulators. The design results show that the optimal Epi layer thickness is 45um with the applied voltage 3.3V and the diameter is 2.0mm. The doping concentrations are as follows : N-type is an Arsenic as $1{\times}10^{19}/cm^3$, P-type is a Boron as $1{\times}10^{19}/cm^3$ and Epi layer is Phosphorus as $3.4{\times}10^{12}/cm^3$. The fabricated sensor was a leakage current, 12pA at voltage -3.3V and fully depleted mode at voltage -5V. A test result of pulsed radiation shows that the sensor gives out the optimal photocurrent.

The Relationship of Cheongsanbyeolgok in Goryeo Dynasty and Gangbo in Joseon Dysnaty (고려 <청산별곡>과 조선 <강보>의 관계)

  • Chung, Kyung Rhan
    • The Journal of the Korea Contents Association
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    • v.13 no.9
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    • pp.81-91
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    • 2013
  • Chongsanbyeolgok is one of Goryeo songs which might be composed in Goryeo dynasty, the composer of which is not known as well as other Goryeo songs. Balsang songs is structured with eleven songs that has been composed newly by King Sejong in Joseon Dynasty for using at Jongmyo (royal ancestral shrine), Johoe (royal audiences), performance, Gangbo is one of 11 songs in Balsang. In Sejongsillok, it is written that Balsang was composed by taking the melody and rhythm of gochwiak (processional music) or hyangak. Thus, it is interesting to know how gochwiak and hyangak, especially Chongsanbyeolgok affected structure and rhythm of Gangbo. As an analytical result of Gangbo and Chongsanbyeolgok, Gangbo consisted of 48 Haeng(line) repeated Chongsanbyeolgok's melody (10 Haeng) by three times. That is, 1-16, 17-32, and 33-48 Haeng of Gangbo excerpted from Cheongsanbyeolgok's melody, and those melodies of Gangbo are same or similar to Chongsanbyeolgok. In this report, Gangbo, one of Balsang's musics in Jos대n Dynasty is proven to be excerpted from the melody of Chongsanbyeolgok in Goryeo Dynasty and repeated.

A Comparative Analysis of Content-based Music Retrieval Systems (내용기반 음악검색 시스템의 비교 분석)

  • Ro, Jung-Soon
    • Journal of the Korean Society for information Management
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    • v.30 no.3
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    • pp.23-48
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    • 2013
  • This study compared and analyzed 15 CBMR (Content-based Music Retrieval) systems accessible on the web in terms of DB size and type, query type, access point, input and output type, and search functions, with reviewing features of music information and techniques used for transforming or transcribing of music sources, extracting and segmenting melodies, extracting and indexing features of music, and matching algorithms for CBMR systems. Application of text information retrieval techniques such as inverted indexing, N-gram indexing, Boolean search, truncation, keyword and phrase search, normalization, filtering, browsing, exact matching, similarity measure using edit distance, sorting, etc. to enhancing the CBMR; effort for increasing DB size and usability; and problems in extracting melodies, deleting stop notes in queries, and using solfege as pitch information were found as the results of analysis.

The Differences in Processing Type of Working Memory in Music Reading between Experts and Novices (악보 읽기에서 나타나는 전문가와 초보자의 작업기억에서의 처리 유형의 차이)

  • 전명훈;한광희
    • Science of Emotion and Sensibility
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    • v.6 no.3
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    • pp.21-28
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    • 2003
  • This study investigated the differences in processing type of working memory between experts and novices when they read music scores. Two experiments were conducted with the articulatory suppression condition. In Experiment 1, eight half notes were shown on the screen for a brief period of time, participants were then requested to write the notes on a music sheet. the stimuli were divided into two: melodious and unmelodious. In similar fashion, Experiment 2 consisted of four-chord sequences, which contained three notes each. The stimuli were also divided into two: harmonious and disharmonious. As an analysis of the results in Experiment 1 & 2, novices commonly showed better performances in the non-articulatory suppression condition than the articulatory suppression condition with both stimuli types. However, experts were relatively affected little by the articulatory suppression with harmonious stimuli. These findings support that while novices entirely depend on the articulatory loop, experts may encode the notes through the visuo-spatial sketchpad before they transfer the information to the phonological store when they are familiar with material.

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The Relationship Between Perception of Prosody, Pitch Discrimination, and Melodic Contour Identification in Cochlear Implants Recipients (인공와우이식 난청인의 말소리 운율변화에 따른 구어 이해와 음도 변별, 선율윤곽 확인 간 관련성)

  • Kim, Eun Yeon;Moon, Il Joon;Cho, Yang-sun;Chung, Won-ho;Hong, Sung Hwa
    • Journal of Music and Human Behavior
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    • v.14 no.2
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    • pp.1-18
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    • 2017
  • The relationships between the ability to understand changes in meaning depending on the prosody of spoken words and the ability to perceive pitch and melodic contour in cochlear implants (CI) recipients were examined. Fifteen postlingual CI recipients were measured in terms of speech prosody perception, speech perception, pitch discrimination (PD), and melody contour identification (MCI). The speech prosody perception test consists of words with positive (PW) and neutral meaning (NW). Participants were asked to identify the meaning of words depending on the conditions of positive and negative prosody. The MCI consists of subtests 1 and 2 with different chance levels to choose. Then, the relationships between speech prosody perception, speech perception, PD, and MCI performance were analyzed. There was a significant difference in identifying the meaning of words expressed in a different prosody between the PW and NW conditions. Speech prosody perception showed a significant correlation with MCI 1 while there was no significant relationship with speech perception. Although speech perception may be possible after CI, limited spoken word comprehension due to decreased sensitivity for prosodic changes may persist in CI recipients. In addition, there was a limitation in perception of melodic contour change compared to pitch discrimination, which is related to speech prosody perception.

Design of a Retrieval System for Digital Music Information (디지털 음악정보 검색 시스템의 설계)

  • 지정규;오해석
    • Proceedings of the Korea Database Society Conference
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    • 1997.10a
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    • pp.425-437
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    • 1997
  • 본 논문은 디지털 도서관에서 임의의 음악정보를 효율적으로 검색하기 위한 시스템을 제안한다. 종래의 전형적인 음악정보 검색 항목인 제목이나 작곡자 또는 주제를 입력하는 것이 아니라, 사용자가 음악 데이터베이스로부터 검색하고자 하는 음악의 일부를 마이크를 통해서 노래한다. 그러면 입력된 선율에 대한 음 신호를 처리하여 음표정보를 인식하고, 이를 바탕으로 음정곡선을 생성하여 이를 탐색 패턴으로 사용한다. 동요를 대상으로 하여 음악 데이터베이스를 생성할 때는 각각의 곡에서 추출한 음정곡선을 이용하여 색인과 메타 데이터를 생성하는데, 색인은 유사 탐색을 용이하게 하기 위해서 Trie 구조를 사용한다. 탐색패턴을 이용해서 메타 데이터를 탐색할 때는 동적 프로그래밍 방법을 이용하여 유사 탐색을 함으로써 노래의 어느 마리를 부르더라도 쉽게 후보곡을 검색할 수 있도록 한다. 통상음악의 첫째 동기를 부르는 경우가 많기 때문에 첫째 악절로 구성한 색인을 먼저 탐색토록하고, 색인에서 탐색을 실패한 경우(음악의 첫째 동기 이후를 부른 경우)에 메타 데이터를 이용한 유사 음표열 탐색을 하도록 하여 효율적인 검색이 되도록 하였다.

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마산해상교통관제구역 내 정박지 추가 지정에 관한 필요성

  • Bong, Sun-Yeong;Lee, Yeong-Si;Kim, U-Hyeon;Lee, Sang-Ho;Park, Yeong-Su
    • Proceedings of the Korean Institute of Navigation and Port Research Conference
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    • 2014.06a
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    • pp.338-340
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    • 2014
  • "정박지"라 함은 기본적인 수역시설의 하나로 선박이 정박할 수 있는 장소로 선박들은 이곳에 투묘함으로써 법적, 물리적 보호를 받게 된다. 정박지는 해당 항만에 입 출항 대기 또는 작업대기 등의 목적을 위해 해당항만에서 지정 고시하여 운영하고 있다. 하지만, 마산항의 정박지의 경우 비상정박지를 제외하고는 흘수 6m이상의 선박이 투묘 대기할 수 있는 정박지가 부재하다. 이런 사정으로 현재 마산항 입항대기 선박 및 작업대기 선박들의 경우 지정된 정박지가 아닌 잠정 정박지와 관습적 정박지에 투묘대기하고 있는 실정이다. 이로 인해 선박 및 관제사 모두 법적, 물리적 보호를 받지 못하고 있다. 따라서 본 조사는 마산항의 현황파악을 통해 항만 운영, 관제운영 및 이용자 측면에서 마산항의 정박지 추가 필요성에 대한 내용을 검토하여 "마산항의 정박지 지정에 관한 연구"의 기초자료로 이용하고자 한다.

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The Imageable Animation produced with inspiration by melodies of a Classical music -No War, 3'55"16K- (클래식음악선율의 영감으로 제작한 이미지애니메이션 -반전, 디지털애니메이션, 3분55초16K-)

  • 김현호
    • Proceedings of the Korea Contents Association Conference
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    • 2003.11a
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    • pp.493-496
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    • 2003
  • An animation is synthesis art. It is very important to synchronize between background music and picture's image. In this animation, B.G.M. is not selected by picture's story to be an abstract images' animation produced with feelings of artist by B.G.M. It is necessary to study & produce various experimental animation to educate in the original work & to develop the Korean animation industry at dept. of animation of University

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Musical Direction Deals with Theremin in Thriller Movie Genre (스릴러 영화에서 테레민 악기의 음악적 연출)

  • Yang, Sun-Kyum;Lee, Seungyon-Seny
    • The Journal of the Korea Contents Association
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    • v.15 no.4
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    • pp.56-64
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    • 2015
  • Music has played an important role in Films. It develops the narrative of the movie and it emotionally pulls the audience into the film. In composing film music, you need to put a bigger emphasis on the Interrelationship between melody, rhythm and harmony. However, to create more tension in the genre of suspense or thrillers, it is possible to direct music with the unique tone color such as theremin machinelike instrument.